Читать книгу: «International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 7, August 12, 1850», страница 2

Various
Шрифт:

The main features of his official life still remain to be noticed. With the exception of Lord Palmerston, no statesman of modern times has spent so many years in the civil service of the crown. If no account be taken of the short time he was engaged upon the bullion committee in effecting the change in the currency, and in opposing for a few months the ministries of Mr. Canning and Lord Goderich, it may be stated that from 1810 to 1830 he formed part of the government, and presided over it as a first minister in 1834-5, as well as from 1841 to 1846 inclusive. During the time that he held the office of home secretary under Lord Liverpool he effected many important changes in the administration of domestic affairs, and many legislative improvements of a practical and comprehensive character. But his fame as member of parliament was principally sustained at this period of his life by the extensive and admirable alterations which he effected in the criminal law. Romilly and Mackintosh had preceded him in the great work of reforming and humanizing the code of England. For his hand, however, was reserved the introduction of ameliorations which they had long toiled and struggled for in vain. The ministry through whose influence he was enabled to carry these reforms lost its chief in Lord Liverpool during the early part of the year 1827. When Mr. Canning undertook to form a government, Mr. Peel, the late Lord Eldon, the Duke of Wellington, and other eminent tories of that day, threw up office, and are said to have persecuted Mr. Canning with a degree of rancor far outstripping the legitimate bounds of political hostility. Lord George Bentinck said "they hounded to the death my illustrious relative"; and the ardor of his subsequent opposition to Sir Robert Peel evidently derived its intensity from a long cherished sense of the injuries supposed to have been inflicted upon Mr. Canning. It is the opinion of men not ill informed respecting the sentiments of Canning, that he considered Peel as his true political successor—as a statesman competent to the task of working out that large and liberal policy which he fondly hoped the tories might, however tardily, be induced to sanction. At all events, he is believed not to have entertained toward Mr. Peel any personal hostility, and to have stated during his short-lived tenure of office that that gentleman was the only member of his party who had not treated him with ingratitude and unkindness.

In January, 1828, the Wellington ministry took office and held it till November, 1830. Mr. Peel's reputation suffered during this period very rude shocks. He gave up, as already stated, his anti-Catholic principles, lost the force of twenty years' consistency, and under unheard-of disadvantages introduced the very measure he had spent so many years in opposing. The debates on Catholic emancipation, which preceded the great reform question, constitute a period in his life, which, twenty years ago, every one would have considered its chief and prominent feature. There can be no doubt that the course he then adopted demanded greater moral courage than at any previous period of his life he had been called upon to exercise. He believed himself incontestibly in the right; he believed, with the Duke of Wellington, that the danger of civil war was imminent, and that such an event was immeasurably a greater evil than surrendering the constitution of 1688. But he was called upon to snap asunder a parliamentary connection of twelve years with a great university, in which the most interesting period of his youth had been passed; to encounter the reproaches of adherents whom he had often led in well-fought contests against the advocates of what was termed "civil and religious liberty;" to tell the world that the character of public men for consistency, however precious, is not to be directly opposed to the common weal; and to communicate to many the novel as well as unpalatable truth that what they deemed "principle" must give way to what he called "expediency."

