Читать книгу: «Checkmate», страница 5

But Vivian Darnley, though he said nothing, saw that blush, of which Alice, with a sort of haughty defiance, was conscious. It did not make him like or admire Mr. Longcluse more.

“Well, I suppose he is very charming – I don't know him well enough myself to give an opinion. But he makes his acquaintances rather oddly, doesn't he? I don't think any one will dispute that.”

“I don't know really. Lady May introduced him to me, and she seems to like him very much. So far as I can see, people are very well pleased at knowing him, and don't trouble their heads as to how it came about,” said Miss Arden.

“No, of course; but people not fortunate enough to come within the influence of his fascination, can't help observing. How did he come to know your brother, for instance? Did any one introduce him? Nothing of the kind. Richard's horse was hurt or lame at one of the hunts in Warwickshire, and he lent him a horse, and introduced himself, and they dined together that evening on the way back, and so the thing was done.”

“Can there be a better introduction than a kindness?” asked Alice.

“Yes, where it is a kindness, I agree; but no one has a right to push his services upon a stranger who does not ask for them.”

“I really can't see. Richard need not have taken his horse if he had not liked,” she answered.

“And Lady May, who thinks him such a paragon, knows no more about him than any one else. She had her footman behind her – didn't she tell you all about it?”

“I really don't recollect; but does it very much matter?”

“I think it does – that is, it has been a sort of system. He just gave her his arm over a crossing, where she had taken fright, and then pretended to think her a great deal more frightened than she really can have been, and made her sit down to recover in a confectioner's shop, and so saw her home, and that affair was concluded. I don't say, of course, that he is never introduced in the regular way; but a year or two ago, when he was beginning, he always made his approaches by means of that kind of stratagem; and the fact is, no one knows anything on earth about him; he has emerged, like a figure in a phantasmagoria, from total darkness, and may lose himself in darkness again at any moment.”

“I am interested in that man, whoever he is; his entrance, and his probable exit, so nearly resemble mine,” said a clear, deep-toned voice close to them; and looking up, Miss Arden saw the pale face and peculiar smile of Mr. Longcluse in the fading twilight.

Mr. Longcluse was greeted by Lady May and by Richard Arden, and then again he drew near Alice, and said, “Do you recollect, Miss Arden, about ten days ago I told you a story that seemed to interest you – the story of a young and eloquent friar, who died of love in his cell in an abbey in the Tyrol, and whose ghost used to be seen pensively leaning on the pulpit from which he used to preach, too much thinking of the one beautiful face among his audience, which had enthralled him. I had left the enamel portrait I told you of at an artist's in Paris, and I wrote for it, thinking you might wish to see it – hoping you might care to see it,” he added, in a lower tone, observing that Vivian Darnley, who was not in a happy temper, had, with a sudden impulse of disdain, removed himself to another window, there to contemplate the muster of the stars in the darkening sky, at his leisure.

“That was so kind of you, Mr. Longcluse! You have had a great deal of trouble. It is such an interesting story!” said Alice.

In his reception, Mr. Longcluse found something that pleased, almost elated him. Had Richard Arden been speaking to her on the subject of their morning's conversation? He thought not, Lady May had mentioned that he had not been with them till just twenty minutes ago, and Arden had told him that he had dined with his uncle David and Mr. Blount, upon the same business on which he had been occupied with both nearly all day. No, he could not have spoken to her. The slight change which made him so tumultuously proud and happy, was entirely spontaneous.

“So it seemed to me – an eccentric and interesting story – but pray do not wound me by speaking of trouble. I only wish you knew half the pleasure it has been to me to get it to show you. May I hold the lamp near for a moment while you look at it?” he said, indicating a tiny lamp which stood on a pier-table, showing a solitary gleam, like a lighthouse, through the gloom; “you could not possibly see it in this faint twilight.”

The lady assented. Had Mr. Longcluse ever felt happier?

CHAPTER XI
THE TELEGRAM ARRIVES

Mr. Longcluse placed the little oval enamel, set in gold, in Miss Arden's fingers, and held the lamp beside her while she looked.

“How beautiful! – how very interesting!” she exclaimed. “What suffering in those thin, handsome features! What a strange enthusiasm in those large hazel eyes! I could fancy that monk the maddest of lovers, the most chivalric of saints. And did he really suffer that incredible fate? Did he really die of love?”

