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Chapter Seventy Eight.
A Living Scaffold

Captain Haynes, seeing there will be no difficulty in obtaining executioners, deems everything settled, and is about ordering the prisoners to be brought up. Being a man of humane feelings, with susceptibilities that make him somewhat averse to performing the part of sheriff, it occurs to him that he can avoid the disagreeable duty by appointing a deputy.

For this he selects Walt Wilder, who in turn chooses Nat Cully to assist him. The two assume superintendence of the ceremony, and the Ranger Captain retires from the ground.

After communing for some seconds between themselves, and in sotto voce, as if arranging the mode of execution, Walt faces round to the assembled Texans, saying —

“Wal, boys, thar ’pears to be no stint o’ hangmen among ye. This chile niver seed so many o’ the Jack Ketch kind since he fust set foot on the soil o’ Texas. Maybe it’s the smell o’ these Mexikins makes ye so savagerous.”

Walt’s quaint speech elicits a general laugh, but suppressed. The scene is too solemn for an ebullition of boisterous mirth. The ex-Ranger continues —

“I see you’ll want to have a pull at these ropes. But I reckon we’ll have to disapp’int ye. The things we’re agoin’ to swing up don’t desarve hoistin’ to etarnity by free-born citizens o’ the Lone Star State. ’Twould be a burnin’ shame for any Texan to do the hangin’ o’ sech skunks as they.”

“What do you mean, Walt?” one asks. “Somebody must hoist them up!”

“’Taint at all necessary. They kin be strung ’ithout e’er a hand techin’ trail-rope.”

“How?” inquire several voices.

“Wal, thar’s a way Nat Cully an’ me hev been speaking o’. I’ve heern o’ them Mexikins practisin’ themselves on thar Injun prisoners for sport. We’ll gie’ ’em a dose o’ their own medicine. Some o’ you fellows go an’ fetch a kupple o’ pack mules. Ye may take the saddles off – they won’t be needed.”

Half-a-dozen of the Rangers rush out, and return leading two mules, having hastily stripped off their alparejas.

“Now!” cries Walt, “conduct hyar the kriminals!”

A party proceeds to the spot where the two prisoners lie; and taking hold, raise them to an erect attitude. Then, half carrying, half dragging, bring them under the branches designed for their gallows-tree.

With their splendid uniforms torn, mud-bedaubed, and stained with spots of blood, they present a sorry spectacle. They resemble wounded wolves, taken in a trap; nevertheless, bearing their misfortune in a far different manner. Roblez looks the large, grey wolf – savage, reckless, unyielding; Uraga, the coyote – cowed, crestfallen, shivering; in fear of what may follow.

For a time neither speaks a word nor makes an appeal for mercy. They seem to know it would be idle. Regarding the faces around, they may well think so. There is not one but has “death” plainly stamped upon it, as if the word itself were upon every lip.

There is an interval of profound silence, only broken by the croak of the buzzards and the swish of their spread wings. The bodies of the dead lancers lie neglected; and, the Rangers now further off, the birds go nearer them. Wolves, too, begin to show themselves by the edge of the underwood – from the stillness thinking the time arrived to commence their ravenous repast. It has but come to increase the quantity of food soon to be spread before them.

“Take off thar leg fastenin’s!” commands Wilder, pointing to the prisoners.

In a trice the lashings are loosed from their ankles, and only the ropes remain confining their wrists – these drawn behind their backs, and there made fast.

“Mount ’em on the mules!”

As the other order, this is instantly executed; and the two prisoners are set astride on the hybrids, each held by a man at its head.

“Now fix the snares roun’ thar thrapples. Make the other eends fast by giein’ them a wheen o’ turn over them branches above. See as ye draw ’em tight ’ithout streetchin’.”

Walt’s orders are carried out quickly, and to the letter, for the men executing them now comprehend what is meant. They also, too well, who are seated upon the backs of the mules. It is an old trick of their own. They know they are upon a scaffold – a living scaffold – with a halter and running noose around their necks.

