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Top Hook
Gordon Kent


To those who drive the ships

Table of Contents

Cover Page

Title Page

Dedication

Part One Betrayal

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

Part Two Flight

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

Part Three Last Words

St Anselm’s Cemetery, Washington

About the Author

Praise

The Alan Craik Novels

Copyright

About the Publisher

Part One Betrayal

1
Venice.

The streets were a river of color in the dark, sequins and silks swirling around bare flesh. Masks and cloaks fought the assault of the rain and the splashes of the sea underfoot. Costumes flowed toward San Marco, just as the tide of the Adriatic ebbed away, leaving salt puddles to reflect the glare of carnival.

The pounding music from the palazzi and the manic orchestration of voices, Italian and foreign, stunned Anna’s senses as she ran. Her masculine costume had saved her in the seconds when the meeting had gone bad, and now it freed her to move, thrusting through the tangle of the crowd. The sword at her side caught at passersby until she took the sheath in her left hand and lifted the hilt off her hip.

She stopped with her back against a medieval shop at the base of a bridge. Music pulsed through the stone at her back, and her lungs burned as she peered around the corner at the arch of the footbridge. Two lovers embraced against the stone railing; a reveler in a black cloak and white Pantalone mask strode past her toward the bridge. At the top of the arch stood another of the Serbs who had tried to kill her, talking into a cellphone, his head moving like an owl’s. None of the Serbs had bothered to wear masks or costumes; all had leather jackets and mustaches. High on adrenaline, she drew the sword and shrugged off her cloak in one unconsciously dramatic motion. She gathered the cloak in her left hand and risked one glance back into the thick of the crowd. Then she drew herself up and flung herself around the corner at the bridge.

Because the Serb was talking, he was slow. She rushed past the Venetian in the white mask, his dignified walk and cloak screening her for an extra second. She threw her own cloak with both hands, and the Serb shot at it on instinct. His second shot buzzed in her ear as she took a last step and leaped, lunging forward, her whole weight driving the point of the smallsword through his neck. The blade grated against the vertebrae and she rolled her wrist and used the speed of her rush to tear the blade free. Momentum carried her past her victim, and she stumbled, caught herself on the railing, and leaped to the parapet of the bridge.

The reveler’s white mask turned to the movement, black eye sockets locked on her. One of the lovers had been hit by a shot, and the Serb’s open throat pumped red blood on the gray stones. A second’s balance on the parapet as her mind recorded the copper scent and the sheen of blood, and she dove into the canal. The unwounded lover screamed.

The shock of the water cut off the screams, and she swam, eyes and mouth shut tight. She stayed down, lungs bursting from the run and the adrenaline, until her hands found the opening and she thrust herself through and up into the tiny space of a partly submerged chapel, lightless, silent. For an entire minute, she could do nothing but breathe, supporting herself on a stone that had been the base of the altar.

She snapped on a tiny flashlight whose glow reflected off gold leaf and mosaic.

Anna rolled into her waiting canoe, half filling it with water, and sat up. Her right hand still clutched the sword, and she pushed it under the bag in the front of the boat and played the tiny beam of light around her. The chapel had been a military one, eight hundred years ago; she hadn’t noticed it when she had entered at low tide. Now, she watched the ceiling as the tide ebbed and her escape route cleared. A Byzantine Saint Michael held aloft a sword of light and threatened Satan; a figure in armor at the far end looked to her like Saint Maurice—or was it Saint George?

She shivered. She had never killed before. She didn’t like it.

She pulled a travel book from her pack and opened it to the last page. She had written four names there in Arabic script, in an old Persian language that was better than a code. She studied them in the flashlight’s inch-wide beam.

Her lips thinned and she shook her head at the first name—George Shreed.

Suburban Virginia.

Sitting in his house alone, George Shreed stared at a dead computer screen and listened to the absence of his wife. She was dying in a hospice, and the house was dying with her, devoid now of her voice, of the smells of her cooking, of her off-tune singing. Thirty years of marriage create a lot of sound, and now it had all drained away, and he was alone.

He booted up one of his computers. Three monitors sat on tables in the small “study.” He could communicate directly with his duty officer at the Central Intelligence Agency, or with several distant mainframes on which he kept coded and secret files, or with the vast world of electronic magic that a few years before had hardly existed.

“Janey,” he murmured. It was not as if he meant to call her back from the edge of death, but only that he had to say her name sometimes, as if, left unsaid, the name too would disappear and he would have nothing.

“Oh, God,” he muttered.

Shreed was frightened. Horrors never came alone: first, his wife’s cancer; now, the woman in Venice. He had just learned that his people hadn’t caught her, so she was still out there, still running around with evidence that could send him to prison for life.

