Читать книгу: «The Man Who Knew Too Much», страница 2

"What the deuce are you talking about?" asked Burke.

"You come along and see," replied Fisher, cheerfully.

Such people seldom reject anything nonsensical, for they are always seeking for something new. They gravely rearmed themselves from the gun-room and trooped along at the tail of their guide, Sir Howard only pausing, in a sort of ecstasy, to point out the celebrated gilt summerhouse on which the gilt weathercock still stood crooked. It was dusk turning to dark by the time they reached the remote green by the poplars and accepted the new and aimless game of shooting at the old mark.

The last light seemed to fade from the lawn, and the poplars against the sunset were like great plumes upon a purple hearse, when the futile procession finally curved round, and came out in front of the target. Sir Howard again slapped his host on the shoulder, shoving him playfully forward to take the first shot. The shoulder and arm he touched seemed unnaturally stiff and angular. Mr. Jenkins was holding his gun in an attitude more awkward than any that his satiric friends had seen or expected.

At the same instant a horrible scream seemed to come from nowhere. It was so unnatural and so unsuited to the scene that it might have been made by some inhuman thing flying on wings above them or eavesdropping in the dark woods beyond. But Fisher knew that it had started and stopped on the pale lips of Jefferson Jenkins, of Montreal, and no one at that moment catching sight of Jefferson Jenkins's face would have complained that it was commonplace. The next moment a torrent of guttural but good-humored oaths came from Major Burke as he and the two other men saw what was in front of them. The target stood up in the dim grass like a dark goblin grinning at them, and it was literally grinning. It had two eyes like stars, and in similar livid points of light were picked out the two upturned and open nostrils and the two ends of the wide and tight mouth. A few white dots above each eye indicated the hoary eyebrows; and one of them ran upward almost erect. It was a brilliant caricature done in bright dotted lines and March knew of whom. It shone in the shadowy grass, smeared with sea fire as if one of the submarine monsters had crawled into the twilight garden; but it had the head of a dead man.

"It's only luminous paint," said Burke. "Old Fisher's been having a joke with that phosphorescent stuff of his."

"Seems to be meant for old Puggy"' observed Sir Howard. "Hits him off very well."

With that they all laughed, except Jenkins. When they had all done, he made a noise like the first effort of an animal to laugh, and Horne Fisher suddenly strode across to him and said:

"Mr. Jenkins, I must speak to you at once in private."

It was by the little watercourse in the moors, on the slope under the hanging rock, that March met his new friend Fisher, by appointment, shortly after the ugly and almost grotesque scene that had broken up the group in the garden.

"It was a monkey-trick of mine," observed Fisher, gloomily, "putting phosphorus on the target; but the only chance to make him jump was to give him the horrors suddenly. And when he saw the face he'd shot at shining on the target he practiced on, all lit up with an infernal light, he did jump. Quite enough for my own intellectual satisfaction."

"I'm afraid I don't quite understand even now," said March, "exactly what he did or why he did it."

"You ought to," replied Fisher, with his rather dreary smile, "for you gave me the first suggestion yourself. Oh yes, you did; and it was a very shrewd one. You said a man wouldn't take sandwiches with him to dine at a great house. It was quite true; and the inference was that, though he was going there, he didn't mean to dine there. Or, at any rate, that he might not be dining there. It occurred to me at once that he probably expected the visit to be unpleasant, or the reception doubtful, or something that would prevent his accepting hospitality. Then it struck me that Turnbull was a terror to certain shady characters in the past, and that he had come down to identify and denounce one of them. The chances at the start pointed to the host – that is, Jenkins. I'm morally certain now that Jenkins was the undesirable alien Turnbull wanted to convict in another shooting-affair, but you see the shooting gentleman had another shot in his locker."

"But you said he would have to be a very good shot," protested

March.

