Читать книгу: «The Atlantic Monthly, Volume 01, No. 04, February, 1858», страница 12

There is, indeed, a third passion which disputes with those for country and equality the heart of Béranger, and which he shares fully with Voltaire,—the hatred, namely, we will not say of Christianity, but of religious hypocrisy, of Jesuitic Tartufery. What Voltaire did in innumerable pamphlets, facetioe, and philosophic diatribes, Béranger did in songs. He gave a refrain, and with it popular currency to the anti-clerical attacks and mockeries of Voltaire; he set them to his violin and made them sing with the horsehair of his bow. Béranger was in this respect only the minstrel of Voltaire.

Bold songs against hypocrites, the Reverend Fathers and the Tartufes, so much in favor under the Restoration, and some which carry the attack yet higher, and which sparkle with the very spirit of buffoonery, like Le Bâtard du Pape; beautiful patriotic songs, like Le vieux Drapeau; and beautiful songs of humanity and equality, like Le vieux Vagabond;—these are the three chief branches which unite and intertwine to make the poetic crown of Béranger in his best days, and they had their root in passions which with him were profound and living,—hatred of superstition, love of country, love of humanity and equality.

His aunt at Péronne was superstitious, and during thunder-storms had recourse to all kinds of expedients, such as signs of the cross, holy-water, and the like. One day the lightning struck near the house and knocked down young Béranger, who was standing on the door-step. He was insensible for some time, and they thought him killed. His first words, on recovering consciousness, were, "Well, what good did your holy-water do?"

At Péronne he finished his very irregular course of study at a kind of primary school founded by a philanthropic citizen. During the Directory, attempts were made all over France to get up free institutions for the young, on plans more or less reasonable or absurd, by men who had fed upon Rousseau's Émile and invented variations upon his system. On leaving school, Béranger was placed with a printer in the city, where he became a journeyman printer and compositor, which has occasioned his being often compared to Franklin,—a comparison of which he is not unworthy, in his love for the progress of the human race, and the piquant and ingenious turn he knew how to give to good sense. From this first employment as printer Béranger acquired and retained great nicety in language and grammar. He insisted on it, in his counsels to the young, more than seems natural in a poet of the people. He even exaggerated its importance somewhat, and might seem a purist.

Béranger's father reappeared suddenly during the Directory and reclaimed his son, whom he carried to Paris. The father had formed connections in Brittany with the royalists. He had become steward of the household of the Countess of Bourmont, mother of the famous Bourmont who was afterwards Marshal of France and Minister of War. Bourmont himself, then young, was living in Paris, in order the better to conspire for the restoration of the Bourbons. The elder Béranger was neck-deep in these intrigues, and was even prosecuted after the discovery of one of the numerous conspiracies of the day, but acquitted for want of proof. He was the banker and money-broker of the party,—a wretched banker enough! The narrative of the son enables us to see what a miserable business the father was engaged in. This near view of political intriguers, of royalists driven to all manner of expedients and standing at bay, of adventurers who did not shrink from the use of any means, not even the infernal-machine, did not dispose the young man already imbued with republican sentiments to change them, and this initiation into the secrets of the party was not likely to inspire him with much respect for the future Restoration. He had too early seen men and things behind the scenes. His father, in consequence of his swindling transactions, made a bankruptcy, which reduced the son to poverty and filled him with grief and shame.

He was now twenty years old; he had courage and hope, and he already wrote verses on all sorts of subjects,—serious, religious, epic, and tragic. One day, when he was in especial distress, he made up a little packet of his best verses and sent them to Lucien Bonaparte, with a letter, in which he set forth his unhappy situation. Lucien loved literature, and piqued himself on being author and poet. He was pleased with the attempts of the young man, and made him a present of the salary of a thousand or twelve hundred francs to which he was entitled as member of the Institute. It was Béranger's first step out of the poverty in which he had been plunged for several years, and he was indebted for the benefit to a Bonaparte, and to the most republican Bonaparte of the family. He was always especially grateful for it to Lucien, and somewhat to the Bonapartes in general.

