Читать книгу: «Blackwood's Edinburgh Magazine — Volume 56, No. 345, July, 1844», страница 9

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FIRST LOVE

 
Oh, who will bring me back the day,
So beautiful, so bright!
Those days when love first bore my heart
Aloft on pinions light?
Oh, who will bring me but an hour
Of that delightful time,
And wake in me again the power
That fired my golden prime?
 
 
I nurse my wound in solitude,
I sigh the livelong day,
And mourn the joys, in wayward mood,
That now are pass'd away.
Oh, who will bring me back the days
Of that delightful time,
And wake in me again the blaze
That fired my golden prime?
 

WHO'LL BUY A CUPID?

 
Of all the wares so pretty
That come into the city,
There's none are so delicious,
There's none are half so precious,
As those which we are binging.
O, listen to our singing!
Young loves to sell! young loves to sell!
My pretty loves who'll buy?
 
 
First look you at the oldest,
The wantonest, the boldest!
So loosely goes he hopping,
From tree and thicket dropping,
Then flies aloft as sprightly—
We dare but praise him lightly!
The fickle rogue! Young loves to sell!
My pretty loves who'll buy?
 
 
Now see this little creature—
How modest seems his feature!
He nestles so demurely,
You'd think him safer surely;
And yet for all his shyness,
There's danger in his slyness!
The cunning rogue! Young loves to sell!
My pretty loves who'll buy?
 
 
Oh come and see this lovelet,
This little turtle-dovelet!
The maidens that are neatest,
The tenderest and sweetest,
Should buy it to amuse 'em,
And nurse it in their bosom.
The little pet! Young loves to sell!
My pretty loves who'll buy?
 
 
We need not bid you buy them,
They're here, if you will try them.
They like to change their cages;
But for their proving sages
No warrant will we utter—
They all have wings to flutter.
The pretty birds! Young loves to sell!
Such beauties! Come and buy!
 

SECOND LIFE

 
After life's departing sigh,
To the spots I loved most dearly,
In the sunshine and the shadow,
By the fountain welling clearly,
Through the wood and o'er the meadow,
Flit I like a butterfly.
 
 
There a gentle pair I spy.
Round the maiden's tresses flying,
From her chaplet I discover
All that I had lost in dying,
Still with her and with her lover.
Who so happy then as I?
 
 
For she smiles with laughing eye;
And his lips to hers he presses,
Vows of passion interchanging,
Stifling her with sweet caresses,
O'er her budding beauties ranging;
And around the twain I fly.
 
 
And she sees me fluttering nigh;
And beneath his ardour trembling,
Starts she up—then off I hover.
"Look there, dearest!" Thus dissembling,
Speaks the maiden to her lover—
"Come and catch that butterfly!"
 

In the days of his boyhood, and of Monk Lewis, Sir Walter Scott translated the Erl King, and since then it has been a kind of assay-piece for aspiring German students to thump and hammer at will. We have heard it sung so often at the piano by soft-voiced maidens, and hirsute musicians, before whose roaring the bull of Phalaris might be dumb, that we have been accustomed to associate it with stiff white cravats, green tea, and a superabundance of lemonade. But to do full justice to its unearthly fascination, one ought to hear it chanted by night in a lonely glade of the Schwartzwald or Spessart forest, with the wind moaning as an accompaniment, and the ghostly shadows of the branches flitting in the moonlight across the path.

THE ERL KING

 
Who rides so late through the grisly night?
'Tis a father and child, and he grasps him tight;
He wraps him close in his mantle's fold,
And shelters the boy from the biting cold.
 
 
"My son, why thus to my arm dost cling?"
"Father, dost thou not see the Erlie-king?
The king with his crown and long black train!"
"My son, 'tis a streak of the misty rain! "
 
 
"Come hither, thou darling! come, go with me!
Fair games know I that I'll play with thee;
Many bright flowers my kingdoms hold!
My mother has many a robe of gold!"
 
 
"O father, dear father and dost thou not hear
What the Erlie-king whispers so low in mine ear?"
"Calm thee, my boy, 'tis only the breeze
Rustling the dry leaves beneath the trees!"
 