"Jenkins is a very good shot," said Fisher. "A very good shot who can pretend to be a very bad shot. Shall I tell you the second hint I hit on, after yours, to make me think it was Jenkins? It was my cousin's account of his bad shooting. He'd shot a cockade off a hat and a weathercock off a building. Now, in fact, a man must shoot very well indeed to shoot so badly as that. He must shoot very neatly to hit the cockade and not the head, or even the hat. If the shots had really gone at random, the chances are a thousand to one that they would not have hit such prominent and picturesque objects. They were chosen because they were prominent and picturesque objects. They make a story to go the round of society. He keeps the crooked weathercock in the summerhouse to perpetuate the story of a legend. And then he lay in wait with his evil eye and wicked gun, safely ambushed behind the legend of his own incompetence.

"But there is more than that. There is the summerhouse itself. I mean there is the whole thing. There's all that Jenkins gets chaffed about, the gilding and the gaudy colors and all the vulgarity that's supposed to stamp him as an upstart. Now, as a matter of fact, upstarts generally don't do this. God knows there's enough of 'em in society; and one knows 'em well enough. And this is the very last thing they do. They're generally only too keen to know the right thing and do it; and they instantly put themselves body and soul into the hands of art decorators and art experts, who do the whole thing for them. There's hardly another millionaire alive who has the moral courage to have a gilt monogram on a chair like that one in the gun-room. For that matter, there's the name as well as the monogram. Names like Tompkins and Jenkins and Jinks are funny without being vulgar; I mean they are vulgar without being common. If you prefer it, they are commonplace without being common. They are just the names to be chosen to look ordinary, but they're really rather extraordinary. Do you know many people called Tompkins? It's a good deal rarer than Talbot. It's pretty much the same with the comic clothes of the parvenu. Jenkins dresses like a character in Punch. But that's because he is a character in Punch. I mean he's a fictitious character. He's a fabulous animal. He doesn't exist.

"Have you ever considered what it must be like to be a man who doesn't exist? I mean to be a man with a fictitious character that he has to keep up at the expense not merely of personal talents: To be a new kind of hypocrite hiding a talent in a new kind of napkin. This man has chosen his hypocrisy very ingeniously; it was really a new one. A subtle villain has dressed up as a dashing gentleman and a worthy business man and a philanthropist and a saint; but the loud checks of a comical little cad were really rather a new disguise. But the disguise must be very irksome to a man who can really do things. This is a dexterous little cosmopolitan guttersnipe who can do scores of things, not only shoot, but draw and paint, and probably play the fiddle. Now a man like that may find the hiding of his talents useful; but he could never help wanting to use them where they were useless. If he can draw, he will draw absent-mindedly on blotting paper. I suspect this rascal has often drawn poor old Puggy's face on blotting paper. Probably he began doing it in blots as he afterward did it in dots, or rather shots. It was the same sort of thing; he found a disused target in a deserted yard and couldn't resist indulging in a little secret shooting, like secret drinking. You thought the shots all scattered and irregular, and so they were; but not accidental. No two distances were alike; but the different points were exactly where he wanted to put them. There's nothing needs such mathematical precision as a wild caricature. I've dabbled a little in drawing myself, and I assure you that to put one dot where you want it is a marvel with a pen close to a piece of paper. It was a miracle to do it across a garden with a gun. But a man who can work those miracles will always itch to work them, if it's only in the dark."

After a pause March observed, thoughtfully, "But he couldn't have brought him down like a bird with one of those little guns."

"No; that was why I went into the gun-room," replied Fisher. "He did it with one of Burke's rifles, and Burke thought he knew the sound of it. That's why he rushed out without a hat, looking so wild. He saw nothing but a car passing quickly, which he followed for a little way, and then concluded he'd made a mistake."

There was another silence, during which Fisher sat on a great stone as motionless as on their first meeting, and watched the gray and silver river eddying past under the bushes. Then March said, abruptly, "Of course he knows the truth now."

"Nobody knows the truth but you and I," answered Fisher, with a certain softening in his voice. "And I don't think you and I will ever quarrel."

"What do you mean?" asked March, in an altered accent. "What have you done about it?"

Horne Fisher continued to gaze steadily at the eddying stream. At last he said, "The police have proved it was a motor accident."

"But you know it was not."

