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Well, I see in a minute I’ve got to revise my plans; so I begins namin’ over some of the swell grillrooms and cafes.

“Oh, we have been to most of those, all by ourselves,” says Cornelia. “What we would like to see to-night is some real – well, a place where we couldn’t go alone, out somewhere – an automobile resort, for instance.”

“Whe-e-ew!” says I through my front teeth. “Say, Miss Cornie, but you are gettin’ out of the bereft class for fair! I guess it’s comin’ to you, though. Now jest let me get an idea of how far you want to go.”

“Why,” says she, shruggin’ her shoulders, – “how is it you put such things? – the limit, I suppose?”

“Honest?” says I. “Then how about Clover Blossom Inn?”

Heard about that joint, haven’t you? Of course. There’s a lot of joy-ride tank stations strung along Jerome-ave. and the Yonkers road; but when it comes to a genuine tabasco flavored chorus girls’ rest, the Clover Blossom has most of the others lookin’ like playgrounds for little mothers. But Cornie don’t do any dodgin’.

“Fine!” says she. “I’ve read about that inn.” Then she hurries on to plan out the details. I must go over to Times Square and hire a nice looking touring car for the evening. And I mustn’t let Miss Stover know how much it costs; for Cornelia wants to do that part of it by her lonely.

“The dinner we are to go shares on,” says she.

“Couldn’t think of it,” says I. “Let that stand as my blow.”

“No, indeed,” says Cornelia. “We have the money all put aside, and I sha’n’t like it. Here it is, and I want you to be sure you spend the whole of it,” and with that she shoves over a couple of fives.

I couldn’t help grinnin’ as I takes it. Maybe you’ve settled a dinner bill for three and a feed for the shofer at the Clover Blossom; but not with a ten-spot, eh?

And while Cornelia is goin’ back in the elevator after the schoolma’am, I scoots over to get a machine. After convincin’ two or three of them leather capped pirates that I didn’t want to buy their blamed outfits, I fin’lly beats one down to twenty-five and goes back after the ladies.

Miss Stover don’t turn out to be any such star as Cornelia; but she don’t look so much like a suffragette as I expected. She’s plump, and middle aged, and plain dressed; but there’s more or less style to the way she carries herself. Also she has just a suspicion of eye twinkle behind the glasses, which suggests that perhaps some of this programme is due to her.

“All aboard for the Clover Blossom!” says I, handin’ ’em into the tonneau; “that is, as soon as I run in here to the telephone booth.”

It had come to me only at that minute what a shame it was this stunt of Cornelia’s was goin’ to be wasted on an audience that couldn’t appreciate the fine points, and I’d thought of a scheme that might supply the gap. So I calls up an old friend of mine and has a little confab.

By the time we’d crossed the Harlem and had got straightened out on the parkway with our gas lamps lighted, and the moon comin’ up over the trees, and hundreds of other cars whizzin’ along in both directions, Cornelia and her schoolma’am friend was chatterin’ away like a couple of boardin’ school girls. There’s no denyin’ that it does get into your blood, that sort of ridin’. Why, even I begun to feel some frisky!

And look at Cornelia! For years she’d been givin’ directions about where to put the floral wreaths, and listenin’ to wills being read, and all summer long she’d been buried in a little backwoods boardin’ house, where the most excitin’ event of the day was watchin’ the cows come home, or going down for the mail. Can you blame her for workin’ up a cheek flush and rattlin’ off nonsense?

Clover Blossom Inn does look fine and fancy at night, too, with all the colored lights strung around, and the verandas crowded with tables, and the Gypsy orchestra sawin’ away, and new parties landin’ from the limousines every few minutes. Course, I knew they’d run against perfect ladies hittin’ up cocktails and cigarettes in the cloak room, and hear more or less high spiced remarks; but this was what they’d picked out to view.

