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Читать книгу: «Poetical Works of William Cullen Bryant», страница 9

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WILLIAM TELL.10

 
Chains may subdue the feeble spirit, but thee,
Tell, of the iron heart! they could not tame!
For thou wert of the mountains; they proclaim
The everlasting creed of liberty.
That creed is written on the untrampled snow,
Thundered by torrents which no power can hold,
Save that of God, when He sends forth His cold,
And breathed by winds that through the free heaven blow.
Thou, while thy prison-walls were dark around,
Didst meditate the lesson Nature taught,
And to thy brief captivity was brought
A vision of thy Switzerland unbound.
The bitter cup they mingled, strengthened thee
For the great work to set thy country free.
 

THE HUNTER'S SERENADE

 
Thy bower is finished, fairest!
Fit bower for hunter's bride,
Where old woods overshadow
The green savanna's side.
I've wandered long, and wandered far,
And never have I met,
In all this lovely Western land,
A spot so lovely yet.
But I shall think it fairer
When thou art come to bless,
With thy sweet smile and silver voice,
Its silent loveliness.
 
 
For thee the wild-grape glistens
On sunny knoll and tree,
The slim papaya ripens11
Its yellow fruit for thee.
For thee the duck, on glassy stream,
The prairie-fowl shall die;
My rifle for thy feast shall bring
The wild-swan from the sky.
The forest's leaping panther,
Fierce, beautiful, and fleet,
Shall yield his spotted hide to be
A carpet for thy feet.
 
 
I know, for thou hast told me,
Thy maiden love of flowers;
Ah, those that deck thy gardens
Are pale compared with ours.
When our wide woods and mighty lawns
Bloom to the April skies,
The earth has no more gorgeous sight
To show to human eyes.
In meadows red with blossoms,
All summer long, the bee
Murmurs, and loads his yellow thighs,
For thee, my love, and me.
 
 
Or wouldst thou gaze at tokens
Of ages long ago —
Our old oaks stream with mosses,
And sprout with mistletoe;
And mighty vines, like serpents, climb
The giant sycamore;
And trunks, o'erthrown for centuries,
Cumber the forest floor;
And in the great savanna,
The solitary mound,
Built by the elder world, o'erlooks
The loneliness around.
 
 
Come, thou hast not forgotten
Thy pledge and promise quite,
With many blushes murmured,
Beneath the evening light.
Come, the young violets crowd my door,
Thy earliest look to win,
And at my silent window-sill
The jessamine peeps in.
All day the red-bird warbles
Upon the mulberry near,
And the night-sparrow trills her song
All night, with none to hear.
 

THE GREEK BOY

 
Gone are the glorious Greeks of old,
Glorious in mien and mind;
Their bones are mingled with the mould,
Their dust is on the wind;
The forms they hewed from living stone
Survive the waste of years, alone,
And, scattered with their ashes, show
What greatness perished long ago.
 
 
Yet fresh the myrtles there; the springs
Gush brightly as of yore;
Flowers blossom from the dust of kings,
As many an age before.
There Nature moulds as nobly now,
As e'er of old, the human brow;
And copies still the martial form
That braved Platæa's battle-storm.
 
 
Boy! thy first looks were taught to seek
Their heaven in Hellas' skies;
Her airs have tinged thy dusky cheek,
Her sunshine lit thine eyes;
Thine ears have drunk the woodland strains
Heard by old poets, and thy veins
Swell with the blood of demigods,
That slumber in thy country's sods.
 
 
Now is thy nation free, though late;
Thy elder brethren broke —
Broke, ere thy spirit felt its weight —
The intolerable yoke.
And Greece, decayed, dethroned, doth see
Her youth renewed in such as thee:
A shoot of that old vine that made
The nations silent in its shade.
 

THE PAST

 
Thou unrelenting Past!
Strong are the barriers round thy dark domain,
And fetters, sure and fast,
Hold all that enter thy unbreathing reign.
 