Receiving a small appointment in the bureau of the University through the intervention of the Academician Arnault, a friend of Lucien Bonaparte, Béranger lived gayly during the last six years of the Empire. He managed to escape the conscription, and never shouldered a musket. He reserved himself to sing of military glory at a later day, but had no desire to share in it as soldier. He was elected into a singing club called The Cellar, all of whose members were songwriters and good fellows, presided over by Désaugiers, the lord of misrule and of jolly minstrels. Béranger, after his admission to the Caveau, at first contended with Désaugiers in his own style, but already a ground of seriousness and thought showed through his gayety. He wrote at this time his celebrated song of the Roi d'Yvetot, in which, while he caricatured the little play-king, the king in the cotton nightcap, he seemed to be slyly satirizing the great conquering Emperor himself.

The Empire fell, and Béranger hesitated for some time to take part against the Bourbons. It was not till after the battle of Waterloo and the return of Louis XVIII. under convoy of the allied armies, that he began to feel the passion of patriotism blaze up anew within him and dictate stinging songs which soon became darts of steel. Meanwhile he wrote pretty songs, in which a slight sentiment of melancholy mingled with and heightened the intoxication of wine and pleasure. La bonne Vieille is his chef-d'oeuvre in this style. He arranged the design of these little pieces carefully, sketching his subjects beforehand, and herein belongs to the French school, that old classic school which left nothing to chance. He composed his couplets slowly, even those which seem the most easy. Commonly the song came to him through the refrain;—he caught the butterfly by the wings;—when he had seized the refrain, he finished at intervals, and put in the nicer shadings at leisure. He wrote hardly ten songs a year at the time of his greatest fecundity. It has since been remarked that they smell of the lamp here and there; but at first no one had eyes except for the rose, the vine, and the laurel.

The Bourbons, brought back for the second time in 1815, committed all manner of blunders: they insulted the remains of the old grande armée; they shot Marshal Ney and many others; a horrible royalist reaction ensanguined the South of France. The Jesuit party insinuated itself at Court, and assumed to govern as in the high times of the confessors of Louis XIV. It was hoped to conquer the spirit of the Revolution, and to drive modern France back to the days before 1789; hence thousands of hateful things impossible to be realized, and thousands of ridiculous ones. Towards 1820 the liberal opposition organized itself in the Chambers and in the press. The Muse of Béranger came to its assistance under the mask of gay raillery. He was the angry bee that stung flying, and whose stings are not harmless; nay, he would fain have made them mortal to the enemy. He hated even Louis XVIII., a king who was esteemed tolerably wise, and more intelligent than his party. "I stick my pins," said Béranger, "into the calves of Louis XVIII." One must have seen the fat king in small-clothes, his legs as big as posts and round as pin-cushions, to appreciate all the point of the epigram.

Béranger had been very intimate since 1815 with the Deputy Manuel, a man of sense and courage, but very hostile to the Bourbons, and who, for words spoken from the Tribune, was expelled from the Chamber of Deputies and declared incapable of reëlection. Though intimate with many influential members of the opposition, such as Laffitte the banker, and General Sebastiani, it was only with Manuel that Béranger perfectly agreed. It is by his side, in the same tomb, that he now reposes in Père la Chaise, and after the death of Manuel he always slept on the mattress upon which his friend had breathed his last. Manuel and Béranger were ultra-inimical to the Restoration. They believed that it was irreconcilable with the modern spirit of France, with the common sense of the new form of society, and they accordingly did their best to goad and irritate it, never giving it any quarter. At certain times, other opposition deputies, such as General Foy, would have advised a more prudent course, which would not have rendered the Bourbons impossible by attacking them so fiercely as to push them to extremes. However this might have been, poetry is always more at home in excess than in moderation. Béranger was all the more a poet at this period, that he was more impassioned. The Bourbons and the Jesuits, his two most violent antipathies, served him well, and made him write his best and most spirited songs. Hence his great success. The people, who never perceive nice shades of opinion, but love and hate absolutely, at once adopted Béranger as the singer of its loves and hatreds, the avenger of the old army, of national glory and freedom, and the inaugurator or prophet of the future. The spirit prisoned in these little couplets, these tiny bodies, is of amazing force, and has, one might almost say, a devilish audacity. In larger compositions, breath would doubtless have failed the poet,—the greater space would have been an injury to him. Even in songs he has a constrained air sometimes, but this constraint gave him more force. He produces the impression of superiority to his class.

