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MINSTRELSY OF THE SCOTTISH BORDER

This work, although not original, may be said to be the superstructure of Sir Walter Scott's fame. It consists, as we have already hinted, of the ballad poetry of the Border district; but to obtain this vernacular literature was not the work of mere compilation. The editor's task was not performed in the closet, but in a sort of literary pilgrimage through a land of song, story, and romance. The farmers and peasantry from whose recitation the ballads were to be set down, were a primitive race; and the country among which oral traditions, anecdotes, and legends were to be collected for notes illustrative of the ballads, was of the most romantic character. Sir Walter found the most fertile field in the pastoral vale of Liddesdale, whither he travelled in an old gig with Mr. Shortreed, an intelligent observer of the manners of the people. In these researches, Sir Walter evinced a most retentive memory: he is stated to have used neither pencil nor pen, but to have made his own memoranda by cutting notches on twigs, or small sticks.⁶ The Minstrelsy was published in 1802, in two volumes; it was reprinted in the following year with a third volume, of imitations, by Scott and others, of the ancient ballad; but Sir Walter refers to the second edition as rather a heavy concern.

MARRIAGE—SHERIFFDOM—LEAVES THE BAR

Reverting to Sir Walter's domestic life, we should mention that in 1797, he married Miss Carpenter, a lady of Jersey, with an annuity of 400l.; soon after which he established himself during the vacations, in a delightful retreat at Lasswade, on the banks of the Esse, about five miles to the south of Edinburgh. In 1799, he obtained the Crown appointment of sheriff of Selkirkshire, with a salary of 300l. a year; the duties of which office he is said to have performed with kindness and justice. Mr. Cunningham relates that Sir Walter had a high notion of the dignity which belonged to his post, and sternly maintained it when any one seemed disposed to treat it with unbecoming familiarity. On one occasion, it is said, when some foreign prince passed through Selkirk, the populace, anxious to look on a live prince, crowded round him so closely, that Scott, in vain attempted to approach him; the poet's patience failed, and exclaiming "Room for your sheriff! Room for your sheriff!" he pushed and elbowed the gapers impatiently aside, and apologised to the prince for their curiosity.⁷

By the death of Sir Walter's father, his income was increased, and this addition, with the salary of his sheriffdom, left him more at leisure to indulge his literary pursuits. Soon after this period, about 1803, Sir Walter finding that his attempts in literature had been unfavourable to his success at the bar, says:—"My profession and I, therefore, came to stand nearly upon the footing on which honest Slender consoled himself with having established with Mrs. Anne Page. 'There was no great love between us at the beginning, and it pleased Heaven to decrease it on farther acquaintance!' I became sensible that the time was come when I must either buckle myself resolutely to 'the toil by day, the lamp by night,' renouncing all the Dalilahs of my imagination, or bid adieu to the profession of the law, and hold another course.

"I confess my own inclination revolted from the more severe choice, which might have been deemed by many the wiser alternative. As my transgressions had been numerous, my repentance must have been signalized by unusual sacrifices. I ought to have mentioned that, since my fourteenth or fifteenth year, my health, originally delicate, had been extremely robust. From infancy I had laboured under the infirmity of a severe lameness, but, as I believe is usually the case with men of spirit who suffer under personal inconveniences of this nature, I had, since the improvement of my health, in defiance of this incapacitating circumstance, distinguished myself by the endurance of toil on foot or horseback, having often walked thirty miles a-day, and rode upwards of a hundred without stopping. In this manner I made many pleasant journeys through parts of the country then not very accessible, gaining more amusement and instruction than I have been able to acquire since I have travelled in a more commodious manner. I practised most sylvan sports also with some success and with great delight. But these pleasures must have been all resigned, or used with great moderation, had I determined to regain my station at the bar." After well weighing these matters, Sir Walter resolved on quitting his avocations in the law for literature; though he determined that literature should be his staff but not his crutch, and that the profits of his labour, however convenient otherwise, should not become necessary to his ordinary expenses.

THE LAY OF THE LAST MINSTREL

Sir Walter's secession from the law was followed by the production of his noblest poem—the Lay of the Last Minstrel—the origin of which is thus related by the author:

"The lovely young Countess of Dalkeith, afterwards Harriet, Duchess of Buccleuch, had come to the land of her husband, with the desire of making herself acquainted with its traditions and customs. Of course, where all made it a pride and pleasure to gratify her wishes, she soon heard enough of Border lore; among others, an aged gentleman of property, near Langholm, communicated to her ladyship the story of Gilpin Horner—a tradition in which the narrator and many more of that county were firm believers. The young Countess, much delighted with the legend, and the gravity and full confidence with which it was told, enjoined it on me as a task to compose a ballad on the subject. Of course, to hear was to obey; and thus the goblin story, objected to by several critics as an excrescence upon the poem, was, in fact, the occasion of its being written."

