Читать книгу: «Notes and Queries, Number 11, January 12, 1850», страница 2

BILLINGSGATE

I think your correspondent in No. 6. p. 93., starts on wrong premises; he seems to take for granted that such a structure as Belin's Gate really existed. Now the story entirely rests on the assertion of Geoffrey of Monmouth. What amount of credit may be placed on that veracious and most unromantic historian, your correspondent doubtless knows better than myself. Geoffrey says, in the 10th chap. of the 3rd book, that Belin, among other great works, made a wonderful gate on the bank of the Thames, and built over it a large tower, and under it a wharf for ships; and when he died his body was burned, and his ashes put into a golden urn on the top of the tower. Stow seems to doubt it. In Strype's edition, 1720, he says, concerning this gate, "Leaving out the fable thereof faming it to be builded by King Belin, a Briton, long before the incarnation of Christ." Burton, writing 1722, mentions the legend, but adds, "But whether of that antiquity is doubted." and John Brydall, in 1676, mentions it only as a wharf or quay for ships. Now, as Geoffrey of Monmouth's Chronicle is generally allowed by critics to be but a mass of romance and monkish legends, built on a slight foundation of truth, we may suppose this account to partake of the general character of the rest of the work. That some circumstance gave rise to the name is not doubted. "Haply," says Stow, "some person of that name lived near." I look on the name as only a corruption or romantic alteration of the word Baal or Bel; and, as we have every reason to suppose he was worshipped by part of the aborigines of this country, I deem it not improbable that on or near this spot might once have existed a temple for his worship, which afterwards gave a name to the place. It is true Baal generally had his temples placed on the summit of lofty mountains or other eminences. But supposing a number of his votaries to have settled near London, and on the banks of the Thames, nothing would be more likely than, to obviate the natural lowness of the ground, they would raise a tower for the better celebration of the ceremonies attendant on his worship. This might have been the foundation upon which Geoffrey built his story. However, I only suggest this. The real origin of the name I am afraid is too far sunk in oblivion to hold out any hopes of its being rescued at the present day.

VOX.

If "WILLIAM WILLIAMS" will examine the map of London in 1543, lately engraved from a drawing in the Bodleian Library, he will perceive the "Water Gate,", about which he inquires, defended on the west side by a lofty hexagonal machicolated tower.

C.S.

NOTES FROM FLY-LEAVES, NO. 4

In order to forward your views as regards the valuable department of "Notes from Fly-Leaves" I have spent some leisure hours in beating the covers of a portion of my library. I send you the produce of my first day's sport, which, you will observe, has been in the fields of poetry. Make what use of it you think fit, selecting such notes only as you think of sufficient interest for publication.

I. Note in the handwriting of Richard Farmer, in a copy of "Canidia, or the Witches; a Rhapsody in five parts, by R.D." 4to. London, printed by S. Roycroft for Robert Clavell, 1683.

"In Mr. Hutton's Catale P. 65. N. 1552. this strange composition is ascribed to one Dixon. There was a Robert Dixon, an author about the time, and D.D. (Woods's Fasti, v. ii. p. 103.), but it surely must not be given to him! Qu.? This is the only copy I have seen, 1785."

[Lowndes has the work under the name of Robert Dixon, D.D.]

II. Note in the handwriting of James Bindley, in a copy of an English translation of Milton's "Defensio pro Populo Anglicano," printed in the year 1692.

"Translated into English by Richard Washington, Esq., of the Middle Temple."

On another page, however, he has written,

"Mem. in a miscellany called 'Poems on Affairs of State,' 8vo. 5th edit. 1703, at page 223 'In memory of Joseph Washington, Esq., late of the Middle Temple, an elegy written by N. Tate, Servant to their Majesties.' Though Mr. Warton calls him Richard, his name was, I believe, as above, and the translator most likely of this book.—J.B."

To this is added, in the handwriting of the late Mr. Ford, bookseller, formerly of Manchester—

"The note on the opposite side, signed J.B., stands for James Bindley, who may be considered as good authority for what is here asserted. Some curious information will be found relative to the original work in 'Diction. des Livres Condamnés,' &c., par Peignot. tom. ii. p 319."

III. Note in the handwriting of Mr. Ford, in a copy of Fletcher's "Purple Island,", &c. 1633.

"See the lines at the end by Francis Quarles, which are ingenious and poetical. This curious and very rare volume I purchased out of Longman's celebrated catalogue of old English poetry, called 'Bib. Ang. Poet.,' where it will be found marked £2 12s. 6d., which is what it cost me. Mr. Montgomery, the poet, styles

this poem a fantastical allegory describing the body and soul of man, but containing many rich and picturesque passages (v. his 'Christian Poem,' p. 163.) But there is a most excellent critique upon it in the 'Retrosp. Rev.' for Nov. 1820 (v.p. 351.), but see also Headley, who highly praises it. The name of Fletcher ranks high in the list of our poets. He was born in 1584, and was the son of Dr. Giles Fletcher, who was himself a poet; the brother of Giles Fletcher, the author of 'Christ's Victory;' and the cousin of John Fletcher, the celebrated dramatist."

