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Longfellow's Birthday
February 27
HENRY WADSWORTH LONGFELLOW
Born February 27, 1807 Died March 24, 1882
Longfellow graduated at Bowdoin College in 1825; traveled in Europe in 1826; was professor at Bowdoin in 1829-35; again visited Europe 1835-36; and was professor at Harvard College 1836-54. He continued to reside at Cambridge. He is best known and loved for his poems, though he wrote three novels.
LONGFELLOW AND THE CHILDREN
BY LUCY LARCOM
The poets who love children are the poets whom children love. It is natural that they should care much for each other, because both children and poets look into things in the same way,—simply, with open eyes and hearts, seeing Nature as it is, and finding whatever is lovable and pure in the people who surround them, as flowers may receive back from flowers sweet odors for those which they have given. The little child is born with a poet's heart in him, and the poet has been fitly called "the eternal child."
Not that all children or all poets are alike in this. But of Longfellow we think as of one who has always been fresh and natural in his sympathy for children, one who has loved them as they have loved him.
We wish he had given us more of the memories of his own childhood. One vivid picture of it comes to us in "My Lost Youth," a poem which shows us how everything he saw when a child must have left within him a life-long impression. That boyhood by the sea must have been full of dreams as well as of pictures. The beautiful bay with its green islands, widening out to the Atlantic on the east, and the dim chain of mountains, the highest in New England, lying far away on the northwestern horizon, give his native city a roomy feeling not often experienced in the streets of a town; and the boy-poet must have felt his imagination taking wings there, for many a long flight. So he more than hints to us in his song:
"I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'
"I remember the black wharves and the slips,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
'A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts.'"
Longfellow's earliest volume, "The Voices of the Night," was one of the few books of American poetry that some of us who are now growing old ourselves can remember reading, just as we were emerging from childhood. "The Reaper and the Flowers" and the "Psalm of Life,"—I recall the delight with which I used to repeat those poems. The latter, so full of suggestions which a very young person could feel, but only half understand, was for that very reason the more fascinating. It seemed to give glimpses, through opening doors, of that wonderful new world of mankind, where children are always longing to wander freely as men and women. Looking forward and aspiring are among the first occupations of an imaginative child; and the school-boy who declaimed the words:
"Lives of great men all remind us
We can make our lives sublime,"
and the school-girl who read them quietly by herself, felt them, perhaps, no less keenly than the man of thought and experience.
Longfellow has said that—
"Sublimity always is simple
Both in sermon and song, a child can seize on its meaning,"
and the simplicity of his poetry is the reason why children and young people have always loved it; the reason, also, why it has been enjoyed by men and women and children all over the world.
One of his poems which has been the delight of children and grown people alike is the "Village Blacksmith," the first half of which is a description that many a boy might feel as if he could have written himself—if he only had the poet's command of words and rhymes, and the poet's genius! Is not this one of the proofs of a good poem, that it haunts us until it seems as if it had almost grown out of our own mind? How life-like the picture is!—
"And children coming home from school
Look in at the open door;
They love to see the flaming forge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing-floor."
No wonder the Cambridge children, when the old chestnut-tree that overhung the smithy was cut down, had a memento shaped into a chair from its boughs, to present to him who had made it an immortal tree in his verse! It bore flower and fruit for them a second time in his acknowledgment of the gift; for he told them how—
"There, by the blacksmith's forge, beside the street
Its blossoms, white and sweet,
Enticed the bees, until it seemed alive,
And murmured like a hive.
"And when the wind of autumn, with a shout
Tossed its great arms about,
The shining chestnuts, bursting from the sheath,
Dropped to the ground beneath."
In its own wild, winsome way, the song of "Hiawatha's Childhood" is one of the prettiest fancies in poetry. It is a dream of babyhood in the "forest primeval," with Nature for nurse and teacher; and it makes us feel as if—were the poet's idea only a possibility—it might have been very pleasant to be a savage baby, although we consider it so much better to be civilized.
How Longfellow loved the very little ones can be seen in such verses as the "Hanging of the Crane," and in those earlier lines "To a Child," where the baby on his mother's knee gazes at the painted tiles, shakes his "coral rattle with the silver bells," or escapes through the open door into the old halls where once
"The Father of his country dwelt."
Those verses give us a charming glimpse of the home-life in the historic mansion which is now so rich with poetic, as well as patriotic associations.
How beautiful it was to be let in to that twilight library scene described in the "Children's Hour":
"A sudden rush from the stair-way,
A sudden raid from the hall!
By three doors left unguarded,
They enter my castle wall!
"They climb up into my turret,
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere."
Afterward, when sorrow and loss had come to the happy home, in the sudden removal of the mother of those merry children, the father who loved them so had a sadder song for them, as he looked onward into their orphaned lives:
"O little feet, that such long years
Must wander on, through hopes and fears,
Must ache and bleed beneath your load,
I, nearer to the wayside inn,
Where toil shall cease, and rest begin,
Am weary, thinking of your road!"
