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Читать книгу: «Evolution of Expression, Volume 2—Revised», страница 2

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UNWRITTEN MUSIC

1. There is unwritten music. The world is full of it. I hear it every hour that I wake; and my waking sense is surpassed sometimes by my sleeping, though that is a mystery. There is no sound of simple nature that is not music. It is all God's work, and so harmony. You may mingle, and divide, and strengthen the passages of its great anthem; and it is still melody, – melody.

2. The low winds of summer blow over the waterfalls and the brooks, and bring their voices to your ear, as if their sweetness were linked by an accurate finger; yet the wind is but a fitful player; and you may go out when the tempest is up and hear the strong trees moaning as they lean before it, and the long grass hissing as it sweeps through, and its own solemn monotony over all; and the dripple of that same brook, and the waterfall's unaltered bass shall still reach you, in the intervals of its power, as much in harmony as before, and as much a part of its perfect and perpetual hymn.

3. There is no accident of nature's causing which can bring in discord. The loosened rock may fall into the abyss, and the overblown tree rush down through the branches of the wood, and the thunder peal awfully in the sky; and sudden and violent as their changes seem, their tumult goes up with the sound of wind and waters, and the exquisite ear of the musician can detect no jar.

4. I have read somewhere of a custom in the Highlands, which, in connection with the principle it involves, is exceedingly beautiful. It is believed that, to the ear of the dying (which just before death becomes always exquisitely acute,) the perfect harmony of the voices of nature is so ravishing, as to make him forget his suffering, and die gently, as in a pleasant trance. And so, when the last moment approaches, they take him from the close shieling, and bear him out into the open sky, that he may hear the familiar rushing of the streams. I can believe that is not superstition. I do not think we know how exquisitely nature's many voices are attuned to harmony and to each other.

5. The old philosopher we read of might not have been dreaming when he discovered that the order of the sky was like a scroll of written music, and that two stars (which are said to have appeared centuries after his death, in the very places he mentioned) were wanting to complete the harmony. We know how wonderful are the phenomena of color, how strangely like consummate art the strongest dyes are blended in the plumage of birds, and in the cups of flowers; so that, to the practiced eye of the painter, the harmony is inimitably perfect.

6. It is natural to suppose every part of the universe equally perfect; and it is a glorious and elevating thought, that the stars of Heaven are moving on continually to music, and that the sounds we daily listen to are but part of a melody that reaches to the very centre of God's illimitable spheres.

N. P. Willis.

LAUS MORTIS

I
 
Nay, why should I fear Death,
Who gives us life and in exchange takes breath?
He is like cordial Spring
That lifts above the soil each buried thing; —
 
II
 
Like Autumn, kind and brief
The frost that chills the branches, frees the leaf.
Like Winter's stormy hours,
That spread their fleece of snow to save the flowers.
 
III
 
The loveliest of all things —
Life lends us only feet, Death gives us wings!
Fearing no covert thrust,
Let me walk onward armed with valiant trust.
 
IV
 
Dreading no unseen knife,
Across Death's threshold step from life to life!
Oh, all ye frightened folk,
Whether ye wear a crown or bear a yoke,
 
V
 
Laid in one equal bed,
When once your coverlet of grass is spread,
What daybreak need you fear?
The love will rule you there which guides you here!
 
VI
 
Where Life, the Sower, stands,
Scattering the ages from his swinging hands,
Thou waitest, Reaper lone,
Until the multitudinous grain hath grown.
 
VII
 
Scythe-bearer, when thy blade
Harvest my flesh, let me be unafraid!
God's husbandman thou art!
In His unwithering sheaves, oh, bind my heart.
 
Frederic Lawrence Knowles.

TAXATION OF THE COLONIES

1. Sir: I agree with the honorable gentleman who spoke last, that this subject is not new to this House. Very disagreeably to this House, very unfortunately to this nation, and to the peace and prosperity of this whole empire, no topic has been more familiar to us. For nine long years, session after session, we have been lashed round and round this miserable circle of occasional arguments and temporary expedients.

2. I am sure our heads must turn and our stomachs nauseate with them. We have had them in every shape. We have looked at them in every point of view. Invention is exhausted; reason is fatigued; experience has given judgment; but obstinacy is not yet conquered.

3. The act of 1767, which grants this tea-duty, sets forth in its preamble, that it was expedient to raise a revenue in America for the support of the civil government there, as well as for purposes still more extensive. About two years after this act was passed, the ministry thought it expedient to repeal five of the duties, and to leave (for reasons best known to themselves) only the sixth standing.

4. But I hear it rung continually in my ears, now and formerly, – "The preamble! what will become of the preamble if you repeal this tax?" The clerk will be so good as to turn to this act, and to read this favorite preamble.