When he ceased to be a minister of the crown, that general movement throughout Europe which succeeded the deposition of the elder branch of the Bourbons rendered parliamentary reform as unavoidable as two years previously Catholic emancipation had been. He opposed this change, no doubt with increased knowledge and matured talents, but with impaired influence and few parliamentary followers. The history of the reform debates will show that Sir Robert Peel made many admirable speeches, which served to raise his reputation, but never for a moment turned the tide of fortune against his adversaries, and in the first session of the first reformed parliament he found himself at the head of a party that in numbers little exceeded one hundred. As soon as it was practicable he rallied his broken forces; either he or some of his political friends gave them the name of "Conservatives," and it required but a short interval of reflection and observation to prove to his sagacious intellect that the period of reaction was at hand. Every engine of party organization was put into vigorous activity, and before the summer of 1834 reached its close he was at the head of a compact, powerful, and well-disciplined opposition. Such a high impression of their vigor and efficiency had King William IV received, that when, in November, Lord Althorp became a peer, and the whigs therefore lost their leader to the House of Commons, his Majesty sent in Italy to summon Sir Robert Peel to his councils, with a view to the immediate formation of a conservative ministry. He accepted this responsibility, though he thought the King had mistaken the condition of the country and the chances of success which had awaited his political friends. A new House of Commons was instantly called, and for nearly three months Sir Robert Peel maintained a struggle against the most formidable opposition that for nearly a century any minister had been called to encounter. At no time did his command of temper, his almost exhaustless resources of information, his vigorous and comprehensive intellect appear to create such astonishment or draw forth such unbounded admiration as in the early part of 1835. But, after a well-fought contest he retired once more into the opposition till the close of the second Melbourne Administration in 1841. It was in April, 1835, that Lord Melbourne was restored to power, but the continued enjoyment of office did not much promote the political interests of his party, and from various causes the power of the whigs began to decline. The commencement of a new reign gave them some popularity, but in the new House of Commons, elected in consequence of that event, the conservative party were evidently gaining strength; still, after the failure of 1834-5, it was no easy task to dislodge an existing ministry, and at the same time to be prepared with a cabinet and a party competent to succeed them. Sir Robert Peel, therefore, with characteristic caution, "bided his time", conducting the business of opposition throughout the whole of this period with an ability and success of which history affords few examples. He had accepted the Reform Bill as the established law of England, and as the system upon which the country was thenceforward to be governed. He was willing to carry it out in its true spirit, but he would proceed no further. He marshaled his opposition upon the principle of resistance to any further organic changes, and he enlisted the majority of the peers and nearly the whole of the country gentlemen of England in support of the great principle of protection to British industry. The little maneuvres and small political intrigues of the period are almost forgotten, and the remembrance of them is scarcely worthy of revival. It may, however, be mentioned, that in 1839 ministers, being left in a minority, resigned, and Sir Robert Peel, when sent for by the Queen, demanded that certain ladies in the household of her majesty,—the near relatives of eminent whig politicians,—should be removed from the personal service of the sovereign. As this was refused, he abandoned for the time any attempt to form a government, and his opponents remained in office till September, 1841. It was then Sir Robert Peel became the first lord of the treasury, and the Duke of Wellington, without office, accepted a seat in the cabinet, taking the management of the House of Lords. His ministry was formed on protectionist principles, but the close of its career was marked by the adoption of free trade doctrines differing in the widest and most liberal sense. Sir Robert Peel's sense of public duty impelled him once more to incur the odium and obliquy which attended a fundamental change of policy, and a repudiation of the political partizans by whose ardent support a minister may have attained office and authority. It was his fate to encounter more than any man ever did, that hostility which such conduct, however necessary, never fails to produce. This great change in our commercial policy, however unavoidable, must be regarded as the proximate cause of his final expulsion from office in July, 1846. His administration, however, had been signalized by several measures of great political importance. Among the earliest and most prominent of these were his financial plans, the striking feature of which was an income-tax; greatly extolled for the exemption it afforded from other burdens pressing more severely on industry, but loudly condemned for its irregular and unequal operation, a vice which has since rendered its contemplated increase impossible.

Of the ministerial life of Sir Robert Peel little more remains to be related except that which properly belongs rather to the history of the country than to his individual biography. But it would be unjust to the memory of one of the most sagacious statesman that England ever produced to deny that his latest renunciation of political principles required but two short years to attest the vital necessity of that unqualified surrender. If the corn laws had been in existence at the period when the political system of the continent was shaken to its centre and dynasties crumbled into dust, a question would have been left in the hands of the democratic party of England, the force of which neither skill nor influence could then have evaded. Instead of broken friendships, shattered reputations for consistency, or diminished rents, the whole realm of England might have borne a fearful share in that storm of wreck and revolution which had its crisis in the 10th of April, 1848.