Two weeks ago, she had made her first contact: an e-mail with a photograph that he had first sent two years before, encrypted, to an Internet address where it could be accessed by Beijing. Shreed had been stunned to get it back—a hand reaching out of the past to strangle him.

Ten days ago, the woman had e-mailed him a page of classified material about a project called Peacemaker—classified material that Shreed himself had covertly sent to his Chinese control in 1997. The Agency would have him for treason if they knew he had transferred it. With it had been a curt message: “Venice—Old Ghetto memorial—16 March—one million dollars.”

Then he had sent people to find her, and she had escaped.

And she had sent him a second message: “Now the price is two million.”

The computer screen was bright. He punched keys, and icons and prompts flew by. He moved out into cyberspace, entered a mainframe on a university campus two thousand miles away and called up a file that appeared as random symbols and letters on his screen. He keyed in a password, then another, then empowered an algorithm that ran in tandem with a checker within the file itself, and then he was in, and the symbols in the blink of an eye became words.

Project Peacemaker.

Janey didn’t know about this part of his life. Nobody knew, in fact. Not true—some people in China knew. But Janey and his colleagues at the CIA didn’t know. He didn’t give a shit about the colleagues, but he was deeply guilty that he had hidden part of his life from Janey, who was his life, for so many years. He would have to tell her, he knew. Tell her the way people tell a priest, there in the humming silence of her hospice room, tell her as she lay full of painkillers, needles in her arms, tell her as if she were the wall with the little wicket of the confessional. And say, Forgive me, Janey—forgive me before you go. Even though she wouldn’t have heard him, most probably.

Shreed went through the Peacemaker file. He needed a fall guy, or at least a diversion—somebody to take the heat of an investigation if this damned woman in Venice decided to go to the Agency.

He needed time.

Peacemaker had failed two years ago, a very promising project that hadn’t worked right, in the end. He had backed it as a weapon with real potential, and he had leaked data about it to Beijing, and the Chinese had made too much stink about it, and Peacemaker had been aborted by the White House as “destabilizing.” The Agency had been nosing around ever since about how the information had leaked, and if the finger ever pointed at him, there would be a disaster.

He needed a scapegoat.

He had to find somebody likely. He was not, himself, likely—that was the good part. He had been too visible in the project, one of its main sponsors. What he needed was somebody who had not been quite so visible, somebody about whom you could say after the fact, Oh, sure, now I see what that guy was doing—he was spying for the Chinese the whole time. Somebody who would have had to exert a little extra to find things out. Not quite a munchkin, but not quite a master of the universe, either. He began to go down lists of names. No, no, no—maybe—no. He smiled, a somewhat wolfish expression on his lean face. He had just come to the name of his own personal assistant, Ray Suter. Assistants were expendable, and Suter was a real bastard, but he was too closely associated with Shreed himself. Suspicion, like tar, sticks to everybody in the vicinity.

Who, then?

Name after name. Not quite right. Completely wrong. Impossible. Maybe. And then—

Shreed grinned.

Rose Siciliano.

She’d been the Seaborne Launch Officer on the project. Walled off from the Eyes-Only stuff but very much in on all the computer magic, the trajectory and targeting data. If she’d actually been the spy, she could have, with some snooping and some late hours and a certain amount of risk, busted the security and reported the deep stuff to Beijing. She’d even had a computer geek, an EM named Valdez (a name he’d already dismissed) whom she was always quoting about the data stream and stuff she wasn’t being allowed to see. Perfect behavior for a spy.

Or at least the CIA investigators would see it that way.

And, she was Alan Craik’s wife. And he owed Craik one, the little shit. They’d hated each other for years. His grin widened as he thought about it: if the wife was accused of passing secrets about Peacemaker, the husband was sure to be suspected, too. Tar sticks.

Shreed glanced at his watch. He was due at the hospice to sit with Janey.

He hit a button and highlighted the name.

Rose Siciliano.

Newport, Rhode Island.

The Cessna 180 held steady at 5600 feet. At the controls, Rose Siciliano flew with the unconscious ease of a seasoned pilot—helicopters, now heading for astronaut training. Next to her, her husband glanced over the gauges and listened briefly to the Quonset tower. That was mostly the way it went—she flew and he kibitzed and ran the radio. Now, he put his hand on her knee, and her hand came down to cover his, and she flashed him a grin.

“It’s been a great couple of years,” he said.

She nodded, looked aside. Below, the Rhode Island coast was spread out for them on a sparkling day, Quonset Naval Air Station in her near foreground as they came around for their approach. They had been here two years and now they were leaving—both lieutenant-commanders, both at the Naval War College, both taking a quiet tour after some very hairy sea duty. And in two weeks it would be over.

“Gonna miss it,” he said.

