Читать книгу: «The Golden Butterfly», страница 3

"Did master tell you, sir," she asked, "that Miss Fleming was coming to-day?"

It was an irritating thing that, although Cornelius ordered the dinner and sat at the head of the table, although Humphrey was in sole command of the wine-cellar, the servants always called Joseph the master. Great is the authority of him who keeps the bag; the power of the penniless twins was a shadowy and visionary thing.

The master had told his brothers that Miss Fleming would probably have to come to the house, but no date was fixed.

"Miss Fleming came this afternoon, sir," said Jane, "with a French maid. She's in Mr. Joseph's room now."

"Oh, tell Mr. Humphrey, Jane, and we will dress for dinner. Tell Mr. Humphrey, also, that perhaps Miss Fleming would like a glass of champagne to-day."

Jane told the artist.

"Always thoughtful," said Humphrey, with enthusiasm. "Cornelius is for ever thinking of others' comfort. To be sure Miss Fleming shall have a glass of champagne."

He brought up two bottles, such was his anxiety to give full expression to his brother's wishes.

When the dinner-bell rang, the brethren emerged simultaneously from their rooms, and descended the stairs together, arm-in-arm. Perhaps in expectation of dinner, perhaps in anticipation of the champagne, perhaps with pleasure at the prospect of meeting with Joseph's ward, the faces of both were lit with a sunny smile, and their eyes with a radiant light, which looked like the real and genuine enthusiasm of humanity. It was a pity that Humphrey wore a beard, or that Cornelius did not; otherwise it would have been difficult to distinguish between this pair so much alike – these youthful twins of fifty, who almost looked like five-and-twenty.

CHAPTER II
"Phillis is my only joy."

"My brothers, Miss Fleming!"

Joseph introduced the twins with a pride impossible to dissemble. They were so youthful-looking, so airy, so handsome, besides being so nobly endowed with genius, that his pride may be excused. Castor and Pollux the wrong side of forty, but slim still and well preserved – these Greek figures do not run tall – might have looked like Cornelius and Humphrey.

They parted company for a moment to welcome the young lady, large-eyed as Hêrê, who rose to greet them, and then took up a position on the hearthrug, one with his hand on the other's shoulder, like the Siamese twins, and smiled pleasantly, as if, being accustomed to admiration and even awe, they wished to reassure Miss Fleming and put her at ease.

Dinner being announced, Cornelius, the elder by a few moments, gave his arm to the young lady. Humphrey, the younger, hovered close behind, as if he too was taking his part in the chivalrous act. Joseph followed alone, of course, not counting in the little procession.

Phillis Fleming's arrival at No. 15 Carnarvon Square was in a manner legal. She belonged to the office, not to the shrine of intellect, poesy, and art created by the twin brethren. She was an orphan and a ward. She had two guardians: one of them, Mr. Lawrence Colquhoun, being away from England; and the other, Mr. Abraham Dyson, with whom she had lived since her sixth birthday, having finished his earthly career just before this history begins, that is to say, in the spring of last year. Shaw, Fairlight, and Jagenal were solicitors to both gentlemen. Therefore Joseph found himself obliged to act for this young lady when, Mr. Abraham Dyson buried and done with, it became a question what was to be done with her. There were offers from several disinterested persons on Miss Fleming's bereaved condition being known. Miss Skimpit, of the Highgate Collegiate Establishment for Young Ladies, proposed by letter to receive her as a parlour-boarder, and hinted at the advantages of a year's discipline, tempered by Christian kindness, for a young lady educated in so extraordinary and godless a manner. The clergyman of the new district church at Finchley called personally upon Mr. Jagenal. He said that he did not know the young lady except by name, but that, feeling the dreadful condition of a girl brought up without any of the gracious influences of Anglican Ritual and Dogma, he was impelled to offer her a home with his Sisterhood. Here she would receive clear dogmatic teaching and learn what the Church meant by submission, fasting, penance, and humiliation. Mr. Jagenal thought she might also learn how to bestow her fortune on Anglo Catholic objects when she came of age, and dismissed his reverence with scant courtesy. Two or three widows who had known better days offered their services, which were declined with thanks. Joseph even refused to let Miss Fleming stay with Mrs. Cassilis, the wife of Abraham Dyson's second cousin. He thought that perhaps this lady would not be unwilling to enliven her house by the attraction of an heiress and a débutante. And it occurred to him that, for a short time at least, she might, without offending a censorious world, and until her remaining guardian's wishes could be learned, take up her abode at the house of the three bachelors.