 
"Wilt thou go, bonny boy! wilt thou go with me?
My daughters shall wait on thee daintilie;
My daughters around thee in dance shall sweep,
And rock thee, and kiss thee, and sing thee to sleep!"
 
 
"O father, dear father! and dost thou not mark
Erlie-king's daughters move by in the dark?"
"I see it, my child; but it is not they,
'Tis the old willow nodding its head so grey!"
 
 
"I love thee! thy beauty charms me quite;
And if thou refusest, I'll take thee by might!"
"O father, dear father! he's grasping me—
My heart is as cold as cold can be!"
 
 
The father rides swiftly—with terror he gasps—
The sobbing child in his arms he clasps;
He reaches the castle with spurring and dread;
But, alack! in his arms the child lay dead!
 

Who has not heard of Mignon?—sweet, delicate little Mignon?—the woman-child, in whose miniature, rather than portrait, it is easy to trace the original of fairy Fenella? We would that we could adequately translate the song, which in its native German is so exquisitely plaintive, that few can listen to it without tears. This poem, it is almost needless to say, is anterior in date to Byron's Bride of Abyos

MIGNON

 
Know'st thou the land where the pale citron grows,
And the gold orange through dark foliage glows?
A soft wind flutters from the deep blue sky,
The myrtle blooms, and towers the laurel high.
Know'st thou it well?
O there with thee!
O that I might, my own beloved one, flee!
 
 
Know'st thou the house? On pillars rest its beams,
Bright is its hall, in light one chamber gleams,
And marble statues stand, and look on me—
What have they done, thou hapless child, to thee?
Know'st thou it well?
O there with thee!
O that I might, my loved protector, flee!
 
 
Know'st thou the track that o'er the mountain goes,
Where the mule threads its way through mist and snows,
Where dwelt in caves the dragon's ancient brood,
Topples the crag, and o'er it roars the flood.
Know'st thou it well?
O come with me!
There lies our road—oh father, let us flee!
 

In order duly to appreciate the next ballad, you must fancy yourself (if you cannot realize it) stretched on the grass, by the margin of a mighty river of the south, rushing from or through an Italian lake, whose opposite shore you cannot descry for the thick purple haze of heat that hangs over its glassy surface. If you lie there for an hour or so, gazing into the depths of the blue unfathomable sky, till the fanning of the warm wind and the murmur of the water combine to throw you into a trance, you will be able to enjoy

THE FISHER

 
The water rush'd and bubbled by—
An angler near it lay,
And watch'd his quill, with tranquil eye,
Upon the current play.
And as he sits in wasteful dream,
He sees the flood unclose,
And from the middle of the stream
A river-maiden rose.
 
 
She sang to him with witching wile,
"My brood why wilt thou snare,
With human craft and human guile,
To die in scorching air?
Ah! didst thou know how happy we
Who dwell in waters clear,
Thou wouldst come down at once to me,
And rest for ever here.
 
 
"The sun and ladye-moon they lave
Their tresses in the main,
And breathing freshness from the wave,
Come doubly bright again.
The deep blue sky, so moist and clear,
Hath it for thee no lure?
Does thine own face not woo thee down
Unto our waters pure?"
 
 
The water rush'd and bubbled by—
It lapp'd his naked feet;
He thrill'd as though he felt the touch
Of maiden kisses sweet.
She spoke to him, she sang to him—
Resistless was her strain—
Half-drawn, he sank beneath the wave,
And ne'er was seen again.
 

Our next extract smacks of the Troubadours, and would have better suited good old King René of Provence than a Paladin of the days of Charlemagne. Goethe has neither the eye of Wouverman nor Borgognone, and sketches but an indifferent battle-piece. Homer was a stark moss-trooper, and so was Scott; but the Germans want the cry of "boot and saddle" consumedly. However, the following is excellent in its way.

THE MINSTREL

 
"What sounds are those without, along
The drawbridge sweetly stealing?
Within our hall I'd have that song,
That minstrel measure, pealing."
Then forth the little foot-page hied;
When he came back, the king he cried,
"Bring in the aged minstrel!"
 
 
"Good-even to you, lordlings all;
Fair ladies all, good-even.
Lo, star on star within this hall
I see a radiant heaven.
In hall so bright with noble light,
'Tis not for thee to feast thy sight,
Old man, look not around thee!"
 
