Читать книгу: «The Atlantic Monthly, Volume 17, No. 103, May, 1866», страница 10

After all, what are we saying, except that his genius is rather Corinthian than Doric, and therefore more cultured, mobile, and of wider range? If Kemble was the ideal Coriolanus and Henry V., he was too kingly as Hamlet, and Booth is the princeliest Hamlet that ever trod the stage. If Kean and the elder Booth were more supernal in their lightnings of passion and scorn,—and there are points in "Richelieu" which leave this a debatable question,—Edwin Booth is more equal throughout, has every resource of taste and study at his command; his action is finished to the last, his stage-business perfect, his reading distinct and musical as a bell. He is thus the ripened product of our eclectic later age, and has this advantage about him, being an American, that he is many-sided, and draws from all foreign schools their distinctive elements to fuse into one new, harmonious whole.

It is our fashion to speak of the decline of the Drama, to lament not only a decay of morals, manners, and elocution, but the desertion of standard excellence for the frippery which only appeals to the lightest popular taste. But this outcry proceeds mostly from old fogies, and those who only reverence the past, while the halo which gilds the memories of youth is the cause of its ceaseless repetition. For it has been heard through every period. It was in the era when our greatest dramas were created that Ben Jonson, during a fit of the spleen, occasioned by the failure of "The New Inn," begat these verses "to himself":—

 
"Come, leave the loathed stage,
And this more loathsome age,
Where pride and impudence, in faction knit,
Usurp the chair of wit!
Inditing and arranging every day
Something they call a play."
 

At the commencement of our own century, and in what we are wont to consider the Roscian Period of the British stage, its condition seemed so deplorable to Leigh Hunt, then the dramatic critic of "The News," as to require "An Essay on the Appearance, Causes, and Consequences of the Decline of British Comedy." "Of Tragedy," he wrote, "we have nothing; and it is the observation of all Europe that the British Drama is rapidly declining." Yet the golden reign of the Kembles was then in its prime; and such names as Bannister, Fawcett, Matthews, Elliston, and Cooke occur in Hunt's graceful and authoritative sketches of the actors of the day.⁵ As to the newer plays, Gifford said, "All the fools in the kingdom seem to have exclaimed with one voice, Let us write for the theatre!" Latter-day croakers would have us believe that the Tragic Muse, indignant at the desecration of her English altars, took flight across the ocean, alighting in solemn majesty at the Old Park Theatre of New York, but that she disappeared utterly in the final conflagration of that histrionic shrine. Well, there are smouldering remnants of the Old Park still left to us; veteran retainers of the conventional stride, the disdainful gesture, the Kemble elocution, and that accent which was justly characterized as

 
"Ojus, insijjus, hijjus, and perfijjus!"
 

But the Muse is immortal, though so changing the fashion of her garb, it would appear, as often to fail of recognition from ancient friends. We think that modern acting is quite as true to nature as that of the school which has passed away, while its accessories are infinitely richer and more appropriate; and as to the popular judgment, how should that be on the decline? In America,—where common wealth makes common entrance, and the lines are not so clearly drawn between the unskilful many and the judicious few,—managers will always make concessions to the whim and folly of the hour. But we see no cause for discouragement, so long as dramas are set forth with the conscientious accuracy that has marked the latest productions of "Hamlet" and "Richelieu," and while hushed and delighted audiences, drawn from every condition of society, leave all meaner performances to hang upon the looks and accents of Nature's sweet interpreter,—Edwin Booth.

AMONG THE LAURELS

 
"The sunset's gorgeous dyes
Paled slowly from the skies,
And the clear heaven was waiting for the stars,
As side by side we strayed
Adown a sylvan glade,
And found our pathway crossed by rustic bars.
 
 
Beyond the barrier lay
A green and tempting way,
Arched with fair laurel-trees, a-bloom and tall,—
Their cups of tender snow
Touched with a rosy glow,
And warm sweet shadows trembling over all.
 
 
The chestnuts sung and sighed,
The solemn oaks replied,
And distant pine-trees crooned in slumberous tones;
While music low and clear
Gushed from the darkness near,
Where a shy brook went tinkling over stones.
 
 
Soft mosses, damp and sweet,
Allured our waiting feet,
And brambles veiled their thorns with treacherous bloom;
While tiny flecks of flowers,
Which own no name of ours,
Added their mite of beauty and perfume.
 
