Читать книгу: «The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 332, September 20, 1828», страница 4

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A wet day in London is what every gentleman who does not read, or does not recollect, Shakspeare, calls a bore,4 and every lady decides to be a nuisance. Abroad, everything is discomfiture; at home all is fidget and uneasiness. What is called a smart shower, sweeps off a whole stand of hackney-coaches in a few seconds, and leaves a few leathern conveniences called cabriolets, so that your only alternative is that of being soaked to the skin, or pitched out, taken up, bled, and carried home in "a state of insensibility." The Spanish proverb, "it never rains but it pours" soon comes to pass, and every street is momentarily washed as clean as the most diligent housemaid could desire. Every little shelter is crowded with solitary, houseless-looking people, who seem employed in taking descriptions of each other for the Hue and Cry, or police gazette. On the pavement may probably be seen some wight who with more than political obstinacy, resolves to "weather the storm," with slouched hat, which acts upon the principle of capillary attraction, drenched coat, and boots in which the feet work like pistons in tannin: now

 
The reeling clouds,
Stagger with dizzy poise, as doubting yet,
Which master to obey.
 

Company, in such cases, usually increases the misery. Your wife, with a new dress, soon loses her temper and its beauty; the children splash you and their little frilled continuations; and ill-humour is the order of the day; for on such occasions you cannot slip into a tavern, and follow Dean Swift's example:

 
On rainy days alone I dine,
Upon a chick, and pint of wine:
On rainy days I dine alone,
And pick my chicken to the bone.
 

Go you to the theatre in what is called a wet season, and perhaps after sitting through a dull five-act tragedy and two farces, your first solicitude is about the weather, and as if to increase the vexation, you cannot see the sky for a heavy portico or blind; then the ominous cry of "carriage, your honour"—"what terrible event does this portend"—and you have to pick your way, with your wife like Cinderella after the ball, through an avenue of link-boys and cadmen,5 and hear your name and address bawled out to all the thieves that happen to be present. Or, perchance, the coachman, whose inside porosity is well indicated by his bundle of coats, as Dr. Kitchiner says, is labouring under "the unwholesome effervescence of the hot and rebellious liquors which have been taken to revive the flagging spirits," and like a sponge, absorbs liquids, owing to the pressure of the surrounding air.

That we are attached to wet weather, a single comparison with our neighbours will abundantly prove. A Frenchman seldom stirs abroad without his parapluie; notwithstanding he is, compared with an Englishman, an al fresco animal, eating, drinking, dancing, reading, and seeing plays—all out of doors. A shower is more effectual in clearing the streets of Paris than those of London. People flock into cafés, the arcades of the Palais Royal, and splendid covered passages; and as soon as the rain ceases, scores of planks are thrown across the gutters in the centre of the streets, which species of pontooning is rewarded by the sous and centimes of the passengers. In Switzerland too, where the annual fall of rain is 40 inches, the streets are always washed clean, an effect which is admirably represented in the view of Unterseen, now exhibiting at the Diorama. But in Peru, the Andes intercept the clouds, and the constant heat over sandy deserts prevents clouds from forming, so that there is no rain. Here it never shines but it burns.

Wet-weather in the country is, however, a still greater infliction upon the sensitive nerves. There is no club-house, coffee-room, billiard-room, or theatre, to slip into; and if caught in a shower you must content yourself with the arcades of Nature, beneath which you enjoy the unwished-for luxury of a shower bath. Poor Nature is drenched and drowned; perhaps never better described than by that inveterate bard of Cockaigne, Captain Morris:

 
Oh! it settles the stomach when nothing is seen
But an ass on a common, or goose on a green.
 

