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Davy

It’s good to have Manon back, he thinks, striding across the police station car park towards the featureless grass expanse of Hinchingbrooke Park. He plans to cut through to the wooded area where the body has been found – quicker than trying to walk the enormous curve of Brampton Road. That road is gridlocked with rush-hour traffic, the headlights of school-run mums and commuters out of Huntingdon. Only around five-ish – an unusual time of day for someone to meet a violent death. And opposite a school, too.

He’s anxious to get there, to be the first. He breaks into a jog. In the distance, he can see blue lights illuminating the trees in a rhythmic sweep, the flash of a couple of fluorescent jackets.

It’s good to have her back, but Manon has to understand that things have changed. He isn’t her DC any more – she can’t sit in a car the way she used to and bark orders at him. He’ll likely be leading this case – not as SIO, that’ll be Harriet – but on the ground, running the constables. The thought makes him jog faster. He wants to get there, get started. But his excitement – or is it a stitch? – is tugged at from below by something like aversion. His body pushes forward but his inner self pulls back. He can’t do it. He isn’t up to it. He’s been over-promoted by the super, who thinks of him as a son.

Davy is panting (it’s a wonder he passed his last bleep test); his heart knocking with impatience to master the scene, and with fear also. He might be unmasked at any moment.

‘The shallowness deep within,’ Manon said, ages ago now – just after his promotion – when he’d discussed his Imposter Syndrome with her. ‘You’re not the only one, you know.’ And he’d wondered whether she meant, ‘You’re not the only one who thinks you’re a useless twat.’

Why does he keep thinking about her? He wishes she was here, that’s why. She seems a more substantial person than he does. He slows to a walk because the stitch is really painful now. Even more substantial these days: her breathing laboured, her breasts enormous. He doesn’t want to be one of those men, but it’s like trying to pretend you’re looking out to sea when there’s a vast mountain range right in your sightline.

He comes alongside the body. Looks around him. Harriet’s not here, nothing’s started yet. Within half an hour this place’ll be crawling with uniforms. Looking down, he sees the clothing has been cut open so paramedics could work on the victim’s chest – white shirt, suit jacket, wool coat, Ozwald Boateng written on the purple shimmering lining. The eyes are open, mouth too, the chest caked in dried blood and the small incision of the wound itself, evidently from a knife, like a cut in an uncooked joint of pork. Small red opening in waxy yellow flesh.

Davy looks around him again.

He crouches down unsteadily, and a gust of wind nearly pushes him on top of the corpse. He puts a hand out to balance himself. You don’t want to contaminate the scene – isn’t that the first rule, the only thing they drum into you at training? Keep your hands in your pockets.

If only he could cop a glance at that wallet that he can see poking out of the purple silk lining – then he could get started. If he could get a name off a bank card, an ID, then the story can start and this is a whopper. This one’ll be all over the news. The pressure, he can feel it already popping at his temples, is going to be massive. Keep your hands in your pockets, Davy Walker.

‘What the fuck are you doing, Davy?’ It is Harriet.

He jumps up. ‘Nothing,’ he says. ‘I’m not doing anything.’

‘Yeah, well, step away from the evidence until SOCO gets here,’ she says.

‘Know who he is?’ Davy asks.

‘Not yet. But he’ll still be dead in an hour after forensics have got what they need so there’s no need to be patting him down.’

He takes a step back.

‘We need to cordon this section of wood, make it wide,’ Harriet says. ‘Where’s your notebook, Davy? C’mon, or do you not want to run this scene? First priority is hands-and-knees search for a weapon. No point getting the dogs out, too many people around. But we do need community policing down here – I want the public reassured by not being able to move for police officers. We need a community inspector to go into the school, talk to the head, make sure all the kids get home safely. Same at the hospital.’

‘We should check Acer Ward,’ Davy says.

‘Yes, good thought. See if you can track down the consultant psychiatrist, ask him if they had any psychos go walkabout this afternoon. I didn’t just use that word, by the way.’

‘What about an ARV?’

‘No, leave them out – what can armed response do, realistically? Let’s not blow the budget. I want scene guards on the cordon, not the idiots we had on the last one. There’s a lot of footfall, I don’t want this scene contaminated, OK?’

‘Who found him?’