 
He closed his eyne, he struck his lyre
In tones with passion laden,
Till every gallant's eye shot fire,
And down look'd every maiden.
The king, enraptured with his strain,
Held out to him a golden chain,
In guerdon of his harping.
 
 
"The golden chain give not to me,
For noble's breast its glance is,
Who meets and beats thy enemy
Amid the shock of lances.
Or give it to thy chancellere—
Let him its golden burden bear,
Among his other burdens.
 
 
"I sing as sings the bird, whose note
The leafy bough is heard on.
The song that falters from my throat
For me is ample guerdon.
Yet I'd ask one thing, an I might,
A draught of brave wine, sparkling bright
Within a golden beaker!"
 
 
The cup was brought. He drain'd its lees,
"O draught that warms me cheerly!
Blest is the house where gifts like these
Are counted trifles merely.
Lo, when you prosper, think on me,
And thank your God as heartily
As for this draught I thank you!"
 

We intend to close the present Number with a very graceful, though simple ditty, which Goethe may possibly have altered from the Morlachian, but which is at all events worthy of his genius. Previously, however, in case any of the ladies should like something sentimental, we beg leave to present them with as nice a little chansonette as ever was transcribed into an album.

THE VIOLET

 
A violet blossom'd on the lea,
Half hidden from the eye,
As fair a flower as you might see;
When there came tripping by
A shepherd maiden fair and young,
Lightly, lightly o'er the lea;
Care she knew not, and she sung
Merrily!
 
 
"O were I but the fairest flower
That blossoms on the lea;
If only for one little hour,
That she might gather me—
Clasp me in her bonny breast!"
Thought the little flower.
"O that in it I might rest
But an hour!"
 
 
Lack-a-day! Up came the lass,
Heeded not the violet;
Trod it down into the grass;
Though it died, 'twas happy yet.
"Trodden down although I lie,
Yet my death is very sweet—
For I cannot choose but die
At her feet!"
 

THE DOLEFUL LAY OF THE NOBLE WIFE OF ASAN AGA

 
What is yon so white beside the greenwood?
Is it snow, or flight of cygnets resting?
Were it snow, ere now it had been melted;
Were it swans, ere now the flock had left us.
Neither snow nor swans are resting yonder,
'Tis the glittering tents of Asan Aga.
Faint he lies from wounds in stormy battle;
There his mother and his sisters seek him,
But his wife hangs back for shame, and comes not.
 
 
When the anguish of his hurts was over,
To his faithful wife he sent this message—
"Longer 'neath my roof thou shalt not tarry,
Neither in my court nor in my household."
 
 
When the lady heard this cruel sentence,
'Reft of sense she stood, and rack'd with anguish:
In the court she heard the horses stamping,
And in fear that it was Asan coming,
Fled towards the tower, to leap and perish.
 
 
Then in terror ran her little daughters,
Calling after her, and weeping sorely,
"These are not the steeds of Father Asan;
'Tis thy brother Pintorovich coming!"
 
 
And the wife of Asan turn'd to meet him;
Sobbing, threw her arms around her brother.
"See the wrongs, O brother, of thy sister!
These five babes I bore, and must I leave them?"
 
 
Silently the brother from his girdle
Draws the ready deed of separation,
Wrapp'd within a crimson silken cover.
She is free to seek her mother's dwelling—
Free to join in wedlock with another.
 
 
When the woful lady saw the writing,
Kiss'd she both her boys upon the forehead,
Kiss'd on both the cheeks her sobbing daughters;
But she cannot tear herself for pity
From the infant smiling in the cradle!
 
 
Rudely did her brother tear her from it,
Deftly lifted her upon a courser,
And in haste, towards his father's dwelling,
Spurr'd he onward with the woful lady.
 
 
Short the space; seven days, but barely seven—
Little space I ween—by many nobles
Was the lady—still in weeds of mourning—
Was the lady courted in espousal.
 
 
Far the noblest was Imoski's cadi;
And the dame in tears besought her brother—
"I adjure thee, by the life thou bearest,
Give me not a second time in marriage,
That my heart may not be rent asunder
If again I see my darling children!"
 