"I am old, Miss Fleming," he said, "Forty years old; a great age to you, and my brothers, Cornelius and Humphrey, who live with me, are older still. Cornelius is a great poet; he is engaged on a work —The Upheaving of Ælfred– which will immortalise his name. Humphrey is an artist; he is working at a group the mere conception of which, Cornelius says, would make even the brain of Michel Angelo stagger. You will be proud, I think, in after years, to have made the acquaintance of my brothers."

She came, having no choice or any other wish, accompanied by her French maid and the usual impedimenta of travel.

Phillis Fleming – her father called her Phillis because she was his only joy – was nineteen. She is twenty now, because the events of this story only happened last year. Her mother died in giving her birth; she had neither brothers nor sisters, nor many cousins, and those far away. When she was six her father died too – not of an interesting consumption or of a broken heart, or any ailment of that kind. He was a jovial fox-hunting ex-captain of cavalry, with a fair income and a carefully cultivated taste for enjoyment. He died from an accident in the field. By his will he left all his money to his one child and appointed as her trustees his father's old friend, Abraham Dyson of Twickenham and the City, and with him his own friend, Lawrence Colquhoun, a man some ten years younger than himself, with tastes and pursuits very much like his own. Of course, the child was taken to the elder guardian's house, and Colquhoun, going his way in the world, never gave his trust or its responsibilities a moment's thought.

Phillis Fleming had the advantage of a training quite different from that which is usually accorded to young ladies. She went to Mr. Abraham Dyson at a time when that old gentlemen, always full of crotchety ideas, was developing a plan of his own for female education. His theory of woman's training having just then grown in his mind to finished proportions, he welcomed the child as a subject sent quite providentially to his hand, and proceeded to put his views into practice upon little Phillis. That he did so showed a healthy belief in his own judgment. Some men would have hastened into print with a mere theory. Mr. Dyson intended to wait for twelve years or so, and to write his work on woman's education when Phillis's example might be the triumphant proof of his own soundness. The education conducted on Mr. Dyson's principles and rigidly carried out was approaching completion when it suddenly came to an abrupt termination. Few things in this world quite turn out as we hope and expect. It was on the cards that Abraham Dyson might die before the proof of his theory. This, in fact, happened; and his chief regret at leaving a world where he had been supremely comfortable, and able to enjoy his glass of port to his eightieth and last year, was that he was leaving the girl, the creation of his theory, in an unfinished state.

"Phillis," he said, on his deathbed, "the edifice is now complete, – all but the Coping-stone. Alas, that I could not live to put it on!"

And what the Coping-stone was no man could guess. Great would be the cleverness of him, who seeing a cathedral finished save for roof and upper courses, would undertake to put on these, with all the ornaments, spires, lanterns, gargoyles, pinnacles, flying buttresses, turrets, belfries, and crosses drawn in the dead designer's lost plans.

Abraham Dyson was a wealthy man. Therefore he was greatly respected by all his relations, in spite of certain eccentricities, notably those which forbade him to ask any of them to his house. If the nephews, nieces and cousins wept bitterly on learning their bereavement, deeper and more bitter were their lamentations when they found that Mr. Dyson had left none of them any money.

Not one penny; not a mourning ring; not a single sign or token of affection to one of them. It was a cruel throwing of cold water on the tenderest affections of the heart, and Mr. Dyson's relations were deeply pained. Some of them swore; others felt that in this case it was needless to give sorrow words, and bore their suffering in silence.

Nor did he leave any money to Phillis.

This obstinate old theorist left it all to found a college for girls, who were to be educated in the same manner as Phillis Fleming, and in accordance with the scheme stated to be fully drawn up and among his papers.

Up to the present, Joseph Jagenal had not succeeded in finding the scheme. There were several rolls of paper, forming portions of the great work, but none were finished, and all pointed to the last chapter, that entitled the "Coping-stone," in which, it was stated, would be found the whole scheme with complete fulness of detail. But this last chapter could not be found anywhere. If it never was found, what would become of the will? Then each one of Mr. Dyson's relations began to calculate what might fall to himself out of the inheritance. That was only natural, and perhaps it was not every one who, like Mr. Gabriel Cassilis, openly lamented the number of Mr. Dyson's collateral heirs.