‘Judith Cole, over there,’ Harriet says, nodding towards a woman whose hair is matted against her head with blood. It’s smeared down her cheek and has soaked the collar of her coat. She has the distant look of a person who has yet to take in what has happened to her. Someone – a paramedic, probably – has placed a foil blanket over her shoulders of the kind used by runners at the end of a race.

‘She’s significant, obviously – last person to see him alive. We need her clothes for forensics.’

‘Why is there blood on her face and hair?’

‘She cradled the victim, tried to listen to his last words apparently.’

Davy is writing furiously, his hand cold and shaky. Harriet doesn’t stop, rat-a-tat-tat. ‘Also at the hospital, let’s check to see if anyone’s self-admitted. Knife wounds.’ She nods at the executive detached homes curling around the cul-de-sac adjacent to the school. ‘Over there, Snowdonia Way, that’s where I want house to house to start. And we can warn them to be vigilant while we’re at it. Set up a roadblock. We want witnesses, people who were driving in this direction.’

Davy is writing down Acer Ward while his brain tries to keep a tab on the subsequent items on the checklist. Nothing must fall off the checklist. He’s thinking Snowdonia Way, that was next, then – what? – something to do with clothes.

At the same time some other part of his brain is thinking, this isn’t a tidy one: not the usual kind of murder where the person who did it is lying smashed next to the victim or is making a cack-handed run for it towards a waiting panda car or where their perp is just, well, obvious because of the backstory: in a relationship with the victim, threatened them with it last time, just did a massive drugs deal and owed someone money. Sent a text saying, ‘I’ll get you, you’re for it.’ Their perps, often, were not the brightest bulbs in the chandelier and the cases were tidy. Dirty but clean, as in ring-fenced, not leaching towards the executive new builds of Snowdonia Way with their gas barbecues and two-car garages. Davy feels the anxiety reach its fist around his stomach.

‘So that woman Judith Cole,’ Harriet is saying, while Davy scribbles hosp – knife wounds? ‘He died in her arms apparently. At least, he was dead by the time the paramedics arrived. They tried to resuscitate him but no luck.’

‘Funny place to die,’ Davy says.

‘Yes. Very public. Who the fuck is stabbed at half four in the afternoon?’ Harriet’s swearing always peaks at a crime scene. ‘Let’s start with a statement from Mrs Cole, down at the station. Send someone to get her a change of clothes. She only lives over there, 5 Snowdonia Way.’

‘He looks well-to-do, not our usual lot,’ Davy says, nodding at the body.

He steps across the seeping ground to take a look at the man’s face the right way up. He has pouches beneath his eyes the size of teabags, a Roman nose. In fact the whole head seems Roman: his hair, cut close, curling forwards towards his forehead like Caesar’s crown of leaves. What was it made of? Manon would know.

As she walks away, Harriet adds, ‘Need to get the CCTV off the road and this footpath, if there is any.’

Time is of the essence, even when your victim is dead. Witnesses move, rain washes fibres away, memories fade. The commuter who might have noticed something vital goes home to his family, eats dinner, watches TV and soon cannot distinguish between Tuesday and Wednesday. CCTV gets inadvertently wiped by a shopkeeper who knows no better; car number plates are forgotten, descriptions blurred with other memories. They don’t call them the mists of time for nothing.

Investigations, Davy realises as he looks at his checklist without knowing quite where to begin, run on the energy of time, run against it sometimes if a living person’s in danger – a kidnap, say, or a kiddie lost. Other times it’s justice that runs against the clock. Given time, your perp can get rid of the weapon, wipe down his prints, cook up an alibi or hot-foot it to somewhere sunny. The Costa Brava is bristling with British timeshare criminals.

Time blunts all.

It’s a relief, now, to be in the warmth of the major crime unit: frying drips on the coffee-machine hotplate; the clack of fingers on computer keys; muffled mobile calls saying, ‘No I won’t be home, job’s come in.’ There is no one for Davy to call, no one who minds whether he stays out all night. There’s been no one since Chloe, and that ended more than a year ago. Not so much that she put him off all relationships, more that he didn’t get back on the horse, and now he’s not even in the vicinity of a stable.