Béranger had given up his little post at the University before declaring open war against the government. He was before long indicted, and in 1822 condemned to several months' imprisonment, for having scandalized the throne and the altar. His popularity became at once boundless; he was sensible of it, and enjoyed it. "They are going to indict your songs," said some one to him. "So much the better!" he replied,—"that will gilt-edge them." He thought so well of this gilding, that in 1828, during the ministry of M. Martignac, a very moderate man and of a conciliatory semi-liberalism, he found means to get indicted again and to undergo a new condemnation, by attacks which some even of his friends then thought untimely. Once again Béranger was impassioned; he declared his enemies incurable and incorrigible; and soon came the ordinances of July, 1830, and the Revolution in their train, to prove him right.

In 1830, at the moment when the Revolution took place, the popularity of Béranger was at its height. His opinion was much deferred to in the course taken during and after "the three great days." The intimate friend of most of the chiefs of the opposition who were now in power, of great influence with the young, and trusted by the people, it was essential that he should not oppose the plan of making the Duke of Orleans King. Béranger, in his Biography, speaks modestly of his part in these movements. In his conversations he attributed a great deal to himself. He loved to describe himself in the midst of the people who surrounded the Hôtel of M. Laffitte, going and coming, listening to each, consulted by all, and continually sent for by Laffitte, who was confined to his armchair by a swollen foot. Seeing the hesitation prolonged, he whispered in Laffitte's ear that it was time to decide, for, if they did not take the Duke of Orleans for King pretty soon, the Revolution was in danger of turning out an émeute. He gave this advice simply as a patriot, for he was not of the Orleans party. When he came out, his younger friends, the republicans, reproached him; but he replied, "It is not a king I want, but only a plank to get over the stream." He set the first example of disrespect for the plank he thought so useful; indeed, the comparison itself is rather a contemptuous one.

He afterwards behaved, however, with great sense and wisdom. He declined all offices and honors, considering his part as political songster at an end. In 1833 he published a collection in which were remarked some songs of a higher order, less partisan, and in which he foreshadowed a broader and more peaceful democracy. After this he was silent, and as he was continually visited and consulted, he resolved upon leaving Paris for some years, in order to escape this annoyance. He went first to the neighborhood of Tours, and then to Fontainebleau; but the free, conversational life of Paris was too dear to him, and he returned to live in seclusion, though always much visited by his troops of friends, and much sought after. In leaving Paris during the first years of Louis Philippe's reign, and closing, as he called it, his consulting office, his chief aim was to escape the questions, solicitations, and confidences of opposite parties, in all of which he continued to have many friends who would gladly have brought him over to their way of thinking. He did not wish to be any longer what he had been so much,—a consulting politician; but he did not cease to be a practical philosopher with a crowd of disciples, and a consulting democrat. Chateaubriand, Lamennais, Lamartine,—the chiefs of parties at first totally opposed to his own,—came to seek his friendship, and loved to repose and refresh themselves in his conversation. He enjoyed, a little mischievously, seeing one of them (Chateaubriand) lay aside his royalism, another (Lamennais) abjure his Catholicism, and the third (Lamartine) forget his former aristocracy, in visiting him. He looked upon this, and justly, as a homage paid to the manners and spirit of the age, of which he was the humble but inflexible representative.

When the Revolution of 1848 burst unexpectedly, he was not charmed with it,—nay, it made him even a little sad. Less a republican than a patriot, he saw immense danger for France, as he knew her, in the establishment of the pure republican form. He was of opinion that it was necessary to wear out the monarchy little by little,—that with time and patience it would fall of itself; but he had to do with an impatient people, and he lamented it. "We had a ladder to go down by," said he, "and here we are jumping out of the window!" It was the same sentiment of patriotism, mingled with a certain almost mystical enthusiasm for the great personality of Napoleon, nourished and augmented with growing years, which made him accept the events of 1851-2 and the new Empire.

