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THE HOUR BEFORE DAWN

 
A one-legged, one-armed, one-eyed man,
A bundle of rags upon a crutch,
Stumbled on windy Cruachan
Cursing the wind. It was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago
Queen Maeve's nine Maines had been nursed,
A pair of lapwings, one old sheep
And not a house to the plain's edge,
When close to his right hand a heap
Of grey stones and a rocky ledge
Reminded him that he could make,
If he but shifted a few stones,
A shelter till the daylight broke.
But while he fumbled with the stones
They toppled over; 'Were it not
I have a lucky wooden shin
I had been hurt'; and toppling brought
Before his eyes, where stones had been,
A dark deep hole in the rock's face.
He gave a gasp and thought to run,
Being certain it was no right place
But the Hell Mouth at Cruachan
That's stuffed with all that's old and bad,
And yet stood still, because inside
He had seen a red-haired jolly lad
In some outlandish coat beside
A ladle and a tub of beer,
Plainly no phantom by his look.
So with a laugh at his own fear
He crawled into that pleasant nook.
Young Red-head stretched himself to yawn
And murmured, 'May God curse the night
That's grown uneasy near the dawn
So that it seems even I sleep light;
And who are you that wakens me?
Has one of Maeve's nine brawling sons
Grown tired of his own company?
But let him keep his grave for once
I have to find the sleep I have lost.'
And then at last being wide awake,
'I took you for a brawling ghost,
Say what you please, but from day-break
I'll sleep another century.'
The beggar deaf to all but hope
Went down upon a hand and knee
And took the wooden ladle up
And would have dipped it in the beer
But the other pushed his hand aside,
'Before you have dipped it in the beer
That sacred Goban brewed,' he cried,
'I'd have assurance that you are able
To value beer – I will have no fool
Dipping his nose into my ladle
Because he has stumbled on this hole
In the bad hour before the dawn.
If you but drink that beer and say
I will sleep until the winter's gone,
Or maybe, to Midsummer Day
You will sleep that length; and at the first
I waited so for that or this —
Because the weather was a-cursed
Or I had no woman there to kiss,
And slept for half a year or so;
But year by year I found that less
Gave me such pleasure I'd forgo
Even a half hour's nothingness,
And when at one year's end I found
I had not waked a single minute,
I chose this burrow under ground.
I will sleep away all Time within it:
My sleep were now nine centuries
But for those mornings when I find
The lapwing at their foolish cries
And the sheep bleating at the wind
As when I also played the fool.'
The beggar in a rage began
Upon his hunkers in the hole,
'It's plain that you are no right man
To mock at everything I love
As if it were not worth the doing.
I'd have a merry life enough
If a good Easter wind were blowing,
And though the winter wind is bad
I should not be too down in the mouth
For anything you did or said
If but this wind were in the south.'
But the other cried, 'You long for spring
Or that the wind would shift a point
And do not know that you would bring,
If time were suppler in the joint,
Neither the spring nor the south wind
But the hour when you shall pass away
And leave no smoking wick behind,
For all life longs for the Last Day
And there's no man but cocks his ear
To know when Michael's trumpet cries
That flesh and bone may disappear,
And souls as if they were but sighs,
And there be nothing but God left;
But I alone being blessed keep
Like some old rabbit to my cleft
And wait Him in a drunken sleep.'
 
 
He dipped his ladle in the tub
And drank and yawned and stretched him out.
The other shouted, 'You would rob
My life of every pleasant thought
And every comfortable thing
And so take that and that.' Thereon
He gave him a great pummelling,
But might have pummelled at a stone
For all the sleeper knew or cared;
And after heaped the stones again
And cursed and prayed, and prayed and cursed:
'Oh God if he got loose!' And then
In fury and in panic fled
From the Hell Mouth at Cruachan
And gave God thanks that overhead
The clouds were brightening with the dawn.
 

THE PLAYER QUEEN

(Song from an Unfinished Play)

 
My mother dandled me and sang,
'How young it is, how young!'
And made a golden cradle
That on a willow swung.
 
 
'He went away,' my mother sang,
'When I was brought to bed,'
And all the while her needle pulled
The gold and silver thread.
 
 
She pulled the thread and bit the thread
And made a golden gown,
And wept because she had dreamt that I
Was born to wear a crown.
 
 
'When she was got,' my mother sang,
'I heard a sea-mew cry,
And saw a flake of the yellow foam
That dropped upon my thigh.'
 
 
How therefore could she help but braid
The gold into my hair,
And dream that I should carry
The golden top of care?
 

THE REALISTS

 
Hope that you may understand!
What can books of men that wive
In a dragon-guarded land,
Paintings of the dolphin-drawn
Sea-nymphs in their pearly waggons
Do, but awake a hope to live
That had gone
With the dragons?
 

I

THE WITCH

 
Toil, and grow rich,
What's that but to lie
With a foul witch
And after, drained dry,
To be brought
To the chamber where
Lies one long sought
With despair.
 

II

THE PEACOCK

 
What's riches to him
That has made a great peacock
With the pride of his eye?
The wind-beaten, stone-grey,
And desolate Three-rock
Would nourish his whim.
Live he or die
Amid wet rocks and heather,
His ghost will be gay
Adding feather to feather
For the pride of his eye.
 