5. "Whereas it is expedient that a revenue should be raised in your Majesty's dominions in America, for making a more certain and adequate provision for defraying the charge of the administration of justice and support of civil government in such provinces where it shall be found necessary, and towards further defraying the expenses of defending, protecting, and securing the said dominions."

6. You have heard this pompous performance. Now, where is the revenue which is to do all these mighty things? Five-sixths repealed, – abandoned, – sunk, – gone, – lost forever. Does the poor solitary tea-duty support the purposes of this preamble? Is not the supply there stated as effectually abandoned as if the tea-duty had perished in the general wreck? Here, Mr. Speaker, is a precious mockery: – a preamble without an act, – taxes granted in order to be repealed, – and the reason of the grant carefully kept up! This is raising a revenue in America! This is preserving dignity in England!

7. Never did a people suffer so much for the empty words of a preamble. It must be given up. For on what principle does it stand? This famous revenue stands, at this hour, on all the debate, as a description of revenue not as yet known in all the comprehensive (but too comprehensive!) vocabulary of finance – a preambulary tax. It is, indeed, a tax of sophistry, a tax of pedantry, a tax of disputation, a tax of war and rebellion, a tax for anything but benefit to the imposers or satisfaction to the subject.

8. Well! but whatever it is, gentlemen will force the colonists to take the teas. You will force them? Has seven years' struggle been yet able to force them? Oh, but it seems "we are in the right. The tax is trifling, – in effect rather an exoneration than an imposition; three-fourths of the duty formerly payable on teas exported to America is taken off, – the place of collection is only shifted; instead of the retention of a shilling from the drawback here, it is three-pence custom paid in America."

9. All this, sir, is very true. But this is the very folly and mischief of the act. Incredible as it may seem, you know that you have deliberately thrown away a large duty, which you held secure and quiet in your hands, for the vain hope of getting one three-fourths less, through every hazard, through certain litigation, and possibly through war.

10. Could anything be a subject of more just alarm to America, than to see you go out of the plain high-road of finance, and give up your most certain revenues and your clearest interest, merely for the sake of insulting the colonies? No man ever doubted that the commodity of tea could bear an imposition of three pence. But no commodity will bear three pence, or will bear a penny, when the general feelings of men are irritated, and two millions of people are resolved not to pay.

11. The feelings of the colonies were formerly the feelings of Great Britain. Theirs were formerly the feelings of Mr. Hampden, when called upon for the payment of twenty shillings. Would twenty shillings have ruined Mr. Hampden's fortune? No! but the payment of half twenty shillings, on the principle it was demanded, would have made him a slave. It is the weight of that preamble, of which you are so fond, and not the weight of the duty, that the Americans are unable and unwilling to bear.

12. It is, then, sir, upon the principle of this measure, and nothing else, that we are at issue. It is a principle of political expediency. Your act of 1767 asserts that it is expedient to raise a revenue in America; your act of 1769, which takes away that revenue, contradicts the act of 1767, and by something much stronger than words, asserts that it is not expedient. It is a reflection upon your wisdom to persist in a solemn parliamentary declaration of the expediency of any object, for which, at the same time, you make no provision.

13. And pray, sir, let not this circumstance escape you, – it is very material, – that the preamble of this act which we wish to repeal, is not declaratory of a right, as some gentlemen seem to argue it: it is only a recital of the expediency of a certain exercise of right supposed already to have been asserted; an exercise you are now contending for by ways and means which you confess, though they were obeyed, to be utterly insufficient for their purpose. You are, therefore, at this moment in the awkward situation of fighting for a phantom, – a quiddity, – a thing that wants not only a substance, but even a name, – for a thing which is neither abstract right nor profitable enjoyment.

14. They tell you, sir, that your dignity is tied to it. I know not how it happens, but this dignity of yours is a terrible incumbrance to you; for it has of late been ever at war with your interest, your equity, and every idea of your policy. Show the thing you contend for to be reason, show it to be common sense, show it to be the means of attaining some useful end, and then I am content to allow it what dignity you please. But what dignity is derived from the perseverance in absurdity is more than ever I could discern.

15. The honorable gentleman has said well, that this subject does not stand as it did formerly. Oh, certainly not! Every hour you continue on this ill-chosen ground, your difficulties thicken around you; and therefore my conclusion is, remove from a bad position as quickly as you can. The disgrace, and the necessity of yielding, both of them, grow upon you every hour of your delay.

Edmund Burke.

MY HEART LEAPS UP

 
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began,
So is it now I am a man,
So be it when I shall grow old
Or let me die!
The Child is father of the Man:
And I could wish my days to be
Bound each to each by natural piety.
 
Wordsworth.

AS YOU LIKE IT

Act III. Scene II

Ros. [Aside to Celia.] I will speak to him like a saucy lackey and under that habit play the knave with him. Do you hear, forester?

Orl. Very well: what would you?

Ros. I pray you, what is't o'clock?

Orl. You should ask me what time o' day: there's no clock in the forest.

