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Читать книгу: «Evolution of Expression, Volume 2—Revised», страница 4

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LIFE AND SONG

I
 
If life were caught by a clarionet,
And a wild heart throbbing in the reed,
Should thrill its joy and trill its fret,
And utter its heart in every deed,
 
II
 
Then would this breathing clarionet
Type what the poet fain would be;
For none o' the singers ever yet
Has wholly lived his minstrelsy;
 
III
 
Or clearly sung his true, true thought;
Or utterly bodied forth his life,
Or out of life and song has wrought
The perfect one of man and wife;
 
IV
 
Or lived and sung, that Life and Song
Might each express the other's all,
Careless if life or art were long
Since both were one, to stand or fall.
 
V
 
So that the wonder struck the crowd,
Who shouted it about the land:
His song was only living aloud,
His work, a singing with his hand!
 
Sidney Lanier.

GATHERING SONG OF DONALD THE BLACK

I
 
Pibroch of Donuil Dhu
Pibroch of Donuil
Wake thy wild voice anew,
Summon Clan Conuil.
Come away, come away,
Hark to the summons!
Come in your war-array,
Gentles and commons.
 
II
 
Come from deep glen, and
From mountain so rocky;
The war-pipe and pennon
Are at Inverlocky.
Come every hill-plaid, and
True heart that wears one,
Come every steel blade, and
Strong hand that bears one.
 
III
 
Leave untended the herd,
The flock without shelter;
Leave the corpse uninterr'd,
The bride at the altar;
Leave the deer, leave the steer,
Leave nets and barges:
Come with your fighting gear,
Broadswords and targes.
 
IV
 
Come as the winds come, when
Forests are rended,
Come as the waves come, when
Navies are stranded:
Faster come, faster come,
Faster and faster,
Chief, vassal, page and groom,
Tenant and master.
 
V
 
Fast they come, fast they come;
See how they gather!
Wide waves the eagle plume
Blended with heather.
Cast your plaids, draw your blades,
Forward each man set!
Pibroch of Donuil Dhu
Knell for the onset!
 
Sir Walter Scott.

NUTTING

I
 
It seems a day
(I speak of one from many singled out)
One of those heavenly days that cannot die;
When, in the eagerness of boyish hope,
I left our cottage-threshold, sallying forth
With a huge wallet o'er my shoulders slung,
A nutting-crook in hand; and turned my steps
Tow'rd some far-distant wood, a Figure quaint,
Tricked out in proud disguise of cast-off weeds
Which for that service had been husbanded,
By exhortation of my frugal Dame —
Motley accoutrement, of power to smile
At thorns, and brakes, and brambles, – and, in truth,
More ragged than need was!
 
II
 
O'er pathless rocks,
Through beds of matted fern, and tangled thickets,
Forcing my way, I came to one dear nook
Unvisited, where not a broken bough
Drooped with its withered leaves, ungracious sign
Of devastation; but the hazels rose
Tall and erect, with tempting clusters hung,
A virgin scene! – A little while I stood,
Breathing with such suppression of the heart
As joy delights in; and, with wise restraint
Voluptuous, fearless of a rival, eyed
The banquet; – or beneath the trees I sate
Among the flowers, and with the flowers I played;
A temper known to those, who, after long
And weary expectation, have been blest
With sudden happiness beyond all hope.
 
III
 
Perhaps it was a bower beneath whose leaves
The violets of five seasons re-appear
And fade, unseen by any human eye;
Where fairy water-breaks do murmur on
Forever; and I saw the sparkling foam,
And – with my cheek on one of those green stones
That, fleeced with moss, under the shady trees,
Lay round me, scattered like a flock of sheep —
I heard the murmur and the murmuring sound,
In that sweet mood when pleasure loves to pay
Tribute to ease; and, of its joy secure,
The heart luxuriates with indifferent things,
Wasting its kindliness on stocks and stones,
And on the vacant air.
 
IV
 
Then up I rose,
And dragged to earth both branch and bough, with crash
And merciless ravage; and the shady nook
Of hazels, and the green and mossy bower,
Deformed and sullied, patiently gave up
Their quiet being: and, unless I now
Confound my present feelings with the past;
Ere from the mutilated bower I turned
Exulting, rich beyond the wealth of kings,
I felt a sense of pain when I beheld
The silent trees, and saw the intruding sky —
Then, dearest Maiden, move along these shades
In gentleness of heart; with gentle hand
Touch – for there is a spirit in the woods.
 
