Читать книгу: «Rosie Dixon's Complete Confessions»

CONTENTS

Title Page

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

CHAPTER 1

“Don’t forget to water the plants, dear.”

“No, Mum.”

“Not too much water. You don’t have to drown them.”

“Yes, Dad.”

“Make sure you close all the windows and lock everything up when you go out.”

“Yes, Mum.”

“Don’t forget to let the cat out.”

“No, Dad.”

“And don’t let Natalie stay up too late watching television. She’s still growing, you know.”

“Yes, Mum.”

Mum picks up her gloves and handbag and looks round the room.

“I’m certain there was something else I wanted to say.”

“There’ll always be something else you want to say,” says Dad, wearily. “Hurry up, Mary, or we’ll miss the train.”

“You’ll be good girls, won’t you?” says Mum. “Oh, dear. I wish I wasn’t going, now.”

“What do you mean, ‘now’?” says Dad. “I never wanted to go and stay with your sister in the first place. It’s bad enough having her here, but at least I can suffer in my own home.”

“Have a lovely time, Mum,” says Natalie. “You too. Dad. I hope the weather stays nice for you.”

“It never has done yet,” sniffs Dad. “Every time we go there it’s ‘Oh dear, what a pity. If only you’d been able to come last week. The sun shone from dawn till dusk.’ I don’t believe it ever stops raining.”

“Don’t listen to your father,” says Mum patiently. “He loves it when he gets there.”

“If he gets there. If you don’t get a move on we’re going to miss that train.”

“You’re the one who’s doing all the talking, dear.”

“You should have got a taxi,” says Natalie.

“I’m not made of money, my girl,” says Dad. “The train fare alone comes to over five quid.”

“I’ll give you a hand with the bag, Mum.” Unless I do something to get them out of the house they will be here all night.

Mum still looks worried. “I wish I could remember what it was I was going to say.”

“Don’t worry, you’ll think of something. Goodbye, Rosie.”

“Goodbye, Dad. Have a nice time.”

I open the front door and everyone gets in each other’s way. Eventually we finish saying goodbye and Natalie whistles through her teeth and leans back against the door. “Do you really think that—” She stops as I press my finger against my lips. Instead of dying away the sound of footsteps is getting louder. There is a moment’s silence and then the door bell rings. Hardly has the first note sounded than I fling open the door. “Here’s your handbag, Mum.”

“Oh yes. How silly of me. What I really came back for was to remind you about the rhubarb. I couldn’t get it all in the fridge so I put it on top of the cupboard. You won’t forget it, will you?”

“No, Mum.”

Mum shakes her head. “I know there’s something else. I’ll probably think of it on the train.”

“There isn’t going to be a bleeding train,” yodels Dad.

“I’ll drop you a postcard.” Mum waves hurriedly and follows Dad down the street. I hear him shout “There you are, we just missed one”, before they disappear from sight.

“I don’t dare say anything,” says Natalie as we close the door. “What time is the train supposed to go?”

“Half past four.”

“So we won’t know whether they got it until about half past five. I won’t be able to live through the tension. Can I borrow one of your ciggies?”

She does not wait for me to reply but dives into my handbag.

“What do you mean ‘borrow’? You never give anything back. Anyway, you know Mum doesn’t like you smoking.”

“What she doesn’t know isn’t going to worry her. Lots of girls at school smoke much more than I do.”

“Well, borrow their fags, then. They can obviously afford it.”

Natalie lights up and blows a big cloud of smoke at the flies on the ceiling. “Free! Isn’t that fantastic? Six whole days of bachelor girl living. When are we going to have the orgy?” Some girls might be joking. With Natalie you never know. She is three years younger than me but I wonder about her sometimes. There can’t be many fifteen-year-old girls who have grown out of three bras.

“You know what Mum said,” I warn. “No parties.”

“I wasn’t talking about a party, was I? Come on, Rosie. Don’t say you’re going to turn into a recording of Mum’s voice the minute the door is closed.”

“Do use an ashtray,” I tell her.