As with investigations, so it is with heartbreak: time drains the sharpness from the picture. When Davy’d first broken up with Chloe, she was in every thought he had. He cried every day when they separated, even though it was his choice (doom balloon that she was). Nowadays, he can think of her dispassionately as a significant ex, could even bump into her without a rise in his vital signs. The love has run cold, just like it will with the evidence if he doesn’t get a shifty on.

Davy glances at his watch – 8 p.m. Being outside for three hours has made his checklist damp. He spent it standing in that patch of wood, sometimes taking a break to sit in an unmarked car, receiving updates from his DCs. Nothing from the hospital; nothing from house to house, except varying degrees of alarm; nothing from the roadblock.

He’d spotted a scene guard smoking a fag and throwing it to the ground.

‘What’s that?’ he asked, pointing at the fag butt.

‘What? Nothin’ to do with me,’ the chap said.

‘Better not be,’ Davy said, ‘because it’s going to be tested by forensics and if your DNA is anywhere near it, you’ll be in big trouble.’

‘OK, well, actually it might be mine,’ he said, picking the butt up and putting it in his pocket.

‘Victim’s name is Jon-Oliver Ross,’ Harriet told him, when SOCO were done. ‘Banking type from London. Business card says Dunlop & Finch Wealth Management.’

‘Never had call for a wealth manager myself.’

‘No, me neither. I find an overdraft is all the wealth management I need,’ Harriet said. ‘Anyway, we need to find out why he was in Huntingdon, when he travelled in and how. Fella that did it might not be local either. We’ve also got a photo of a woman found in his jacket pocket. A four by six of a blonde, real stunner. She’ll be an ex, so we better know who she is as soon as possible.’

SOCO discovered drips of blood at wide intervals along the footpath leading away from where the body was found, and these are being analysed. The phone found on the body is an iPhone, latest version, locked with a passcode so as good as useless. Call data from the telecom company will tell them when texts were sent and to which number, but not their contents. For that, you need access to the handset. Same with apps like WhatsApp and Snapchat.

Davy stretches back, trying to release the stiffness in his shoulders. The frenetic atmosphere has calmed somewhat. The Hinchingbrooke School kids have all gone home, there are no other reports of anyone being stabbed, so it’s looking less and less like a random psycho on the rampage, which doesn’t surprise him because it’s almost never a random psycho. Relationships are what drive people to murder, in Davy’s experience.

DC Kim Delaney appears before him, her arms arranged like a forklift, piled with folded clothes. ‘Change of clothing for Judith Cole,’ she says. ‘Brought in by her husband. He’s downstairs.’

‘D’you want to talk to her about changing out of her clothes?’ Davy says. ‘Better coming from you, really.’

‘Why?’ Kim asks.

‘Oh, you know, you being,’ he coughs, ‘you know, a woman.’

‘So I have to have all the underwear chats, is that it?’

Davy colours up. It’d be just his luck to fall foul of some kind of mishandling of the politics of the sexes.

‘No, no, of course not. I’ll do it then, shall I?’ he says.

‘Don’t be a twat, Davy. I was only joking.’

‘Oh,’ says Davy. ‘Oh, right.’

Manon

As they turn out the light and close Solly’s door, Manon whispers to Fly, ‘You’re so good with him.’

She can hear her neediness, as well as the distant sound of Sol singing to himself; he will sleep on his front, bottom in the air like the ruck in a blanket.

They stomp downstairs, Manon with one hand on Fly’s shoulder. ‘Hungry?’ she says.

He doesn’t reply and she’s used to this. She’ll often have to say things five or six times before he responds. This is not particular to Fly – she’s heard of parents hauling their children for hearing tests, the doctor saying witheringly, ‘There’s a difference between not being able to hear and not listening.’

‘I’ll need your help when this one comes,’ she says, her other hand on her bump, and even as she says it she thinks, leave the poor boy alone, remembers some parent or other at school saying, ‘Never plead with children’ and the way she nodded, thinking, I’m always pleading with children. It’s my base position.

Lighten up, she tells herself. He’s all right.

And yet he isn’t.

Five days ago, the school office called at 9 a.m. to say Fly hadn’t arrived at school.

‘I don’t understand it,’ Manon said. ‘He left half an hour ago in his uniform. Where is he?’

‘I was hoping you’d know the answer to that.’

