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Other birds that sing on the wing are the meadowlark, goldfinch, purple finch, indigo-bird, Maryland yellow-throat, and woodcock. The flight-song of the woodcock I have heard but twice in my life. The first time was in the evening twilight about the middle of April. The bird was calling in the dusk "yeap, yeap," or "seap, seap," from the ground, – a peculiar reedy call. Then, by and by, it started upward on an easy slant, that peculiar whistling of its wings alone heard; then, at an altitude of one hundred feet or more, it began to float about in wide circles and broke out in an ecstatic chipper, almost a warble at times, with a peculiar smacking musical quality; then, in a minute or so, it dropped back to the ground again, not straight down like the lark, but more spirally, and continued its call as before. In less than five minutes it was up again. The next time, a few years later, I heard the song in company with a friend, Dr. Clara Barrus. Let me give the woman's impression of the song as she afterward wrote it up for a popular journal.

"The sunset light was flooding all this May loveliness of field and farm and distant wood; song sparrows were blithely pouring out happiness by the throatful; peepers were piping and toads trilling, and we thought it no hardship to wait in such a place till the dusk should gather, and the wary woodcock announce his presence. But hark! while yet 'tis light, only a few rods distant, I hear that welcome 'seap … seap,' and lo! a chipper and a chirr, and past us he flies, – a direct, slanting upward flight, somewhat labored, – his bill showing long against the reddened sky. 'He has something in his mouth,' I start to say, when I bethink me what a long bill he has. Around, above us he flies in wide, ambitious circles, the while we are enveloped, as it were, in that hurried chippering sound – fine, elusive, now near, now distant. How rapid is the flight! Now it sounds faster and faster, 'like a whiplash flashed through the air,' said my friend; up, up he soars, till he becomes lost to sight at the instant that his song ends in that last mad ecstasy that just precedes his alighting."

The meadowlark sings in a level flight, half hovering in the air, giving voice to a rapid medley of lark-like notes. The goldfinch also sings in a level flight, beating the air slowly with its wings broadly open, and pouring out its jubilant, ecstatic strain I think it indulges in this wing-song only in the early season. After the mother bird has begun sitting, the male circles about within earshot of her, in that curious undulating flight, uttering his "per-chic-o-pee, per-chic-o-pee," while the female calls back to him in the tenderest tones, "Yes, lovie; I hear you." The indigo-bird and the purple finch, when their happiness becomes too full and buoyant for them longer to control it, launch into the air, and sing briefly, ecstatically, in a tremulous, hovering flight. The air-song of these birds does not differ essentially from the song delivered from the perch, except that it betrays more excitement, and hence is a more complete lyrical rapture.

The purple finch is our finest songster among the finches. Its strain is so soft and melodious, and touched with such a childlike gayety and plaintiveness, that I think it might sound well even in a cage inside a room, if the bird would only sing with the same joyous abandonment, which, of course, it would not do.

It is not generally known that individual birds of the same species show different degrees of musical ability. This is often noticed in caged birds, among which the principle of variation seems more active; but an attentive observer notes the same fact in wild birds. Occasionally he hears one that in powers of song surpasses all its fellows. I have heard a sparrow, an oriole, and a wood thrush, each of which had a song of its own that far exceeded any other. I stood one day by a trout-stream, and suspended my fishing for several minutes to watch a song sparrow that was singing on a dry limb before me. He had five distinct songs, each as markedly different from the others as any human songs, which he repeated one after the other. He may have had a sixth or a seventh, but he bethought himself of some business in the next field, and flew away before he had exhausted his repertory. I once had a letter from Robert Louis Stevenson, who said he had read an account I had written of the song of the English blackbird. He said I might as well talk of the song of man; that every blackbird had its own song; and then he told me of a remarkable singer he used to hear somewhere amid the Scottish hills. But his singer was, of course, an exception; twenty-four blackbirds out of every twenty-five probably sing the same song, with no appreciable variations: but the twenty-fifth may show extraordinary powers. I told Stevenson that his famous singer had probably been to school to some nightingale on the Continent or in southern England. I might have told him of the robin I once heard here that sang with great spirit and accuracy the song of the brown thrasher, or of another that had the note of the whip-poor-will interpolated in the regular robin song, or of still another that had the call of the quail. In each case the bird had probably heard the song and learned it while very young. In the Trossachs, in Scotland, I followed a song thrush about for a long time, attracted by its peculiar song. It repeated over and over again three or four notes of a well-known air, which it might have caught from some shepherd boy whistling to his flock or to his cow.