“What did I tell you? I do wish you could listen to yourself sometimes. You want to get a job as a school teacher. You’re wasting your time down at the tech.”

“You worry about me when you’ve got your ‘O’ levels, Lolita.” It is fast occurring to me that a week with Raquel Welchlet could well result in a few frayed nerve ends.

“Brains aren’t everything,” says my gay, fun-loving little sister. “I want to be a model, anyway.”

I watch her experimenting with the buttons on her stretch cotton blouse to see how many she can undo before her navel appears and understand why Mum and Dad worry about us so much. “Models aren’t idiots,” I say.

“I’m not an idiot,” says Natalie. “I’m a fire sign, that’s all. Outward going and uninhibited.”

“I don’t believe in horoscopes,” I tell her. “Scorpios never do.”

“What’s that got to do with it?” A sense of humour is not one of Natalie’s strong points. “Seriously though.” She buttons up the reasons why she was voted the most popular girl in her class—there were more boys than girls. “We ought to have a party to repay all the hospitality we’ve received. You could invite all your friends from the tennis club.” The way she says “tennis club” she makes it sound like “geriatrics anonymous”.

“I wish you wouldn’t go on about the tennis club. I just like watching tennis, that’s all.”

“And your lover, Geoffrey.” Natalie wags a finger at me. “Oh yes. I know all about the two of you looking for lost balls in the long grass.”

“What do you expect us to do, leave them there?”

“This was after the club dance.”

“Oh ‘Natalie’ I wish you could get it into your thick head that Geoffrey Wilkes and I are not lovers.” I hope I sound convincing because I would like to be persuaded myself. Somebody must have put something in the fruit cup that night, because when we went behind the privet I began to feel quite weak at the knees. Maybe it was the night air. There had been a terrible fug in the clubhouse. Geoffrey started kissing me and trying to put his hand up my skirt and I remember wishing that he was that aggressive on the tennis court. Perhaps that is why I gave him the teeniest bit of encouragement. Silly, really, but I just wanted to know what it felt like. It was not until I saw my panties hanging out of his jacket pocket that I realised what was happening. We were lying behind the roller and he was making the most incredible grunting noises. I was kissing him more to keep him quiet than for any other reason. He was behaving terribly badly because he was taking advantage of me. The fruit cup was quite harmless on the previous occasions I had been to the club. His fingers were running riot in my reception area and I was in such a state that I did not know where they ended and his pork banana began. I should have been paying more attention but I was so frightened that someone might come—I mean approach, of course. I was just getting rather worried when he suddenly rolled off me and was sick behind the roller. It was terribly embarrassing and I felt quite ill myself as I hurried back to the club house. I don’t think anything had happened—I mean to me, of course—but it was a very nasty experience. When Geoffrey came in five minutes later, the colour of a dead cabbage leaf, with my panties still hanging out of his pocket I could have died. Everybody was so rude and I am not surprised that Natalie heard about it. It just shows how careful you have got to be.

“That’s not what I heard. You gave him your knicks to blow his nose on, did you?”

I ignore this tasteless remark and become engrossed in the TV Times. It is unhealthy the way Natalie harps on about sex the whole time.

“Ooh! look. They’ve got a repeat of Casualty Ward.”

“What? Now? Smashing,” Natalie drops her fag into her tea cup and follows me into the front room. I wish I had kept my mouth shut because I would much rather curl up with Edward Chancellor by myself. He is the sexy star of the show Doctor Eradlik.

“Haven’t you got any homework to do?” I snap.

“They don’t give us homework.”

“Well, they should. When I was your age I was—” I start to think about more important things as dreamboat’s face looms up on the screen. Some people think he is too pretty, but when he looks straight at the camera like that I feel my tongue creeping out of my mouth and running nervously along my upper lip—at least, I think it is nerves.

“Her skin may be black but her kidney is the same colour as a white girl’s.”

“Doctor Eradlik! You don’t mean—!”

“Yes, Sandy. There’s no time for prejudice when a man is dying.”

“Would you like to have a spade’s kidney?” says Natalie thoughtfully.

“Ssssh!”

