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Mr. Fuller's life was constantly swayed by circumstances, and through it all he was impelled to steps which he might never have taken of his own accord. He was drawn by influences that he could not control into his fruitful course of study and experience at Deerfield, where his farm gave him support, and permitted him to indulge in an unembarrassed practice of his art; then, when his time was ripe, he was driven by the sharp lash of financial embarrassment into the world again. Eight years ago he reappeared in Boston, with about a dozen paintings of landscapes, ideal heads, and small figures, which were exhibited and promptly sold amid every expression of interest and favor. Confirmed and strengthened in his belief by this success, he again established his studio here, and began that series of remarkable works which have given him a place among the greatest of American painters. The touch of popular favor quickened him into a lofty and quiet enthusiasm, and stimulated both his imagination and his descriptive powers. During all his experience at Deerfield a certain lack of self-confidence seems to have prevented him from making any large endeavor, but with his convictions endorsed by the public, he attempted at once to labor on a more ambitious scale. He broadened his canvases, and increased the size of his figures and landscapes, and where he was before sweet and inviting, became strong and impressive, yet still holding all his former qualities. The first year of his new residence in Boston saw the production of The Dandelion Girl, a light-hearted, careless creature, full of a life that had no touch of responsibility, and descriptive of a joyous and ephemeral mood. A long step forward was taken in The Romany Girl, which immediately followed,—a work full of fire and freedom, strongly personal in suggestion, and marked by a wild and impatient individuality which revealed in the girl the impression of a lawless ancestry, that somehow and somewhere had felt the action of a finer strain of blood. The next year Fuller reached the highest point of his inspiration and power in The Quadroon, a work which is likely to be held for all time as his masterpiece, so far as strength of idea, importance of motive, and vivid force of description are concerned. Without violence, even without expression of action, but simply by a pair of haunting eyes, a beautiful, despairing face, and a form confessing utter weariness and abandonment of hope, he revealed all the national shame of slavery, and its degradation of body and soul. Every American cannot but blush to look upon it, so simple and dignified is its rebuke of the nation's long perversity and guilt. The artist's next important effort was the famous Winifred Dysart, as far removed in purpose from The Quadroon as it could well be, yet akin to it by its added testimony to the painter's constant sympathy with weak and beseeching things, and worthy to stand at an equal height with the picture of the slave by virtue of its beauty of conception, loveliness of character, and pathetic appeal to the interest. It was in all respects as typical and comprehensive as The Quadroon itself, holding within its face and figure all the sweetness and innocence of New-England girlhood, yet with the shadow of an uncongenial experience brooding over it, and perhaps of inherited weakness and early death. And the wonder of it all was that the girl had no sign about herself of longing or discontent; she was not of a nature to anticipate or dream, and the spectator's interest was intensified at seeing in her and before her what she herself did not perceive. That art can give such power of suggestion to its creations is a marvel and a delight.

Following these two works—and at some distance, although near enough to confirm and even increase the painter's fame—came the Priscilla, Evening; Lorette, Nydia, Boy and Bird, Hannah, Psyche, and others, ending this year with the Arethusa, whose glowing and chastened loveliness makes it his strongest purely artistic work, and confirms the technical value of his method as completely as The Quadroon and Winifred Dysart do his habit of thought. He painted innumerable landscapes, portraits, and ideal heads, and in figure compositions produced, among others, two works of great and permanent value, the And She Was a Witch, and The Gatherer of Simples, to whose absorbing interest all who have studied them closely will confess. The latter, particularly, is of importance as showing how carefully Fuller studied into the secret of expression, and of nature's sympathy with human moods. This poor, worn, sad, old face, in which beauty and hope shone once, and where resignation and memory now dwell; this trembling figure, to whose decrepitude the bending staff confesses as she totters down the hill; the gathering gloom of the sky, in which one ray of promise for a bright to-morrow shines from the setting sun; the mute witnessing of the trees upon the hill, which have seen her pass and repass from joyful youth to lonely age, and even her eager grasp upon the poor treasure of herbs that she bears,—all these items of the scene impress one with a sympathy whose keenness is even bitter, and excite a deep respect and love for the man who could paint with so much simplicity and power. It is not strange that when the news of his death became known, many who had never seen him, but had studied the pictures in his latest exhibition, should have come, with tears in their eyes, to the studios which neighbored his, to learn something of his history.