In the course of his long and eventful life many honors were conferred upon Sir Robert Peel. Wherever he went, and almost at all times, he attracted universal attention, and was always received with the highest consideration. At the close of 1836 the University of Glasgow elected him Lord Rector, and the conservatives of that city, in January, 1837, invited him to a banquet at which three thousand gentlemen assembled to do honor to their great political chief. But this was only one among many occasions on which he was "the great guest." Perhaps the most remarkable of these banquets was that given to him in 1835 at Merchant Tailors' Hall by three hundred members of the House of Commons. Many other circumstances might be related to illustrate the high position which Sir Robert Peel occupied. Anecdotes innumerable might be recorded to show the extraordinary influence in Parliament which made him "the great commoner" of the age; for Sir Robert Peel was not only a skillful and adroit debater, but by many degrees the most able and one of the most eloquent men in either house of parliament. Nothing could be more stately or imposing than the long array of sounding periods in which he expounded his doctrines, assailed his political adversaries, or vindicated his own policy. But when the whole land laments his loss, when England mourns the untimely fate of one of her noblest sons, the task of critical disquisition upon literary attainments or public oratory possesses little attraction. It may be left for calmer moments, and a more distant time, to investigate with unforgiving justice the sources of his errors, or to estimate the precise value of services which the public is now disposed to regard with no other feelings than those of unmingled gratitude.

From the Art-Journal

MEMORIES OF MISS JANE PORTER

BY MRS. S.C. HALL

The frequent observation of foreigners is, that in England we have few "celebrated women." Perhaps they mean that we have few who are "notorious;" but let us admit that in either case they are right; and may we not express our belief in its being better for women and for the community that such is the case. "Celebrity" rarely adds to the happiness of a woman, and almost as rarely increases her usefulness. The time and attention required to attain "celebrity," must, except under very peculiar circumstances, interfere with the faithful discharge of those feminine duties upon which the well-doing of society depends, and which shed so pure a halo around our English homes. Within these "homes" our heroes, statesmen, philosophers, men of letters, men of genius, receive their first impressions, and the impetus to a faithful discharge of their after callings as Christian subjects of the State.

There are few of such men who do not trace back their resolution, their patriotism, their wisdom, their learning—the nourishment of all their higher aspirations—to a wise, hopeful, loving-hearted and faith-inspired Mother; one who believed in a son's destiny to be great; it may be, impelled to such belief rather by instinct than by reason: who cherished (we can find no better word) the "Hero-feeling" of devotion to what was right; though it might have been unworldly; and whose deep heart welled up perpetual love and patience toward the overboiling faults and frequent stumblings of a hot youth, which she felt would mellow into a fruitful manhood.

The strength and glory of England are in the keeping of the wives and mothers of its men; and when we are questioned touching our "celebrated women", we may in general terms refer to those who have watched over, moulded, and inspired our "celebrated men".

Happy is the country where the laws of God and Nature are held in reverence—where each sex fulfills its peculiar duties, and renders its sphere a sanctuary! And surely such harmony is blessed by the Almighty—for while other nations writhe in anarchy and poverty, our own spreads wide her arms to receive all who seek protection or need repose.