 
And hark! a hidden bird—
To sudden utterance stirred,
As by a gushing love too great to bear
With voiceless silence long—
Burst into passionate song,
Filling with his sweet trouble all the air.
 
 
Then one, whose eager soul
Could brook no slight control,
Said, "Let us thread this pleasant path, dear friend,—
If thus the way can be
So beautiful to see,
How much more beautiful must be the end!
 
 
"Follow! this solitude
May shrine the haunted wood,
Storied so sweetly in romance and rhyme,—
Secure from human ill,
And rarely peopled still
By Fauns and Dryads of the olden time.
 
 
"A spot of hallowed ground
By mortal yet unfound,
Sacred to nymph and sylvan deity,—
Where foiled Apollo glides,
And bashful Daphne hides
Safe in the shelter of her laurel-tree!"
 
 
"Forbear!" the other cried,—
"O, leave the way untried!
Those joys are sweetest which we only guess,
And the impatient soul,
That seeks to grasp the whole,
Defeats itself by its own eagerness.
 
 
"Let us not rudely shake
The dew-drop from the brake
Fringing the borders of this haunted dell;
All the delights which are—
The present and the far—
Lose half their charm by being known too well!
 
 
"And he mistakes who tries
To search all mysteries,—
Who leaves no cup undrained, no path untracked;
Who seeks to know too much
Brushes with eager touch
The bloom of Fancy from the brier of Fact.
 
 
"Keep one fair myth aloof
From hard and actual proof;
Preserve some dear delusions as they seem,
Since the reality,
How bright soe'er it be,
Shows dull and cold beside our marvellous dream.
 
 
"Leave this white page unscored,
This rare realm unexplored,
And let dear Fancy roam there as she will;
Whatever page we turn,
However much we learn,
Let there be something left to dream of still!"
 
 
Wherefore, for aught we know,
The golden apples grow
In the green vale to which that pathway leads;
The spirits of the wood
Still haunt its solitude,
And Pan sits piping there among the reeds!
 

GRIFFITH GAUNT; OR, JEALOUSY

CHAPTER XVIII

This Caroline Ryder was a character almost impossible to present so as to enable the reader to recognize her should she cross his path; so great was the contradiction between what she was and what she seemed, and so perfect was the imitation.

She looked a respectable young spinster, with a grace of manner beyond her station, and a decency and propriety of demeanor that inspired respect.

She was a married woman, separated from her husband by mutual consent; and she had had many lovers, each of whom she had loved ardently—for a little while. She was a woman that brought to bear upon foolish, culpable loves a mental power that would have adorned the woolsack.

The moment prudence or waning inclination made it advisable to break with the reigning favorite, she set to work to cool him down by deliberate coldness, sullenness, insolence; and generally succeeded. But if he was incurable, she never hesitated as to her course; she smiled again on him, and looked out for another place: being an invaluable servant, she got one directly; and was off to fresh pastures.

A female rake; but with the air of a very prude.

A woman, however cunning and resolute, always plays this game at one great disadvantage; for instance, one day, Caroline Ryder, finding herself unable to shake off a certain boyish lover, whom she had won and got terribly tired of, retired from her place, and went home, and left him blubbering. But by and by, in a retired village, she deposited an angelic babe of the female sex, with fair hair and blue eyes, the very image of her abandoned Cherubin. Let me add, as indicating the strange force of her character, that she concealed this episode from Cherubin and all the rest of the world; and was soon lady's maid again in another county, as demure as ever, and ripe for fresh adventures.

But her secret maternity added a fresh trait to her character; she became mercenary.

This wise, silly, prudent, coquettish demon was almost perfect in the family relations: an excellent daughter, a good sister, and a devoted mother. And so are tigresses, and wicked Jewesses.

Item—the decency and propriety of her demeanor were not all hypocrisy, but half hypocrisy, and half inborn and instinctive good taste and good sense.

As dangerous a creature to herself and others as ever tied on a bonnet.

On her arrival at Hernshaw Castle she cast her eyes round to see what there was to fall in love with; and observed the gamekeeper, Tom Leicester. She gave him a smile or two that won his heart; but there she stopped: for soon the ruddy cheek, brown eyes, manly proportions, and square shoulders of her master attracted this connoisseur in male beauty. And then his manner was so genial and hearty, with a smile for everybody. Mrs. Ryder eyed him demurely day by day, and often opened a window slyly to watch him unseen.