“So they say. But why incredible? I can quite imagine that wild shipwreck, seeing what a raging sea love is, and how frail even the strongest life.”

“Well, I can't say, I am sure. But your own novelists laugh at the idea of any but women – whose business it is, of course, to pay that tribute to their superiors – dying of love. But if any man could die such a death, he must be such as this picture represents. What a wild, agonised picture of passion and asceticism! What suicidal devotion and melancholy rapture! I confess I could almost fall in love with that picture myself.”

“And I think, were I he, I could altogether die to earn one such sentence, so spoken,” said Mr. Longcluse.

“Could you lend it to me for a very few days?” asked the young lady.

“As many – as long as you please. I am only too happy.”

“I should so like to make a large drawing of this in chalks!” said Alice, still gazing on the miniature.

“You draw so beautifully in chalks! Your style is not often found here – your colouring is so fine.”

“Do you really think so?”

“You must know it, Miss Arden. You are too good an artist not to suspect what everyone else must see, the real excellence of your drawings. Your colouring is better understood in France. Your master, I fancy, was a Frenchman?” said Mr. Longcluse.

“Yes, he was, and we got on very well together. Some of his young lady pupils were very much afraid of him.”

“Your poetry is fired by that picture, Miss Arden. Your copy will be a finer thing than the original,” said he.

“I shall aim only at making it a faithful copy; and if I can accomplish anything like that, I shall be only too glad.”

“I hope you will allow me to see it?” pleaded Longcluse.

“Oh, certainly,” she laughed. “Only I'm a little afraid of you, Mr. Longcluse.”

“What can you mean, Miss Arden?”

“I mean, you are so good a critic in art, every one says, that I really am afraid of you,” answered the young lady, laughing.

“I should be very glad to forfeit any little knowledge I have, if it were attended with such a misfortune,” said Longcluse. “But I don't flatter; I tell you truly, a critic has only to admire, when he looks at your drawings; they are quite above the level of an amateur's work.”

“Well, whether you mean it or not, I am very much flattered,” she laughed. “And though wise people say that flattery spoils one, I can't help thinking it very agreeable to be flattered.”

At this point of the dialogue Mr. Vivian Darnley – who wished that it should be plain to all, and to one in particular, that he did not care the least what was going on in other parts of the room – began to stumble through the treble of a tune at the piano with his right hand. And whatever other people may have thought of his performance, to Miss Alice Arden it seemed very good music indeed, and inspired her with fresh animation. Such as it was, Mr. Darnley's solo also turned the course of Miss Arden's thoughts from drawing to another art, and she said —

“You, Mr. Longcluse, who know everything about the opera, can you tell me – of course you can – anything about the great basso who is coming?”

“Stentoroni?”

“Yes; the newspapers and critics promise wonders.”

“It is nearly two years since I heard him. He was very great, and deserves all they say in ‘Robert le Diable.’ But there his greatness began and ended. The voice, of course, you had, but everything else was defective. It is plain, however, that the man who could make so fine a study of one opera, could with equal labour make as great a success in others. He has not sung in any opera for more than a year and a half, and has been working diligently; and so everyone is in the dark very much, and I am curious to hear the result – and nobody knows more than I have told you. You are sure of a good ‘Robert le Diable,’ but all the rest is speculation.”

“And now, Mr. Longcluse, I shall try your good-nature.”

“How?”

“I am going to make Lady May ask you to sing a song.”

“Pray don't.”

“Why not?”

“I should so much rather you asked me yourself.”

“That's very good of you; then I certainly shall. I do ask you.”

“And I instantly obey. And what shall the song be?” asked he, approaching the piano, to which she also walked.

“Oh, that ghostly one that I liked so much when you sang it here about a week ago,” she answered.

“I know it – yes, with pleasure.” And he sat down at the piano, and in a clear, rich baritone, sang the following odd song: —

 
“The autumn leaf was falling
At midnight from the tree,
When at her casement calling,
‘I'm here, my love,’ says he.
‘Come down and mount behind me,
And rest your little head,
And in your white arms wind me,
Before that I be dead.
 
 
“‘You've stolen my heart by magic,
I've kissed your lips in dreams:
Our wooing wild and tragic
Has been in ghostly scenes.
The wondrous love I bear you
Has made one life of twain,
And it will bless or scare you,
In deathless peace or pain.
 