"I told you that I know too much," replied Fisher, with his eye on the river. "I know that, and I know a great many other things. I know the atmosphere and the way the whole thing works. I know this fellow has succeeded in making himself something incurably commonplace and comic. I know you can't get up a persecution of old Toole or Little Tich. If I were to tell Hoggs or Halkett that old Jink was an assassin, they would almost die of laughter before my eyes. Oh, I don't say their laughter's quite innocent, though it's genuine in its way. They want old Jink, and they couldn't do without him. I don't say I'm quite innocent. I like Hoggs; I don't want him to be down and out; and he'd be done for if Jink can't pay for his coronet. They were devilish near the line at the last election. But the only real objection to it is that it's impossible. Nobody would believe it; it's not in the picture. The crooked weathercock would always turn it into a joke."

"Don't you think this is infamous?" asked March, quietly.

"I think a good many things," replied the other. "If you people ever happen to blow the whole tangle of society to hell with dynamite, I don't know that the human race will be much the worse. But don't be too hard on me merely because I know what society is. That's why I moon away my time over things like stinking fish."

There was a pause as he settled himself down again by the stream; and then he added:

"I told you before I had to throw back the big fish."

II. THE VANISHING PRINCE

This tale begins among a tangle of tales round a name that is at once recent and legendary. The name is that of Michael O'Neill, popularly called Prince Michael, partly because he claimed descent from ancient Fenian princes, and partly because he was credited with a plan to make himself prince president of Ireland, as the last Napoleon did of France. He was undoubtedly a gentleman of honorable pedigree and of many accomplishments, but two of his accomplishments emerged from all the rest. He had a talent for appearing when he was not wanted and a talent for disappearing when he was wanted, especially when he was wanted by the police. It may be added that his disappearances were more dangerous than his appearances. In the latter he seldom went beyond the sensational – pasting up seditious placards, tearing down official placards, making flamboyant speeches, or unfurling forbidden flags. But in order to effect the former he would sometimes fight for his freedom with startling energy, from which men were sometimes lucky to escape with a broken head instead of a broken neck. His most famous feats of escape, however, were due to dexterity and not to violence. On a cloudless summer morning he had come down a country road white with dust, and, pausing outside a farmhouse, had told the farmer's daughter, with elegant indifference, that the local police were in pursuit of him. The girl's name was Bridget Royce, a somber and even sullen type of beauty, and she looked at him darkly, as if in doubt, and said, "Do you want me to hide you?" Upon which he only laughed, leaped lightly over the stone wall, and strode toward the farm, merely throwing over his shoulder the remark, "Thank you, I have generally been quite capable of hiding myself." In which proceeding he acted with a tragic ignorance of the nature of women; and there fell on his path in that sunshine a shadow of doom.

While he disappeared through the farmhouse the girl remained for a few moments looking up the road, and two perspiring policemen came plowing up to the door where she stood. Though still angry, she was still silent, and a quarter of an hour later the officers had searched the house and were already inspecting the kitchen garden and cornfield behind it. In the ugly reaction of her mood she might have been tempted even to point out the fugitive, but for a small difficulty that she had no more notion than the policemen had of where he could possibly have gone. The kitchen garden was inclosed by a very low wall, and the cornfield beyond lay aslant like a square patch on a great green hill on which he could still have been seen even as a dot in the distance. Everything stood solid in its familiar place; the apple tree was too small to support or hide a climber; the only shed stood open and obviously empty; there was no sound save the droning of summer flies and the occasional flutter of a bird unfamiliar enough to be surprised by the scarecrow in the field; there was scarcely a shadow save a few blue lines that fell from the thin tree; every detail was picked out by the brilliant day light as if in a microscope. The girl described the scene later, with all the passionate realism of her race, and, whether or no the policemen had a similar eye for the picturesque, they had at least an eye for the facts of the case, and were compelled to give up the chase and retire from the scene. Bridget Royce remained as if in a trance, staring at the sunlit garden in which a man had just vanished like a fairy. She was still in a sinister mood, and the miracle took in her mind a character of unfriendliness and fear, as if the fairy were decidedly a bad fairy. The sun upon the glittering garden depressed her more than the darkness, but she continued to stare at it. Then the world itself went half-witted and she screamed. The scarecrow moved in the sun light. It had stood with its back to her in a battered old black hat and a tattered garment, and with all its tatters flying, it strode away across the hill.