The songless birds – why has Nature denied them this gift? But they nearly all have some musical call or impulse that serves them very well. The quail has his whistle, the woodpecker his drum, the pewee his plaintive cry, the chickadee his exquisitely sweet call, the highhole his long, repeated "wick, wick, wick," one of the most welcome sounds of spring, the jay his musical gurgle, the hawk his scream, the crow his sturdy caw. Only one of our pretty birds of the orchard is reduced to an all but inaudible note, and that is the cedar-bird.

III
NATURE WITH CLOSED DOORS

December in our climate is the month when Nature finally shuts up house and turns the key. She has been slowly packing up and putting away her things and closing a door and a window here and there all the fall. Now she completes the work and puts up the last bar. She is ready for winter. The leaves are all off the trees, except that here and there a beech or an oak or a hickory still clings to a remnant of its withered foliage. Her streams are full, her new growths of wood are ripened, her saps and juices are quiescent. The muskrat has completed his house in the shallow pond or stream, the beaver in the northern woods has completed his. The wild mice and the chipmunk have laid up their winter stores of nuts and grains in their dens in the ground and in the cavities of trees. The woodchuck is rolled up in his burrow in the hillside, sleeping his long winter sleep. The coon has deserted his chamber in the old tree and gone into winter quarters in his den in the rocks. The winter birds have taken on a good coat of fat against the coming cold and a possible scarcity of food. The frogs and toads are all in their hibernaculums in the ground.

I saw it stated the other day, in a paper read before some scientific body, that the wood frogs retreat two feet into the ground beyond the reach of frost. In two instances I have found the wood frog in December with a covering of less than two inches of leaves and moss. It had buried itself in the soil and leaf mould only to the depth of the thickness of its own body, and for covering had only the ordinary coat of dry leaves and pine needles to be found in the wood. It was evidently counting upon the snow for its main protection. In one case I marked the spot, and returned there in early spring to see how the frog had wintered. I found it all right. Evidently it had some charm against the cold, for while the earth around and beneath it was yet frozen solid, there was no frost in the frog. It was not a brisk frog, but it was well, and when I came again on a warm day a week later, it had come forth from its retreat and was headed for the near-by marsh, where in April, with its kith and kin, it helped make the air vocal with its love-calls. A friend of mine, one mild day late in December, found a wood frog sitting upon the snow in the woods. She took it home and put it to bed in the soil of one of her flower-pots in the cellar. In the spring she found it in good condition, and in April carried it back to the woods. The hyla, or little piping frog, passes the winter in the ground like the wood frog. I have seen the toad go into the ground in the late fall. It is an interesting proceeding. It literally elbows its way into the soil. It sits on end, and works and presses with the sharp joints of its folded legs until it has sunk itself at a sufficient depth, which is only a few inches beneath the surface. The water frogs appear to pass the winter in the mud at the bottom of ponds and marshes. The queen bumblebee and the queen hornet, I think, seek out their winter quarters in holes in the ground in September, while the drones and the workers perish. The honey-bees do not hibernate: they must have food all winter; but our native wild bees are dormant during the cold months, and survive the winter only in the person of the queen mother. In the spring these queens set up housekeeping alone, and found new families.

Insects in all stages of their growth are creatures of the warmth; the heat is the motive power that makes them go; when this fails, they are still. The katydids rasp away in the fall as long as there is warmth enough to keep them going; as the heat fails, they fail, till from the emphatic "Katy did it" of August they dwindle to a hoarse, dying, "Kate, Kate," in October. Think of the stillness that falls upon the myriad wood-borers in the dry trees and stumps in the forest as the chill of autumn comes on. All summer have they worked incessantly in oak and hickory and birch and chestnut and spruce, some of them making a sound exactly like that of the old-fashioned hand augur, others a fine, snapping, and splintering sound; but as the cold comes on, they go slower and slower, till they finally cease to move. A warm day starts them again, slowly or briskly according to the degree of heat, but in December they are finally stilled for the season. These creatures, like the big fat grubs of the June beetles which one sometimes finds in the ground or in decayed wood, are full of frost in winter; cut one of the big grubs in two, and it looks like a lump of ice cream.