 
“‘Our dreamland shall be glowing,
If you my bride will be;
To darkness both are going,
Unless you come with me.
Come now, and mount behind me,
And rest your little head,
And in your white arms wind me,
Before that I be dead.’”
 

“Why, dear Alice, will you choose that dismal song, when you know that Mr. Longcluse has so many others that are not only charming, but cheery and natural?”

“It is because it is unnatural that I like that song so much; the air is so ominous and spectral, and yet so passionate. I think the idea is Icelandic – those ghostly lovers that came in the dark to win their beloved maidens, who as yet knew nothing of their having died, to ride with them over the snowy fields and frozen rivers, to join their friends at a merry-making which they were never to see; but there is something more mysterious even in this lover, for his passion has unearthly beginnings that lose themselves in utter darkness. Thank you very much, Mr. Longcluse. It is so very kind of you! And now, Lady May, isn't it your turn to choose? May she choose, Mr. Longcluse?”

“Any one, if you desire it, may choose anything I possess, and have it,” said he, in a low impassioned murmur.

How the young lady would have taken this, I know not, but all were suddenly interrupted. For at this moment a servant entered with a note, which he presented, upon a salver, to Mr. Longcluse.

“Your servant is waiting, Sir, please, for orders in the awl,” murmured the man.

“Oh, yes – thanks,” said Mr. Longcluse, who saw a shabby letter, with the words “Private” and “Immediate” written in a round, vulgar hand over the address.

“Pray read your note, Mr. Longcluse, and don't mind us,” said Lady May.

“Thank you very much. I think I know what this is. I gave some evidence to-day at an inquest,” began Mr. Longcluse.

“That wretched Frenchman,” interposed Lady May, “Monsieur Lebrun or – ”

“Lebas,” said Vivian Darnley.

“Yes, so it was, Lebas; what a frightful thing that was!” continued Lady May, who was always well up in the day's horrors.

“Very melancholy, and very alarming also. It is a selfish way of looking at it, but one can't help thinking it might just as well have happened to any one else who was there. It brings it home to one a little uncomfortably,” said Mr. Longcluse, with an uneasy smile and a shrug.

“And you actually gave evidence, Mr. Longcluse?” said Lady May.

“Yes, a little,” he answered. “It may lead to something. I hope so. As yet it only indicates a line of inquiry. It will be in the papers, I suppose, in the morning. There will be, I daresay, a pretty full report of that inquest.”

“Then you saw something occur that excited your suspicions?” said Lady May.

Mr. Longcluse recounted all he had to tell, and mentioned having made inquiries as to the present abode of the man, Paul Davies, at the police office.

“And this note, I daresay, is the one they promised to send me, telling the result of their inquiries,” he added.

“Pray open it and see,” said Lady May.

He did so. He read it in silence. From his foot to the crown of his head there crept a cold influence as he read. Stream after stream, this aura of fear spread upwards to his brain. Pale Mr. Longcluse shrugged and smiled, and smiled and shrugged, as his dark eye ran down the lines, and with a careless finger he turned the page over. He smiled, as prizefighters smile for the spectators, while every nerve quivered with pain. He looked up, smiling still, and thrust the note into his breast-pocket.

“Well, Mr. Longcluse, a long note it seems to have been,” said Lady May, curiously.

“Not very long, but what is as bad, very illegible,” said Mr. Longcluse gaily.

“And what about the man – the person the police were to have inquired after?” she persisted.

“I find it is no police information, nothing of the kind,” answered Longcluse with the same smile. “It comes by no means from one of that long-headed race of men; on the contrary, poor fellow, I believe he is literally a little mad. I make him a trifling present every Christmas, and that is a very good excuse for his plaguing me all the year round. I was in hopes this letter might turn out an amusing one, but it is not; it is a failure. It is rather sensible, and disgusting.”

“Well, then, I must have my song, Mr. Longcluse,” said Lady May, who, under cover of music, sometimes talked a little, in gentle murmurs, to that person with whom talk was particularly interesting.

But that song was not to be heard in Lady May's drawing-room that night, for a kindred interruption, though much more serious in its effects upon Mr. Longcluse's companions, occurred. A footman entered, and presented on a salver a large brown envelope to Miss Alice Arden.

“Oh, dear! It is a telegram,” exclaimed Miss Arden, who had taken it to the window. Lady May Penrose was beside her by this time. Alice looked on the point of fainting.

“I'm afraid papa is very ill,” she whispered, handing the paper, which trembled very much in her hand, to Lady May.