Ros. Then there is no true lover in the forest; else sighing every minute and groaning every hour would detect the lazy foot of Time as well as a clock.

Orl. And why not the swift foot of Time? had not that been as proper?

Ros. By no means, sir: Time travels in divers paces with divers persons. I'll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal.

Orl. I prithee, who doth he trot withal?

Ros. Marry, he trots hard with a young maid between the contract of her marriage and the day it is solemniz'd; if the interim be but a se'nnight, Time's pace is so hard that it seems the length of seven years.

Orl. Who ambles Time withal?

Ros. With a priest that lacks Latin and a rich man that hath not the gout, for the one sleeps easily because he cannot study, and the other lives merrily because he feels no pain, the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury; these Time ambles withal.

Orl. Who doth he galop withal?

Ros. With a thief to the gallows; for though he go as softly as foot can fall, he thinks himself too soon there.

Orl. Who stays it still withal?

Ros. With lawyers in the vacation; for they sleep between term and term, and then they perceive not how Time moves.

Orl. Where dwell you, pretty youth?

Ros. With this shepherdess, my sister; here in the skirts of the forest, like fringe upon a petticoat.

Orl. Are you native of this place?

Ros. As the cony that you see dwell where she is kindled.

Orl. Your accent is something finer than you could purchase in so remov'd a dwelling.

Ros. I have been told so of many: but indeed an old religious uncle of mine taught me to speak, who was in his youth an inland man; one that knew courtship too well, for there he fell in love. I have heard him read many lectures against it, and I thank God I am not a woman, to be touch'd with so many giddy offences as he hath generally tax'd their whole sex withal.

Orl. Can you remember any of the principal evils laid to the charge of women?

Ros. There were none principal; they were all like one another as half-pence are, every one fault seeming monstrous till his fellow-fault came to match it.

Orl. I prithee, recount some of them.

Ros. No, I will not cast away my physic but on those that are sick. There is a man haunts the forest, that abuses our young plants with carving Rosalind on their barks; hangs odes upon hawthorns and elegies on brambles, all, forsooth, deifying the name of Rosalind: if I could meet that fancy-monger, I would give him some good counsel, for he seems to have the quotidian of love upon him.

Orl. I am he that is so love-shak'd: I pray you, tell me your remedy.

Ros. There is none of my uncle's marks upon you: he taught me how to know a man in love; in which cage of rushes, I am sure, you are not prisoner.

Orl. What were his marks?

Ros. A lean cheek, which you have not; a blue eye, and sunken, which you have not; an unquestionable spirit, which you have not; a beard neglected, which you have not; but I pardon you for that, for simply your having in beard is a younger brother's revenue: then your hose should be ungarter'd, your bonnet unbanded, your sleeve unbutton'd, your shoe unti'd and every thing about you demonstrating a careless desolation; but you are no such man; you are rather point-device in your accoutrements, as loving yourself than seeming the lover of any other.

Orl. Fair youth, I would I could make thee believe I love.

Ros. Me believe it? you may as soon make her that you love believe it; which, I warrant, she is apter to do than to confess she does: that is one of the points in the which women still give the lie to their consciences. But, in good sooth, are you he that hangs the verses on the trees, wherein Rosalind is so admired?

Orl. I swear to thee, youth, by the white hand of Rosalind, I am that he, that unfortunate he.

Ros. But are you so much in love as your rhymes speak?

Orl. Neither rhyme nor reason can express how much.

Ros. Love is merely a madness; and, I tell you, deserves as well a dark house and a whip as madmen do; and the reason why they are not so punish'd and cured is, that the lunacy is so ordinary that the whippers are in love too. Yet I profess curing it by counsel.

Orl. Did you ever cure any so?

Ros. Yes, one; and in this manner. He was to imagine me his love, his mistress; and I set him every day to woo me: at which time would I, being but a moonish youth, be effeminate, changeable, longing and liking, proud, fantastical, apish, shallow, inconstant, full of tears, full of smiles, for every passion something and for no passion truly any thing, as boys and women are for the most part cattle of this colour; would now like him, now loathe him; then entertain him, then forswear him; now weep for him, then spit at him; that I drave my suitor from his mad humour of love to a living humour of madness; which was, to forswear the full stream of the world, and to live in a nook merely monastic. And thus I cur'd him; and this way will I take upon me to wash your liver as clean as a sound sheep's heart, that there shall not be one spot of love in't.

Orl. I would not be cured, youth.

Ros. I would cure you, if you would but call me Rosalind, and come every day to my cote and woo me.

Orl. Now, by the faith of my love, I will: tell me where it is.

Ros. Go with me to it, and I'll show it you: and by the way you shall tell me where in the forest you live. Will you go?

Orl. With all my heart, good youth.

Ros. Nay, you must call me Rosalind. Come, sister, will you go?

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