“Now, Nat!” says Walt, in undertone to Cully. “I guess we may spring the trap? Git your knife riddy.”

“It’s hyar.”

“You take the critter to the left. I’ll look arter that on the right.”

The latter is bestridden by Uraga. With Walt’s ideas of duty are mingled memories that prompt to revenge. He remembers his comrades slaughtered upon the sands of the Canadian, himself left buried alive. With a feeling almost jubilant – natural, considering the circumstances, scarce reprehensible – he takes his stand by the side of the mule which carries Colonel Uraga. At the same time Cully places himself beside that bestridden by Roblez.

Both have their bowie-knives in hand, the blades bare. One regarding them, a stranger to their intent, might think they meant slaughtering either the mules or the men on their backs.

They have no such thought, but a design altogether different, as declared by Wilder’s words – the last spoken by him before the act of execution.

“When I gie the signal, Nat, prod yur critter sharp, an’ sweep the support from unner them. They’ve been thegither in this world in the doin’ o’ many a rascally deed. Let’s send ’em thegither inter the next.”

“All right, ole hoss! I’ll be riddy,” is the laconic rejoinder of Cully.

After it another interval of silence, resembling that which usually precedes the falling of the gallows drop. So profound, that the chirp of a tree cricket, even the rustling of a leaf, would seem a loud noise. So ominous, that the vultures perched upon the summit of the cliff crane out their necks to inquire the cause.

The stillness is interrupted by a shout; not the signal promised by Wilder, but a cry coming from the lips of Uraga.

In the last hour of anguish his craven heart has given way, and he makes a piteous appeal for mercy. Not to those near him, knowing it would scarce be listened to; but to the man he has much wronged, calling out his name, “Colonel Miranda.”

On hearing it Don Valerian rushes forth from the tent, his sister by his side, Hamersley with the doctor behind. All stand in front regarding the strange spectacle, of which they have been unconscious, seemingly prepared for them. There can be no mistaking its import. The mise en scène explains it, showing the stage set for an execution.

If they have a thought of interfering it is too late. While they stand in suspense, a shout reaches them, followed by explanatory words.

They are in the voice of Walt Wilder, who has said —

“Death to the scoundrels! Now, Nat, move your mule forrard!”

At the same instant he and Cully are seen leaning towards the two mules, which bound simultaneously forward, as if stung by hornets or bitten by gadflys.

But neither brings its rider along. The latter – both of them – stay behind; not naturally, as dismounted and thrown to the earth; but, like the cradle of Mahomet, suspended between earth and heaven.

Chapter Seventy Nine.
After the Execution

It is mid-day over the Arroyo de Alamo.

The same sun whose early morning rays fell around the deliberating lynchers, at a later hour lighting up a spectacle of execution, has mounted to the meridian, and now glares down upon a spectacle still sanguinary, though with tableaux changed.

The camp is deserted. There are no tents, no Texans, no horses, nor yet any mules. All have disappeared from the place.

True, Uraga and his lancers are still there – in body, not in spirit. Their souls have gone, no one may know whither. Only their clay-cold forms remain, us left by the Rangers – the common soldiers lying upon the grass, the two officers swinging side by side, from the trees, with broken necks, drooping heads, and limbs dangling down – all alike corpses.

Not for long do they stay unchanged – untouched.

Scarce has the last hoof-stroke of the Texan horses died away down the valley, when the buzzards forsake their perch upon the bluff, and swoop down to the creek bottom.

Simultaneously the wolves – grand grey and coyote – come sneaking out from the thicket’s edge; at first cautiously, soon with bolder front, approaching the abandoned bodies.

To the bark of the coyote, the bay of the bigger wolf, and the buzzard’s hoarse croak, a caracara adds its shrill note; the fiend-like chorus further strengthened by the scream of the white-headed eagle – for all the world like the filing of a frame saw, and not unlike the wild, unmeaning laughter of a madman.