Such works are not struck out in a heat, but grow and develop like human lives, and it will not surprise many to know that most of them were labored on for years. With Fuller, a picture was never completed. His idea was constantly in advance of his work, and persisted in new suggestions, so that the Winifred Dysart was two years in the painting, the Arethusa five, and The Gatherer of Simples and the Witch, after an even longer course of labor, were held by him at his death as not yet satisfactory. The figures in the two works last mentioned have suffered almost no change since first put upon the canvas, but they have from time to time appeared in at least a dozen different landscapes, and would doubtless have been placed in as many more before he had satisfied his fastidious and exacting taste.

The artist found as much difficulty in naming his pictures when they were done as he did in painting them. It is a prevalent, but quite erroneous, impression that his habit was to select a subject from some literary work, and then attempt to paint it in the light of the author's ideas. His practice exactly reversed this method: he painted his picture first, and then tried to evolve or find a name that would fit it. The name Winifred Dysart, which is without literary origin or meaning, and yet in some strange way seems the only proper title for the work to which it is attached, came out of the artist's own mind. His Priscilla was started as an Elsie Venner, but he found it impossible to work upon the lines another had laid down without too much cramping his own fancy; when half done he thought of calling it Lady Wentworth, and at last gave it its present name by chance of having taken up The Blithedale Romance, and noting with pleased surprise how closely Hawthorne's account of his heroine fitted his own creation. The Nydia was started with the idea of presenting the helplessness of blindness, with a hint of the exaltation of the other senses that is consequent upon the loss of sight, and showed at first merely a girl groping along a wall in search of a door; and the Arethusa was the outgrowth of a general inspiration caused by a reading of Spenser's Faerie Queen, and did not receive its present very appropriate name until its exhibition made some designation necessary.

I have devoted this study on of Mr. Fuller to his quality as an artist rather than to his character as a man, but shall have written in vain if some hint has not been given of the loveliness of his disposition, the modesty of his spirit, the chaste force of his mind. A man inevitably paints as he himself is, and shows his nature in his works: Fuller's pictures are founded upon purity of thought, and painted with dignity and single-heartedness, and the grace of his life dwells in them.

[GEORGE FULLER was born in Deerfield, Massachusetts, in 1822. He was descended from old Puritan stock, and his ancesters were among the early settlers of the Connecticut River valley. He inherited a taste for art, as an uncle and several other relatives of the previous generation were painters, although none of them attained any particular reputation. He began painting by himself at the age of about sixteen years, and at the age of twenty entered the studio of Henry K. Brown, of Albany, New York, where he received his first and only direct instruction. His work, until the age of about forty years, was almost entirely devoted to portraits; but he is best known, and will be longest remembered, for his ideal work in figure and landscape painting, which he entered upon about 1860, but did not make his distinctive field until 1876. From the latter date, to the time of his death, he painted many important works, and was pecuniarily successful. He received probably the largest prices ever paid to an American artist for single figures: $3,000 for the Winifred Dysart, and $4,000 each for the Priscilla and Evening; Lorette. He died in Boston on the twenty-first of March, 1884, leaving a widow, four sons, and a daughter. During May, a memorial exhibition of his works was held at the Museum of Fine Arts.—EDITOR.]