“You bet.” Her normally husky voice was even a shade raspier. She had had their second child here. They had been happy. “Like real people,” she growled. Like civilians, she meant. Now, it was off to the CIA’s “Ranch” for him, astronaut training for her. Great moves for both of them, exactly what they wanted, but—She squeezed his hand. “We’ll look back on it,” she said.

“Hey!” He squeezed her leg, laughed. “Come on! Life is good. What can go wrong? We’re us.”

She grinned again, then leaned way over to kiss his cheek.

But what could go wrong? He was LCDR Alan Craik, off to the Ranch, the CIA’s arduous school for spies; she was LCDR Rose Siciliano, off to conquer the stars. What could possibly go wrong?

He got on the radio, and she banked the plane and descended, and then both of them were absorbed into the routine of headings and altitudes, and they went down and down and around and she brought it in on the center line of the runway, the wheels touching with a bump and squeal, and the ground raced along under her, and she was happy.


Rose learned how fast things could go wrong when they got home. He was already indoors; she had put the car away and gathered up their stuff, and she was standing in the front door of their rented house, looking down the long central corridor at his study. He stood there, back to her, telephone at his ear. She knew that stiff posture and long neck and what they meant: rage.

Mikey, their seven-year-old, knew it, too. And he knew the Navy. “His detailer,” he said, with the wisdom of a child who had grown up in the Navy. The baby-sitter, also a Navy child, nodded.

Rose started down the hall. Calls to your detailer were life-changing: your detailer helped plan your career, generated your orders.

Alan hadn’t said a word yet. She had almost reached him when she heard him say, “Understood,” and he slowly hung up and then gathered the cordless phone and its cradle in one hand and threw it across the study.

It smashed against the far wall; Rose flinched as bits of plastic flew.

“Those bastards!” he shouted. His face was contorted with anger. “Those bastards have changed my orders!”

Going to the Ranch had been a big deal. Their pal Harry O’Neill had urged it. It was a logical step for a hotshot whose squadron days were over, he said—move into the covert world and go where the action was.

“Why?” she said.

“How the fuck do I know why? They won’t tell me why!”

“But—honey—”

He came down a little, his anger never hot for long. “They’re sending me to some rinky-dink experimental project. Month at sea, then—the detailer doesn’t know.”

“Tell them you won’t accept the orders!”

He blew an angry sigh through puffed mouth. “The detailer doesn’t advise it.” He bent to pick up the telephone and tried to fit two broken pieces of plastic together. “Not going to the Ranch, Rose—It’s as if they don’t trust me all of a sudden.” He stood there, holding the pieces as if they were emblems of his helplessness. “All of a sudden, I’m a pariah.” He looked up at her in anguish. “Why?”

Tar sticks.

“Oh, shit.” He sat on the stair. “I’ve got to be in Trieste, Italy, in four days. I’m going to miss my own fucking graduation from the War College!”

Venice.

Efremov was dead.

Anna had awakened to feel his body cooling in their bed, the bed she had shared with him for five years.

She had checked for a pulse, respiration, but they were last acts of friendship, quite separate from hope. He was dead. She had left Tehran the same day.

Now, his death would be known throughout his world. As he had prepared her for so many things, so he had prepared her for this, with suggestions and instructions, a locked box, passports—and computer disks. She had begun the contacts with his former agents even as she had fled Iran.

She had found safety and anonymity in a youth hostel in Istanbul. She was twenty-six and beautiful, but she looked a mature twenty, and she had bought a passport and a student card from Israel to have a twenty-year-old’s identity. In Istanbul, she had used the cyber-cafés around Hagia Sophia to contact a man who was only a name on a secret file, George Shreed. Shreed had hired the Serbs to kill her in Venice.

Now, one of them was standing under an arch outside her window. They had found her.

She was sharing a room, a very expensive room, with a stewardess from Lufthansa. Greta was on vacation and avoiding airlines, and they had met at the Hermés shop near the Doge’s Palace, not entirely by accident—Anna had been looking for cover. Greta wanted adventure, a little romance, a man to last a few days. Anna made herself the ideal companion, which included listening to Greta’s complaints about the man she had picked up.

“American?”

“Australian, ma chérie. Rude and a little unwashed. Too rude, in the end.”

“Mine never made the assignation.”

“Cowards, all of them.”

Greta emerged from the shower wearing nothing but a towel on her head. Anna admired her candidly; Greta lacked Anna’s legs and hips, but she was striking, and her breasts were enviable. Greta seemed unaware of Anna’s gaze and collapsed theatrically on her bed.

“Shopping will cure it. And I want to go to the Rialto.”

“Is the Gap in Venice any different from the one in London?” Anna had never been to London, but her passport said she had.

Greta laughed, a silly girl’s laugh. “I know where to shop, here.”

“You’ll get me in trouble.”