Not to be found. Joseph Jagenal's clerks now engaged in searching everywhere for it, and all the relations praying – all fervently and some with faith – that it might never turn up.

So that poor Phillis is sitting down to dinner with her education unfinished – where is that Coping-stone? Every young lady who has had a finishing year at Brighton may look down upon her. Perhaps, however, as her education has been of a kind quite unknown in polite circles, and she has never heard of a finishing year, she may be calm even in the presence of other young ladies.

What sort of a girl is she?

To begin with, she has fifty thousand pounds. Not the largest kind of fortune, but still something. More than most girls have, more than the average heiress has. Enough to make young Fortunio Hunter prick up his ears, smooth down his moustache, and begin to inquire about guardians; enough to purchase a roomy cottage where Love may be comfortable; enough to enable the neediest wooer, if he be successful, to hang up his hat on the peg behind the door and sit down for the rest of his years. Fifty thousand pounds is a sum which means possibilities. It was her mother's, and, very luckily for her, it was so tied up that Captain Fleming, her father, could not touch more than the interest, which, at three per cent., amounts, as may be calculated, to fifteen hundred a year. Really, after explaining that a young lady has fifty thousand, what further praise is wanted, what additional description is necessary? By contemplation of fifty thousand pounds, ardent youth is inflamed as by a living likeness of Helen. Be she lovely or be she loathly, be she young or old, be she sweet or shrewish – she has fifty thousand pounds.

With her fifty thousand pounds the gods have given Phillis Fleming a tall figure, the lines of which are as delicately curved as those of any yacht in the Solent or of any statue from Greek studio. She is slight, perhaps too slight; she has hair of a common dark brown, but it is fine hair, there is a great wealth of it, it has a gleam and glimmer of its own as the sunlight falls upon it, as if there were a hidden colour lying somewhere in it waiting to be discovered; her eyes, like her hair, are brown – they are also large and lustrous; her lips are full; her features are not straight and regular, like those of women's beauties, for her chin is perhaps a little short, though square and determined; she has a forehead which is broad and rather low; she wears an expression in which good temper, intelligence, and activity are more marked than beauty. She is quick to mark the things that she sees, and she sees everything. Her hands are curious, because they are so small, so delicate, and so sympathetic; while her face is in repose you may watch a passing emotion by the quivering of her fingers, just as you may catch, if you have the luck, the laughter or tears of most girls first in the brightness or the clouding of their eyes.

There are girls who, when we meet them in the street, pass us like the passing of sunshine on an April day; who, if we spend the evening in a room where they are, make us understand something of the warmth which Nature intended to be universal, but has somehow only made special; whom it is a pleasure to serve, whom it is a duty to reverence, who can bring purity back to the brain of a rake, and make a young man's heart blossom like a rose in June.

Of such is Phillis Fleming.

CHAPTER III
Phillis's Education

The dinner began without much conversation; partly because the twins were hungry, and partly because they were a little awed by the presence of an unwonted guest in white draperies.

Phillis noted that, so far as she had learned as yet, things of a domestic kind in the outer world were much like things at Mr. Dyson's, that is to say, the furniture of the dining-room was similar, and the dinner was the same. I do not know why she expected it, but she had some vague notion that she might be called upon to eat strange dishes.

"The Böllinger, brother Cornelius," said the artist.

"Thoughtful of you, brother Humphrey," the poet answered. "Miss Fleming, the Böllinger is in your honour."

Phillis looked puzzled. She did not understand where the honour came in. But she tasted her glass.

"It is a little too dry for me," she said with admirable candour. "If you have any Veuve Clicquot, Mr. Jagenal" – she addressed the younger brother – "I should prefer that."

All three perceptibly winced. Jane, the maid, presently returned with a bottle of the sweeter wine. Miss Fleming tasted it critically and pronounced in its favor.

"Mr. Dyson, my guardian," she said, "always used to say the ladies like their wine sweet. At least I do. So he used to drink Perier Jout très sec, and I had Veuve Clicquot."

The poet laid his forefinger upon his brow and looked meditatively at his glass. Then he filled it again. Then he drank it off helplessly. This was a remarkable young lady.