 
Little reck'd the brother of her bidding,
Fix'd to wed her to Imoski's cadi.
But the gentle lady still entreats him—
"Send at least a letter, O my brother!
To Imoski's cadi, thus imploring—
I, the youthful widow, greet thee fairly,
And entreat thee, by this selfsame token,
When thou comest hither with thy bridesmen,
Bring a heavy veil, that I may shroud me
As we pass along by Asan's dwelling,
So I may not see my darling orphans."
 
 
Scarcely had the cadi read the letter,
When he call'd together all his bridesmen,
Boune himself to bring the lady homewards,
And he brought the veil as she entreated.
 
 
Jocundly they reach'd the princely mansion,
Jocundly they bore her thence in triumph;
But when they drew near to Asan's dwelling,
Then the children recognized their mother,
And they cried, "Come back unto thy chamber—
Share the meal this evening with thy children;"
And she turn'd her to the lordly bridegroom—
"Pray thee, let the bridesmen and their horses
Halt a little by the once-loved dwelling,
Till I give these presents to my children."
 
 
And they halted by the once-loved dwelling,
And she gave the weeping children presents,
Gave each boy a cap with gold embroider'd,
Gave each girl a long and costly garment,
And with tears she left a tiny mantle
For the helpless baby in the cradle.
 
 
These things mark'd the father, Asan Aga,
And in sorrow call'd he to his children—
"Turn again to me, ye poor deserted;
Hard as steel is now your mother's bosom;
Shut so fast, it cannot throb with pity!"
 
 
Thus he spoke; and when the lady heard him,
Pale as death she dropp'd upon the pavement,
And the life fled from her wretched bosom
As she saw her children turning from her.
 

MY FIRST LOVE

A SKETCH IN NEW YORK

"Margaret, where are you?" cried a silver-toned voice from a passage outside the drawing-room in which I had just seated myself. The next instant a lovely face appeared at the door, its owner tripped into the room, made a comical curtsy, and ran up to her sister.

"It is really too bad, Margaret; pa' frets and bustles about, nearly runs over me upon the stairs, and then goes down the street as if 'Change were on fire. Ma' yawns, and will not hear of our going shopping, and grumbles about money—always money—that horrid money! Ah! dear Margaret, our shopping excursion is at an end for to-day!"

Sister Margaret, to whom this lamentation was addressed, was reclining on the sofa, her left hand supporting her head, her right holding the third volume of a novel. She looked up with a languishing and die-away expression—

"Poor Staunton will be in despair," said her sister. "This is at least his tenth turn up and down the Battery. Last night he was a perfect picture of misery. I could not have had the heart to refuse to dance with him. How could you be so cruel, Margaret?"

"Alas!" replied Margaret with a deep sigh, "how could I help it? Mamma was behind me, and kept pushing me with her elbow. Mamma is sometimes very ill-bred." And another sigh burst from the overcharged heart of the sentimental fair one.

"Well," rejoined her sister, "I don't know why she so terribly dislikes poor Staunton; but to say the truth, our gallopade lost nothing by his absence. He is as stiff as a Dutch doll when he dances. Even our Louisianian backwoodsman here, acquits himself much more creditably."

And the malicious girl gave me such an arch look, that I could not be angry with the equivocal sort of compliment paid to myself.

"That is very unkind, Arthurine," said Margaret, her checks glowing with anger at this attack upon the graces of her admirer.

"Don't be angry, sister," cried Arthurine, running up to her, throwing her arms round her neck, and kissing and soothing her till she began to smile. They formed a pretty group. Arthurine especially, as she skipped up to her sister, scarce touching the carpet with her tiny feet, looked like a fairy or a nymph. She was certainly a lovely creature, slender and flexible as a reed, with a waist one could easily have spanned with one's ten fingers; feet and hands on the very smallest scale, and of the most beautiful mould; features exquisitely regular; a complexion of lilies and roses; a small graceful head, adorned with a profusion of golden hair; and then large round clear blue eyes, full of mischief and fascination. She was, as the French say, à croquer.

"Heigho!" sighed the sentimental Margaret. "To think of this vulgar, selfish man intruding himself between me and such a noble creature as Staunton! It is really heart-breaking."