“Probably.” They both laughed. Greta was very easy to like, Anna thought. She had confidence and enthusiasm that went deeper than the automatic smile of the airline employee. Anna pulled on a top, glanced out the window, half pulled the heavy green drape, and moved from her own bed to the room’s desk with her laptop. Greta began rifling her purse, throwing her passport and wallet on the bed. They caught Anna’s eye, like a signal. She glanced out the window again.

“Do you have a laptop? Mine keeps freezing on the keyboard.” Actually, it was working quite well. Anna just didn’t want to be tracked.

“Of course, ma chérie. It is there, by the television. But it is probably the phone lines. They are antique, like everything else in Venice.”

Anna found the case, slipped down behind the chair next to the television, and connected to the net. The machine was very different from the succession of IBM laptops Efremov had always acquired for them. It had a fashion edge to it. The case was an after-market replacement, a deep, velvet blue.

“The case is wonderful!”

“It is, isn’t it? A boy gave it to me.” Greta’s voice suggested a deep satisfaction with the case, or the boy. Perhaps both.

Online connection. All the directions in German, but her German was up to the task. Greta spoke a movie-star English, but Anna’s stilted German had started the hasty friendship and established her bona fides as the child of Austrian Jews.

Search Engine. The second name from her list. Alan Craik. Several hits. A Navy locator address. Anna flicked her eyes over the street outside; the watcher had a cellphone out. She read two short bios of the man Craik—service, medals, marriage. Naval War College.

She searched again on some ship names: Alan Craik was going next to an aviation detachment, that much was clear. She tried “Ombudsman” and “USS Thomas Jefferson.” Seven hits. The Americans continued to pretend that their naval movements were classified, even as their wives posted lists of ports of call on the Internet. She used the unfamiliar finger pad to scroll through the seven hits.

Exactly. Liberty ports.

Movement on the street outside. A second man, a lit cigarette. Anna scooped Greta’s documents off the end of the bed and put them in her bag without hesitation. Then she took her own expensive forgeries and dropped them on the telephone table, never taking her eyes off the street. Greta prattled on, and Anna made noises—yes, no, interesting—to suit Greta’s noises. Greta knew nothing of the men outside the window or of the sudden loss of her identity.

One last bit of information from the laptop: Alan Craik would be in Trieste, Italy, in two days.

Anna closed the laptop and returned it to its case, running her fingers over the blue. Anna loved the best things, and so did Greta. On that ground, they truly met. Greta was applying her makeup, and their eyes met in the mirror.

“I have to run out, Greta.” Anna waved her handbag. “I’ll be back in a few moments.”

Greta nodded in the mirror. Anna bit her lips in regret. Greta did not deserve what was to come, but no one did. Anna headed for the elevator.

The antique elevator was the only way she knew of getting to a lower floor. Even in Iran, there would have been fire stairs, but not in Venice. She thumbed the button. She had no gun and she feared what would emerge from that elevator.

Abruptly, while she was still trying to devise a plan to meet a rush of armed men, the door opened. One elderly woman emerged. Anna had the elevator to herself. She took two deep breaths before she thumbed the button for the first floor.

The Serbs would be in the main lobby by now.

The elevator crept down three floors, her heart hammering in time to the gentle sway of the old car within its track, and stopped with arthritic slowness. The door attempted to compensate with a harsh crash that could be heard throughout the building. They would hear that, know that someone had used the elevator to the first floor above the lobby. Anna fought down panic. They could not know it was she. Not yet. Not until they found Greta. If they could tell the difference between Greta and Anna, she was dead. She hoped they only had a description. In her experience, all desirable women looked alike to most men.

She walked to the room that corresponded to her own on the fifth floor. She had no reason for this choice, only a certain blind superstition. She breathed and knocked.

A middle-aged man in a dressing-gown opened the door. Anna smiled, her body swaying with relief. “May I come in?” she asked. The man, a North American, appeared flabbergasted. His mouth moved, but no words emerged. Anna heard the elevator going up—and up, past this floor. Up to her room on the fifth?

She slipped past him into his room. Same layout as her room above, two beds, even someone in the bath. She walked to the window, moved the blinds. Empty. She pushed the window open. The man was saying something, and the sharp retort of a gunshot came from above them. She ignored both, letting the surge of adrenaline carry her out the window. She hung from the sill and dropped. One of her stupid heels broke, but her ankle held and she stumbled away. She pulled her shoes off, threw them in the canal, ran to the corner, began planning her movements off the island of Venice and up the coast to Trieste.

Planning it in her head as she ran barefoot—Trieste…Alan Craik…

399
632,66 ₽
Возрастное ограничение:
0+
Дата выхода на Литрес:
29 декабря 2018
Объем:
541 стр. 2 иллюстрации
ISBN:
9780007387779
Правообладатель:
HarperCollins

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