THE LOYALISTS OF LANCASTER

By HENRY S. NOURSE

The outburst of patriotic rebellion in 1775 throughout Massachusetts was so universal, and the controversy so hot with the wrath of a people politically wronged, as well as embittered by the hereditary rage of puritanism against prelacy, that the term tory comes down to us in history loaded with a weight of opprobrium not legitimately its own. After the lapse of a hundred years the word is perhaps no longer synonymous with everything traitorous and vile, but when it is desirable to suggest possible respectability and moral rectitude in any member of the conservative party of Revolutionary days, it must be done under the less historically disgraced title,—loyalist. In fact, then, as always, two parties stood contending for principles to which honest convictions made adherents. If among the conservatives were timid office-holders and corrupt self-seekers, there were also of the Revolutionary party blatant demagogues and bigoted partisans. The logic of success, though a success made possible at last only by exterior aid, justified the appeal to arms begun in Massachusetts before revolt was prepared or thought imminent elsewhere. Now, to the careful student of the situation, it seems among the most premature and rash of all the rebellions in history. But for the precipitancy of the uprising, and the patriotic frenzy that fired the public heart at news of the first bloodshed, many ripe scholars, many soldiers of experience, might have been saved to aid and honor the republic, instead of being driven into ignominious exile by fear of mob violence and imprisonment, and scourged through the century as enemies of their country. In and about Lancaster, then the largest town in Worcester County, the royalist party was an eminently respectable minority. At first, indeed, not only those naturally conservative by reason of wealth, or pride of birthright, but nearly all the intellectual leaders, both ecclesiastic and civilian, deprecated revolt as downright suicide. They denounced the Stamp Act as earnestly, they loved their country in which their all was at stake as sincerely, as did their radical neighbors. Some of them, after the bloody nineteenth of April, acquiesced with such grace as they could in what they now saw to be inevitable, and tempered with prudent counsel the blind zeal of partisanship: thus ably serving their country in her need. Others would have awaited the issue of events as neutrals; but such the committees of safety, or a mob, not unnaturally treated as enemies.

On the highest rounds of the social ladder stood the great-grandsons of Major Simon Willard, the Puritan commander in the war of 1675. These three gentlemen had large possessions in land, were widely known throughout the Province, and were held in deserved esteem for their probity and ability. They were all royalists at heart, and all connected by marriage with royalist families. Abijah Willard, the eldest, had just passed his fiftieth year. He had won a captaincy before Louisburg when but twenty-one, and was promoted to a colonelcy in active service against the French; was a thorough soldier, a gentleman of stately presence and dignified manners, and a skilful manager of affairs. For his first wife, he married Elizabeth, sister of Colonel William Prescott; for his second, Mrs. Anna Prentice, but had recently married a third partner, Mrs. Mary McKown, of Boston. He was the wealthiest citizen of Lancaster, kept six horses in his stables, and dispensed liberal hospitality in the mansion inherited from his father Colonel Samuel Willard. By accepting the appointment of councillor in 1774, he became at once obnoxious to the dominant party, and in August, when visiting Connecticut on business connected with his large landed interests there, he was arrested by the citizens of the town of Union, and a mob of five hundred persons accompanied him over the state line intending to convey him to the nearest jail. Whether their wrath became somewhat cooled by the colonel's bearing, or by a six-mile march, they released him upon his signing a paper dictated to him, of which the following is a copy, printed at the time in the Boston Gazette:—

STURBRIDGE, August 25, 1774.

Whereas I Abijah Willard, of Lancaster, have been appointed by mandamus Counselor for this province, and have without due Consideration taken the Oath, do now freely and solemnly and in good faith promise and engage that I will not set or act in said Council, nor in any other that shall be appointed in such manner and form, but that I will, as much as in me lies, maintain the Charter Rights and Liberties of the Province, and do hereby ask forgiveness of all the honest, worthy Gentlemen that I have offended by taking the abovesaid Oath, and desire this may be inserted in the public Prints. Witness my Hand

ABIJAH WILLARD.