"Not quite so bad as that!" said Arthurine. "Moreland, as you know, has a good five hundred thousand dollars; and Staunton has nothing, or at most a couple of thousand dollars a-year—a mere feather in the balance against such a golden weight."

"Love despises gold," murmured Margaret.

"Nonsense!" replied her sister; "I would not even despise silver, if it were in sufficient quantity. Only think of the balls and parties, the fêtes and pic-nics! Saratoga in the summer—perhaps even London or Paris! The mere thought of it makes my mouth water."

"Talk not of such joys, to be bought at such a price!" cried Margaret, quoting probably from some of her favourite novels.

"Well, don't make yourself unhappy now," said Arthurine. "Moreland will not be here till tea-time; and there are six long hours to that. If we had only a few new novels to pass the time! I cannot imagine why Cooper is so lazy. Only one book in a year! What if you were to begin to write, sister? I have no doubt you would succeed as well as Mrs Mitchell. Bulwer is so fantastical; and even Walter Scott is getting dull."

"Alas, Howard!" sighed Margaret, looking to me for sympathy with her sorrows.

"Patience, dear Margaret," said I. "If possible, I will help you to get rid of the old fellow. At any rate, I will try."

Rat-tat-tat at the house door. Arthurine put up her finger to enjoin silence, and listened. Another loud knock. "A visit!" exclaimed she with sparkling eyes. "Ha! ladies; I hear the rustle of their gowns." And as she spoke the door opened, and the Misses Pearce came swimming into the room, in all the splendour of violet-coloured silks, covered with feathers, lace, and embroideries, and bringing with them an atmosphere of perfume.

The man who has the good fortune to see our New York belles in their morning or home attire, must have a heart made of quartz or granite if he resists their attractions. Their graceful forms, their intellectual and somewhat languishing expression of countenance, their bright and beaming eyes, their slender figures, which make one inclined to seize and hold them lest the wind should blow them away, their beautifully delicate hands and feet, compose a sum of attraction perfectly irresistible. The Boston ladies are perhaps better informed, and their features are usually more regular; but they have something Yankeeish about them, which I could never fancy, and, moreover, they are dreadful blue-stockings. The fair Philadelphians are rounder, more elastic, more Hebe-like, and unapproachable in the article of small-talk; but it is amongst the beauties of New York that romance writers should seek for their Julias and Alices. I am certain that if Cooper had made their acquaintance whilst writing his books, he would have torn up his manuscripts, and painted his heroines after a less wooden fashion. He can only have seen them on the Battery or in Broadway, where they are so buried and enveloped in finery that it is impossible to guess what they are really like. The two young ladies who had just entered the room, were shining examples of that system of over-dressing. They seemed to have put on at one time the three or four dresses worn in the course of the day by a London or Paris fashionable.

It was now all over with my tête-à-tête. I could only be de trop in the gossip of the four ladies, and I accordingly took my leave. As I passed before the parlour door on my way out, it was opened, and Mrs Bowsends beckoned me in. I entered, and found her husband also there.

"Are you going away already, my dear Howard?" said the lady.

"There are visitors up stairs."

"Ah, Howard!" said Mrs Bowsends.

"The workies16 have carried the day," growled her husband.

"That horrid Staunton!" interrupted his better half. "Only think now'—

"Our side lost—completely floored. But you've heard of it, I suppose, Mister Howard?"

I turned from one to the other in astonished perplexity, not knowing to which I ought to listen first.

"I don't know how it is," whined the lady, "but that Mr Staunton becomes every day more odious to me. Only think now, of his having the effrontery to persist in running after Margaret! Hardly two thousand a-year "—

"Old Hickory is preparing to leave Hermitage already.17 Bank shares have fallen half per cent in consequence," snarled her husband.

They were ringing the changes on poor Staunton and the new president.

"He ought to remember the difference of our positions," said Mrs B., drawing herself up with much dignity.

"Certainly, certainly!" said I. "And the governor's election is also going desperate bad," said Mr Bowsends.

"And then Margaret, to think of her infatuation! Certainly she is a good, gentle creature; but five hundred thousand dollars!" This was Mrs Bowsends.