“I don’t think I would myself. I’ve nothing against them but—”

“Shut up!” I hiss.

Eradlik stops tapping his folded stethoscope against the palm of his hand and looks at his watch. ‘If Gruntstone doesn’t give his consent to the operation in the next five minutes, it’s going to be too late.’

“That bigot will never give his consent to anything that involves his son having a black girl’s kidney. Why are you looking at me like that?”

“You look beautiful when you’re mad, Nurse Timkins. Your eyes blaze like all those stars out there.”

“You mustn’t kiss me, Doctor. I’m supposed to be sterilised.”

“I couldn’t believe that lips so sweet and pure could ever bear the stigma of stapyhylococci.”

Dream Snogger is just about to put his beautiful mouth to work when the telephone rings. I don’t mean the telly telephone but the one in our hall. I wait hopefully for Natalie to answer it but I am wasting my time. God help him if it is some adenoidal little pimple factory wanting to know if my kid sister is going to the youth club—or Teen Scene as the new vicar now calls it. I try and catch her eye as I stalk past but she is staring at the screen with her thumb in her mouth and her skirt up to her panties.

“Don’t scratch yourself like that,” I say primly.

“Why not? I’ve got an itch.”

“It’s not nice.” I pick up the telephone. “Hello!” My voice is meant to sound about as welcoming as Moshe Dayan being invited to judge the Miss Egypt Beauty Contest. There is a pip, pip, pip and the line goes dead. I return to the front room.

“That was Mum,” I say.

“What did she want?”

“She hasn’t got through yet. What’s happened?”

“They can’t wait any longer so he’s doing an emergency operation without the father’s consent.”

“And using the black girl’s kidney?”

“I think so. Do you smell anything?”

“Only that awful perfume of yours. You don’t wear that at school, do you?”

“Of course not. I don’t want to enslave them.”

“Smells like something burning. You didn’t leave anything on in the kitchen, did you?”

Natalie shakes her head. “No.”

“Well, don’t just sit there. Go and have a look.”

“Why me?”

“Because I just answered the telephone.”

Natalie nods towards the telly. “It’s better if you go because I know what’s happening and I can tell you. If I go—”

“Oh, stay there and mind you don’t scratch another hole in yourself!”

“Charming!”

I make tracks for the kitchen and the smell of burning gets worse with every step. Don’t say the rhubarb has caught fire. I glance at the dials on the cooker and wrench open the oven door. Crikey! I haven’t seen so much smoke since Dad borrowed an indoor barbecue set. I grab a couple of wet tea towels and drop the burnt offering in the sink where it sizzles merrily. It looks as if it might once have been a steak and kidney pud. In the hall the telephone rings.

“Telephone!” shouts Natalie helpfully. I make a quick list of the ten ways I would most like to kill her and snatch up the receiver. Pip, pip, pip, pip …

“I’ve found the steak and kidney pud, Mum,” I speak the second the pips stop.

“I’ve no time to talk now, dear,” says Mum. “Listen carefully. There’s a steak and kidney pud in the oven which should have come out half an hour ago.”

“I found it, Mum.”

“You must take it out immediately.”

“I have done, Mum.”

“Do you understand, dear? I can’t talk because the train is just about to go and your father is shouting at me. There’s a steak and—”

There is a muffled squawk and a noise that could be Dad yelling something I am grateful I cannot understand.

“Hello? Mum?” I can still hear station noises in the background and I imagine that Mum must have left the phone dangling as Dad dragged her away. I am about to hang up when I hear a sound like someone breathing and a voice full of eastern promise purrs from the receiver.

“Hullo, how are you?” says a man’s voice.

“Hello,” I say. On the spur of the moment it is difficult to think of anything else to say.

“Dear lady, how happy I am to be speaking to you. You do not know me but I am of strong build and reaching towards the upper limits of those considerably in excess of five feet tall. I am only recently arrived in your country and would be most happy if you would go out with me. I have had many happy reports of the friendly disposition of the ladies of London and I would like to put them to the test.” His voice drones on and I have half a mind to call Natalie.