‘Leave it with me,’ she said.

First thing she did was run out of the house, jogging the route of his walk to school, all the while on her mobile phone, checking admissions at the hospital, calling Fly’s mobile over and over.

She drove around Huntingdon, paced the high street, barging in and out of cafés. She wondered whether to call it in, really scare him with a police search but she had a gut feeling he’d come in for tea. He wasn’t a baby, wasn’t her baby. He had lived without any assistance from her for ten of his twelve years.

Other thoughts tugged at her: he’s been mugged, he’s in some trouble he can’t get out of, he had his buds in his ears as a car mowed him down. She checked the hospital again.

He came in carrying his schoolbag, at a calculated 3.45 p.m. – trying to pass it off. Bag by the banister, shoes off, uniform dishevelled.

‘Don’t give me that,’ she said, her body shaking, wanting to hit him.

‘What?’ he said.

‘Look at your phone.’

He looked at it. ‘Twenty-eight missed calls.’

‘So what was that performance all about? I’ve been worried sick.’

He sniffed. Shrugged.

‘Where’ve you been?’

‘Home,’ he said.

It was like a sinkhole opening up beneath her.

He has gone to watch TV while she puts the pasta on. Endless pasta, endless cooking it, throwing it in the bin, cooking it again, emptying the dishwasher, loading the dishwasher.

He calls her ‘Mum’ only sporadically – consciously, to please her or as a deliberate expression of connection. When he is unthinking, she is ‘Manon’. They are mother and son by degrees, not innately and not to their core.

‘How was school?’ she asks, serving his spaghetti.

No response.

‘Fly, how was your day?’

‘Shit, as usual.’

The truancy took her into the head’s office – a discussion about how to help Fly settle, in-school strategies (greater teacher focus), support at home (in this she read criticism). Fly promised not to do it again, said he understood it was about his own safety. To be fair, he looked shaken by the adult response. Perhaps he’d never been under such intense adult scrutiny before and he found it unexpected. The trouble with this sort of thing, she thinks now, lying in bed with a book flattened onto her chest, is she can’t solve it. She can’t solve Fly, can’t make him better overnight. She must let his feelings granulate over time and often she finds it impossible to summon the patience to back off. She wants to work on him like a case. She should have more faith.

She’s roused from dozing by the sound of Ellie coming in and by a reawakening anger (she is angry so much of the time and it is exhausting). She must have words. Ellie cannot leave Sol alone with Fly whenever she wants; Fly who is after all only 12, much as he seems older, and not old enough to bear responsibility for a 2-year-old, certainly not when there is the possibility of the Internet within a thousand-mile radius.

Davy

Kim has placed the clothes on the table in front of Mrs Cole, saying, ‘So, if you could change out of all your clothes. Your husband has brought you some clean things to wear. Put everything in this evidence bag if you wouldn’t mind.’

‘Evidence bag? You want my clothes?’ says Mrs Cole, taking the brown paper bag from Kim with a shaking hand.

‘We’ll need to send them to forensics, yes,’ says Davy.

‘What, even my underwear?’ she asks, with a brittle laugh.

‘Why not your underwear?’ Kim says, looking at her very directly. Eyeballing her, Davy would go so far as to say.

‘Just seems a bit …’ Mrs Cole begins. The blood has dried to a crust on her cheek and neck and has made her hair stiff.

‘These things can feel intrusive,’ Davy says, ‘but there’s nothing to worry about. Your things will be returned to you in due course. When you’re ready, we’ll start the interview, OK?’

He and Kim close the door behind them and walk in silence along the corridor. At the turn of the stairs up to the second floor, Kim says, ‘What’s in her undies that she doesn’t want us to look at?’

Would Kim know the meaning of her clothing, Davy wonders, in the way Manon would? Not the clothing sent to forensics – well those, yes, as well – but her clothing in general: the colours, the price bracket, the shop they came from. These were all markers that Manon could ‘read’. He’s not sure Kim is feminine in that way. Oh Lord, is he being sexist? Not feminine then; judgemental. Manon was master of the snap judgement, which often contained a kernel of truth.