From that time forward Colonel Willard lived quietly at home until the nineteenth of April, 1775; when, setting out in the morning on horseback to visit his farm in Beverly, where he had planned to spend some days in superintending the planting, he was turned from his course by the swarming out of minute-men at the summons of the couriers bringing the alarm from Lexington, and we next find him with the British in Boston. He never saw Lancaster again. It is related that, on the morning of the seventeenth of June, standing with Governor Gage, in Boston, reconnoitring the busy scene upon Bunker's Hill, he recognized with the glass his brother-in-law Colonel William Prescott, and pointed him out to the governor, who asked if he would fight. The answer was: "Prescott will fight you to the gates of hell!" or, as another historian more mildly puts it: "Ay, to the last drop of his blood." Colonel Willard knew whereof he testified, for the two colonels had earned their commissions together in the expeditions against Canada. An officer of so well-known skill and experience as Abijah Willard was deemed a valuable acquisition, and he was offered a colonel's commission in the British army, but refused to serve against his countrymen, and at the evacuation of Boston went to Halifax, having been joined by his own and his brother's family. In 1778, he was proscribed and banished. Later in the war he joined the royal army, at Long Island, and was appointed commissary; in which service it was afterwards claimed by his friends that his management saved the crown thousands of pounds. A malicious pamphleteer of the day, however, accused him of being no better than others, and alleging that whatever saving he effected went to swell his own coffers. Willard's name stands prominent among the "Fifty-five" who, in 1783, asked for large grants of land in Nova Scotia as compensation for their losses by the war. He chose a residence on the coast of New Brunswick, which he named Lancaster in remembrance of his beloved birthplace, and there died in May, 1789, having been for several years an influential member of the provincial council. His family returned to Lancaster, recovered the old homestead, and, aided by a small pension from the British government, lived in comparative prosperity. The son Samuel died on January 1, 1856, aged ninety-six years and four months. His widowed sister, Mrs. Anna Goodhue, died on August 2, 1858, at the age of ninety-five. Memories of their wholly pleasant and beneficent lives, abounding in social amenities and Christian graces, still linger about the old mansion.

Levi Willard was three years the junior of Abijah. He had been collector of excise for the county, held the military rank of lieutenant-colonel, and was justice of the peace. With his brother-in-law Captain Samuel Ward he conducted the largest mercantile establishment in Worcester County at that date. He had even made the voyage to England to purchase goods. Although not so wealthy as his brother, he might have rivaled him in any field of success but for his broken health; and he was as widely esteemed for his character and capacity. At the outbreak of hostilities he was too ill to take active part on either side, but his sympathies were with his loyalist kindred. He died on July 11, 1775. His partner in business, Captain Samuel Ward, cast his lot with the patriot party, but his son, Levi Willard, Jr., graduated at Harvard College in 1775, joined his uncle Abijah, and went to England and there remained until 1785, when he returned and died five years later.

Abel Willard, though equally graced by nature with the physical gifts that distinguished his brothers, unlike them chose the arts of peace rather than those of war. He was born at Lancaster on January 12, 1731-2, and was graduated at Harvard College in 1752, ranking third in the class. His wife was Elizabeth Rogers, daughter of the loyalist minister of Littleton. His name was affixed to the address to Governor Gage, June 21, 1774, and he was forced to sign, with the other justices, a recantation of the aspersions cast upon the people in that address. He has the distinction of being recorded by the leading statesman of the Revolution—John Adams—as his personal friend. So popular was Abel Willard and so well known his character as a peacemaker and well-wisher to his country, that he might have remained unmolested and respected among his neighbors in spite of his royalist opinions; but, whether led by family ties or natural timidity, he sought refuge in Boston, and quick-coming events made it impossible for him to return. At the departure of the British forces for Halifax, he accompanied them. A letter from Edmund Quincy to his daughter Mrs. Hancock, dated Lancaster, March 26, 1776, contains a reference to him: … "Im sorry for poor Mrs Abel Willard your Sisters near neighbour & Friend. Shes gone we hear with her husband and Bro and sons to Nova Scotia P'haps in such a situation and under such circumstances of Offense respecting their Worsr Neighbours as never to be in a political capacity of returning to their Houses unless wth power & inimical views wch God forbid should ever be ye Case."

In 1778, the act of proscription and banishment included Abel Willard's name. His health gave way under accumulated trouble, and he died in England in 1781.

The estates of Abijah and Abel Willard were confiscated. In the Massachusetts Archives (cliv, 10) is preserved the anxious inquiry of the town authorities respecting the proper disposal of the wealth they abandoned.

To the Honourable Provincial Congress now holden at Watertown in the Proviance of the Massachusetts Bay.

We the subscribers do request and desire that you would be pleased to direct or Inform this proviance in General or the town of Lancaster in Partickeler what is best to be done with the Estates of those men which are Gone from their Estates to General Gage and to whose use they shall Improve them whether for the proviance or the town where sd Estate is.

EBENEZER ALLEN,

CYRUS FAIRBANK,

SAMLL THURSTON,

The Selectmen of Lancaster.