“I’m sorry but I’m married,” I say. I mean, there is no need to be unkind, is there?

“I eat husbands for breakfast!” insists the voice at the other end of the line. “My ardour is unquenchable. I am a lion! By the holy waters of the Ganges I will—”

I put down the receiver with a shaking hand. I know that there are some funny people about but why do they always have to pick on me? Only the other day the middle aged man sitting opposite me in the tube whipped open his mac to reveal something that looked like a small garden gnome weathered by a million years of non-stop rain. By the time I had opened my eyes he had got out at Clapham North.

That was not an isolated incident. Strange men are always rubbing themselves against me on public transport—and some of them are not so strange either. I thought the fellow with the bowler hat who had his umbrella jammed against my reception area was unaware of what he was doing—until I saw that he did not have an umbrella. Why does it always have to be me? I know girls who spend their whole lives waiting for a man to flash himself at them. I only have to look at a man below a line drawn at right angles to the top of his zipper and I have an evens chance of copping an eyeful of crotch insulation. I have the same effect on men’s willies as a summer shower on a lawn full of thirsty worms.

“I didn’t know you were married,” says Natalie as I come through the door. “Geoffrey put you in the family way, did he?”

“I was getting rid of another crank,” I say.

“You mean Mum?” asks Natalie.

“Her as well. She put a pie in the oven for us.”

“And Geoffrey put a bun in the oven for you. It’s our lucky day, isn’t it?”

“Do stop going on about Geoffrey. I just watch him play tennis sometimes, that’s all.”

“And soak up the ritzy atmosphere at Eastwood Tennis Club. Was that Mum’s pud we smelt?”

“Yes. Steak and kidney.”

Natalie pulls a face. “I wouldn’t have been able to eat it anyway. Doctor Dish has just whipped out that black bird’s kidney.”

“Is she all right?”

“She is at the moment, but she’s not going to last, is she?”

“Why not?”

“Stands to reason, doesn’t it? If you’re black you never last long on this programme. Specially if you’ve been going out with a white fellow. It saves all the embarrassment. See? She’s going to snuff it. The little white light has stopped bleeping.”

“I’ve seen them come back after the little white light has stopped bleeping.”

“Not black ones, you haven’t. Anyway, it’s two weeks since somebody kicked the bucket so we’re due for a spot of the deathbeds. It makes the whole thing more realistic, doesn’t it? You watch.”

Natalie’s blood is colder than an eskimo’s inside leg measurement and I can’t remember her crying since Mum put her David Cassidy T-shirt in the washing machine—he came out looking like Wee Georgie Wood.

On the screen, emotions are running higher than the interest rate on a hire purchase agreement. Doctor Eradlik is gazing into the camera as usual and behind him a brash young voice can be heard.

‘Sure. I feel great, doc. How’s Dawn?’ An expression of refined pain flashes across Eradlik’s beautiful face. ‘What’s the matter, Doc? Is something wrong? Doc—’

The voice breaks off in mid-speech even before Eradlik has swung round. ‘You’re not going to find this very easy, Sonny. I’m not finding it very easy myself. You see, Dawn gave you much more than just her kidney.’

‘You mean—?’

‘Yes, Sonny. She gave you her life.’

“Just like I said,” interrupts Natalie.

“Ssssh!” Natalie has no soul. Lots of body but no soul. Sonny is reacting badly to the news so Eradlik puts his hand on his shoulder and gazes into the camera again. ‘We found out after the operation that only one of her kidneys was working.’

‘You mean—?’

‘That’s right. The one she gave to you.’

‘So she knew?’

‘Yes, Sonny. She knew. But she also knew that you didn’t know, and knowing that gave her the strength to know herself.’ The camera moves from Eradlik’s face to the sobbing Sonny and then outside to a shot of the sun rising over a hill.

“I like the end bit best, when he walks down the long corridor and the girl is waiting for him with the sports car,” says Natalie. “The music is nice, too.”

I pat the tears out of my eyes with a Kleenex and prepare to wrestle with Mum’s burnt dish.

“You know, I think I’d really like to be a nurse,” I say. “I really would.”