We were once overtaken by such weather in a pedestrian tour through the Isle of Wight, when just then about to leave Niton for a geological excursion to the Needles. Reader, if you remember, the Sandrock Hotel is one of the most rural establishments in the island. Think of our being shut up there for six hours, with a thin duodecimo guide of less than 100 pages, which some mischievous fellow had made incomplete. How often did we read and re-read every line, and trace every road in the little map. At length we set off on our return to Newport. The rain partially ceased, and we were attracted out of the road to Luttrell's Tower, whence we were compelled to seek shelter in a miserable public-house in a village about three miles distant. No spare bed, a wretched smoky fire; and hard beer, and poor cheese, called Isle of Wight rock, were all the accommodation our host could provide. His parlour was just painted; but half-a-dozen sectarian books and an ill-toned flute amused us for an hour; then we again started, in harder rain than ever, for Newport. Compelled to halt twice, we saw some deplorable scenes of cottage misery, almost enough to put us out of conceit of rusticity, till after crossing a bleak, dreary heath, we espied the distant light of Newport. Never had we beheld gas light with such ecstasy, not even on the first lighting of St. James's Park. It was the eve of the Cowes' regatta, and the town was full; but our luggage was there, and we were secure. A delicious supper at the Bugle, and liberal outpourings of Newport ale, at length put us in good humour with our misfortunes; but on the following morning we hastened on to Ryde, and thus passed by steam to Portsmouth; having resolved to defer our geological expedition to that day twelve months. Perhaps we may again touch on this little journey. We have done for the present, lest our number should interrupt the enjoyment of any of the thousand pedestrians who are at this moment tracking

 
The slow ascending hill, the lofty wood
That mantles o'er its brow.
 

or coasting the castled shores and romantic cliffs of Vectis, or the Isle of Wight.

PHILO.

MANNERS & CUSTOMS OF ALL NATIONS

DUELS IN FRANCE

Duels had at one time become so frequent in France as to require particular enactments for their prevention; as, for example, when the debt about which any dispute occurred did not amount to five-pence. The regulation of the mode in which the barbarous custom might be maintained had engaged the attention of several of the French kings. In 1205, Philip Augustus restricted the length of the club, with which single combat was then pursued, to three feet; and in 1260, Saint Louis abolished the practice of deciding civil matters by duelling. With the revival of literature and of the arts, national manners became ameliorated, and duels necessarily declined. It was still, however, not unusual for the French to promote or to behold those single combats over which the pages of romance have thrown a delusive charm, and which were, in early times, hallowed, in the opinion of the vulgar, by their accompanying superstitious ceremonies. When any quarrel had been referred to this mode of decision, the parties met on the appointed day, and frequently in an open space, overshadowed by the walls of a convent, which thus lent its sanction to the bloody scene. From day-break the people were generally employed in erecting scaffolds and stages, and in placing themselves upon the towers and ramparts of the adjacent buildings. About noon, the cavalcade was usually seen to arrive at the door of the lists; then the herald cried, "Let the appellant appear," and his summons was answered by the entrance of the challenger, armed cap-a-pie, the escutcheon suspended from his neck, his visor lowered, and an image of some national saint in his hand. He was allowed to pass within the lists, and conducted to his tent. The accused person likewise appeared, and was led in the same manner to his tent. Then the herald, in his robe embroidered with fleur-de-lis, advanced to the centre of the lists, and exclaimed, "Oyez, oyez! lords, knights, squires, people of all condition, our sovereign lord, by the grace of God, King of France, forbids you, on pain of death or confiscation of goods, either to cry out, to speak, to cough, to spit, or to make signs." During a profound silence, in which nothing but the murmurs of the unconscious streamlet, or the chirping of birds might be heard, the combatants quitted their tents, to take individually the two first oaths. When the third oath was to be administered, it was customary for them to meet, and for the marshal to take the right hand of each and to place it on the cross. Then the functions of the priest began, and the usual address, endeavouring to conciliate the angry passions of the champions, and to remind them of their common dependence on the Supreme Being, may have tended to benefit the bystanders, although it generally failed of its effect with the combatants.

If the parties persisted, the last oath was administered. The combatants were obliged to swear solemnly that they had neither about them nor their horses, stone, nor herb, nor charm, nor invocation; and that they would fight only with their bodily strength, their weapons, and their horses. The crucifix and breviary were then presented to them to kiss, the parties retired into their tents, the heralds uttering their last admonition to exertion and courage, and the challengers rushed forth from their tents, which were immediately dragged from within the lists. Then the marshal of the field having cried out, "Let them pass, let them pass," the seconds retired. The combatants instantly mounted their horses, and the contest commenced.—Foreign Review.

4.This expression is not the exclusive property of Oxford, Cambridge, or the Horse Guards. See Shakspeare's Henry VIII, where the Duke of Buckingham says of Wolsey, "He bores me with some trick;" like another great man, the Cardinal must have been a great bore.
5.Towards the close of the last opera season we heard a ludicrous mistake. One of these fellows bawled out "the Duke of Grafton's carriage;" "No," replied the gentleman, smiling, and correcting the officious cadman, who had caught at the noble euphony, "Mr. Crafter's."
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