 
Far in thy realm withdrawn,
Old empires sit in sullenness and gloom,
And glorious ages gone
Lie deep within the shadow of thy womb.
 
 
Childhood, with all its mirth,
Youth, Manhood, Age that draws us to the ground,
And last, Man's Life on earth,
Glide to thy dim dominions, and are bound.
 
 
Thou hast my better years;
Thou hast my earlier friends, the good, the kind,
Yielded to thee with tears —
The venerable form, the exalted mind.
 
 
My spirit yearns to bring
The lost ones back – yearns with desire intense,
And struggles hard to wring
Thy bolts apart, and pluck thy captives thence.
 
 
In vain; thy gates deny
All passage save to those who hence depart;
Nor to the streaming eye
Thou giv'st them back – nor to the broken heart.
 
 
In thy abysses hide
Beauty and excellence unknown; to thee
Earth's wonder and her pride
Are gathered, as the waters to the sea;
 
 
Labors of good to man,
Unpublished charity, unbroken faith,
Love, that midst grief began,
And grew with years, and faltered not in death.
 
 
Full many a mighty name
Lurks in thy depths, unuttered, unrevered;
With thee are silent fame,
Forgotten arts, and wisdom disappeared.
 
 
Thine for a space are they —
Yet shalt thou yield thy treasures up at last:
Thy gates shall yet give way,
Thy bolts shall fall, inexorable Past!
 
 
All that of good and fair
Has gone into thy womb from earliest time,
Shall then come forth to wear
The glory and the beauty of its prime.
 
 
They have not perished – no!
Kind words, remembered voices once so sweet,
Smiles, radiant long ago,
And features, the great soul's apparent seat.
 
 
All shall come back; each tie
Of pure affection shall be knit again;
Alone shall Evil die,
And Sorrow dwell a prisoner in thy reign.
 
 
And then shall I behold
Him, by whose kind paternal side I sprung,
And her, who, still and cold,
Fills the next grave – the beautiful and young.
 

"UPON THE MOUNTAIN'S DISTANT HEAD."

 
Upon the mountain's distant head,
With trackless snows forever white,
Where all is still, and cold, and dead,
Late shines the day's departing light.
 
 
But far below those icy rocks,
The vales, in summer bloom arrayed,
Woods full of birds, and fields of flocks,
Are dim with mist and dark with shade.
 
 
'Tis thus, from warm and kindly hearts,
And eyes where generous meanings burn,
Earliest the light of life departs,
But lingers with the cold and stern.
 

THE EVENING WIND

 
Spirit that breathest through my lattice, thou
That cool'st the twilight of the sultry day,
Gratefully flows thy freshness round my brow;
Thou hast been out upon the deep at play,
Riding all day the wild blue waves till now,
Roughening their crests, and scattering high their spray,
And swelling the white sail. I welcome thee
To the scorched land, thou wanderer of the sea!
 
 
Nor I alone; a thousand bosoms round
Inhale thee in the fulness of delight;
And languid forms rise up, and pulses bound
Livelier, at coming of the wind of night;
And, languishing to hear thy grateful sound,
Lies the vast inland stretched beyond the sight.
Go forth into the gathering shade; go forth,
God's blessing breathed upon the fainting earth!
 
 
Go, rock the little wood-bird in his nest,
Curl the still waters, bright with stars, and rouse
The wide old wood from his majestic rest,
Summoning from the innumerable boughs
The strange, deep harmonies that haunt his breast:
Pleasant shall be thy way where meekly bows
The shutting flower, and darkling waters pass,
And where the o'ershadowing branches sweep the grass.
 
 
The faint old man shall lean his silver head
To feel thee; thou shalt kiss the child asleep,
And dry the moistened curls that overspread
His temples, while his breathing grows more deep;
And they who stand about the sick man's bed,
Shall joy to listen to thy distant sweep,
And softly part his curtains to allow
Thy visit, grateful to his burning brow.
 