So I orders the brand of dinner the waiter hints I ought to have, – little necks, okra soup, broiled lobster, guinea hen, and so on, with a large bottle of fizz decoratin’ the silver tub on the side and some sporty lookin’ mineral for me. It don’t make any diff’rence whether you’ve got a wealthy water thirst or not, when you go to one of them tootsy palaces you might just as well name your vintage first as last; for any cheap skates of suds consumers is apt to find that the waiter’s made a mistake and their table has been reserved for someone else.

But if you don’t mind payin’ four prices, and can stand the comp’ny at the adjoinin’ tables, just being part of the picture and seeing it from the inside is almost worth the admission. If there’s any livelier purple spots on the map than these gasolene road houses from eight-thirty p. m. to two-thirty in the mornin’, I’ll let you name ’em.

Cornelia rather shies at the sight of the fat bottle peekin’ out of the cracked ice; but she gets over that feelin’ after Miss Stover has expressed her sentiments.

“Champagne!” says the schoolma’am. “Oh, how perfectly delightful! Do you know, I always have wanted to know how it tasted.”

Say, she knows all about it now. Not that she put away any more’n a lady should, – at the Clover Blossom, – but she had tackled a dry Martini first, and then she kept on tastin’ and tastin’ her glass of fizz, and the waiter keeps fillin’ it up, and that twinkle in her eye develops more and more, and her conversation gets livelier and livelier. So does Cornelia’s. They gets off some real bright things, too. You’d never guess there was so much fun in Cornie, or that she could look so much like a stunner.

She was just leanin’ over to whisper something to me about the peroxide puffed girl at the next table, and I was tryin’ to stand bein’ tickled in the neck by that long feather of hers while I listens, and Miss Stover was snuggled up real chummy on the other side, when I looks up the aisle and sees a little group watchin’ us with their mouths open and their eyebrows up.

Leadin’ the way is Pinckney. Oh, he’d done his part, all right, just as I’d told him over the wire; for right behind him is Durgin, starin’ at Cornelia until he was pop eyed.

But that wa’n’t all. Trust Pinckney to add something. Beyond Durgin is Mrs. Purdy-Pell – and Sadie. Now, I’ve seen Mrs. McCabe when she’s been some jarred; but I don’t know as I ever watched the effect of such a jolt as this. You see, Cornelia’s back was to her, and all Sadie can see is that wistaria lid with the feather danglin’ down my neck.

Sadie don’t indulge in any preliminaries. She marches right along, with her chin in the air, and glues them Irish blue eyes of hers on me in a way I can feel yet. “Well, I must say!” says she.

“Eh?” says I, tryin’ hard to put on a pleased grin. “So Pinckney brought you along too, did he? Lovely evenin’, ain’t it?”

“Why, Sadie?” says Cornelia, jumpin’ up and givin’ ’em a full face view. And you should have seen how that knocks the wind out of Sadie.

“Wha-a-at!” says she. “You?”

“Of course,” says Cornie. “And we’re just having the grandest lark, and – Oh! Why, Durgin! Where in the world did you come from? How jolly!”

“Ain’t it?” says I. “You see, Sadie, I’m carryin’ out instructions.”

Well, the minute she gets wise that it’s all a job that Pinckney and I have put up between us, and discovers that my giddy lookin’ friend is only Cousin Cornelia doin’ the butterfly act, the thunder storm is all over. The waiter shoves up another table, and they plants Durgin next to Cornie, and the festivities takes a new start.

Did Durgin boy forget all about them chilly feet of his? Why, you could almost see the frost startin’ out before he’d said a dozen words, and by the time he’d let the whole effect sink in, he was no nearer contractin’ chilblains than a Zulu with his heels in the campfire.

What pleases me most, though, was the scientific duck I made in the last round. We’d gone clear through the menu, and they was finishin’ up their cordials, when I spots the waiter comin’ with a slip of paper on his tray as long as a pianola roll.

“Hey, Pinckney,” says I, “see what’s comin’ now!”

And when Pinckney reached around and discovers what it is, he digs down for his roll like a true sport, never battin’ an eyelash.

“You would ring in the fam’ly on me, would you,” says I, “when I’m showin’ lady friends the sights?”