Lancaster June 7 day 1775.

The Provincial Congress placed the property in question in the hands of the selectmen and Committee of Safety to improve, and instructed them to report to future legislatures. Finally, Cyrus Fairbank is found acting as the local agent for confiscated estates of royalists in Lancaster, and his annual statements are among the archives of the State. His accounts embrace the estates of "Abijah Willard, Esq., Abel Willard, Esq., Solomon Houghton, Yeoman, and Joseph Moore Gent." The final settlement of Abel Willard's estate, October 26, 1785, netted his creditors but ten shillings, eleven pence to the pound. The claimants and improvers probably swallowed even the larger estate of Abijah Willard, leaving nothing to the Commonwealth.

Katherine, the wife of Levi Willard, was the sister, and Dorothy, wife of Captain Samuel Ward, the daughter, of Judge John Chandler, "the honest Refugee." These estimable and accomplished ladies lived but a stone's throw apart, and after the death of Levi Willard there came to reside with them an elder brother of Mrs. Ward, one of the most notable personages in Lancaster during the Revolution. Clark Chandler was a dapper little bachelor about thirty-two years of age, eccentric in person, habits, and dress. Among other oddities of apparel, he was partial to bright red small-clothes. His tory principles and singularities called down upon him the jibes of the patriots among whom his lot was temporarily cast, but his ready tongue and caustic wit were sufficient weapons of defence. In 1774, as town clerk of Worcester, he recorded a protest of forty-three royalist citizens against the resolutions of the patriotic majority. This record he was compelled in open town meeting to deface, and when he failed to render it sufficiently illegible with the pen, his tormentors dipped his fingers into the ink and used them to perfect the obliteration. He fled to Halifax, but after a few months returned, and was thrown into Worcester jail. The reply to his petition for release is in Massachusetts Archives (clxiv, 205).

Colony of the Massachusetts Bay. By the Major part of the Council of said Colony. Whereas Clark Chandler of Worcester has been Confined in the Common Prison at Worcester for holding Correspondence with the enemies of this Country and the said Clark having humbly petitioned for an enlargement and it having been made to appear that his health is greatly impaired & that the Publick will not be endangered by his having some enlargement, and Samuel Ward, John Sprague, & Ezekiel Hull having Given Bond to the Colony Treasurer in the penal sum of one thousand Pounds, for the said Clarks faithful performance of the order of Council for his said enlargement, the said Clark is hereby permitted to go to Lancaster when his health will permit, and there to continue and not go out of the Limits of that Town, he in all Respects Conforming himself to the Condition in said Bond contained, and the Sheriff of said County of Worcester and all others are hereby Directed to permit the said Clark to pass unmolested so long as he shall conform himself to the obligations aforementioned. Given under our Hands at ye Council Chambers in Watertown the 15 Day of Dec. Anno Domini 1775.

By their Honors Command,

James Prescott

Wm Severs

Cha Channey

B. Greenleaf

M. Farley

W. Spooner

Moses Gill

Caleb Cushing

J. Palmer

J. Winthrop

Eldad Taylor

John Whitcomb

B. White

Jedn Foster

B. Lincoln

Perez Morton

Dpt Secry.

The air of Lancaster, which proved so salubrious to the pensioners of the British government before named, grew oppressive to this tory bachelor, as we find by a lengthy petition in Massachusetts Archives (clxxiii, 546), wherein he begs for a wider range, and especially for leave to go to the sea-shore. A medical certificate accompanies it.

LANCASTER, OCT. 25. 1777

This is to inform whom it may Concern that Mr. Clark Chandler now residing in this Town is in such a Peculiar Bodily Indisposition as in my opinion renders it necessary for him to take a short Trip to the Salt Water in order to assist in recovering his Health.

JOSIAH WILDER Phn.

He was allowed to visit Boston, and to wander at will within the bounds of Worcester County. He returned to Worcester, and there died in 1804.

Joseph Wilder, Jr., colonel, and judge of the court of common pleas of Worcester County,—as his father had been before him,—was prominent among the signers of the address to General Gage. He apologized for this indiscretion, and seems to have received no further attention from the Committee of Safety. In the extent of his possessions he rivaled Abijah Willard, having increased a generous inheritance by the profits of very extensive manufacture and export of pearlash and potash: an industry which he and his brother Caleb were the first to introduce into America. He was now nearly seventy years of age, and died in the second year of the war.