IV. In a note on a copy of "Iter Boreale, with large additions of several other poems, being an exact collection of all hitherto extant; never before published together. The author R. Wild, D.D., printed for the booksellers in London, 1668,"—the author is described as "of Tatenill, near Burton supr Trent." The note is apparently of contemporary date, or a little later.

This edition is not noticed by Lowndes, nor is another edition (anonymous), of which I have a copy, the date of which is 1605 (printed for R.J., and are to be sold in St. Paul's Churchyard). Of course this date is a mistake, but query what is the real date? Probably 1665. The volume concludes with the 70th page, being identical with the 72nd page of the edition of 1668.

V. Note in the handwriting of Mr. Ford, in a copy of "Waller's Poems," 1645 (after quoting "Rymer on Tragedy," pp. 2. and 79.):—

"The dedicatory epistle in this first and rare edition 'To my Lady,' is omitted in all the subsequent editions, even in Fenton's of 1729 (see Dibdin).—I find it is inserted in Fenton's edition among the speeches and letters; but he adds, in his observations thereon, that it appears not to have been designed for a public dedication, though why or wherefore he assigns no reason; and he further adds, 'I never met with any tradition to what Lady it was originally directed.' It certainly has as much the appearance of having been intended for a dedication, if we may judge from internal evidence, as such sort of things generally have. This is the first genuine edition and very scarce. It is priced in the 'Bib. Ang. Poet.'; at 2 gs. No. 851. The subsequent editions are of no particular value, exception Fenton's elegant and complete edition in 4to., which is worth about the same sum."

VI. Note in a handwriting of the 17th century, in a copy of Cawood's edition of the "Ship of Fools," opposite to the dedication, which is "Venerandissimo in Christo Patri ac Domino, domino Thomæ Cornissh, Tenenensis pontifici, ac diocesis Badonensis Suffraganio vigilantissimo," &c.

"Thomas Cornish, in 1421-2, was made Suffragan Bishop to Rich. Fox, Bp of Bath and Wells, under ye title of 'Episcopus Tynensis,' by wh I suppose is meant Tyne, ye last island belonging to ye republick of Venice in ye Archipelago. See more of him in 'Athenæ Oxoniens,' vol. i. p. 555."

VII. Note by T. Park, in a copy of the third edition of an "Essay on Human Life," by the author of the "Essay on Man," 1736. (Printed for J. Witford.)

"By Lord Pagett. 1st edn 1734. 4to. says Lord Orford. An edn in 8vo. was printed in 1736 'for Fletcher Gyles against Grays Inn in Holbourn,' and was called (as this is) the third; but it gave no delusive intimation in the title that Pope was the author, honestly assigning it to the Right Hon. Lord Pagett. To the preface was added a short postscript."

On another page he has written:

"This is perhaps the most successful imitation of Pope's ethic poem which has been produced. Lord Paget has had the credit of composing it."

In another handwriting there is written:

"From Mr. Newton, a valuable present, June 25. 1760."

Under which Mr. Park has added:

"Qu. from Newton to Cowper, whose handwriting resembles the above."

VIII. I have a little book entitled, "The Original History of Old Robin Gray; with the adventures of Jenny and Sandy: a Scotch Tale;" n.d. printed for H. Turpin. A prose narrative, apparently intended for children, but which Mr. Haslewood has enriched with a number of newspaper cuttings and other illustrations, and has added the following note:—

"Auld Robin Gray; a ballad by the Right Honourable Lady Anne Barnard, born Lady Anne Lindsay of Balcarras; Edin. printed by James Ballantyne and Co. 1825, qto. This is the first authentic edition of this beautiful Scottish ballad, and forms one of the publications by Sir Walter Scott as a member of the Bannatyne Club. The publication gives an interesting account of the authoress—of the origin of the ballad —the ballad—continuation of Auld Robin Gray, all from the same hand; it is to be regretted it is not published for wider circulation. It will, it may be expected, find a vent for the publick at some future period, and some of the gatherings in this volume swell a note or two, if not a page.—See 'Cens. Lib.' vol. ix. p. 323. for another ballad called, 'Continuation of Auld Robin Gray.' Auld Robin gray's Ghaist begins 'Right sweetly sang the nightingale,' among my Scotch songs. The sequel to Auld Robin Gray begins, 'Full five long years' in do."

J.F.M.