CHAPTER VIII
DOPING OUT AN ODD ONE

Say, notice any deep sea roll about my walk? No? Well, maybe you can get the tarry perfume as I pass by? Funny you don’t; for I’ve been a Vice Commodore for most three weeks now. Yes, that’s on the level – belay my spinnaker taffrail if it ain’t!

That’s what I get for bein’ one of the charter members of the Rockhurst Yacht Club. You didn’t, eh? Well, say, I’m one of the yachtiest yachters that ever jibbed a gangway. Not that I do any sailin’ exactly; but I guess Sadie and me each paid good money for our shares of club stock, and if that ain’t as foolish an act as you can find in the nautical calendar, then I’ll eat the binnacle boom.

Course, this Vice Commodore stunt was sort of sprung on me; for I’d been such an active member I didn’t even know the bloomin’ clubhouse was finished until here the other day I gets this bulletin from the annual meetin’, along with the programme for the openin’ exercises.

“Gee!” says I. “Vice Commodore! Say, there must be some mistake about this.”

“Not at all,” says Sadie.

“Sure there is,” says I. “Why, I hardly know one end of a boat from the other; and besides I ain’t got any clubby habits. They’ve been let in wrong, that’s all. I’ll resign.”

“You’ll do nothing of the sort!” says Sadie. “When I took all that trouble to have you win over that ridiculous Bronson-Smith!”

“Eh?” says I. “Been playin’ the Mrs. Taft, have you? In that case, I expect I’ll have to stay with it. But, honest, you can look for a season of perfectly punk Vice Commodorin’.”

As it turns out, though, there ain’t one in ten members that knows much more about yachtin’ than I do. Navigatin’ porch rockers, orderin’ all hands up for fancy drinks, and conductin’ bridge whist regattas was their chief sea-goin’ accomplishments; and when it come to makin’ myself useful, who was it, I’d like to know, that chucked the boozy steward off the float when he had two of the house committee treed up the signal mast?

I suspect that’s how it is I’m played up so prominent for this house warmin’ episode. Anyway, when I arrives there on the great night – me all got up fancy in a double breasted serge coat, white flannel pants, and cork soled canvas shoes – I finds they’ve put me on the reception committee; and that, besides welcomin’ invited guests, I’m expected to keep one eye peeled for outsiders, to see that nobody starts nothin’.

So I’m on deck, as you might say, and more or less conspicuous, when this Larchmont delegation is landed and comes stringin’ up. It was “Ahoy there, Captain This!” and “How are you, Captain That?” from the rest of the committee, who was some acquainted; and me buttin’ around earnest tryin’ to find someone to shake hands with, when I runs across this thick set party in the open front Tuxedo regalia, with his opera hat down over one eye and a long cigar raked up coquettish from the sou’west corner of his face.

Know him? I guess! It’s Peter K. Tracey; yes, the one that has his name on so many four-sheet posters. Noticed how he always has ’em read, ain’t you? “Mr. Peter K. Tracey presents Booth Keene, the sterling young actor.” Never forgets that “Mr.”; but, say, I knew him when he signed it just “P. Tracey,” and chewed his tongue some at gettin’ that down.

Them was the days when he’d have jumped at the chance of managin’ my ring exhibits, and he was known in sportin’ circles as Chunk Tracey. I ain’t followed all his moves since then; but I know he got to handlin’ the big heavyweights on exhibition tours, broke into the theatrical game with an animal show that was a winner, and has stuck to the boxoffice end ever since.

Why shouldn’t he, with a half ownership in a mascot Rube drama that never has less than six road companies playin’ it, and at least one hit on Broadway every season? I admit I was some surprised, though, to hear of him buyin’ a house on Fifth-ave. and makin’ a stab at mixin’ in society. That last I could hardly believe; but here he was, and lookin’ as much jarred at findin’ me as I was to see him.

“Well, I’ll be hanged!” says I. “Chunk Tracey!”