The religion of Béranger, which was so anti-Catholic, and which seems even to have dispensed with Christianity, reduced itself to a vague Deism, which in principle had too much the air of a pleasantry. His Dieu des bonnes gens, which he opposed to the God of the congregation and the preachers, could not be taken seriously by any one. Nevertheless, the poet, as he grew older, grew more and more attached to this symbol of a Deity, indulgent before all else, but very real and living, and in whom the poor and the suffering could put their trust. What passed in the days preceding his death has been much discussed, and many stories are told about it. He received, in fact, some visits from the curate of the parish of Saint Elizabeth, in which he lived. This curate had formerly officiated at Passy,—a little village near Paris, where Béranger had resided,—and was already acquainted with the poet. The conversations at these visits, according to the testimony of those best informed, amounted to very little; and the last time the curate came, just as he was going out, Béranger, already dying, said to him, "Your profession gives you the right to bless me; I also bless you;—pray for me, and for all the unfortunate!" The priest and the old man exchanged blessings,—the benedictions of two honest men, and nothing more.

Béranger had one rare quality, and it was fundamental with him,—obligingness, readiness to perform kind offices, humanity carried to the extent of Charity. He loved to busy himself for others. To some one who said that time lay heavy on his hands, he answered, "Then you have never occupied yourself about other people?" "Take more thought of others than of yourself" was his maxim. And he did so occupy himself,—not out of curiosity, but to aid, to succor with advice and with deeds. His time belonged to everybody,—to the humblest, the poorest, the first stranger who addressed him and told him his sorrows. Out of a very small income (at most, four or five thousand francs a year) he found means to give much. He loved, above all, to assist poor artisans, men of the people, who appealed to him; and he did it always without wounding the fibre of manhood in them. He loved everything that wore a blouse. He had, even stronger than the love of liberty, the love of equality, the great passion of the French.

He spent the last years of his life with an old friend of his youth by the name of Madame Judith. This worthy person died a few months before him, and he accompanied her remains to the church. He was seventy-seven years old when he died.

Estimating and comparing chiefly literary and poetic merits, some persons in France have been astonished that the obsequies of Béranger should have been so magnificently celebrated, while, but a few months before, the coffin of another poet, M. Alfred de Musset, had been followed by a mere handful of mourners; yet M. de Musset was capable of tones and flights which in inspiration and ardor surpassed the habitual range of Béranger. Without attempting here to institute a comparison, there is one thing essential to be remarked: in Béranger there was not only a poet, but a man, and the man in him was more considerable than the poet,—the reverse of what is the case with so many others. People went to see him, after having heard his songs sung, to tell him how much they had been applauded and enjoyed,—and, after the first compliments, found that the poet was a man of sense, a good talker on all subjects, interested in politics, a wonderful reasoner, with great knowledge of men, and characterizing them delicately with a few fine and happy touches. They became sincerely attached to him; they came again, and delighted to draw out in talk that wisdom armed with epigram, that experience full of agreeable counsels. His passions had been the talent of the poet; his good sense gave authority to the man. Even by those least willing to accept popular idols, Béranger will always be ranked as one of the subtilest wits of the French school, and as something more than this,—as one of the acutest servants of free human thought.

A TIFFIN OF PARAGRAPHS

How runs the Hindoo saw? "Are we not to milk when there is a cow?" When India is giving down generous streams of paragraphy to all the greedy buckets of the press, shall we not hold our pretty pail under? As our genial young friend, Ensign Isnob, of the "Sappies and Minors," would say,—"I believe you, me boy!"

Then come with us to Cossitollah, and we'll have a tiffin of talk; some cloves of adventure, with a capsicum or two of tragic story, shall stand for the curry; the customs of the country may represent the familiar rice; a whiff of freshness and fragrance from the Mofussil will be as the mangoes and the dorians; in the piquancy and grotesqueness of the first pure Orientalism that may come to hand we shall recognize the curious chow-chow of the chutney; and as for the beer,—why, we will be the beer ourselves.

"Kitmudgar, remove that scorpion from the punka, before it drops into the Sahib's plate.—Hold, miscreant! who told you to kill it?

 
  "'Take it up tenderly,
  Lift it with care,—
  Fashioned so slenderly,
  Young, and so fair!'
 

"For know, O Kitmudgar, that there is one beauty of women, and another beauty of scorpions; and if the beauty of scorpions be to thee as the ugliness of women, the fault is in thy godless eye.

"'Only a crawling kafir,' sayest thou, O heathen! and straightway goest about to stick a fork into a political symbol? Verily, the hapless wretch shall be sacrificed unto Agnee, god of Fire, that a timely warning may enter into thy purblind soul!