Some time in October the crows begin to collect together in large flocks and establish their winter quarters. They choose some secluded wood for a roosting-place, and thither all the crows for many square miles of country betake themselves at night, and thence they disperse in all directions again in the early morning. The crow is a social bird, a true American; no hermit or recluse is he. The winter probably brings them together in these large colonies for purposes of sociability and for greater warmth. By roosting close together and quite filling a tree-top, there must result some economy of heat.

I have seen it stated in a rhetorical flight of some writer that the new buds crowd the old leaves off. But this is not true as a rule. The new bud is formed in the axil of the old leaf long before the leaves are ready to fall. With only two species of our trees known to me might the swelling bud push off the old leaf. In the sumach and button-ball or plane-tree the new bud is formed immediately under the base of the old leaf-stalk, by which it is covered like a cap. Examine the fallen leaves of these trees, and you will see the cavity in the base of each where the new bud was cradled. Why the beech, the oak, and the hickory cling to their old leaves is not clear. It may be simply a slovenly trait – inability to finish and have done with a thing – a fault of so many people. Some oaks and beeches appear to lack decision of character. It requires strength and vitality, it seems, simply to let go. Kill a tree suddenly, and the leaves wither upon the branches. How neatly and thoroughly the maples, the ashes, the birches, the elm clean up. They are tidy, energetic trees, and can turn over a new leaf without hesitation.

A correspondent, writing to me from one of the colleges, suggests that our spring really begins in December, because the "annual cycle of vegetable life" seems to start then. At this time he finds that many of our wild flowers – the bloodroot, hepatica, columbine, shinleaf, maidenhair fern, etc. – have all made quite a start toward the next season's growth, in some cases the new shoot being an inch high. But the real start of the next season's vegetable life in this sense is long before December. It is in late summer, when the new buds are formed on the trees. Nature looks ahead, and makes ready for the new season in the midst of the old. Cut open the terminal hickory buds in the late fall and you will find the new growth of the coming season all snugly packed away there, many times folded up and wrapped about by protecting scales. The catkins of the birches, alders, and hazel are fully formed, and as in the case of the buds, are like eggs to be hatched by the warmth of spring. The present season is always the mother of the next, and the inception takes place long before the sun loses his power. The eggs that hold the coming crop of insect life are mostly laid in the late summer or early fall, and an analogous start is made in the vegetable world. The egg, the seed, the bud, are all alike in many ways, and look to the future. Our earliest spring flower, the skunk-cabbage, may be found with its round green spear-point an inch or two above the mould in December. It is ready to welcome and make the most of the first fitful March warmth. Look at the elms, too, and see how they swarm with buds. In early April they suggest a swarm of bees.

In all cases, before Nature closes her house in the fall, she makes ready for its spring opening.

IV
THE WIT OF A DUCK

The homing instinct in birds and animals is one of their most remarkable traits: their strong local attachments and their skill in finding their way back when removed to a distance. It seems at times as if they possessed some extra sense – the home sense – which operates unerringly. I saw this illustrated one spring in the case of a mallard drake.

My son had two ducks, and to mate with them he procured a drake of a neighbor who lived two miles south of us. He brought the drake home in a bag. The bird had no opportunity to see the road along which it was carried, or to get the general direction, except at the time of starting, when the boy carried him a few rods openly.

He was placed with the ducks in a spring run, under a tree in a secluded place on the river slope, about a hundred yards from the highway. The two ducks treated him very contemptuously. It was easy to see that the drake was homesick from the first hour, and he soon left the presence of the scornful ducks.

Then we shut the three in the barn together, and kept them there a day and a night. Still the friendship did not ripen; the ducks and the drake separated the moment we let them out. Left to himself, the drake at once turned his head homeward, and started up the hill for the highway.