But if we have few "celebrated" women, few who, impelled either by circumstances or the irrepressible restlessness of genius, go forth amid the pitfalls of publicity, and battle with the world, either as poets, or dramatists, or moralists, or mere tale-tellers in simple prose—or, more dangerous still, "hold the mirror up to nature" on the stage that mimics life—if we have but few, we have, and have had some, of whom we are justly proud; women of such well-balanced minds, that toil they ever so laboriously in their public and perilous paths, their domestic and social duties have been fulfilled with as diligent and faithful love as though the world had never been purified and enriched by the treasures of their feminine wisdom; yet this does not shake our belief, that despite the spotless and well-earned reputations they enjoyed, the homage they received, (and it has its charm,) and even the blessed consciousness of having contributed to the healthful recreation, the improved morality, the diffusion of the best sort of knowledge—the woman would have been happier had she continued enshrined in the privacy of domestic love and domestic duty. She may not think this at the commencement of her career; and at its termination, if she has lived sufficiently long to have descended, even gracefully, from her pedestal, she may often recall the homage of the past to make up for its lack in the present. But so perfectly is woman constituted for the cares, the affections, the duties—the blessed duties of un-public life—that if she give nature way it will whisper to her a text, that "celebrity never added to the happiness of a true woman". She must look for her happiness to HOME. We would have young women ponder over this, and watch carefully, ere the veil is lifted, and the hard cruel eye of public criticism fixed upon them. No profession is pastime; still less so now than ever, when so many people are "clever", though so few are great. We would pray those especially who direct their thoughts to literature, to think of what they have to say, and why they wish to say it; and above all, to weigh what they may expect from a capricious public, against the blessed shelter and pure harmonies of private life.

But we have had some—and still have some—"celebrated" women, of whom we have said "we may be justly proud". We have done pilgrimage to the shrine of Lady Rachel Russell, who was so thoroughly "domestic", that the Corinthian beauty of her character would never have been matter of history, but for the wickedness of a bad king. We have recorded the hours spent with Hannah More; the happy days passed with, and the years invigorated by, the advice and influence of Maria Edgworth. We might recall the stern and faithful puritanism of Maria Jane Jewsbury, and the Old World devotion of the true and high-souled daughter of Israel—Grace Aguilar. The mellow tones of Felicia Hemans' poetry lingers still among all who appreciate the holy sympathies of religion and virtue. We could dwell long and profitably on the enduring patience and lifelong labor of Barbara Hofland, and steep a diamond in tears to record the memories of L.E.L. We could,—alas! alas! barely five and twenty years' acquaintance with literature and its ornaments, and the brilliant catalogue is but a Memento Mori. Perhaps of all this list, Maria Edgworth's life was the happiest: simply because she was the most retired, the least exposed to the gaze and observation of the world, the most occupied by loving duties toward the most united circle of old and young we ever saw assembled in one happy home.

The very young have never, perhaps, read one of the tales of a lady whose reputation as a novelist was in its zenith when Walter Scott published his first novel. We desire to place a chaplet upon the grave of a woman once "celebrated" all over the known world, yet who drew all her happiness from the lovingness of home and friends, while her life was as pure as her renown was extensive.

In our own childhood romance-reading was prohibited, but earnest entreaty procured an exception in favor of the "Scottish Chiefs". It was the bright summer, and we read it by moonlight, only disturbed by the murmur of the distant ocean. We read it, crouched in the deep recess of the nursery-window; we read it until moonlight and morning met, and the breakfast-bell ringing out into the soft air from the old gable, found us at the end of the fourth volume. Dear old times! when it would have been deemed little less than sacrilege to crush a respectable romance into a shilling volume, and our mammas considered only a five-volume story curtailed of its just proportions.

Sir William Wallace has never lost his heroic ascendancy over us, and we have steadily resisted every temptation to open the "popular edition" of the long-loved romance, lest what people will call "the improved state of the human mind", might displace the sweet memory of the mingled admiration and indignation that chased each other, while we read and wept, without ever questioning the truth of the absorbing narrative.

Yet the "Scottish Chiefs" scarcely achieved the popularity of "Thaddeus of Warsaw"—the first romance originated by the active brain and singularly constructive power of Jane Porter—produced at an almost girlish age.

The hero of "Thaddeus of Warsaw" was really Kosciuszko, the beloved pupil of George Washington, the grandest and purest patriot the modern world has known. The enthusiastic girl was moved to its composition by the stirring times in which she lived, and a personal observation of and acquaintance with some of those brave men whose struggles for liberty only ceased with their exile or their existence.