She did not analyze the audacious trick by which the man had turned to his advantage the subtle effects of the expected and the obvious; she was still under the cloud of more individual complexities, and she noticed most of all that the vanishing scarecrow did not even turn to look at the farm. And the fates that were running so adverse to his fantastic career of freedom ruled that his next adventure, though it had the same success in another quarter, should increase the danger in this quarter. Among the many similar adventures related of him in this manner it is also said that some days afterward another girl, named Mary Cregan, found him concealed on the farm where she worked; and if the story is true, she must also have had the shock of an uncanny experience, for when she was busy at some lonely task in the yard she heard a voice speaking out of the well, and found that the eccentric had managed to drop himself into the bucket which was some little way below, the well only partly full of water. In this case, however, he had to appeal to the woman to wind up the rope. And men say it was when this news was told to the other woman that her soul walked over the border line of treason.

Such, at least, were the stories told of him in the countryside, and there were many more – as that he had stood insolently in a splendid green dressing gown on the steps of a great hotel, and then led the police a chase through a long suite of grand apartments, and finally through his own bedroom on to a balcony that overhung the river. The moment the pursuers stepped on to the balcony it broke under them, and they dropped pell-mell into the eddying waters, while Michael, who had thrown off his gown and dived, was able to swim away. It was said that he had carefully cut away the props so that they would not support anything so heavy as a policeman. But here again he was immediately fortunate, yet ultimately unfortunate, for it is said that one of the men was drowned, leaving a family feud which made a little rift in his popularity. These stories can now be told in some detail, not because they are the most marvelous of his many adventures, but because these alone were not covered with silence by the loyalty of the peasantry. These alone found their way into official reports, and it is these which three of the chief officials of the country were reading and discussing when the more remarkable part of this story begins.

Night was far advanced and the lights shone in the cottage that served for a temporary police station near the coast. On one side of it were the last houses of the straggling village, and on the other nothing but a waste moorland stretching away toward the sea, the line of which was broken by no landmark except a solitary tower of the prehistoric pattern still found in Ireland, standing up as slender as a column, but pointed like a pyramid. At a wooden table in front of the window, which normally looked out on this landscape, sat two men in plain clothes, but with something of a military bearing, for indeed they were the two chiefs of the detective service of that district. The senior of the two, both in age and rank, was a sturdy man with a short white beard, and frosty eyebrows fixed in a frown which suggested rather worry than severity.

His name was Morton, and he was a Liverpool man long pickled in the Irish quarrels, and doing his duty among them in a sour fashion not altogether unsympathetic. He had spoken a few sentences to his companion, Nolan, a tall, dark man with a cadaverous equine Irish face, when he seemed to remember something and touched a bell which rang in another room. The subordinate he had summoned immediately appeared with a sheaf of papers in his hand.

"Sit down, Wilson," he said. "Those are the depositions, I suppose."

"Yes," replied the third officer. "I think I've got all there is to be got out of them, so I sent the people away."

"Did Mary Cregan give evidence?" asked Morton, with a frown that looked a little heavier than usual.

"No, but her master did," answered the man called Wilson, who had flat, red hair and a plain, pale face, not without sharpness. "I think he's hanging round the girl himself and is out against a rival. There's always some reason of that sort when we are told the truth about anything. And you bet the other girl told right enough."

"Well, let's hope they'll be some sort of use," remarked Nolan, in a somewhat hopeless manner, gazing out into the darkness.

"Anything is to the good," said Morton, "that lets us know anything about him."

"Do we know anything about him?" asked the melancholy Irishman.

"We know one thing about him," said Wilson, "and it's the one thing that nobody ever knew before. We know where he is."

"Are you sure?" inquired Morton, looking at him sharply.

"Quite sure," replied his assistant. "At this very minute he is in that tower over there by the shore. If you go near enough you'll see the candle burning in the window."