Longfellow loved all children, and had a word for them whenever he met them.
At a concert, going early with her father, a little girl espied Mr. Longfellow sitting alone, and begged that she might go and speak to him. Her father, himself a stranger, took the liberty of introducing his little daughter Edith to the poet.
"Edith?" said Mr. Longfellow, tenderly. "Ah! I have an Edith, too; but my baby Edith is twenty years old." And he seated the child beside him, taking her hand in his, and making her promise to come and see him at his house in Cambridge.
"What is the name of your sled, my boy?" he said to a small lad, who came tugging one up the road toward him, on a winter morning.
"It's 'Evangeline.' Mr. Longfellow wrote 'Evangeline.' Did you ever see Mr. Longfellow?" answered the little fellow, as he ran by, doubtless wondering at the smile on the face of the pleasant gray-haired gentleman.
Professor Monti, who witnessed the pretty scene, tells the story of a little girl who one Christmas inquired the way to the poet's house, and asked if she could just step inside the yard; and he relates how Mr. Longfellow, being told she was there, went to the door and called her in, and showed her the "old clock on the stairs," and many other interesting things about the house, leaving his little guest with beautiful memories of that Christmas day to carry all through her life. This was characteristic of the poet's hospitality, delicate and courteous and thoughtful to all who crossed his threshold. Many a trembling young girl, frightened at her own boldness in having ventured into his presence, was set at ease by her host in the most genial way; he would make her forget herself in the interesting mementos all about her, devoting himself to her entertainment as if it were the one pleasure of the hour for him to do so.
It is often said, and with reason, that we Americans do not think enough of manners—that politeness of behavior which comes from genuine sympathy and a delicate perception of others' feelings. Certainly our young people might look to Mr. Longfellow as a model in this respect. He was a perfect gentleman, in the best sense of that term, always considerate, and quick to see where he might do a kindness, or say a pleasant word.
The celebration of Longfellow's seventy-fifth birthday by school-children all over the country is something that those children must be glad to think of now—glad to remember that the poet knew how much they cared for him and for what he had written. Even the blind children, who have to read with their fingers, were enjoying his songs with the rest. How pleasant that must have been to him! Certainly, as it seems to me, the best tribute that the young people of the country can pay to his memory is to become more familiar with his poems.
We should not wait until a great and good man has left us before giving him honor, or trying to understand what he has done for us. A dreary world ours would be, if there were no poets' songs echoing through it; and we may be proud of our country that it has a poetry of its own, which it is for us to know and possess for ourselves.
Longfellow has said:
"What the leaves are to the forest
With light and air and food,
Ere their sweet and tender juices
Have been hardened into wood,
That to the world, are children":
and something like this we may say of his songs. There is in all true poetry a freshness of life which makes the writer of it immortal.
The singer so much beloved has passed from sight, but the music of his voice is in the air, and, listening to it, we know that he can not die.
Inauguration Day
March 4
The date was settled by the old Congress of the Confederation in 1788, when the procedure was established for the election of a President. It was decreed that the Electoral College should meet on the first Wednesday of January, the votes be counted by the House of Representatives on the first Wednesday of February, and the President be inaugurated on the first Wednesday of March. This March date was the 4th. March 4 has been Inauguration Day ever since.
HOW A PRESIDENT IS INAUGURATED
BY CLIFFORD HOWARD
As you will remember, Thomas Jefferson was the first President of our country to be inaugurated at Washington. This took place in the year 1801, when our national capital was not much more than a year old; and you may imagine that the city was a very different-looking place from what it is to-day.
But now instead of a straggling town with a few muddy streets and about three thousand inhabitants, Jefferson would find our national capital one of the most beautiful cities on the face of the earth, with a population of nearly three hundred thousand; and on March 4 he would behold a scene such as he never dreamed of. Thousands of flags fly from the house-tops and windows, bright-colored bunting in beautiful designs adorns the great public buildings, all the stores and business houses are gaily decorated with flags and streamers, and everything presents the appearance of a great and glorious holiday, while the streets swarm with the hundreds of thousands of people who have come to the city from all parts of the country to take part in the grand celebration.
Everybody is moving toward Pennsylvania Avenue, where the parade is to march. No, not everybody: some fifty or sixty thousand make their way to the Capitol, so as to get a glimpse of the inauguration exercises that take place on the east portico; and although the ceremonies will not begin until nearly one o'clock, the great space in front of the Capitol is packed with people three hours before that time, some of them having come as early as eight o'clock in the morning to be sure of getting a good view.
Early in the morning Pennsylvania Avenue is cleared of all street-cars, carriages, and bicycles, and no one is allowed to step off the sidewalk. A strong wire rope is stretched along each side of the avenue, so as to prevent people from getting into the street.