From that she got to throwing herself in his way; and this with such art that he never discovered it, though he fell in with her about the house six times as often as he met his wife or any other inmate.

She had already studied his character, and, whether she arranged to meet him full or to cross him, it was always with a courtesy and a sunshiny smile; he smiled on her in his turn, and felt a certain pleasure at sight of her: for he loved to see people bright and cheerful about him.

Then she did, of her own accord, what no other master on earth would have persuaded her to do: looked over his linen; sewed on buttons for him; and sometimes the artful jade deliberately cut a button off a clean shirt, and then came to him and sewed it on during wear. This brought about a contact none knew better than she how to manage to a man's undoing. The seeming timidity that fills the whole eloquent person, and tempts a man to attack by telling him he is powerful,—the drooping lashes that hint, "Ah, do not take advantage of this situation, or the consequences may be terrible, and will certainly be delicious,"—the delicate and shy, yet lingering touch,—the twenty stitches where nine would be plenty,—the one coy, but tender glance at parting,—all this soft witchcraft beset Griffith Gaunt, and told on him; but not as yet in the way his inamorata intended.

"Kate," said he one day, "that girl of yours is worth her weight in gold."

"Indeed!" said Mrs. Gaunt, frigidly; "I have not discovered it."

When Caroline found that her master was single-hearted, and loved his wife too well to look elsewhere, instead of hating him, she began to love him more seriously, and to hate his wife, that haughty beauty, who took such a husband as a matter of course, and held him tight without troubling her head.

It was a coarse age, and in that very county more than one wife had suffered jealous agony from her own domestic. But here the parts were inverted: the lady was at her ease; the servant paid a bitter penalty for her folly. She was now passionately in love, and had to do menial offices for her rival every hour of the day: she must sit with Mrs. Gaunt, and make her dresses, and consult with her how to set off her hateful beauty to the best advantage. She had to dress her, and look daggers at her satin skin and royal neck, and to sit behind her an hour at a time combing and brushing her long golden hair.

How she longed to tear a handful of it out, and then run away! Instead of that, her happy rival expected her to be as tender and coaxing with it as Madame de Maintenon was with the Queen's of France.

Ryder called it "yellow stuff" down in the kitchen; that was one comfort, but a feeble one; the sun came in at the lady's window, and Ryder's shapely hand was overflowed, and her eyes offended, by waves of burnished gold: and one day Griffith came in and kissed it in her very hand. His lips felt nothing but his wife's glorious hair; but, by that exquisite sensibility which the heart can convey in a moment to the very finger-nails, Caroline's hand, beneath, felt the soft touch through her mistress's hair; and the enamored hypocrite thrilled, and then sickened.

The other servants knew, as a matter of domestic history, that Griffith and Kate lived together a happy couple; but this ardent prude was compelled by her position to see it, and realize it, every day. She had to witness little conjugal caresses, and they turned her sick with jealousy. She was Nobody. They took no more account of her than of the furniture. The creature never flinched, but stood at her post and ground her white teeth in silence, and burned, and pined, and raged, and froze, and was a model of propriety.

On the day in question she was thinking of Griffith, as usual, and wondering whether he would always prefer yellow hair to black. This actually put her off her guard for once, and she gave the rival hair a little contemptuous tug: and the reader knows what followed.

Staggered by her mistress's question, Caroline made no reply, but only panted a little, and proceeded more carefully.

But O the struggle it cost her not to slap both Mrs. Gaunt's fair cheeks impartially with the backs of the brushes! And what with this struggle, and the reprimand, and the past agitations, by and by the comb ceased, and the silence was broken by faint sobs.

Mrs. Gaunt turned calmly round and looked full at her hysterical handmaid.

"What is to do?" said she. "Is it because I chid you, child? Nay, you need not take that to heart; it is just my way: I can bear anything but my hair pulled." With this she rose and poured some drops of sal-volatile into water, and put it to her secret rival's lips: it was kindly done, but with that sort of half contemptuous and thoroughly cold pity women are apt to show to women, and especially when one of them is Mistress and the other is Servant.