The clothes Judith Cole has changed into are smart and unadorned: navy cardigan with a funny wavy edge and no buttons, very white T-shirt, so white it could have come straight from the packet. Dark, well-cut jeans. Everything new-looking. The blood-stained clothes, from what he could tell beneath the dark burgundy discolouration, were in a range of colours he would describe as light brownish, though he’s aware that there are more sophisticated words for it. Mushroom? Apart from her jeans, which were white – before she cradled a stab victim, that is.

Judith Cole is well turned out, that much he can see as he returns to interview room one and sets his pad down on the table.

‘Is my husband still downstairs?’ she asks. He hasn’t set the tape yet.

‘He is, yes,’ says Kim.

‘There’s really no reason for him to stay. Our house is only a five-minute walk from here.’

Kim remains silent. She told Davy earlier she likes to create discomfort in interviews, said it provides the space for confession. Davy’s acute sense of embarrassment can barely tolerate this.

‘I can’t see what help he would be; he wasn’t even there,’ Mrs Cole adds.

‘Right, here we go,’ Davy says, as the long beep rings out from the recording device.

He lists the date, time and people in the room.

‘Mrs Cole, you live on Snowdonia Way, is that correct?’

‘Yes.’

She confirms she’s 44 and works in insurance, is married to Sinjun Cole, which she spells more than three times for Davy who cannot understand why she seems to be spelling out ‘St John’. Eventually she does it so aggressively, he drops the subject. The Coles have 12-year-old twin boys attending Hinchingbrooke School, situated opposite the crime scene and adjacent to Snowdonia Way.

‘Did you know the victim, Jon-Oliver Ross?’ Davy asks.

‘No, I’ve never seen him before.’

‘Can you describe what happened when you came across the victim?’

‘Yes, I was facing the park and he was walking towards me. I saw him swaying, really weaving from side to side and I thought he was drunk, so I started to think of ways to avoid him but then he fell, right there in front of me. Something about the way he fell – his legs literally went from under him – I knew it wasn’t right. I could see he was ill. I rushed over to him and saw the blood coming from his chest. He was awake but he was panicking. He was really very distressed. I had his upper body in my lap. I called the ambulance on my mobile and I held him, which is why I got so soaked in his blood.’ She puts a hand gingerly to the side of her face. ‘His eyes were rolling back in his head, his chest was going up and down. I was trying to comfort him, saying, “Help is coming, hang on in there, stay awake,” that sort of thing. He whispered something which I didn’t hear so I put my head next to his mouth and he said, “Sass”.’

‘Sass? S-A-S-S?’ says Davy, pen poised on his notepad, not wishing to open up another spelling debacle.

Mrs Cole shrugs. ‘I couldn’t understand it either. Perhaps it wasn’t even a word, more like an exhalation. But he repeated it. I wondered if he was trying to say “mass” if he was religious – a Catholic. But he said it again, “Sass”. A name, perhaps?’

‘And why were you in the woods at that time, Mrs Cole?’ asks Kim.

‘You can call me Judith,’ she says with a wrinkling of her nose, which Davy supposes is intended to be friendly. ‘I was taking the dog out for a walk – I crossed Hinchingbrooke Park Road with the intention of going to the open ground where I can let him off the lead. He can run about there.’

‘And what was your dog doing, when you were seeing to the victim?’

‘I’m sorry?’

‘Where was the dog?’ repeats Kim.

‘Sorry, I don’t understand what you’re asking me,’ says Judith, shifting in her seat.

‘It’s a simple question. You drop to your knees to cradle a dying man. Where’s the dog?’

‘Oh, right, well, I didn’t really notice. I suppose he was snouting around the verges somewhere, you know what dogs are like. Sniffing tree roots, that kind of thing.’

‘We didn’t see him at the crime scene. The dog. Did you lose track of him?’

‘No, no, I didn’t lose him. He’s back at home. My husband must’ve taken him – picked him up, I mean.’

She has flushed. She flaps at her cardigan to cool herself down. Is she of an age for a hot flush? Davy isn’t versed in such things.

‘I’m not under any suspicion, am I?’

‘Why d’you ask that?’ says Kim.

‘Only, you’re talking to me as if I were a suspect.’

‘No we’re not.’

‘Why are you asking me all these questions when I’m just an innocent bystander?’

‘You were the last person to see the victim alive,’ says Kim. ‘That makes you a significant witness.’

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