“H'm! Yes – but you may be sure it's exaggerated. Bring some sherry and water, please. You look a little frightened, my dear. Sit down, darling. There now! These messages are always written in a panic. What do you mean to do?”

“I'll go, of course,” said Alice.

“Well, yes – I think you must go. What is the place? Twyford, the ‘Royal Oak?’ Look out Twyford, please Mr. Darnley – there's a book there. It must be a post-town. It was thoughtful saying it is on the Dover coach road.”

Vivian Darnley was gazing in deep concern at Alice. Instantly he began turning over the book, and announced in a few moments more – “It is a post-town – only thirty-six miles from London,” said Mr. Darnley.

“Thanks,” said Lady May. “Oh, here's the wine – I'm so glad! You must have a little, dear; and you'll take Louisa Diaper with you, of course; and you shall have one of my carriages, and I'll send a servant with you, and he'll arrange everything; and how soon do you wish to go?”

“Immediately, instantly – thanks, darling. I'm so much obliged!”

“Will your brother go with you?”

“No, dear. Papa, you know, has not forgiven him, and it is, I think, two years since they met. It would only agitate him.”

And with these words she hurried to her room, and in another moment, with the aid of her maid, was completing her hasty preparations.

In wonderfully little time the carriage was at the door. Mr. Longcluse had taken his leave. So had Richard Arden, with the one direction to the servant, “If anything should go very wrong, be sure to telegraph for me. Here is my address.”

“Put this in your purse, dear,” said Lady May. “Your father is so thoughtless, he may not have brought money enough with him; and you will find it is as I say – he'll be a great deal better by the time you get there; and God bless you, my dear.”

And she kissed her as heartily as she dared, without communicating the rouge and white powder which aided her complexion.

As Alice ran down, Vivian Darnley awaited her outside the drawing-room door, and ran down with her, and put her into the carriage. He leaned for a moment on the window, and said —

“I hope you didn't mind that nonsense Lady May was talking just now about Miss Grace Maubray. I assure you it is utter folly. I was awfully vexed; but you didn't believe it?”

“I didn't hear her say anything, at least seriously. Wasn't she laughing? I'm in such trouble about that message! I am so longing to be at my journey's end!”

He took her hand and pressed it, and the carriage drove away. And standing on the steps, and quite forgetting the footman close behind him, he watched it as it drove rapidly southward, until it was quite out of sight, and then with a great sigh and “God for ever bless you!” – uttered not above his breath – he turned about, and saw those powdered and liveried effigies, and walked up with his head rather high to the drawing-room, where he found Lady May.

“I sha'n't go to the opera to-night; it is out of the question,” said she. “But you shall. You go to my box, you know; Jephson will put you in there.”

It was plain that the good-natured soul was unhappy about Alice, and, Richard Arden having departed, wished to be alone. So Vivian took his leave, and went away – but not to the opera – and sauntered for an hour, instead, in a melancholy romance up and down the terrace, till the moon rose and silvered the trees in the park.

CHAPTER XII
SIR REGINALD ARDEN

The human mind being, in this respect, of the nature of a kaleidoscope, that the slightest hitch, or jolt, or tremor is enough to change the entire picture that occupies it, it is not to be supposed that the illness of her father, alarming as it was, could occupy Alice Arden's thoughts to the exclusion of every other subject, during every moment of her journey. One picture, a very pretty one, frequently presented itself, and always her heart felt a strange little pain as this pretty phantom appeared. It was the portrait of a young girl, with fair golden hair, a brilliant complexion, and large blue eyes, with something riant, triumphant, and arch to the verge of mischief, in her animated and handsome face.

The careless words of good Lady May, this evening, and the very obvious confusion of Vivian Darnley at mention of the name of Grace Maubray, troubled her. What was more likely than that Uncle David, interested in both, should have seriously projected the union which Lady May had gaily suggested? If she – Alice Arden – liked Vivian Darnley, it was not very much, her pride insisted. In her childhood they had been thrown together. He had seemed to like her; but had he ever spoken? Why was he silent? Was she fool enough to like him? – that cautious, selfish young man, who was thinking, she was quite certain now, of a marriage of prudence or ambition with Grace Maubray? It was a cold, cruel, sordid world!