William Wordsworth.

THE DODSON FAMILY

From Mill on the Floss
Part I

1. The Dodsons were certainly a handsome family, and Mrs. Glegg was not the least handsome of the sisters. As she sat in Mrs. Tulliver's arm-chair, no impartial observer could have denied that for a woman of fifty she had a very comely face and figure. It is true she despised the advantages of costume, for though, as she often observed, no woman had better clothes, it was not her way to wear her new things out before her old ones. Other women, if they liked, might have their best thread-lace in every wash; but when Mrs. Glegg died, it would be found that she had better lace laid by in the right-hand drawer of her wardrobe, in the Spotted Chamber, than ever Mrs. Wooll of St. Ogg's had bought in her life, although Mrs. Wooll wore her lace before it was paid for.

2. So of her curled fronts: to look out on the week-day world from under a crisp and glossy front, would be to introduce a most dreamlike and unpleasant confusion between the sacred and the secular. Occasionally, indeed, Mrs. Glegg wore one of her third-best fronts on a week-day visit, but not at a sister's house; especially not at Mrs. Tulliver's, who, since her marriage, had hurt her sisters' feelings greatly by wearing her own hair. But Bessy was always weak!

3. So if Mrs. Glegg's front to-day was more fuzzy and lax than usual, she had a design under it: she intended the most pointed and cutting allusion to Mrs. Tulliver's bunches of blond curls, separated from each other by a due wave of smoothness on each side of the parting. Mrs. Tulliver had shed tears several times at sister Glegg's unkindness on the subject of these unmatronly curls, but the consciousness of looking the handsomer for them, naturally administered support.

4. Mrs. Glegg chose to wear her bonnet in the house to-day – untied and tilted slightly, of course – a frequent practice of hers when she was on a visit, and happened to be in a severe humor: she didn't know what draughts there might be in strange houses. For the same reason she wore a small sable tippet, which reached just to her shoulders, and was very far from meeting across her well-formed chest, while her long neck was protected by a chevaux-de-frise of miscellaneous frilling. One would need to be learned in the fashions of those times to know how far in the rear of them Mrs. Glegg's slate-colored silk gown must have been; but from certain constellations of small yellow spots upon it, and a mouldy odor about it suggestive of a damp clothes-chest, it was probable that it belonged to a stratum of garments just old enough to have come recently into wear.

5. Mrs. Glegg held her large gold watch in her hand with the many-doubled chain round her fingers, and observed to Mrs. Tulliver, who had just returned from a visit to the kitchen, that whatever it might be by other people's clocks and watches, it was gone half-past twelve by hers.

6. "I don't know what ails sister Pullet," she continued. "It used to be the way in our family for one to be as early as another, – I'm sure it was so in my poor father's time, – and not for one sister to sit half an hour before the others came. But if the ways o' the family are altered, it shan't be my fault —I'll never be the one to come into a house when all the rest are going away. I wonder at sister Deane – she used to be more like me. But if you'll take my advice, Bessy, you'll put the dinner forrard a bit, sooner than put it back, because folks are late as ought to ha' known better."

7. "Oh dear, there's no fear but what they'll be all here in time, sister," said Mrs. Tulliver, in her mild-peevish tone. "The dinner won't be ready till half-past one. But if it's long for you to wait, let me fetch you a cheesecake and a glass o' wine."

"Well, Bessy!" said Mrs. Glegg, with a bitter smile, and a scarcely perceptible toss of her head, "I should ha' thought you'd known your own sister better. I never did eat between meals, and I'm not going to begin. Not but what I hate that nonsense of having your dinner at half-past one, when you might have it at one. You was never brought up in that way, Bessy."

8. "Why, Jane, what can I do? Mr. Tulliver doesn't like his dinner before two o'clock, but I put it half an hour earlier because o' you."

"Yes, yes, I know how it is with husbands – they're for putting everything off – they'll put the dinner off till after tea, if they've got wives as are weak enough to give in to such work; but it's a pity for you, Bessy, as you haven't got more strength o' mind. It'll be well if your children don't suffer for it. And I hope you've not gone and got a great dinner for us. A boiled joint, as you could make broth of for the kitchen," Mrs. Glegg added, in a tone of emphatic protest, "and a plain pudding, with a spoonful o' sugar, and no spice, 'ud be far more becoming."