 
Go – but the circle of eternal change,
Which is the life of Nature, shall restore,
With sounds and scents from all thy mighty range,
Thee to thy birthplace of the deep once more;
Sweet odors in the sea-air, sweet and strange,
Shall tell the home-sick mariner of the shore;
And, listening to thy murmur, he shall deem
He hears the rustling leaf and running stream.
 

"WHEN THE FIRMAMENT QUIVERS WITH DAYLIGHT'S YOUNG BEAM."

 
When the firmament quivers with daylight's young beam,
And the woodlands awaking burst into a hymn,
And the glow of the sky blazes back from the stream,
How the bright ones of heaven in the brightness grow dim!
 
 
Oh! 'tis sad, in that moment of glory and song,
To see, while the hill-tops are waiting the sun,
The glittering band that kept watch all night long
O'er Love and o'er Slumber, go out one by one:
 
 
Till the circle of ether, deep, ruddy, and vast,
Scarce glimmers with one of the train that were there;
And their leader, the day-star, the brightest and last,
Twinkles faintly and fades in that desert of air.
 
 
Thus, Oblivion, from midst of whose shadow we came,
Steals o'er us again when life's twilight is gone;
And the crowd of bright names, in the heaven of fame,
Grow pale and are quenched as the years hasten on.
 
 
Let them fade – but we'll pray that the age, in whose flight,
Of ourselves and our friends the remembrance shall die,
May rise o'er the world, with the gladness and light
Of the morning that withers the stars from the sky.
 

"INNOCENT CHILD AND SNOW-WHITE FLOWER."

 
Innocent child and snow-white flower!
Well are ye paired in your opening hour.
Thus should the pure and the lovely meet,
Stainless with stainless, and sweet with sweet.
 
 
White as those leaves, just blown apart;
Are the folds of thy own young heart;
Guilty passion and cankering care
Never have left their traces there.
 
 
Artless one! though thou gazest now
O'er the white blossom with earnest brow,
Soon will it tire thy childish eye;
Fair as it is, thou wilt throw it by.
 
 
Throw it aside in thy weary hour,
Throw to the ground the fair white flower;
Yet, as thy tender years depart,
Keep that white and innocent heart.
 

TO THE RIVER ARVE

SUPPOSED TO BE WRITTEN AT A HAMLET NEAR THE FOOT OF MONT BLANC
 
Not from the sands or cloven rocks,
Thou rapid Arve! thy waters flow;
Nor earth, within her bosom, locks
Thy dark unfathomed wells below.
Thy springs are in the cloud, thy stream
Begins to move and murmur first
Where ice-peaks feel the noonday beam,
Or rain-storms on the glacier burst.
 
 
Born where the thunder and the blast
And morning's earliest light are born,
Thou rushest swoln, and loud, and fast,
By these low homes, as if in scorn:
Yet humbler springs yield purer waves;
And brighter, glassier streams than thine,
Sent up from earth's unlighted caves,
With heaven's own beam and image shine.
 
 
Yet stay; for here are flowers and trees;
Warm rays on cottage-roofs are here;
And laugh of girls, and hum of bees,
Here linger till thy waves are clear.
Thou heedest not – thou hastest on;
From steep to steep thy torrent falls;
Till, mingling with the mighty Rhone,
It rests beneath Geneva's walls.
 
 
Rush on – but were there one with me
That loved me, I would light my hearth
Here, where with God's own majesty
Are touched the features of the earth.
By these old peaks, white, high, and vast,
Still rising as the tempests beat,
Here would I dwell, and sleep, at last,
Among the blossoms at their feet.
 

TO COLE, THE PAINTER, DEPARTING FOR EUROPE

 
Thine eyes shall see the light of distant skies;
Yet, Cole! thy heart shall bear to Europe's strand
A living image of our own bright land,
Such as upon thy glorious canvas lies;
Lone lakes – savannas where the bison roves —
Rocks rich with summer garlands – solemn streams —
Skies, where the desert eagle wheels and screams —
 
 
Spring bloom and autumn blaze of boundless groves.
Fair scenes shall greet thee where thou goest – fair,
But different – everywhere the trace of men,
Paths, homes, graves, ruins, from the lowest glen
To where life shrinks from the fierce Alpine air.
Gaze on them, till the tears shall dim thy sight,
But keep that earlier, wilder image bright.
 