"Here, take this bottle of brandy,—'Sahib brandy,' you perceive,—genuine old 'London Dock,'—and pour a cordon of ardent spirits on the table, to 'weave a circle round him thrice.' So! that's for British Ascendency!

"Now drop your subjugated brother into the midst thereof. See how, in his senseless, drunken rage, he wriggles and squirms,—then desperately dashes, and venomously snaps! That's Indian Revolt!

"Quickly, now! light the train; so!—What think you of Anglo-Saxon power and hereditary pride?

"Oho, my Kitmudgar! you begin to understand!—the living fable is not lost on you!

"But watch your Great Mogul! Barrackpore, Meerut, Cawnpore, Lucknow, Delhi,—five imposing plunges, but impotent; for at every point the Sahib's fatal fire, fire, fire, fire, fire!—insurmountable, all-subduing 'destiny'!

"Maimed, discomfited, dismayed, shivering, at wits' end, a crippled wriggler, in the midst of the exulting flames,—there lies your Great Mogul!

"But see!—the scorpion, brave wretch! with a gladiator's fortitude, loosens the shameful coil in which its last agonies have twisted it, fiercely erects its head once more, lashes defiantly with its tail, and then—_click! click! click!—_stings itself to death.

"And with that ends our figure of speech; for only the pitifulness of the defeat is the Great Mogul's; the sublimity of suicide is proper to the scorpion alone.

"Take away the fable, Kitmudgar!"

I lay in bed this morning half an hour after the sun had risen, watching my Parsee neighbor on his house-top, and thereby lost my drive on the Esplanade. But I console myself with imagining that the pretty Chee-chee spinster who comes every morning from Raneemoody Gully in a green tonjon, and makes romantic eyes at me through the silk curtains, missed the Boston gentleman with the gray moustache, and was lonesome.

My Parsee neighbor is quite as fat, but by no means as saucy, as ever. Last week his youngest boy died,—little Kirsajee Samsajee Bonnarjee, a contemplative young fire-worshipper, with eyes as profound as the philosophy of Zoroaster. I saw the dismal procession depart from the house, and my heart ached for the little Gheber.

Four awful creatures, that were like ghosts, clad all in white, solemnly dumb and veiled, bore him away on an iron bier. When they arrived at the drawbridge, great sheets of copper were spread before them, and they crossed upon those; for wood is sacred to their adored Element, and the touch of "them on whose shoulders the dead doth ride" would pollute it.

So they carried little Kirsajee to Golgotha, their Place of Skulls, which is a dreary, treeless field, encompassed round about with a blank wall; and they laid him naked in a stone trough on the edge of a great pit, and left him there, betaking them, still solemnly veiled and mute, to their homes again.

All but my Parsee neighbor; he went and sat him down, like Hagar in the wilderness, over against the dead Kirsajee, "a good way off, as it were a bowshot"; and he lifted up his voice, and wept for the lad that was dead. But still he waited there, till the crows and the Brahminee kites should come to perform the last horrid rites; for to Parsee custom the sepulture most becoming to men and most acceptable to God is in the stomachs of the fowls of the air, in the craws of ghoulish vultures and sacrilegious crows.

And presently there came a great Pondicherry eagle, sniffing the feast from afar; and he came alone. Swiftly sailing, poised on silent wings, he circled over Golgotha, circle within circle, circle below circle, over the child sleeping naked, over the father watching veiled.

One moment he flutters, as for a foothold on the pinnacle of his purpose; then

"Like a thunderbolt he falls."

Sitting solemnly on the breast of the dead boy, the "grim, ungainly, gaunt, and ominous bird" peers with sidelong glance into his face, gloating; and then—

Immediately my Parsee neighbor uprises in his place, throws aside his veil, and, shouting, runs forward. The Pondicherry eagle soars screaming to the clouds, and the sorrow-stricken Gheber bends over the dear corpse. Is it Heaven or Hell? the right eye or the left? Alas, the left!

He beats his breast, he falls upon his knees, and cries with frantic gestures to the setting Sun; but the sullen god only draws a cloud before his face, and leaves his poor worshipper to despair. Then my Parsee neighbor arises and girds up his loins, muffles his haggard face more closely than before, and with dishevelled beard, and chin sadly sunk upon his breast, turning neither to the right hand nor to the left, and meeting no man's gaze, wends silently homeward.