9. With sister Glegg in this humor, there was a cheerful prospect for the day. Mrs. Tulliver never went the length of quarrelling with her, but this point of the dinner was a tender one, and not at all new, so that she could make the same answer she had often made before.

"Mr. Tulliver says he always will have a good dinner for his friends while he can pay for it," she said, "and he's a right to do as he likes in his own house, sister."

10. "Well, Bessy, I can't leave your children enough out o' my savings, to keep 'em from ruin. And you mustn't look to having any o' Mr. Glegg's money, for it's well if I don't go first – he comes of a long-lived family; and if he was to die and leave me well for my life, he'd tie all the money up to go back to his own kin."

11. The sound of wheels while Mrs. Glegg was speaking was an interruption highly welcome to Mrs. Tulliver, who hastened out to receive sister Pullet – it must be sister Pullet, because the sound was that of a four-wheel.

Part II

1. Sister Pullet was in tears when the one-horse chaise stopped before Mrs. Tulliver's door, and it was apparently requisite that she should shed a few more before getting out, for though her husband and Mrs. Tulliver stood ready to support her, she sat still and shook her head sadly, as she looked through her tears at the vague distance. "Why, whativer is the matter, sister?" said Mrs. Tulliver.

2. There was no reply but a further shake of the head, as Mrs. Pullet slowly rose and got down from the chaise, not without casting a glance at Mr. Pullet to see that he was guarding her handsome silk dress from injury. Mr. Pullet was a small man with a high nose, small twinkling eyes, and thin lips, in a fresh-looking suit of black and a white cravat, that seemed to have been tied very tight on some higher principle than that of mere personal ease.

3. It is a pathetic sight and a striking example of the complexity introduced into the emotions by a high state of civilization – the sight of a fashionably drest female in grief. Perceiving that the tears are hurrying fast, she unpins her strings and throws them languidly backward – a touching gesture, indicative, even in the deepest gloom, of the hope in future dry moments when cap-strings will once more have a charm.

4. Mrs. Pullet brushed each doorpost with great nicety, about the latitude of her shoulders (at that period a woman was truly ridiculous to an instructed eye if she did not measure a yard and a half across the shoulders), and having done that, sent the muscles of her face in quest of fresh tears as she advanced into the parlor where Mrs. Glegg was seated.

5. "Well, sister, you're late; what's the matter?" said Mrs. Glegg, rather sharply, as they shook hands.

Mrs. Pullet sat down – lifting up her mantle carefully behind, before she answered —

"She's gone. Died the day before yesterday, an' her legs was as thick as my body," she added, with deep sadness, after a pause. "They'd tapped her no end o' times, and the water – they say you might ha' swum in it, if you'd liked."

6. "Well, Sophy, it's a mercy she's gone, then, whoever she may be," said Mrs. Glegg, with the promptitude and emphasis of a mind naturally clear and decided; "but I can't think who you're talking of, for my part."

"But I know," said Mrs. Pullet, sighing and shaking her head; "and there isn't another such a dropsy in the parish. I know as its old Mrs. Sutton o' the Twentylands."

"Well, she's no kin o' yours, nor much acquaintance as I've ever heared of," said Mrs. Glegg, who always cried just as much as was proper when anything happened to her own "kin," but not on other occasions.

7. "She said to me, when I went to see her last Christmas, she said, 'Mrs. Pullet, if ever you have the dropsy, you'll think o' me.' She did say so," added Mrs. Pullet, beginning to cry bitterly again; "those were her very words. And she's to be buried o' Saturday, and Pullet's bid to the funeral."

"Sophy," said Mrs. Glegg, unable any longer to contain her spirit of rational remonstrance – "Sophy, I wonder at you, fretting and injuring your health about people as don't belong to you. Your poor father never did so, nor your aunt Frances neither, nor any o' the family as I ever heard of. You couldn't fret no more than this, if we'd heared as our cousin Abbott had died sudden without making his will."

8. Mrs. Pullet was silent, having to finish her crying, and rather flattered than indignant at being upbraided for crying too much.

"Ah!" she sighed, shaking her head at the idea that there were but few who could enter fully into her experiences. "Sister, I may as well go and take my bonnet off now. Did you see as the cap-box was put out?" she added, turning to her husband.

Mr. Pullet, by an unaccountable lapse of memory, had forgotten it, and hastened out, with a stricken conscience, to remedy the omission.