Still it cooled the extreme hatred Caroline had nursed, and gave her a little twinge, and awakened her intelligence. Now her intelligence was truly remarkable when not blinded by passion. She was a woman with one or two other masculine traits besides her roving heart. For instance, she could sit and think hard and practically for hours together: and on these occasions her thoughts were never dreamy and vague; it was no brown study, but good hard thinking. She would knit her coal-black brows, like Lord Thurlow himself, and realize the situation, and weigh the pros and cons with a steady judicial power rarely found in her sex; and, nota bene, when once her mind had gone through this process, then she would act with almost monstrous resolution.

She now shut herself up in her own room for some hours, and weighed the matter carefully.

The conclusion she arrived at was this: that, if she stayed at Hernshaw Castle, there would be mischief; and probably she herself would be the principal sufferer to the end of the chapter, as she was now.

She said to herself: "I shall go mad, or else expose myself, and be turned away with loss of character; and then what will become of me, and my child? Better lose life or reason than character. I know what I have to go through; I have left a man ere now with my heart tugging at me to stay beside him. It is a terrible wrench; and then all seems dead for a long while without him. But the world goes on and takes you round with it; and by and by you find there are as good fish left in the sea. I'll go, while I've sense enough left to see I must."

The very next day she came to Mrs. Gaunt and said she wished to leave.

"Certainly," said Mrs. Gaunt, coldly. "May I ask the reason?"

"O, I have no complaint to make, ma'am, none whatever; but I am not happy here; and I wish to go when my month's up, or sooner, ma'am, if you could suit yourself."

Mrs. Gaunt considered a moment: then she said, "You came all the way from Gloucestershire to me; had you not better give the place a fair trial? I have had two or three good servants that felt uncomfortable at first; but they soon found out my ways, and stayed with me till they married. As for leaving me before your month, that is out of the question."

To this Ryder said not a word, but merely vented a little sigh, half dogged, half submissive; and went cat-like about, arranging her mistress's things with admirable precision and neatness. Mrs. Gaunt watched her, without seeming to do so, and observed that her discontent did not in the least affect her punctual discharge of her duties. Said Mrs. Gaunt to herself, "This servant is a treasure; she shall not go." And Ryder to herself, "Well, 't is but for a month; and then no power shall keep me here."

CHAPTER XIX

Not long after these events came the county ball. Griffith was there, but no Mrs. Gaunt. This excited surprise, and, among the gentlemen, disappointment. They asked Griffith if she was unwell; he thanked them dryly, she was very well; and that was all they could get out of him. But to the ladies he let out that she had given up balls, and, indeed, all reasonable pleasures. "She does nothing but fast, and pray, and visit the sick." He added, with rather a weak smile, "I see next to nothing of her." A minx stood by and put in her word. "You should take to your bed; then, who knows? she might look in upon you."

Griffith laughed, but not heartily. In truth, Mrs. Gaunt's religious fervor knew no bounds. Absorbed in pious schemes and religious duties, she had little time, and much distaste, for frivolous society; invited none but the devout, and found polite excuses for not dining abroad. She sent her husband into the world alone, and laden with apologies. "My wife is turned saint. 'T is a sin to dance, a sin to hunt, a sin to enjoy ourselves. We are here to fast, and pray, and build schools, and go to church twice a day."

And so he went about publishing his household ill; but, to tell the truth, a secret satisfaction peeped through his lugubrious accents. An ugly saint is an unmixed calamity to jolly fellows; but to be lord and master, and possessor, of a beautiful saint, was not without its piquant charm. His jealousy was dormant, not extinct; and Kate's piety tickled that foible, not wounded it. He found himself the rival of heaven,—and the successful rival; for, let her be ever so strict, ever so devout, she must give her husband many delights she could not give to heaven.

This soft and piquant phase of the passion did not last long. All things are progressive.

Brother Leonard was director now, as well as confessor; his visits became frequent; and Mrs. Gaunt often quoted his authority for her acts or her sentiments. So Griffith began to suspect that the change in his wife was entirely due to Leonard; and that, with all her eloquence and fervor, she was but a priest's echo. This galled him. To be sure Leonard was only an ecclesiastic; but if he had been a woman, Griffith was the man to wince. His wife to lean so on another; his wife to withdraw from the social pleasures she had hitherto shared with him; and all because another human creature disapproved them. He writhed in silence awhile, and then remonstrated.