“Why, hello, Shorty!” says he, and neither one of us remembers the “Charmed to see yuh, old chappy” lines we should have been shootin’ off. Seems he’d been towed along with a bunch of near-swells that didn’t dare treat him as if he really belonged, and he was almost frothin’ at the mouth.

“Talk about your society folks!” says he. “Why, – blankety blank ’em! – I can go down the Rialto any afternoon, pick up a dozen people at twenty-five a week, drill ’em four days, and give a better imitation than this crowd ever thought of putting up!”

“Yes; but look who you are, Chunk,” says I.

“I know,” says he.

And he meant it too. He always was about the cockiest little rooster in the business; but I’d rather expected eight or ten years of ups and downs in the theatrical game, bein’ thrown out of the trust and crawlin’ back on his knees would have tempered him down some.

You couldn’t notice it, though. In fact, this chesty, cocksure attitude seemed to have grown on him, and it was plain that most of his soreness just now come from findin’ himself in with a lot of folks that didn’t take any special pains to admit what a great man he was. So, as him and me was sort of left to flock by ourselves, I undertook the job of supplyin’ a few soothin’ remarks, just for old time’s sake. And that’s how it was he got rung in on this little mix-up with Cap’n Spiller.

You see, the way the committee had mapped it out, part of the doin’s was a grand illumination of the fleet. Anyway, they had all the craft they could muster anchored in a semicircle off the end of the float and trimmed up with Japanese lanterns. Well, just about time for lightin’ up, into the middle of the fleet comes driftin’ a punk lookin’ old sloop with dirty, patched sails, some shirts and things hangin’ from the riggin’, and a length of stovepipe stickin’ through the cabin roof. When the skipper has struck the exact center, he throws over his mud hook and lets his sail run.

Not bein’ posted on the details, I didn’t know but that was part of the show, until the chairman of my committee comes rushin’ up to me all excited, and points it out.

“Oh, I say, McCabe!” says he. “Do you see that?”

“If I didn’t,” says I, “I could almost smell it from here. Some new member, is it?”

“Member!” he gasps. “Why, it’s some dashed old fisherman! We – we cawn’t have him stay there, you know.”

“Well,” says I, “he seems to be gettin’ plenty of advice on that point.” And he was; for they was shoutin’ things at him through a dozen megaphones.

“But you know, McCabe,” goes on the chairman, “you ought to go out and send him away. That’s one of your duties.”

“Eh?” says I. “How long since I’ve been official marine bouncer for this organization? G’wan! Go tell him yourself!”

We had quite an argument over it too, with Peter K. chimin’ in on my side; but, while the chappy insists that it’s my job to fire the old hooker off the anchorage, I draws the line at interferin’ with anything beyond the shore. Course, it might spoil the effect; but the way it struck me was that we didn’t own any more of Long Island Sound than anyone else, and I says so flat.

That must have been how the boss of the old sloop felt about it too; for he don’t pay any attention to the howls or threats. He just makes things snug and then goes below and starts pokin’ about in his dinky little cabin. Judgin’ by the motions, he was gettin’ a late supper.

Anyway, they couldn’t budge him, even though half the club was stewin’ about it. And, someway, that seemed to tickle Chunk and me a lot. We watched him spread his grub out on the cabin table, roll up his sleeves, and square away like he had a good appetite, just as if he’d been all by himself, instead of right here in the midst of so many flossy yachtsmen.

He even had music to eat by; for part of the programme was the turnin’ loose of one of these high priced cabinet disk machines, that was on the Commodore’s big schooner, and feedin’ it with Caruso and Melba records. There was so much chatterin’ goin’ on around us on the verandas, and so many corks poppin’ and glasses clinkin’, that the skipper must have got more benefit from the concert than anyone else. At last he wipes his mouth on his sleeve careful, fills his pipe, and crawls out on deck to enjoy the view.