Miss Porter placed her standard of excellence on high ground, and—all gentle-spirited as was her nature—it was firm and unflinching toward what she believed the right and true. We must not therefore judge her by the depressed state of "feeling" in these times, when its demonstration is looked upon as artificial or affected. Toward the termination of the last, and the commencement of the present century, the world was roused into an interest and enthusiasm, which now we can scarcely appreciate or account for; the sympathies of England were awakened by the terrible revolutions of France and the desolation of Poland; as a principle, we hated Napoleon, though he had neither act nor part in the doings of the democrats; and the sea-songs of Dibdin, which our youth now would call uncouth and ungraceful rhymes, were key-notes to public feeling; the English of that time were thoroughly "awake"—the British Lion had not slumbered through a thirty years' peace. We were a nation of soldiers, and sailors, and patriots; not of mingled cotton-spinners, and railway speculators, and angry protectionists. We do not say which state of things is best or worst, we desire merely to account for what may be called the taste for heroic literature at that time, and the taste for—we really hardly know what to call it—literature of the present, made up, as it too generally is, of shreds and patches—bits of gold and bits of tinsel—things written in a hurry, to be read in a hurry, and never thought of afterward—suggestive rather than reflective, at the best: and we must plead guilty to a too great proneness to underrate what our fathers probably overrated.

At all events we must bear in mind, while reading or thinking over Miss Porter's novels, that in her day, even the exaggeration of enthusiasm was considered good tone and good taste. How this enthusiasm was fostered, not subdued, can be gathered by the author's ingenious preface to the, we believe, tenth edition of "Thaddeus of Warsaw."

This story brought her abundant honors, and rendered her society, as well as the society of her sister and brother, sought for by all who aimed at a reputation for taste and talent. Mrs. Porter, on her husband's death, (he was the younger son of a well-connected Irish family, born in Ireland, in or near Coleraine, we believe, and a major in the Enniskillen Dragoons,) sought a residence for her family in Edinburgh, where education and good society are attainable to persons of moderate fortunes, if they are "well-born;" but the extraordinary artistic skill of her son Robert required a wider field, and she brought her children to London sooner than she had intended, that his promising talents might be cultivated. We believe the greater part of "Thaddeus of Warsaw" was written in London, either in St. Martin's Lane, Newport Street, or Gerard Street, Soho, (for in these three streets the family lived after their arrival in the metropolis); though, as soon as Robert Ker Porter's abilities floated him on the stream, his mother and sisters retired, in the brightness of their fame and beauty, to the village of Thames Ditton, a residence they loved to speak of as their "home." The actual labor of "Thaddeus"—her first novel—must have been considerable: for testimony was frequently borne to the fidelity of its localities, and Poles refused to believe the author had not visited Poland; indeed, she had a happy power in describing localities. It was on the publication of Miss Porter's two first works in the German language that their author was honored by being made a Lady of the Chapter of St. Joachim, and received the gold cross of the order from Wurtemberg; but "The Scottish Chiefs" was never so popular on the Continent