To-morrow he will take his wife and go to Bombay, to feed with consecrated sandal-wood and oil the Sacred Flame the Magi brought from Persia, when they were driven thence with all their people to Ormuz. But the name of little Kirsajee will cross their lips no more; his memory is a forbidden thing in the household; he is as if he never had been.

When Brahminee kite, and adjutant, and white-breasted crow have done their ghoulish office on little Kirsajee, his bones shall lie bleaching under the pitiless eye of his people's blazing god, till the rains come, and fill the pit, and carry the waste of Gheber skeletons by subterraneous sewers down to the sea. But the Pondicherry eagle took the left eye first; wherefore the most pious deeds of merit, to be performed by my Parsee neighbor,—even a hospital for maimed dogs, or feeding the Sacred Flame with great store of sandal-wood and precious gums, or tilling the earth with a diligence equivalent to the efficacy of ten thousand prayers,—can hardly suffice to save the soul of little Kirsajee, the Forbidden!

* * * * *

There is a blood-feud of three months' standing between two members of our household.

One day, Lootee, the chuprassey's cat, took Tchoop, the khansamah's monkey, unawares, as he was sunning himself on the house-top, and with scratching and spitting, sudden and furious, so startled him, that he threw himself over the parapet into the crowded Cossitollah, and would have been killed by the fall, had he not chanced to alight on the voluminous turban of a dandy hurkaru from the Mint. As it was, one of his arms sustained a compound fracture, and his nerves suffered so frightful a shock, that it was only by a miracle of surgery, and the most patient nursing, that he was ever restored to his wonted agility and sagacity.

But the day of retribution has arrived; Lootee has had kittens. There were five of them in the original litter; but only one remains. Tchoop tossed two of them from the house-top when no dandy hurkaru from the Mint was below to soften the fall; the old adjutant-bird, that for three years has stood on one leg on the Parsee's godown, gobbled up another as it lay choked in the south veranda; while the dismayed sirdar found the head of a fourth jammed inextricably in the neck of his sacred lotah, wherewith he performs his pious ablutions every morning at the ghaut.

On the other hand, Lootee has made prize of about three inches of Tehoop's tail, and displays it all over the house for a trophy.—It is a blood-feud, fierce and implacable as any between Afghans, and there's no knowing where it will all end.

In Europe the monkey is a cynic, in South America an overworked slave, in Africa a citizen, but in India an imp,—I mean to the eye of the Western stranger, for in the estimation of the native he is mythologically a demigod, and socially a guest. At Ahmedabad, the capital of Guzerat, there are certainly two—Mr. De Ward says three—hospitals for sick and lame monkeys, who are therein provided with salaried physicians, apothecaries, and nurses.

In the famous Hindoo epic, the "Ramayana" of Valmiki,—"by singing and hearing which continually a man may attain to the highest state of enjoyment, and be shortly admitted to fraternity with the gods,"—the exploits of Hoonamunta, the Divine Monkey, are gravely related, with a dramatic force and figurativeness that hold a street audience spell-bound; but to the European imagination the childish drollery of the plot is irrestistible.

Boodhir, the Earth, was beset by giants, demons, and chimeras dire; so she besought Vishnu, with many tears, and vows of peculiar adoration, to put forth his strength of arms and arts against her abominable tormentors, and rout them utterly. The god was gracious; whence his nine avatars, or incarnations,—as fish, as tortoise, as boar, as man-lion, as dwarf Brahmin, as Pursuram,—the Brahmin-warrior who overthrew the Kshatriya, or soldier-caste; the eighth avatar appeared in the person of Krishna, and the ninth in that of Boodh.

But the seventh incarnation was the avatar of Rama, and it is this that the "Ramayana" celebrates.

Vishnu proceeds to be born unto Doosurath, King of Ayodhya, (Oude,) as the Prince Rama, or Ramchundra. Nothing remarkable occurs thereupon until Rama has attained the marriageable age, when he espouses Seeta, daughter of the King of Mithili.

Immediately old Mrs. Mithili, our hero's mother-in-law, being of an intriguing turn of mind, applies herself to the amiable task of worrying the poor old King of Ayodhya out of his crown or his life; and so well does she succeed, that Doosurath, for the sake of peace and quietness, would fain abdicate in favor of his son.