Both the predatory birds and the ravening beasts, with instincts in accord, gather around the quarry killed for them. There is a grand feast – a banquet for all; and they have no need to quarrel over it. But they do – the birds having to stand back till the beasts have eaten their fill.

The puma, or panther, takes precedence – the so-called lion of America. A sorry brute to bear the name belonging to the king of quadrupeds. Still, on the Llano Estacado, lord of all, save when confronted by the grizzly bear – then he becomes a cat.

As no grizzly has yet come upon the ground, and only two panthers, the wolves have it almost their own way, and only the vultures and eagles have to hold back. But for the birds there is a side dish on which they may whet their appetites, beyond reach of the beasts. To their share fall the two suspended from the trees; and, driven off from the others, they attack these with beak and talon, flapping around, settling upon the branches above, on the shoulders of the corpses, thick as honey-bees upon a branch, pecking out eyes, tearing at flesh, mutilating man – God’s image – in every conceivable mode.

No; there is one left, peculiar to man himself. Strange, at this crisis, he should appear to give exhibition of it. By pure chance – a sheer contingency – though not less deserving record.

The beasts and birds while engaged in devouring the dead bodies are interrupted and scared away from their filthy repast, retreating suddenly from the ground at sight of their masters – men, who unexpectedly appear upon it.

These are not the Rangers returning, but a band of Jicarilla Apaches – young braves out on a roving excursion. They have come down the creek, making for the Pecos, and so chanced to stray into the deserted camp.

Surprised at the spectacle there presented to their eyes, they are not the less delighted. More than a dozen dead men, with scalps untaken! They can see there has been a fight, but do not stay to think who have been the victors. Their thoughts are turned towards the vanquished, their eyes resting on heads that still carry their covering of hair. In a trice their blades are bare, and it is cut off – the skin along with it – to the skull of the last lancer!

Neither does Uraga nor his lieutenant escape the scalping-knife. Before the savages part from the spot, the crowns of both show crimson, while the scalps stripped off appear as trophies on the points of two Apache spears.

Not long do the Indians dally on the ghastly ground. Soon forsaking it, they continue on down the creek. Not in pursuit of the party which has so opportunely furnished them with spear-pennons and fringes for their leggings. The testimony of so many dead men, with the tracks of so many horses – horses with large hoofs, evidently not ridden by Mexicans, whom they contemn, but Texans they terribly fear; these evidences make the Apaches cautious, and, keeping on towards the Pecos, they go not as pursuers, but men trying to shun the party that has passed before.

In this they are successful. They never sight the returning Texans, nor these them. The Rangers go down the river; the savages up stream. Of all Apaches, of all Indians, the Jicarillas are the most contemptible cowards. Dastards to the last degree, the young “braves” who mutilated the slain lancers will return to their tribe to tell of scalps fairly taken in fight!

And while they are boasting, the wolves, eagles, and vultures will be back among the dead bodies, strip them of their flesh, and leave nought but their bones to bleach white; in time to become dust, and mingle with the earth on which they once moved in all the pride of manhood and panoply of war!

Chapter Eighty.
Tranquil Scenes

The last act of our drama is recorded, the last sanguinary scene. All red enough, the reader will say, while the keenly susceptible one may deem them too red. Alas! the writer is not answerable for this. He but depicts life as it exists on the borderland between Mexico and Texas. Those who doubt its reality, and would deem him drawing upon imagination, should read the Texan newspapers of that time, or those of this very day. In either he will find recorded occurrences as strange, incidents as improbable, episodes as romantic, and tragedies of hue sanguinary as any recorded in this mere romance.

Not always with such a satisfactory termination. Fortunately for our tale and its readers, Nemesis, in dealing out death and meting vengeance, has necessarily allied herself with Justice. The fallen deserved their fate – all, save the teamsters of the caravan, and those Texans who on Pecan Creek succumbed to the Comanche spears.