"You have lived a very quiet life," said Joseph, with a note of interrogation in his voice, "with your guardian at Highgate."

"Yes, very quiet. Only two or three gentlemen ever came to the house, and I never went out."

"A fair prisoner, indeed," murmured the poet. "Danae in her tower waiting for the shower of gold."

"Danae must have wished," said Phillis, "when she was put in the box and sent to sea, that the shower of gold had never come."

Cornelius began to regret his allusion to the mythological maid for his classical memory failed, and he could not at the moment recollect what box the young lady referred to. This no doubt came of much poring over Anglo-Saxon Chronicles. But he remembered other circumstances connected with Danae's history, and was silent.

"At least you went out," said Humphrey, "to see the Academy and the Water-colours."

She shook her head.

"I have never seen a picture-gallery at all. I have not once been outside Mr. Dyson's grounds until to-day, since I was six years old."

Humphrey supported his nervous system, like his brother, with another glass of the Böllinger.

"You found your pleasure in reading divine Poetry," said the Maker softly; "perhaps in writing Poetry yourself."

"Oh dear no!" said Phillis. "I have not yet learned to read. Mr. Dyson said that ladies ought not to learn reading till they are of an age when acquiring that mischievous art cannot hurt themselves or their fellow-creatures."

Phillis said this with an air of superior wisdom, as if there could be no disputing the axiom.

Humphrey looked oceans of sympathy at Cornelius, who took out his handkerchief as if to wipe away a tear, but as none was in readiness he only sighed.

"You were taught other things, however?" Joseph asked.

"Yes; I learned to play. My master came twice a week, and I can play pretty well; I play either by ear or by memory. You see," she added simply, "I never forget anything that I am told."

Compensation of civilised nature. We read, and memory suffers. Those who do not read remember. Before wandering minstrels learned to read and write, the whole Iliad was handed down on men's tongues; there are Brahmins who repeat all their Sacred Books word for word without slip or error, and have never learned to read; there are men at Oxford who can tell you the winners of Events for a fabulous period, and yet get plucked for Greats because, as they will tell you themselves, they really cannot read. Phillis did not know how to read. But she remembered – remembered everything; could repeat a poem dictated twice if it were a hundred lines long, and never forgot it; caught up an air and learned how to play it at a sitting.

She could not read. All the world of fiction was lost to her. All the fancies of poets were lost to her; all the records of folly and crime which we call history were unknown to her.

Try to think what, and of what sort, would be the mind of a person, otherwise cultivated, unable to read. In the first place, he would be clear and dogmatic in his views, not having the means of comparison; next, he would be dependent on oral teaching and rumor for his information; he would have to store everything as soon as learned, away in his mind to be lost altogether, unless he knew where to lay his hand upon it; he would hear little of the outer world, and very little would interest him beyond his own circle; he would be in the enjoyment of all the luxuries of civilisation without understanding how they got there; he would be like the Mohammedans when they came into possession of Byzantium, in the midst of things unintelligible, useful, and delightful.

"You will play to us after dinner, if you will be so kind," said Joseph.

"Can it be, Miss Fleming," asked Humphrey, "that you never went outside the house at all?"

"Oh no; I could ride in the paddock. It was a good large field and my pony was clever at jumping; so I got on pretty well."

"Would it be too much to ask you how you managed to get through the day?"

"Not at all," she replied; "it was very easy. I had a ride before breakfast; gave Mr. Dyson his tea at ten; talked with him till twelve; we always talked 'subjects,' you know, and had a regular course. When we had done talking, he asked me questions. Then I probably had another ride before luncheon. In the afternoon I played, looked after my dress, and drew."

"You are, then, an Artist!" cried Humphrey enthusiastically. "Cornelius, I saw from the first that Miss Fleming had the eye of an Artist."

"I do not know about that; I can draw people. I will show you some of my sketches, if you like, to-morrow. They are all heads and figures; I shall draw all of you to-night before going to bed."

"And in the evening?"

"Mr. Dyson dined at seven. Sometimes he had one or two gentlemen to dine with him; never any lady. When there was no one, we talked 'subjects' again."

Never any lady! Here was a young woman, rich, of good family, handsome, and in her way accomplished, who had never seen or talked with a lady, nor gone out of the house save into its gardens, since she was a child.