THE MOUNTAIN TOMB

 
Pour wine and dance if Manhood still have pride,
Bring roses if the rose be yet in bloom;
The cataract smokes upon the mountain side,
Our Father Rosicross is in his tomb.
 
 
Pull down the blinds, bring fiddle and clarionet
That there be no foot silent in the room
Nor mouth from kissing, nor from wine unwet;
Our Father Rosicross is in his tomb.
 
 
In vain, in vain; the cataract still cries
The everlasting taper lights the gloom;
All wisdom shut into his onyx eyes
Our Father Rosicross sleeps in his tomb.
 

TO A CHILD DANCING IN THE WIND

I

 
Dance there upon the shore;
What need have you to care
For wind or water's roar?
And tumble out your hair
That the salt drops have wet;
Being young you have not known
The fool's triumph, nor yet
Love lost as soon as won,
Nor the best labourer dead
And all the sheaves to bind.
What need have you to dread
The monstrous crying of wind?
 

II

 
Has no one said those daring
Kind eyes should be more learn'd?
Or warned you how despairing
The moths are when they are burned,
I could have warned you, but you are young,
So we speak a different tongue.
 
 
O you will take whatever's offered
And dream that all the world's a friend,
Suffer as your mother suffered,
Be as broken in the end.
But I am old and you are young,
And I speak a barbarous tongue.
 

A MEMORY OF YOUTH

 
The moments passed as at a play,
I had the wisdom love brings forth;
I had my share of mother wit
And yet for all that I could say,
And though I had her praise for it,
A cloud blown from the cut-throat north
Suddenly hid love's moon away.
 
 
Believing every word I said
I praised her body and her mind
Till pride had made her eyes grow bright,
And pleasure made her cheeks grow red,
And vanity her footfall light,
Yet we, for all that praise, could find
Nothing but darkness overhead.
 
 
We sat as silent as a stone,
We knew, though she'd not said a word,
That even the best of love must die,
And had been savagely undone
Were it not that love upon the cry
Of a most ridiculous little bird
Tore from the clouds his marvellous moon.
 

FALLEN MAJESTY

 
Although crowds gathered once if she but showed her face,
And even old men's eyes grew dim, this hand alone,
Like some last courtier at a gypsy camping place,
Babbling of fallen majesty, records what's gone.
 
 
The lineaments, a heart that laughter has made sweet,
These, these remain, but I record what's gone. A crowd
Will gather, and not know it walks the very street
Whereon a thing once walked that seemed a burning cloud.
 

FRIENDS

 
Now must I these three praise —
Three women that have wrought
What joy is in my days;
One that no passing thought,
Nor those unpassing cares,
No, not in these fifteen
Many times troubled years,
Could ever come between
Heart and delighted heart;
And one because her hand
Had strength that could unbind
What none can understand,
What none can have and thrive,
Youth's dreamy load, till she
So changed me that I live
Labouring in ecstasy.
And what of her that took
All till my youth was gone
With scarce a pitying look?
How should I praise that one?
When day begins to break
I count my good and bad,
Being wakeful for her sake,
Remembering what she had,
What eagle look still shows,
While up from my heart's root
So great a sweetness flows
I shake from head to foot.
 

THE COLD HEAVEN

 
Suddenly I saw the cold and rook-delighting Heaven
That seemed as though ice burned and was but the more ice,
And thereupon imagination and heart were driven
So wild that every casual thought of that and this
Vanished, and left but memories, that should be out of season
With the hot blood of youth, of love crossed long ago;
And I took all the blame out of all sense and reason,
Until I cried and trembled and rocked to and fro,
Riddled with light. Ah! when the ghost begins to quicken,
Confusion of the death-bed over, is it sent
Out naked on the roads, as the books say, and stricken
By the injustice of the skies for punishment?
 

THAT THE NIGHT COME

 
She lived in storm and strife,
Her soul had such desire
For what proud death may bring
That it could not endure
The common good of life,
But lived as 'twere a king
That packed his marriage day
With banneret and pennon,
Trumpet and kettledrum,
And the outrageous cannon,
To bundle time away
That the night come.
 

AN APPOINTMENT

 
Being out of heart with government
I took a broken root to fling
Where the proud, wayward squirrel went,
Taking delight that he could spring;
And he, with that low whinnying sound
That is like laughter, sprang again
And so to the other tree at a bound.
Nor the tame will, nor timid brain,
Bred that fierce tooth and cleanly limb
And threw him up to laugh on the bough;
No government appointed him.
 

I

THE MAGI

 
Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky
With all their ancient faces like rain-beaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor.
 

II

THE DOLLS

 
A doll in the doll-maker's house
Looks at the cradle and balls:
'That is an insult to us.'
But the oldest of all the dolls
Who had seen, being kept for show,
Generations of his sort,
Out-screams the whole shelf: 'Although
There's not a man can report
Evil of this place,
The man and the woman bring
Hither to our disgrace,
A noisy and filthy thing.'
Hearing him groan and stretch
The doll-maker's wife is aware
Her husband has heard the wretch,
And crouched by the arm of his chair,
She murmurs into his ear,
Head upon shoulder leant:
'My dear, my dear, oh dear,
It was an accident.'