Sir Walter having composed the first two or three stanzas of the poem—taking for his model the Christabel of Coleridge—showed them to two friends, "whose talents might have raised them to the highest station in literature, had they not preferred exerting them in their own profession of the law, in which they attained equal preferment." They were more silent upon the merits of the stanzas than was encouraging to the author; and Sir Walter, looking upon the attempt as a failure, threw the manuscript into the fire, and thought as little as he could of the matter. Sometime afterwards, Sir Walter meeting his two friends, was asked how he proceeded in his romance;—they were surprised at its fate, said they had reviewed their opinion, and earnestly desired that Sir Walter would proceed with the composition. He did so; and the poem was soon finished, proceeding at the rate of about a canto per week. It was finally published in 1805, and produced to the author 600l.; and, to use his own words, "it may be regarded as the first work in which the writer, who has been since so voluminous, laid his claim to be considered as an original author." We thus see that Sir Walter Scott was in his 34th year before he had published an original work.

MARMION

Sir Walter's second poem of consequence appeared in 1808, he having published a few ballads and lyrical pieces during the year 1806. The publishers, emboldened by the success of the Lay of the Last Minstrel, gave the author 1,000l. for Marmion. Its success was electric, and at once wrought up the poet's reputation. In his preface to the last edition, April, 1830, he states 36,000 copies to have been printed between 1808 and 1825, besides a considerable sale since that period; and the publishers were so delighted with the success, as "to supply the author's cellars with what is always an acceptable present to a young Scotch house-keeper—namely, a hogshead of excellent claret."

CLERK OF SESSION

Between the appearance of the Lay of the Last Minstrel and Marmion, hopes were held out to him from an influential quarter of the reversion of the office of a Principal Clerk in the Court of Session; and, Mr. Pitt, having expressed a wish to be of service to the author, of the Lay of the Last Minstrel, Sir Walter applied for the reversion. His desire was readily acceeded to; and, according to Chambers, George III. is reported to have said, when he signed the commission, that "he was happy he had it in his power to reward a man of genius, and a person of such distinguished merit." The King had signed the document, and the office fees alone remained to be paid, when Mr. Pitt died, and a new and opposite ministry succeeded. Sir Walter, however, obtained the appointment, though not from the favour of an administration differing from himself in politics, as has been supposed; the grant having been obtained before Mr. Fox's direction that the appointment should be conferred as a favour coming directly from his administration. The duties were easy, and the profits about 1,200l. a year, though Sir Walter, according to arrangement, performed the former for five or six years without salary, until the retirement of his colleague.

EDITIONS OF DRYDEN AND SWIFT

Sir Walter's next literary labour was the editorship of the Works of John Dryden, with Notes. Critical and Explanatory, and a Life of the Author: the chief aim of which appears to be the arrangement of the "literary productions in their succession, as actuated by, and operating upon, the taste of an age, where they had so predominating an influence," and the connexion of the Life of Dryden with the history of his publications. This he accomplished within a twelvemonth. Sir Walter subsequently edited, upon a similar plan, an edition of the Works of Swift.—Neither of these works can be said to entitle Sir Walter to high rank as a biographer.

6.Many anecdotes are related in illustration of Sir Walter Scott's excellent memory. The Ettrick Shepherd tells of his attempting to sing his ballad of Gilmanscleuch, which had never been printed or penned, but which the Shepherd had sung once over to Sir Walter three years previously. On the second attempt to sing it, says the Shepherd, "in the eighth or ninth verse, I stuck in it, and could not get on with another line; on which he (Sir Walter) began it a second time, and recited it every word from beginning to the end of the eighty-eighth stanza:" and, on the Shepherd expressing his astonishment, Sir Walter related that he had recited that ballad and one of Southey's, but which ballads he had only heard once from their respective authors, and he believed he had recited them both without missing a word. Sir Walter also used to relate that his friend, Mr. Thomas Campbell, called upon him one evening to show him the manuscript of a poem he had written—The Pleasures of Hope. Sir Walter happened to have some fine old whisky in his house, and his friend sat down and had a tumbler or two of punch. Mr. Campbell left him, but Sir Walter thought he would dip into the manuscript before going to bed. He opened it, read, and read again—charmed with the classical grace, purity, and stateliness of that finest of all our modern didactic poems. Next morning Mr. Campbell again called, when to his inexpressible surprise, his friend on returning the manuscript to its owner, said he should guard well against piracy, for that he himself could repeat the poem from beginning to end! The poet dared him to the task, when Sir Walter Scott began and actually repeated the whole, consisting of more than two thousand lines, with the omission of only a few couplets.—Inverness Courier.

7.Memoir in the Athenaeum.