9. "They'll bring it up-stairs, sister," said Mrs. Tulliver, wishing to go at once, for she was fond of going up-stairs with her sister Pullet, and looking thoroughly at her cap before she put it on her head, and discussing millinery in general. This was part of Bessy's weakness, that stirred Mrs. Glegg's sisterly compassion: Bessy went far too well drest, considering.

But when Mrs. Pullet was alone with Mrs. Tulliver up-stairs, the remarks were naturally to the disadvantage of Mrs. Glegg, and they agreed, in confidence, that there was no knowing what sort of fright sister Jane would come out next.

George Eliot.

AFTER THE MARCH RAIN

I
 
The Cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter,
The green field sleeps in the sun;
The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one!
 
II
 
Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The ploughboy is whooping – anon – anon:
There's joy in the mountains;
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone!
 
William Wordsworth.

CHAPTER III.
SLIDE IN VOLUME

FIRST BATTLES OF THE REVOLUTION

I

1. We have cause for honest complacency, that when the distant citizen of our own republic, when the stranger from foreign lands, inquires for the spots where the noble blood of the Revolution began to flow, where the first battle of that great and glorious contest was fought, he is guided through the villages of Middlesex, to the plains of Lexington and Concord. It is a commemoration of our soil, to which ages, as they pass, will add dignity and interest; till the names of Lexington and Concord in the annals of freedom, will stand by the side of the most honorable names in Roman or Grecian story.

2. It was one of those great days, one of those elemental occasions in the world's affairs, when the people rise and act for themselves. Some organization and preparation had been made; but from the nature of the case, with scarce any effect on the events of that day.

3. It may be doubted whether there was an efficient order given, the whole day, to any body of men as large as a regiment. It was the people, in their first capacity, as citizens and as freemen, starting from their beds at midnight, from their firesides and from their fields, to take their own cause into their own hands.

4. Such a spectacle is the height of the moral sublime; when the want of everything is fully made up by the spirit of the cause, and the soul within stands in place of discipline, organization, and resources. In the prodigious efforts of a veteran army, beneath the dazzling splendor of their array, there is something revolting to the reflective mind.

5. The ranks are filled with the desperate, the mercenary, the depraved; an iron slavery, by the name of subordination, merges the free will of one hundred thousand men in the unqualified despotism of one; the humanity, mercy, and remorse, which scarce ever desert the individual bosom, are sounds without a meaning to that fearful, ravenous, irrational monster of prey, a mercenary army. It is hard to say who are most to be commiserated, the wretched people on whom it is let loose, or the still more wretched people whose substance has been sucked out to nourish it into strength and fury.

6. But in the efforts of the people, – of the people struggling for their rights, moving, not in organized, disciplined masses, but in their spontaneous action, man for man, and heart for heart, – there is something glorious. They can then move forward without orders, act together without combination, and brave the flaming lines of battle, without intrenchments to cover or walls to shield them.

7. No dissolute camp has worn off from the feelings of the youthful soldier the freshness of that home, where his mother and his sister sit waiting, with tearful eyes and aching hearts, to hear good news from the wars; no long service in the ranks of a conqueror has turned the veteran's heart into marble; their valor springs not from recklessness, from habit, from indifference to the preservation of a life knit by no pledges to the life of others. But in the strength and spirit of the cause alone they act, they contend, they bleed. In this they conquer.

8. The people always conquer. They always must conquer. Armies may be defeated, kings may be overthrown, and new dynasties imposed, by foreign arms, on an ignorant and slavish race, that care not in what language the covenant of their subjection runs, nor in whose name the deed of their barter and sale is made out. But the people never invade; and, when they rise against the invader, are never subdued.

9. If they are driven from the plains, they fly to the mountains. Steep rocks and everlasting hills are their castles; the tangled, pathless thicket their palisado, and God is their ally. Now he overwhelms the hosts of their enemies beneath his drifting mountains of sand; now he buries them beneath a falling atmosphere of polar snows; he lets loose his tempests on their fleets; he puts a folly into their counsels, a madness into the hearts of their leaders; and never gave, and never will give, a final triumph over a virtuous and gallant people, resolved to be free.

Edward Everett.
Возрастное ограничение:
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Дата выхода на Литрес:
31 июля 2017
Объем:
90 стр. 1 иллюстрация
Правообладатель:
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