Yet, in spite of all these disadvantages and the strangeness of her position, she was perfectly self-possessed. When she left the table, the two elder brethren addressed themselves to the bottle of Château Mouton with more rapidity than was becoming the dignity of the wine. Joseph almost immediately joined his ward. When the twins left the dining-room with its empty decanters, and returned arm-in-arm to the drawing-room, they found their younger brother in animated conversation with the girl. Strange that Joseph should so far forget his usual habits as not to go straight to his own room. The two bosoms which heaved in a continual harmony with each other felt a simultaneous pang of jealousy for which there was no occasion. Joseph was only thinking of the Coping stone.

"Did I not feel it strange driving through the streets?" Phillis was saying. "It is all so strange that I am bewildered – so strange and so wonderful. I used to dream of what it was like; my maid told me something about it; but I never guessed the reality. There are a hundred things more than I can ever draw."

It was, as hinted above, the custom of this young person, as it was that of the Mexicans, to make drawings of everything which occurred. She was thus enabled to preserve a tolerably faithful record of her life.

"Show me," said Joseph – "show me the heads of my brothers and myself, that you promised to do, as soon as they are finished."

The brethren sat together on a sofa, the Poet in his favorite attitude of meditation, forefinger on brow; the Artist with his eyes fixed on the fire, catching the effects of colour. Their faces were just a little flushed with the wine they had taken.

One after the other crossed the room and spoke to their guest.

Said Cornelius:

"You are watching my brother Humphrey. Study him, Miss Fleming; it will repay you well to know that childlike and simple nature, innocent of the world, and aglow with the flame of genius."

"I think I can draw him now," said Phillis, looking at the Artist as hard as a turnkey taking Mr. Pickwick's portrait.

Then came Humphrey:

"I see your eyes turned upon my brother Cornelius. He is a great, a noble fellow, Miss Fleming. Cultivate him, talk to him, learn from him. You will be very glad some day to be able to boast that you have met my brother Cornelius. To know him is a Privilege; to converse with him is an Education."

"Come," said Joseph cheerfully, "where is the piano? This is a bachelor's house, but there is a piano somewhere. Have you got it, Cornelius?"

The Poet shook his head, with a soft sad smile.

"Nay," he said, "is a Workshop the place for music? Let us rather search for it in the Realms of Art."

In fact it was in Mr. Humphrey's Studio, whither they repaired. The girl sat down, and as she touched the keys her eyes lit up and her whole look changed. Joseph was the only one of the three who really cared for music. He stood by the fire and said nothing. The brethren on either side of the performer displayed wonders of enthusiastic admiration, each in his own way – the Poet sad and reflective, as if music softened his soul; the Artist with an effervescing gaiety delightful to behold. Joseph was thinking. "Can we" – had his thoughts taken form of speech – "can we reconstruct from the girl's own account the old man's scheme anew, provided the chapter on the Coping-stone be never found? Problem given. A girl brought up in seclusion, without intercourse with any of her sex except illiterate servants, yet bred to be a lady: not allowed even to learn reading, but taught orally, so as to hold her own in talk: required, to discover what the old man meant by it, and what was wanted to finish the structure. Could it be reading and writing? Could Abraham Dyson have intended to finish where all other people begin?"

This solution mightily commended itself to Joseph, and he went to bed in great good spirits at his own cleverness.

In the dead of night he awoke in fear and trembling.

"They will go into Chancery," he thought. "What if the Court refuses to take my view?"

At three in the morning the brethren, long left alone with their pipes, rose to go to bed.

Brandy-and-soda sometimes makes men truthful after the third tumbler, and beguiles them with illusory hopes after the fourth. The twins were at the end of their fourth.

"Cornelius," said the Artist, "she has £50,000."

"She has, brother Humphrey."

"It is a pity, Cornelius, that we, who have only £200 a year each, are already fifty years of age."

"Humphrey, what age do we feel?"

"Thirty. Not a month more," replied the Artist, striking out with both fists at an imaginary foe – probably old Time.

"Right. Not an hour above the thirty," said the Bard, smiting his chest gently. "As for Joseph, he is too old – "

"Very much too old – "

"To think of marrying such a young – "

"Fresh and innocent – "

"Engaging and clever girl as Miss Phillis Fleming."

Did they, then, both intend to marry the young lady?