Soon every window and balcony along the line is crowded with spectators. Even the roofs are black with people, and small boys may be seen perched among the branches of the trees, or hanging on to the electric-light poles. For a distance of nearly three miles, on each side of the street, people are packed so closely together that it is almost impossible for them to move. In every park and open space along the line large wooden stands have been erected; and these, too, are filled with those who are willing to pay for seats.
As the time for the morning parade draws near, the crowds become restless with eagerness and excitement. Policemen on horseback dash up and down the avenue to see that the road is clear, and every now and then a trooper or messenger in bright uniform gallops past. Suddenly the boom of a cannon is heard. The next moment there comes the distant roll of drums, and then, amid the inspiring music of brass bands and tremendous cheering, the procession appears moving slowly down the avenue on its way to the Capitol. Riding ahead is a squad of mounted police—big, brawny fellows, with glittering brass buttons. After them come the United States troops and naval forces, armed with their rifles and sabers that flash in the sunlight, and marching to the music of the famous Marine Band, while rumbling over the hard, smooth pavement of the avenue come the big cannons drawn by powerful horses. Then appears the chief marshal of the parade on his spirited horse, heading the body-guard of soldiers that surround the open carriage containing the President and the President-elect, sitting side by side. As the carriage, which is drawn by four handsome horses, rolls slowly along with its distinguished occupants, men and boys shout and cheer at the top of their lungs, and throw their hats into the air when their voices give out, while the women and girls wave their handkerchiefs and hurrah with the rest of the crowd. With hat in hand, the President-elect smiles and bows to the right and the left; and with the bands playing and people cheering, handkerchiefs fluttering and flags flying, he arrives at the Capitol a few minutes before noon. Here he meets with another rousing reception from the great mass of people who have been waiting for him for two or three hours; and it requires all the efforts of a small army of police to open the way for him and his party to pass into the Capitol.
The House of Representatives is about to adjourn, and many of its members have already come over to the Senate to witness the closing exercises there. Extra chairs and seats have been brought in for them and the many other prominent officials who also have gathered there, including the officers of the army and the navy, the justices of the Supreme Court, the cabinet officers, and the foreign ambassadors and ministers, many of whom are dressed in their gorgeous state robes. According to law, Congress must come to an end at noon; but if the presidential party has not made its appearance when the Senate clock is about to point to twelve, the hands are moved back a few minutes so as to gain time. And before the hands are allowed to get around to twelve, everybody has arrived, everything is in readiness, and the President of the Senate has administered the oath of office to his successor, the new Vice-President of the United States, who at once calls an extra session of the Senate, so that not a moment elapses between the death of one session and the birth of another. Then, after a short prayer by the chaplain and a brief address by the Vice-President, the distinguished people gathered in the Senate form in line, and, headed by a company of newspaper reporters, they march in dignified procession to the rotunda, and thence to the platform on the east front of the Capitol.
The nine justices of the Supreme Court, clothed in their black robes, walk out on the platform first, followed by the President-elect. As soon as the crowd catches sight of him, a deafening shout breaks forth from fifty thousand throats, and, amid the enthusiastic uproar that lasts several minutes, hats and canes, umbrellas and handkerchiefs, are waved aloft or thrown wildly into the air by joyous and patriotic Americans. Removing his hat, the President-elect comes forward, and, turning to the Chief Justice of the United States, takes the oath of office as required by the Constitution. Then comes the inaugural address, which, of course, only those near the platform are able to hear. But the thirty or forty thousand who can't hear the speech are willing to agree with everything that is said, and every little while they shout and cheer and applaud.
All this time the crowd on the avenue has been patiently waiting for the return of the President. The morning's procession was nothing more than a military escort; now is to come the great feature of the day—the grand inauguration parade. The ceremonies at the Capitol are over at half-past one, and the new President goes at once to the White House, greeted with rousing cheers all along the way, and prepares to review the greatest parade ever seen in the city of Washington. All the morning, companies of soldiers, political clubs, bands, and drum corps have been preparing for the afternoon's march. There are so many thousands who are going to take part in the parade that orders have been given requiring all companies to march in ranks reaching from curb to curb, a distance of one hundred and thirty feet, and to follow one another as closely as possible.
The march is begun a little before two o'clock; and, although the people have been standing on the sidewalks since early morning, they have plenty of enthusiasm left, and they fill the air with their shouts and hurrahs as regiment after regiment of magnificently drilled soldiers and horses marches by.
Even after the electric lamps are lighted, men and horses are still tramping along the avenue, and people are still shouting and the bands playing and flags waving. And all this time the President stands in front of the White House, reviewing the marching thousands as they pass along.
But although the big parade finally comes to an end, the festivities are not yet over. Late into the night the city is brilliantly illuminated by magnificent and wonderful fireworks and powerful electric search-lights that shine from the tops of the tall buildings and light up the great dome of the Capitol and the Washington monument. Then comes the grand inaugural ball. There are over ten thousand people present, and the scene is a glorious and wonderful sight.
It is almost sunrise when the last carriage rolls away, and with the closing of the ball the inauguration festivities end.