"By no means to be despised," said I.

The five hundred thousand dollars touched a responsive chord in the heart of the papa.

"Five hundred thousand," repeated he. "Yes, certainly; but what's the use of that? All nonsense. Those girls would ruin a Croesus."

"You need not talk, I'm sure," retorted mamma. "Think of all your bets and electioneering."

"You understand nothing about that," replied her husband angrily. "Interests of the country—congress—public good—must be supported. Who would do it if we"—

"Did not bet," thought I.

"You are a friend of the family," said Mrs Bowsends, "and I hope you will"—

"Apropos," interrupted her loving husband. "How has your cotton crop turned out? You might consign it to me. How many bales?"

"A hundred; and a few dozen hogsheads of tobacco."

"Some six thousand dollars per annum," muttered the papa musingly; "hm, hm."

"As to that," said I negligently, "I have sufficient capital in my hands to increase the one hundred bales to two hundred another year."

"Two hundred! two hundred!" The man's eyes glistened approvingly. "That might do. Not so bad. Well, Arthurine is a good girl. We'll see, my dear Mr Howard—we'll see. Yes, yes—come here every evening—whenever you like. You know Arthurine is always glad to see you."

"And Mr and Mrs Bowsends?" asked I.

"Are most delighted," replied the couple, smiling graciously.

I bowed, agreeably surprised, and took my departure. I was nevertheless not over well pleased with a part of Mr Bowsends' last speech. It looked rather too much as if my affectionate father-in-law that was to be, wished to balance his lost bets with my cotton bales; and, as I thought of it, my gorge rose at the selfishness of my species, and more especially at the stupid impudent egotism of Bowsends and the thousands who resemble him. To all such, even their children are nothing but so many bales of goods, to be bartered, bought, and sold. And this man belongs to the haut-ton of New York! Five-and-twenty years ago he went about with a tailor's measure in his pocket—now a leader on 'Change, and member of twenty committees and directorships.

But then Arthurine, with her seventeen summers and her lovely face, the most extravagant little doll in the whole city, and that is not saying a little, but the most elegant, charming—a perfect sylph! It was now about eleven months since I had first become acquainted with the bewitching creature; and, from the very first day, I had been her vassal, her slave, bound by chains as adamantine as those of Armida. She had just left the French boarding-school at St John's. That, by the by, is one of the means by which our mushroom aristocracy pushes itself upwards. A couple of pretty daughters, brought up at a fashionable school, are sure to attract a swarm of young fops and danglers about them; and the glory of the daughters is reflected upon the papa and mamma. And this little sorceress knew right well how to work her incantations. Every heart was at her feet; but not one out of her twenty or more adorers could boast that he had received a smile or a look more than his fellows. I was the only one who had perhaps obtained a sort of passive preference. I was allowed to escort her in her rides, walks, and drives; to be her regular partner when no other dancer offered, and suchlike enviable privileges. She flirted and fluttered about me, and hung familiarly on my arm, as she tripped along Broadway or the Battery by my side. In addition to all these little marks of preference, it fell to my share of duty to supply her with the newest novels, to furnish her with English Keepsakes and American Tokens and Souvenirs, and to provide the last fashionable songs and quadrilles. All this had cost me no small sum; but I consoled myself with the reflection, that my presents were made to the prettiest girl in New York, and that sooner or later she must reward my assiduities. Twice had fortune smiled upon me; in one instance, when we were standing on the bridge at Niagara, looking down on the foaming waters, and I was obliged to put my arm round her waist, for fear she should become dizzy and fall in—in doing which, by the by, I very nearly fell in myself. A similar thing occurred on a visit we made to the Trenton falls. That was all I had got for my pains, however, during the eleven months that I had trifled away in New York—months that had served to lighten my purse pretty considerably. It is the fashion in our southern states to choose our wives from amongst the beauties of the north. I had been bitten by the mania, and had come to New York upon this important business; but having been there nearly a year, it was high time to make an end of matters, if I did not wish to be put on the shelf as stale goods.

16
  The slang term applied to the mechanics and labourers, a numerous and (at elections especially) a most important class in New York and Philadelphia.


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17
  The name of General Jackson's country-house and estate.


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