as "Thaddeus of Warsaw", although Napoleon honored it with an interdict, to prevent its circulation in France. If Jane Porter owed her Polish inspirations so peculiarly to the tone of the times in which she lived, she traces back, in her introduction to the latest edition of "The Scottish Chiefs." her enthusiasm in the cause of Sir William Wallace to the influence an old "Scotch wife's" tales and ballads produced upon her mind while in early childhood. She wandered amid what she describes as "beautiful green banks," which rose in natural terraces behind her mothers house, and where a cow and a few sheep occasionally fed. This house stood alone, at the head of a little square, near the high school; the distinguished Lord Elchies formerly lived in the house, which was very ancient, and from those green banks it commanded a fine view of the Firth of Forth. While gathering "gowans" or other wild-flowers for her infant sister, (whom she loved more dearly than her life, during the years they lived in most tender and affectionate companionship), she frequently encountered this aged woman, with her knitting in her hand; and she would speak to the eager and intelligent child of the blessed quiet of the land, where the cattle were browsing without fear of an enemy; and then she would talk of the awful times of the brave Sir William Wallace, when he fought for Scotland, "against a cruel tyrant; like unto them whom Abraham overcame when he recovered Lot, with all his herds and flocks, from the proud foray of the robber kings of the South," who, she never failed to add, "were all rightly punished for oppressing the stranger in a foreign land! for the Lord careth for the stranger." Miss Porter says that this woman never omitted mingling pious allusions with her narrative. "Yet she was a person of low degree, dressed in a coarse woollen gown, and a plain Mutch cap, clasped under the chin with a silver brooch, which her father had worn at the battle of Culloden." Of course she filled with tales of Sir William Wallace and the Bruce the listening ears of the lovely Saxon child, who treasured them in her heart and brain, until they fructified in after years into "The Scottish Chiefs." To these two were added "The Pastor's Fireside," and a number of other tales and romances. She contributed to several annuals and magazines, and always took pains to keep up the reputation she had won, achieving a large share of the popularity, to which, as an author, she never looked for happiness. No one could be more alive to praise or more grateful for attention, but the heart of a genuine, pure, loving woman, beat within Jane Porter's bosom, and she was never drawn out of her domestic circle by the flattery that has spoiled so many, men as well as women. Her mind was admirably balanced by her home affections, which remained unsullied and unshaken to the end of her days. She had, in common with her three brothers and her charming sister, the advantage of a wise and loving mother—a woman pious without cant, and worldly-wise without being worldly. Mrs. Porter was born at Durham, and when very young bestowed her hand and heart on Major Porter. An old friend of the family assures us that two or three of their children were born in Ireland, and that certainly Jane was amongst the number. Although she left Ireland when in early youth, perhaps almost an infant, she certainly must be considered Irish, as her father was so both by birth and descent, and esteemed during his brief life as a brave and generous gentleman. He died young, leaving his lovely widow in straitened circumstances, having only her widow's pension to depend on. The eldest son—afterward Colonel Porter—was sent to school by his grandfather.