TO THE FRINGED GENTIAN

 
Thou blossom bright with autumn dew,
And colored with the heaven's own blue,
That openest when the quiet light
Succeeds the keen and frosty night.
 
 
Thou comest not when violets lean
O'er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o'er the ground-bird's hidden nest.
 
 
Thou waitest late and com'st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.
 
 
Then doth thy sweet and quiet eye
Look through its fringes to the sky,
Blue – blue – as if that sky let fall
A flower from its cerulean wall.
 
 
I would that thus, when I shall see
The hour of death draw near to me,
Hope, blossoming within my heart,
May look to heaven as I depart.
 

THE TWENTY-SECOND OF DECEMBER

 
Wild was the day; the wintry sea
Moaned sadly on New-England's strand,
When first the thoughtful and the free,
Our fathers, trod the desert land.
 
 
They little thought how pure a light,
With years, should gather round that day;
How love should keep their memories bright,
How wide a realm their sons should sway.
 
 
Green are their bays; but greener still
Shall round their spreading fame be wreathed,
And regions, now untrod, shall thrill
With reverence when their names are breathed.
 
 
Till where the sun, with softer fires,
Looks on the vast Pacific's sleep,
The children of the pilgrim sires
This hallowed day like us shall keep.
 

HYMN OF THE CITY

 
Not in the solitude
Alone may man commune with Heaven, or see,
Only in savage wood
And sunny vale, the present Deity;
Or only hear his voice
Where the winds whisper and the waves rejoice.
 
 
Even here do I behold
Thy steps, Almighty! – here, amidst the crowd
Through the great city rolled,
With everlasting murmur deep and loud —
Choking the ways that wind
'Mongst the proud piles, the work of human kind.
 
 
Thy golden sunshine comes
From the round heaven, and on their dwellings lies
And lights their inner homes;
For them thou fill'st with air the unbounded skies,
And givest them the stores
Of ocean, and the harvests of its shores.
 
 
Thy Spirit is around,
Quickening the restless mass that sweeps along;
And this eternal sound —
Voices and footfalls of the numberless throng —
Like the resounding sea,
Or like the rainy tempest, speaks of Thee.
 
 
And when the hour of rest
Comes, like a calm upon the mid-sea brine,
Hushing its billowy breast —
The quiet of that moment too is thine;
It breathes of Him who keeps
The vast and helpless city while it sleeps.
 

THE PRAIRIES

 
These are the gardens of the Desert, these
The unshorn fields, boundless and beautiful,
For which the speech of England has no name —
The Prairies. I behold them for the first,
And my heart swells, while the dilated sight
Takes in the encircling vastness. Lo! they stretch,
In airy undulations, far away,
As if the ocean, in his gentlest swell,
Stood still, with all his rounded billows fixed,
And motionless forever. – Motionless? —
No – they are all unchained again. The clouds
Sweep over with their shadows, and, beneath,
The surface rolls and fluctuates to the eye;12
Dark hollows seem to glide along and chase
The sunny ridges. Breezes of the South!
Who toss the golden and the flame-like flowers,
And pass the prairie-hawk that, poised on high,13
Flaps his broad wings, yet moves not – ye have played
Among the palms of Mexico and vines
Of Texas, and have crisped the limpid brooks
That from the fountains of Sonora glide
Into the calm Pacific – have ye fanned
A nobler or a lovelier scene than this?
Man hath no power in all this glorious work:
The hand that built the firmament hath heaved
And smoothed these verdant swells, and sown their slopes
With herbage, planted them with island groves,
And hedged them round with forests. Fitting floor
For this magnificent temple of the sky —
With flowers whose glory and whose multitude
Rival the constellations! The great heavens
Seem to stoop down upon the scene in love, —
A nearer vault, and of a tenderer blue,
Than that which bends above our eastern hills.
 