As he spoke the noise of a horn sounded on the road outside, and a moment after they heard the throbbing of a motor car brought to a standstill before the door. Morton instantly sprang to his feet.

"Thank the Lord that's the car from Dublin," he said. "I can't do anything without special authority, not if he were sitting on the top of the tower and putting out his tongue at us. But the chief can do what he thinks best."

He hurried out to the entrance and was soon exchanging greetings with a big handsome man in a fur coat, who brought into the dingy little station the indescribable glow of the great cities and the luxuries of the great world.

For this was Sir Walter Carey, an official of such eminence in Dublin Castle that nothing short of the case of Prince Michael would have brought him on such a journey in the middle of the night. But the case of Prince Michael, as it happened, was complicated by legalism as well as lawlessness. On the last occasion he had escaped by a forensic quibble and not, as usual, by a private escapade; and it was a question whether at the moment he was amenable to the law or not. It might be necessary to stretch a point, but a man like Sir Walter could probably stretch it as far as he liked.

Whether he intended to do so was a question to be considered. Despite the almost aggressive touch of luxury in the fur coat, it soon became apparent that Sir Walter's large leonine head was for use as well as ornament, and he considered the matter soberly and sanely enough. Five chairs were set round the plain deal table, for who should Sir Walter bring with him but his young relative and secretary, Horne Fisher. Sir Walter listened with grave attention, and his secretary with polite boredom, to the string of episodes by which the police had traced the flying rebel from the steps of the hotel to the solitary tower beside the sea. There at least he was cornered between the moors and the breakers; and the scout sent by Wilson reported him as writing under a solitary candle, perhaps composing another of his tremendous proclamations. Indeed, it would have been typical of him to choose it as the place in which finally to turn to bay. He had some remote claim on it, as on a family castle; and those who knew him thought him capable of imitating the primitive Irish chieftains who fell fighting against the sea.

"I saw some queer-looking people leaving as I came in," said Sir Walter Carey. "I suppose they were your witnesses. But why do they turn up here at this time of night?"

Morton smiled grimly. "They come here by night because they would be dead men if they came here by day. They are criminals committing a crime that is more horrible here than theft or murder."

"What crime do you mean?" asked the other, with some curiosity.

"They are helping the law," said Morton.

There was a silence, and Sir Walter considered the papers before him with an abstracted eye. At last he spoke.

"Quite so; but look here, if the local feeling is as lively as that there are a good many points to consider. I believe the new Act will enable me to collar him now if I think it best. But is it best? A serious rising would do us no good in Parliament, and the government has enemies in England as well as Ireland. It won't do if I have done what looks a little like sharp practice, and then only raised a revolution."

"It's all the other way," said the man called Wilson, rather quickly. "There won't be half so much of a revolution if you arrest him as there will if you leave him loose for three days longer. But, anyhow, there can't be anything nowadays that the proper police can't manage."

"Mr. Wilson is a Londoner," said the Irish detective, with a smile.

"Yes, I'm a cockney, all right," replied Wilson, "and I think I'm all the better for that. Especially at this job, oddly enough."

Sir Walter seemed slightly amused at the pertinacity of the third officer, and perhaps even more amused at the slight accent with which he spoke, which rendered rather needless his boast about his origin.

"Do you mean to say," he asked, "that you know more about the business here because you have come from London?"

"Sounds funny, I know, but I do believe it," answered Wilson. "I believe these affairs want fresh methods. But most of all I believe they want a fresh eye."

The superior officers laughed, and the redhaired man went on with a slight touch of temper:

"Well, look at the facts. See how the fellow got away every time, and you'll understand what I mean. Why was he able to stand in the place of the scarecrow, hidden by nothing but an old hat? Because it was a village policeman who knew the scarecrow was there, was expecting it, and therefore took no notice of it. Now I never expect a scarecrow. I've never seen one in the street, and I stare at one when I see it in the field. It's a new thing to me and worth noticing. And it was just the same when he hid in the well. You are ready to find a well in a place like that; you look for a well, and so you don't see it. I don't look for it, and therefore I do look at it."