Then we shut the trio up together again for a couple of days, but with the same results as before. There seemed to be but one thought in the mind of the drake, and that was home.

Several times we headed him off and brought him back, till finally on the third or fourth day I said to my son, "If that drake is really bound to go home, he shall have an opportunity to make the trial, and I will go with him to see that he has fair play." We withdrew, and the homesick mallard started up through the currant patch, then through the vineyard toward the highway which he had never seen.

When he reached the fence, he followed it south till he came to the open gate, where he took to the road as confidently as if he knew for a certainty that it would lead him straight to his mate. How eagerly he paddled along, glancing right and left, and increasing his speed at every step! I kept about fifty yards behind him. Presently he met a dog; he paused and eyed the animal for a moment, and then turned to the right along a road which diverged just at that point, and which led to the railroad station. I followed, thinking the drake would soon lose his bearings, and get hopelessly confused in the tangle of roads that converged at the station.

But he seemed to have an exact map of the country in his mind; he soon left the station road, went around a house, through a vineyard, till he struck a stone fence that crossed his course at right angles; this he followed eastward till it was joined by a barbed wire fence, under which he passed and again entered the highway he had first taken. Then down the road he paddled with renewed confidence: under the trees, down a hill, through a grove, over a bridge, up the hill again toward home.

Presently he found his clue cut in two by the railroad track; this was something he had never before seen; he paused, glanced up it, then down it, then at the highway across it, and quickly concluded this last was his course. On he went again, faster and faster.

He had now gone half the distance, and was getting tired. A little pool of water by the roadside caught his eye. Into it he plunged, bathed, drank, preened his plumage for a few moments, and then started homeward again. He knew his home was on the upper side of the road, for he kept his eye bent in that direction, scanning the fields. Twice he stopped, stretched himself up, and scanned the landscape intently; then on again. It seemed as if an invisible cord was attached to him, and he was being pulled down the road.

Just opposite a farm lane which led up to a group of farm buildings, and which did indeed look like his home lane, he paused and seemed to be debating with himself. Two women just then came along; they lifted and flirted their skirts, for it was raining, and this disturbed him again and decided him to take to the farm lane. Up the lane he went, rather doubtingly, I thought.

In a few moments it brought him into a barn-yard, where a group of hens caught his eye. Evidently he was on good terms with hens at home, for he made up to these eagerly as if to tell them his troubles; but the hens knew not ducks; they withdrew suspiciously, then assumed a threatening attitude, till one old "dominic" put up her feathers and charged upon him viciously.

Again he tried to make up to them, quacking softly, and again he was repulsed. Then the cattle in the yard spied this strange creature and came sniffing toward it, full of curiosity.

The drake quickly concluded he had got into the wrong place, and turned his face southward again. Through the fence he went into a plowed field. Presently another stone fence crossed his path; along this he again turned toward the highway. In a few minutes he found himself in a corner formed by the meeting of two stone fences. Then he turned appealingly to me, uttering the soft note of the mallard. To use his wings never seemed to cross his mind.

Well, I am bound to confess that I helped the drake over the wall, but I sat him down in the road as impartially as I could. How well his pink feet knew the course! How they flew up the road! His green head and white throat fairly twinkled under the long avenue of oaks and chestnuts.

At last we came in sight of the home lane, which led up to the farmhouse one hundred or more yards from the road. I was curious to see if he would recognize the place. At the gate leading into the lane he paused. He had just gone up a lane that looked like that and had been disappointed. What should he do now? Truth compels me to say that he overshot the mark: he kept on hesitatingly along the highway.

It was now nearly night. I felt sure the duck would soon discover his mistake, but I had not time to watch the experiment further. I went around the drake and turned him back. As he neared the lane this time he seemed suddenly to see some familiar landmark, and he rushed up it at the top of his speed. His joy and eagerness were almost pathetic.

I followed close. Into the house yard he rushed with uplifted wings, and fell down almost exhausted by the side of his mate. A half hour later the two were nipping the grass together in the pasture, and he, I have no doubt, was eagerly telling her the story of his adventures.