 
As o'er the verdant waste I guide my steed,
Among the high rank grass that sweeps his sides
The hollow beating of his footstep seems
A sacrilegious sound. I think of those
Upon whose rest he tramples. Are they here —
The dead of other days? – and did the dust
Of these fair solitudes once stir with life
And burn with passion? Let the mighty mounds
That overlook the rivers, or that rise
In the dim forest crowded with old oaks,
Answer. A race, that long has passed away,
Built them; – a disciplined and populous race
Heaped, with long toil, the earth, while yet the Greek
Was hewing the Pentelicus to forms
Of symmetry, and rearing on its rock
The glittering Parthenon. These ample fields14
Nourished their harvests, here their herds were fed,
When haply by their stalls the bison lowed,
And bowed his manèd shoulder to the yoke.
All day this desert murmured with their toils,
Till twilight blushed, and lovers walked, and wooed
In a forgotten language, and old tunes,
From instruments of unremembered form,
Gave the soft winds a voice. The red man came —
The roaming hunter tribes, warlike and fierce,
And the mound-builders vanished from the earth.
The solitude of centuries untold
Has settled where they dwelt. The prairie-wolf
Hunts in their meadows, and his fresh-dug den
Yawns by my path. The gopher mines the ground
Where stood their swarming cities. All is gone;
All – save the piles of earth that hold their bones,
The platforms where they worshipped unknown gods,
The barriers which they builded from the soil
To keep the foe at bay – till o'er the walls
The wild beleaguerers broke, and, one by one,
The strongholds of the plain were forced, and heaped
With corpses. The brown vultures of the wood
Flocked to those vast uncovered sepulchres,
And sat unscared and silent at their feast.
Haply some solitary fugitive,
Lurking in marsh and forest, till the sense
Of desolation and of fear became
Bitterer than death, yielded himself to die.
Man's better nature triumphed then. Kind words
Welcomed and soothed him; the rude conquerors15
Seated the captive with their chiefs; he chose
A bride among their maidens, and at length
Seemed to forget – yet ne'er forgot – the wife
Of his first love, and her sweet little ones,
Butchered, amid their shrieks, with all his race.
 
 
Thus change the forms of being. Thus arise
Races of living things, glorious in strength,
And perish, as the quickening breath of God
Fills them, or is withdrawn. The red man, too,
Has left the blooming wilds he ranged so long,
And nearer to the Rocky Mountains, sought
A wilder hunting-ground. The beaver builds
No longer by these streams, but far away,
On waters whose blue surface ne'er gave back
The white man's face – among Missouri's springs,
And pools whose issues swell the Oregon —
He rears his little Venice. In these plains
The bison feeds no more. Twice twenty leagues
Beyond remotest smoke of hunter's camp,
Roams the majestic brute, in herds that shake
The earth with thundering steps – yet here I meet
His ancient footprints stamped beside the pool.
 
 
Still this great solitude is quick with life.
Myriads of insects, gaudy as the flowers
They flutter over, gentle quadrupeds,
And birds, that scarce have learned the fear of man,
Are here, and sliding reptiles of the ground,
Startlingly beautiful. The graceful deer
Bounds to the wood at my approach. The bee,
A more adventurous colonist than man,
With whom he came across the eastern deep,
Fills the savannas with his murmurings,
And hides his sweets, as in the golden age,
Within the hollow oak. I listen long
To his domestic hum, and think I hear
The sound of that advancing multitude
Which soon shall fill these deserts. From the ground
Comes up the laugh of children, the soft voice
Of maidens, and the sweet and solemn hymn
Of Sabbath worshippers. The low of herds
Blends with the rustling of the heavy grain
Over the dark brown furrows. All at once
A fresher wind sweeps by, and breaks my dream,
And I am in the wilderness alone.
 