But, after all, why should he have spoken? or why should he have hoped to be heard with favour? She had been to him, thank Heaven, just as any other pleasant, early friend. There was nothing to regret – nothing fairly to blame. It was just that a person whom she had come to regard as a property was about to go, and belong quite, to another. It was the foolish little jealousy that everyone feels, and that means nothing. So she told herself; but constantly recurred the same pretty image, and with it the same sudden little pain at her heart.

But now came the other care. As time and space shorten, and the moment of decision draws near, the pain of suspense increases. They were within six miles of Twyford. Her heart was in a wild flutter – now throbbing madly, now it seemed standing still. The carriage window was down. She was looking out on the scenery – strange to her – all bright and serene under a brilliant moon. What message awaited her at the inn to which they were travelling at this swift pace? How frightful it might be!

“Oh, Louisa!” she every now and then imploringly cried to her maid, “how do you think it will be? Oh! how will it be? Do you think he'll be better? Oh! do you think he'll be better? Tell me again about his other illness, and how he recovered? Don't you think he will this time? Oh, Louisa, darling! don't you think so? Tell me —tell me you do!”

Thus, in her panic, the poor girl wildly called for help and comfort, until at last the carriage turned a curve in the road at which stood a shadowy clump of elms, and in another moment the driver pulled up under the sign of the “Royal Oak.”

“Oh, Louisa! Here it is,” cried the young lady, holding her maid's wrist with a trembling grasp.

The inn-door was shut, but there was light in the hall, and light in an upper room.

“Don't knock – only ring the bell. He may be asleep, God grant!” said the young lady.

The door was quickly opened, and a waiter ran down to the carriage window, where he saw a pair of large wild eyes, and a very pale face, and heard the question – “An old gentlemen has been ill here, and a telegram was sent; is he – how is he?”

“He's better, Ma'am,” said the man.

With a low, long “O – Oh!” and clasped hands and upturned eyes, she leaned back in the carriage, and a sudden flood of tears relieved her. Yes; he was a great deal better. The attack was quite over; but he had not spoken. He seemed much exhausted; and having swallowed some claret, which the doctor prescribed, he had sunk into a sound and healthy sleep, in which he still lay. A message by telegraph had been sent to announce the good news, but Alice was some way on her journey before it had reached.

Now the young lady got down, and entered the homely old inn, followed by her maid. She could have dropped on her knees in gratitude to her Maker; but true religion, like true affection, is shy of demonstrating its fervours where sympathy is doubtful.

Gently, hardly breathing, guided by the “chambermaid,” she entered her father's room, and stood at his bedside. There he lay, yellow, lean, the lines of his face in repose still forbidding, the thin lips and thin nose looking almost transparent, and breathing deeply and regularly, as a child in his slumbers. In that face Alice could not discover what any stranger would have seen. She only saw the face of her father. Selfish and capricious as he was, and violent too – a wicked old man, if one could see him justly – he was yet proud of her, and had many schemes and projects afloat in his jaded old brain, of which her beauty was the talisman, of which she suspected nothing, and with which his head was never more busy than at the very moment when he was surprised by the aura of his coming fit.

The doctor's conjecture was right. He had crossed the Channel that morning. In his French coupée, he had for companion the very man he had most wished and contrived to travel homeward with. This was Lord Wynderbroke.

Lord Wynderbroke was fifty years old and upwards. He was very much taken with Alice, whom he had met pretty often. He was a man who was thought likely to marry. His estate was in the nattiest order. He had always been prudent, and cultivated a character. He had, moreover, mortgages over Sir Reginald Arden's estate, the interest of which the baronet was beginning to find it next to impossible to pay. They had been making a little gouty visit to Vichy, and Sir Reginald had taken good care to make the journey homeward with Lord Wynderbroke, who knew that when he pleased he could be an amusing companion, and who also felt that kind of interest in him which everyone experiences in the kindred of the young lady of whom he is enamoured.

The baronet, who tore up or burnt his letters for the most part, had kept this particular one by which his daughter had been traced and summoned to the “Royal Oak.” It was, he thought, clever. It was amusing, and had some London gossip. He had read bits of it to Lord Wynderbroke in the coupée. Lord Wynderbroke was delighted. When they parted, he had asked leave to pay him a visit at Mortlake.

“Only too happy, if you are not afraid of the old house falling in upon us. Everything there, you know, is very much as my grandfather left it. I only use it as a caravanserai, and alight there for a little, on a journey. Everything there is tumbling to pieces. But you won't mind – no more than I do.”