These victims, like stage supernumeraries, living nameless and dying unknown, though their fate may stir our sympathy it does not appeal to the painful depths of sorrow. More easily can it be borne, reflecting on the brighter fate of the survivors.

It can give no painful sensation to tell that Colonel Miranda and his sister accompanied Frank Hamersley on his return to the States, Don Prospero and the New Mexican damsel, Conchita, being of the party, which had for escort across the plains Captain Haynes and his company of Texan Rangers, their old comrade, Walt Wilder, travelling along, and, with Nat Cully, narrating around their nightly camp fires many a strange “scrape” of the mountains and prairies. Two subsequent scenes alone seem worthy of record, both fairly deserving it.

The first occurs in a little country church in the celebrated “Blue Grass district” of Kentucky. Within its walls have assembled some scores of the very bluest blood of this blue grass country – stalwart, handsome men, alongside a like number of lovely women. They are assisting at a marriage ceremony, not an uncommon occurrence in a church. But in the Kentuckian place of worship – a little rural edifice, far away from any town – it is something unusual to see three couples standing before the altar. In the present case there is this number, none of the pairs strangers to the other two, but all three, by mutual agreement and understanding, to take Hymen’s oath at the same time.

Foremost and first to put the ring on his bride’s finger is Frank Hamersley. She who holds out her hand to receive it is Adela Miranda.

Of the couple coming next, the bridegroom is known to the reader. A handsome man, of dark complexion and pure Spanish features, remarked by the spectators as having resemblance to those of Hamersley’s new-made bride. Not strange, he being her brother.

But who is the lady, the tall, fair girl consenting to make Don Valerian happy, so like Hamersley himself.

No one asks this question, all present knowing she is his sister.

A fair exchange between the brothers of the bride; each equally quick to fall in love with the sister of the other. On the sterile Llano Estacado it took scarce a minute for the dark Mexican maiden to subdue the heart of Hamersley. Almost as soon, in the fertile State of Kentucky, has his bright-skinned, blonde-haired sister made conquest of the Mexican Colonel.

The third pair that presents itself to be made man and wife – who are they? The bridegroom stands six feet two in his boots; the bride, in her satin slippers, far under five. Without thinking of the disproportion in their stature, the reader will recognise Walt Wilder and Conchita.

As the ex-Ranger puts the ring on the finger of his blushing bride, he accompanies the act with certain ludicrous protestations of fidelity not to be found in the printed ritual of the Church.

Another scene ends our tale; a simple episode of every-day life; but life in a strange land, remote from the ordinary centres of civilisation.

It occurs in New Mexico, in itself a sort of oasis in the great middle desert of North America. Locally, the scene takes place near Albuquerque, on the azotea of a handsome house, which commands a view of the town.

It is the mansion once belonging to Don Valerian Miranda.

That its former master has retained possession of it is evident from the fact of his being again on its roof, tranquilly smoking a cigaretto; while near by him is his sister. Though one dearer stands between – his wife. Adela is not distressed by her brother’s preference for the new mistress of the mansion. She has a mansion of her own, independent. Though far off, its master, Frank Hamersley, is near.

Near, also, in the court-yard below is Walt Wilder, in his grotesque way playing Benedict to Conchita. While up and down moves the doctor, sharing the general joy.

Outside, upon the plain, the white tilts of twenty waggons, with the smoke of camp-fires rising over them, tell of a trader’s caravan. It is Hamersley’s – late arrived —en route for the Rio Abajo and El Paso del Norte.

Its teamsters take their siesta, reposing in full confidence. No fear of Indian attacks now, nor impost exactions from the tyrant Governor of New Mexico, Don Manuel Armijo!

A war has swept the land; a new flag floats over it. Seen streaming above the towers of Albuquerque, it promises security to all. For it is the banner of the “Stars and Stripes!”