"It is certainly an idea," said Sir Walter, smiling, "but what about the balcony? Balconies are occasionally seen in London."

"But not rivers right under them, as if it was in Venice," replied

Wilson.

"It is certainly a new idea," repeated Sir Walter, with something like respect. He had all the love of the luxurious classes for new ideas. But he also had a critical faculty, and was inclined to think, after due reflection, that it was a true idea as well.

Growing dawn had already turned the window panes from black to gray when Sir Walter got abruptly to his feet. The others rose also, taking this for a signal that the arrest was to be undertaken. But their leader stood for a moment in deep thought, as if conscious that he had come to a parting of the ways.

Suddenly the silence was pierced by a long, wailing cry from the dark moors outside. The silence that followed it seemed more startling than the shriek itself, and it lasted until Nolan said, heavily:

"'Tis the banshee. Somebody is marked for the grave."

His long, large-featured face was as pale as a moon, and it was easy to remember that he was the only Irishman in the room.

"Well, I know that banshee," said Wilson, cheerfully, "ignorant as you think I am of these things. I talked to that banshee myself an hour ago, and I sent that banshee up to the tower and told her to sing out like that if she could get a glimpse of our friend writing his proclamation."

"Do you mean that girl Bridget Royce?" asked Morton, drawing his frosty brows together. "Has she turned king's evidence to that extent?"

"Yes," answered Wilson. "I know very little of these local things, you tell me, but I reckon an angry woman is much the same in all countries."

Nolan, however, seemed still moody and unlike himself. "It's an ugly noise and an ugly business altogether," he said. "If it's really the end of Prince Michael it may well be the end of other things as well. When the spirit is on him he would escape by a ladder of dead men, and wade through that sea if it were made of blood."

"Is that the real reason of your pious alarms?" asked Wilson, with a slight sneer.

The Irishman's pale face blackened with a new passion.

"I have faced as many murderers in County Clare as you ever fought with in Clapham Junction, Mr. Cockney," he said.

"Hush, please," said Morton, sharply. "Wilson, you have no kind of right to imply doubt of your superior's conduct. I hope you will prove yourself as courageous and trustworthy as he has always been."

The pale face of the red-haired man seemed a shade paler, but he was silent and composed, and Sir Walter went up to Nolan with marked courtesy, saying, "Shall we go outside now, and get this business done?"

Dawn had lifted, leaving a wide chasm of white between a great gray cloud and the great gray moorland, beyond which the tower was outlined against the daybreak and the sea.

Something in its plain and primitive shape vaguely suggested the dawn in the first days of the earth, in some prehistoric time when even the colors were hardly created, when there was only blank daylight between cloud and clay. These dead hues were relieved only by one spot of gold – the spark of the candle alight in the window of the lonely tower, and burning on into the broadening daylight. As the group of detectives, followed by a cordon of policemen, spread out into a crescent to cut off all escape, the light in the tower flashed as if it were moved for a moment, and then went out. They knew the man inside had realized the daylight and blown out his candle.

"There are other windows, aren't there?" asked Morton, "and a door, of course, somewhere round the corner? Only a round tower has no corners."

"Another example of my small suggestion," observed Wilson, quietly. "That queer tower was the first thing I saw when I came to these parts; and I can tell you a little more about it – or, at any rate, the outside of it. There are four windows altogether, one a little way from this one, but just out of sight. Those are both on the ground floor, and so is the third on the other side, making a sort of triangle. But the fourth is just above the third, and I suppose it looks on an upper floor."

"It's only a sort of loft, reached by a ladder, said Nolan. "I've played in the place when I was a child. It's no more than an empty shell." And his sad face grew sadder, thinking perhaps of the tragedy of his country and the part that he played in it.

"The man must have got a table and chair, at any rate," said Wilson, "but no doubt he could have got those from some cottage. If I might make a suggestion, sir, I think we ought to approach all the five entrances at once, so to speak. One of us should go to the door and one to each window; Macbride here has a ladder for the upper window."

Mr. Horne Fisher languidly turned to his distinguished relative and spoke for the first time.