So the little visit was settled. The passage was rough. Peer and baronet were ill. They did not care to reunite their fortunes after they touched English ground. As the baronet drew near London, for certain reasons he grew timid. He got out with a portmanteau and dressing-case, and an umbrella, at Drowark station, sent his servant on with the rest of the luggage by rail, and himself took a chaise; and, after one change of horses, had reached the “Royal Oak” in the state in which we first saw him.

The doctor had told the people at that inn that he would look in, in the course of the night, some time after one o'clock, being a little uneasy about a possible return of the old man's malady. There was that in the aristocratic looks and belongings of his patient, and in the very fashionable address to which the message to his daughter was transmitted, which induced in the mind of the learned man a suspicion that a “swell” might have accidentally fallen into his hands.

By this time, thanks to the diligence of Louisa Diaper, every one in the house had been made acquainted with the fact that the sick man was no other than Sir Reginald Arden, Bart., and with many other circumstances of splendour, which would not, perhaps, have so well stood the test of inquiry. The doctor and his crony, the rector – simplest of parsons – who had agreed to accompany him in this nocturnal call, being a curious man, as gentlemen inhabiting quiet villages will be – these two gentlemen now heard all this lore in the hall at a quarter past one, and entered the patient's chamber (where they found Miss Arden and her maid) accordingly. In whispers, the doctor made to Miss Arden a most satisfactory report. He made his cautious inspection of the patient, and again had nothing but what was cheery to say.

If the rector had not prided himself upon his manners, and had been content with one bow on withdrawing from the lady's presence, they would not that night have heard the patient's voice – and perhaps, all things considered, so much the better.

“I trust, Madam, in the morning Sir Reginald may be quite himself again. It is pleasant, Madam, to witness slumber so quiet,” murmured the clergyman kindly, and in perfect good faith. “It is the slumber of a tranquil mind – a spirit at peace with itself.”

Smiling kindly in making the last stiff bow which accompanied these happy words, the good man tilted over a little table behind him, on which stood a decanter of claret, a water caraffe, and two glasses, all of which came to the ground with a crash that wakened the baronet. He sat up straight in his bed and stared round, while the clergyman, in consternation, exclaimed – “Good gracious!”

“Hollo! what is it?” cried the fierce, thin voice of the baronet. “What the devil's all this? Where's Crozier? Where's my servant? Will you, will you, some of you, say where the devil I am?” He was screaming all this, and groping and clutching at either side of the bed's head for a bell-rope, intending to rouse the house. “Where's Crozier, I say? Where the devil's my servant? eh? He's gone by rail, ain't he? No one came with me. And where's this? What is it? Are you all tongue-tied? – haven't you a word among you?”

The clergyman had lifted his hands in terror at the harangue of the old man of the “tranquil mind.” Alice had taken his thin hand, standing beside him, and was speaking softly in his ear. But his prominent brown eyes were fiercely scanning the strangers, and the hand which clutched hers was trembling with eager fury. “Will some of you say what you mean, or what you are doing, or where I am?” and he screeched another sentence or two, that made the old clergyman very uncomfortable.

“You arrived here, Sir Reginald, about six hours ago – extremely ill, Sir,” said the doctor, who had placed himself close to his patient, and spoke with official authority; “but we have got you all right again, we hope; and this is the ‘Royal Oak,’ the principal hotel of Twyford, on the Dover and London road; and my name is Proby.”

“And what's all this?” cried the baronet, snatching up one of the medicine-bottles from the little table by his bed, and plucking out the cork and smelling at the fluid. “By heaven?” he screamed, “this is the very thing. I could not tell what d – d taste was in my mouth, and here it is. Why, my doctor tells me – and he knows his business – it is as much as my life's worth to give me anything like – like that, pah! assafœtida! If my stomach is upset with this filthy stuff, I give myself up! I'm gone. I shall sink, Sir. Was there no one here, in the name of Heaven, with a grain of sense or a particle of pity, to prevent that beast from literally poisoning me? Egad! I'll make my son punish him! I'll make my family hang him if I die!” There was a quaver of misery in his shriek of fury, as if he was on the point of bursting into tears. “Doctor, indeed! who sent for him? I didn't. Who gave him leave to drug me? Upon my soul, I've been poisoned. To think of a creature in my state, dependent on nourishment every hour, having his digestion destroyed! Doctor, indeed! Pay him? Not I, begad,” and he clenched his sentence with an ugly expletive.