He was met at first with ridicule: "Are you going to be jealous of my confessor?" and, on repeating the offence, with a kind, but grave admonition, that silenced him for the time, but did not cure him, nor even convince him.

The facts were too strong: Kate was no longer to him the genial companion she had been; gone was the ready sympathy with which she had listened to all his little earthly concerns; and as for his hay-making, he might as well talk about it to an iceberg as to the partner of his bosom.

He was genial by nature, and could not live without sympathy. He sought it in the parlor of the "Red Lion."

Mrs. Gaunt's high-bred nostrils told her where he haunted, and it caused her dismay. Woman-like, instead of opening her battery at once, she wore a gloomy and displeased air, which a few months ago would have served her turn and brought about an explanation at once; but Griffith took it for a stronger dose of religious sentiment, and trundled off to the "Red Lion" all the more.

So then at last she spoke her mind, and asked him how he could lower himself so, and afflict her.

"Oh!" said he, doggedly, "this house is too cold for me now. My mate is priest-rid. Plague on the knave that hath put coldness 'twixt thee and me."

Mrs. Gaunt froze visibly, and said no more at that time.

One bit of sunshine remained in the house, and shone brighter than ever on its chilled master,—shone through two black, seducing eyes.

Some three months before the date we have now reached, Caroline Ryder's two boxes were packed and corded ready to go next day. She had quietly persisted in her resolution to leave, and Mrs. Gaunt, though secretly angry, had been just and magnanimous enough to give her a good character.

Now female domestics are like the little birds; if that great hawk, their mistress, follows them about, it is a deadly grievance; but if she does not, they follow her about, and pester her with idle questions, and invite the beak and claws of petty tyranny and needless interference.

So, the afternoon before she was to leave, Caroline Ryder came to her mistress's room on some imaginary business. She was not there. Ryder, forgetting that it did not matter a straw, proceeded to hunt her everywhere; and at last ran out, with only her cap on, to "the Dame's Haunt," and there she was; but not alone: she was walking up and down with Brother Leonard. Their backs were turned, and Ryder came up behind them. Leonard was pacing gravely, with his head gently drooping as usual. Mrs. Gaunt was walking elastically, and discoursing with great fire and animation.

Ryder glided after, noiseless as a serpent, more bent on wondering and watching now than on overtaking; for inside the house her mistress showed none of this charming vivacity.

Presently the keen black eyes observed a "trifle light as air" that made them shine again.

She turned and wound herself amongst the trees, and disappeared. Soon after she was in her own room, a changed woman. With glowing cheeks, sparkling eyes, and nimble fingers, she uncorded her boxes, unpacked her things, and placed them neatly in the drawers.

What more had she seen than I have indicated?

Only this: Mrs. Gaunt, in the warmth of discourse, laid her hand lightly for a moment on the priest's shoulder. That was nothing, she had laid the same hand on Ryder; for, in fact, it was a little womanly way she had, and a hand that settled like down. But this time, as she withdrew it again, that delicate hand seemed to speak; it did not leave Leonard's shoulder all at once, it glided slowly away, first the palm, then the fingers, and so parted lingeringly.

The other woman saw this subtile touch of womanhood, coupled it with Mrs. Gaunt's vivacity and the air of happiness that seemed to inspire her whole eloquent person, and formed an extreme conclusion on the spot, though she could not see the lady's face.

When Mrs. Gaunt came in she met her, and addressed her thus: "If you please, ma'am, have you any one coming in my place?"

Mrs. Gaunt looked her full in the face. "You know I have not," said she, haughtily.

"Then, if it is agreeable to you, ma'am, I will stay. To be sure the place is dull; but I have got a good mistress—and—"

"That will do, Ryder: a servant has always her own reasons, and never tells them to her mistress. You can stay this time; but the next, you go; and once for all.—I am not to be trifled with."

Ryder called up a look all submission, and retired with an obeisance. But, once out of sight, she threw off the mask and expanded with insolent triumph. "Yes, I have my own reasons," said she. "Keep you the priest, and I'll take the man."

From that hour Caroline Ryder watched her mistress like a lynx, and hovered about her master, and poisoned him slowly with vague, insidious hints.