SONG OF MARION'S MEN.16

 
Our band is few but true and tried,
Our leader frank and bold;
The British soldier trembles
When Marion's name is told.
Our fortress is the good greenwood,
Our tent the cypress-tree;
We know the forest round us,
As seamen know the sea.
We know its walls of thorny vines,
Its glades of reedy grass,
Its safe and silent islands
Within the dark morass.
 
 
Woe to the English soldiery
That little dread us near!
On them shall light at midnight
A strange and sudden fear:
When, waking to their tents on fire,
They grasp their arms in vain,
And they who stand to face us
Are beat to earth again;
And they who fly in terror deem
A mighty host behind,
And hear the tramp of thousands
Upon the hollow wind.
 
 
Then sweet the hour that brings release
From danger and from toil:
We talk the battle over,
And share the battle's spoil.
The woodland rings with laugh and shout,
As if a hunt were up,
And woodland flowers are gathered
To crown the soldier's cup.
With merry songs we mock the wind
That in the pine-top grieves,
And slumber long and sweetly
On beds of oaken leaves.
 
 
Well knows the fair and friendly moon
The band that Marion leads —
The glitter of their rifles,
The scampering of their steeds.
'Tis life to guide the fiery barb
Across the moonlight plain;
'Tis life to feel the night-wind
That lifts the tossing mane.
A moment in the British camp —
A moment – and away
Back to the pathless forest,
Before the peep of day.
 
 
Grave men there are by broad Santee,
Grave men with hoary hairs;
Their hearts are all with Marion,
For Marion are their prayers.
And lovely ladies greet our band
With kindliest welcoming,
With smiles like those of summer,
And tears like those of spring.
For them we wear these trusty arms,
And lay them down no more
Till we have driven the Briton,
Forever, from our shore.
 
10.Neither this, nor any of the other sonnets in the collection, with the exception of the one from the Portuguese, is framed according to the legitimate Italian model, which, in the author's opinion, possesses no peculiar beauty for an ear accustomed only to the metrical forms of our own language. The sonnets in this collection are rather poems in fourteen lines than sonnets.
11.Papaya – papaw, custard-apple. Flint, in his excellent work on the Geography and History of the Western States, thus describes this tree and its fruit:
  "A papaw-shrub hanging full of fruits, of a size and weight so disproportioned to the stem, and from under long and rich-looking leaves, of the same yellow with the ripened fruit, and of an African luxuriance of growth, is to us one of the richest spectacles that we have ever contemplated in the array of the woods. The fruit contains from two to six seeds like those of the tamarind, except that they are double the size. The pulp of the fruit resembles egg-custard in consistence and appearance. It has the same creamy feeling in the mouth, and unites the taste of eggs, cream, sugar, and spice. It is a natural custard, too luscious for the relish of most people."
  Chateaubriand, in his Travels, speaks disparagingly of the fruit of the papaw; but on the authority of Mr. Flint, who must know more of the matter, I have ventured to make my Western lover enumerate it among the delicacies of the wilderness.
12.The prairies of the West, with an undulating surface, rolling prairies, as they are called, present to the unaccustomed eye a singular spectacle when the shadows of the clouds are passing rapidly over them. The face of the ground seems to fluctuate and toss like billows of the sea.
13.I have seen the prairie-hawk balancing himself in the air for hours together, apparently over the same spot; probably watching his prey.
14.The size and extent of the mounds in the valley of the Mississippi indicate the existence, at a remote period, of a nation at once populous and laborious, and therefore probably subsisting by agriculture.
15.Instances ace not wanting of generosity like this among the North American Indians toward a captive or survivor of a hostile tribe on which the greatest cruelties had been exercised.
16.The exploits of General Francis Marion, the famous partisan warrior of South Carolina, form an interesting chapter in the annals of the American Revolution. The British troops were so harassed by the irregular and successful warfare which he kept up at the head of a few daring followers, that they sent an officer to remonstrate with him for not coming into the open field and fighting "like a gentleman and a Christian."
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Дата выхода на Литрес:
27 июня 2017
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