Joseph House, at the evacuation of Boston, went with the army to Halifax. He was a householder, but possessed no considerable estate in Lancaster. In 1778, his name appears among the proscribed and banished.

The Lancaster committee of correspondence, July 17, 1775, published Nahum Houghton as "an unwearied pedlar of that baneful herb tea," and warned all patriots "to entirely shun his company and have no manner of dealings or connections with him except acts of common humanity." A special town meeting was called on June 30, 1777, chiefly "to act on a Resolve of the General Assembly Respecting and Securing this and the other United States against the Danger to which thay are Exposed by the Internal Enemies Thereof, and to Elect some proper person to Collect such evidence against such Persons as shall be demed by athority as Dangerous persons to this and the other United States of America." At this meeting Colonel Asa Whitcomb was chosen to collect evidence against suspected loyalists, and Moses Gerrish, Daniel Allen, Ezra Houghton, Joseph Moor, and Solomon Houghton, were voted "as Dangerous Persons and Internal Enemies to this State." On September 12 of the same year, apparently upon a report from Colonel Asa Whitcomb, it was voted that Thomas Grant, James Carter, and the Reverend Timothy Harrington, "Stand on the Black List." It was also ordered that the selectmen "Return a List of these Dangerous Persons to the Clerk, and he to the Justice of the Quorum as soon as may be." This action of the extremists seems to have aroused the more conservative citizens, and another meeting was called, on September 23, for the purpose of reconsidering this ill-advised and arbitrary proscription, at which meeting the clerk was instructed not to return the names of James Carter and the Reverend Timothy Harrington before the regular town meeting in November.

Thomas Grant was an old soldier, having served in the French and Indian War, and, if a loyalist, probably condoned the offence by enlisting in the patriot army; his name is on the muster-roll of the Rhode Island expedition in 1777, and in 1781 he was mustered into the service for three years. He was about fifty years of age, and a poor man, for the town paid bills presented "for providing for Tom Grant's Family."

Moses Gerrish was graduated at Harvard College in 1762, and reputed a man of considerable ability. Enoch Gerrish, perhaps a brother of Moses, was a farmer in Lancaster who left his home, was arrested and imprisoned in York County, and thence removed for trial to Worcester by order of the council, May 29, 1778. The following letter uncomplimentary to these two loyalists is found in Massachusetts Archives (cxcix, 278).

Sir. The two Gerrishes Moses & Enoch, that ware sometime since apprehended by warrant from the Council are now set at Libberty by reason of that Laws Expiring on which they were taken up. I would move to your Honrs a new warrant might Isue, Directed to Docr. Silas Hoges to apprehend & confine them as I look upon them to be Dangerous persons to go at large. I am with respect your Honrs. most obedient Hum. Sert.

JAMES PRESCOTT.

Groton 12 of July 1778.

To the Hone Jereh. Powel Esq.

An order for their rearrest was voted by the council. Moses Gerrish finally received some position in the commissary department of the British army, and, when peace was declared, obtained a grant of free tenancy of the island of Grand Menan for seven years. At the expiration of that time, if a settlement of forty families with schoolmaster and minister should be established, the whole island was to become the freehold of the colonists. Associated with Gerrish in this project was Thomas Ross, of Lancaster. They failed in obtaining the requisite number of settlers, but continued to reside upon the island, and there Moses Gerrish died at an advanced age.

Solomon Houghton, a Lancaster farmer in comfortable circumstances, fearing the inquisition of the patriot committee, fled from his home. In 1779, the judge of probate for Worcester County appointed commissioners to care for his confiscated estate.

Ezra Houghton, a prosperous farmer, and recently appointed justice of the peace, affixed his name to the address to General Gage in 1775, and to the recantation. In May, 1777, he was imprisoned, under charge of counterfeiting the bills of public credit and aiding the enemy. In November following he petitioned to be admitted to bail (see Massachusetts Archives, ccxvi, 129) and his request was favorably received, his bail bond being set at two thousand pounds.

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