We have glanced briefly at Sir Robert Ker Porter's wonderful talents, and Anna Maria, when in her twelfth year, rushed, as Jane acknowledged, "prematurely into print." Of Anna Maria we knew personally but very little, enough however to recall with a pleasant memory her readiness in conversation and her bland and cheerful manners. No two sisters could have been more different in bearing and appearance; Maria was a delicate blonde, with a riant face, and an animated manner—we had said almost peculiarly Irish—rushing at conclusions, where her more thoughtful and careful sister paused to consider and calculate. The beauty of Jane was statuesque, her deportment serious yet cheerful, a seriousness quite as natural as her younger sister's gaiety; they both labored diligently, but Anna Maria's labor was sport when compared to her eldest sister's careful toil; Jane's mind was of a more lofty order, she was intense, and felt more than she said, while Anna Maria often said more than she felt; they were a delightful contrast, and yet the harmony between them was complete; and one of the happiest days we ever spent, while trembling on the threshold of literature, was with them at their pretty road-side cottage in the village of Esher before the death of their venerable and dearly beloved mother, whose rectitude and prudence had both guided and sheltered their youth, and who lived to reap with them the harvest of their industry and exertion. We remember the drive there, and the anxiety as to how those very "clever ladies" would look, and what they would say; we talked over the various letters we had received from Jane, and thought of the cordial invitation to their cottage—their "mother's cottage"—as they always called it. We remember the old white friendly spaniel who looked at us with blinking eyes, and preceded us up stairs; we remember the formal old-fashioned courtesy of the venerable old lady, who was then nearly eighty—the blue ribands and good-natured frankness of Anna Maria, and the noble courtesy of Jane, who received visitors as if she granted an audience; this manner was natural to her; it was only the manner of one whose thoughts have dwelt more upon heroic deeds, and lived more with heroes than with actual living men and women; the effect of this, however, soon passed away, but not so the fascination which was in all she said and did. Her voice was soft and musical, and her conversation addressed to one person rather than to the company at large, while Maria talked rapidly to every one, or for every one who chose to listen. How happily the hours passed!—we were shown some of those extraordinary drawings of Sir Robert, who gained an artists reputation before he was twenty, and attracted the attention of West and Shee2 in his mere boyhood. We heard all the interesting particulars of his panoramic picture of the Storming of Seringapatam, which, the first of its class, was known half over the world. We must not, however, be misunderstood—there was neither personal nor family egotism in the Porters; they invariably spoke of each other with the tenderest affection—but unless the conversation was forced by their friends—they never mentioned their own, or each other's works, while they were most ready to praise what was excellent in the works of others; they spoke with pleasure of their sojourns in London; while their mother said, it was much wiser and better for young ladies who were not rich, to live quietly in the country, and escape the temptations of luxury and display. At that time the "young ladies" seemed to us certainly not young: that was about two-and-twenty years ago, and Jane Porter was seventy-five when she died. They talked much of their previous dwelling at Thames Ditton, of the pleasant neighborhood they enjoyed there, though their mother's health and their own had much improved since their residence on Esher hill; their little garden was bounded at the back by the beautiful park of Claremont, and the front of the house overlooked the leading roads, broken as they are by the village green, and some noble elms. The view is crowned by the high trees of Esher Place; opening from the village on that side of the brow of the hill. Jane pointed out the locale of the proud Cardinal Wolsey's domain, inhabited during the days: of his power over Henry VIII., and in their cloudy evening, when that capricious monarch's favor changed to bitterest hate. It was the very spot to foster her high romance, while she could at the same time enjoy the sweets of that domestic converse she loved best of all. We were prevented by the occupations and heart-beatings of our own literary labors from repeating this visit; and in 1831, four years after these well-remembered hours, the venerable mother of a family so distinguished in literature and art, rendering their names known and honored wherever art and letters flourish, was called HOME. The sisters, who had resided ten years at Esher, left it, intending to sojourn for a time with their second brother, Doctor Porter, (who commenced his career as a surgeon in the navy) in Bristol; but within a year the youngest, the light-spirited, bright-hearted Anna Maria died; her sister was dreadfully shaken by her loss, and the letters we received from her after this bereavement, though containing the outpourings of a sorrowing spirit, were full of the certainty of that re-union hereafter which became the hope of her life. She soon resigned her cottage home at Esher, and found the affectionate welcome she so well deserved in many homes, where friends vied with each other to fill the void in her sensitive heart. She was of too wise a nature, and too sympathizing a habit, to shut out new interests and affections, but her old ones never withered, nor were they ever replaced; were the love of such a sister-friend—the watchful tenderness and uncompromising love of a mother—ever "replaced," to a lonely sister or a bereaved daughter! Miss Porters pen had been laid aside for some time, when suddenly she came before the world as the editor of "Sir Edward Seward's Narrative", and set people hunting over old atlases to find out the island where he resided. The whole was a clever fiction; yet Miss Porter never confided its authorship, we believe, beyond her family circle; perhaps the correspondence and documents, which are in the hands of one of her kindest friends (her executor), Mr. Shepherd, may throw some light upon a subject which the "Quarterly" honored by an article. We think the editor certainly used her pen as well as her judgment in the work, and we have imagined that it might have been written by the family circle, more in sport than in earnest, and then produced to serve a double purpose.

2
  In his early days the President of the Royal Academy painted a very striking portrait of Jane Porter, as "Miranda," and Harlowe painted her in the canoness dress of the order of St. Joachim.


[Закрыть]
Возрастное ограничение:
0+
Дата выхода на Литрес:
16 ноября 2018
Объем:
120 стр. 1 иллюстрация
Правообладатель:
Public Domain
Формат скачивания:
epub, fb2, fb3, html, ios.epub, mobi, pdf, txt, zip

С этой книгой читают