It was well worth lookin’ at too; for, although there was most too many clouds for the moon to do much execution, here was all the yachts lighted up, and the clubhouse blazin’ and gay, and the water lappin’ gentle in between. He gazes out at it placid for a minute or so, and then we see him dive down into the cabin. He comes back with something or other that we couldn’t make out, and the next thing I knows I finds myself keepin’ time with my foot to one of them lively, swingin’ old tunes which might have been “The Campbells Are Coming” or might not; but anyway it was enough to give you that tingly sensation in your toes. And it was proceedin’ from the after deck of that old hulk.

“Well, well!” says I. “Bagpipes!”

“Bagpipes be blowed!” says Chunk. “That’s an accordion he’s playing. Listen!”

Say, I was listenin’, and with both ears. Also other folks was beginnin’ to do the same. Inside of five minutes, too, all the chatter has died down, and as I glanced around at the tables I could see that whole crowd of fancy dressed folks noddin’ and beatin’ time with their fans and cigars and fizz glasses. Even the waiters was standin’ still, or tiptoin’ so’s to take it in.

Ever hear one of them out-of-date music bellows handled by a natural born artist? Say, I’ve always been partial to accordions myself, though I never had the courage to own up to it in public; but this was the first time I’d ever heard one pumped in that classy fashion.

Music! Why, as he switches off onto “The Old Folks at Home,” you’d thought there was a church organ and a full orchestra out there! Maybe comin’ across the water had something to do with it; but hanged if it wa’n’t great! And of all the fine old tunes he gave us – “Nellie Gray,” “Comin’ Through the Rye,” “Annie Laurie,” and half a dozen more.

“Chunk,” says I, as the concert ends and the folks begin to applaud, “there’s only one thing to be done in a case like this. Lemme take that lid of yours.”

“Certainly,” says he, and drops a fiver into it before he passes it over. That wa’n’t the only green money I collects, either, and by the time I’ve made the entire round I must have gathered up more’n a quart of spendin’ currency.

“Hold on there, Shorty,” says Chunk, as I starts out to deliver the collection. “I’d like to go with you.”

“Come along, then,” says I. “I guess some of these sailormen will row us out.”

What we had framed up was one of these husky, rugged, old hearts of oak, who would choke up some on receivin’ the tribute and give us his blessin’ in a sort of “Shore Acres” curtain speech. Part of that description he lives up to. He’s some old, all right; but he ain’t handsome or rugged. He’s a lean, dyspeptic lookin’ old party, with a wrinkled face colored up like a pair of yellow shoes at the end of a hard season. His hair is long and matted, and he ain’t overly clean in any detail. He don’t receive us real hearty, either.

“Hey, keep your hands off that rail!” he sings out, reachin’ for a boathook as we come alongside.

“It’s all right, Cap,” says I. “We’re friends.”

“Git out!” says he. “I ain’t got any friends.”

“Sure you have, old scout,” says I. “Anyway, there’s a lot of people ashore that was mighty pleased with the way you tickled that accordion. Here’s proof of it too,” and I holds up the hat.

“Huh!” says he, gettin’ his eye on the contents. “Come aboard, then. Here, I guess you can stow that stuff in there,” and blamed if he don’t shove out an empty lard pail for me to dump the money in. That’s as excited as he gets about it too.

Say, I’d have indulged in about two more minutes of dialogue with that ugly faced old pirate, and then I’d beat it for shore good and disgusted, if it hadn’t been for Chunk Tracey. But he jumps in, as enthusiastic as if he was interviewin’ some foreign Prince, presses a twenty-five-cent perfecto on the Cap’n, and begins pumpin’ out of him the story of his life.

And when Chunk really enthuses it’s got to be a mighty cold proposition that don’t thaw some. Ten to one, too, if this had been a nice, easy talkin’, gentle old party, willin’ to tell all he knew in the first five minutes, Chunk wouldn’t have bothered with him; but, because he don’t show any gratitude, mushy or otherwise, and acts like he had a permanent, ingrowin’ grouch, Chunk is right there with the persistence. He drags out of him that he’s Cap’n Todd Spiller, hailin’ originally from Castine, Maine, and that the name of his old tub is the Queen of the Seas. He says his chief business is clammin’; but he does a little fishin’ and freightin’ on the side. He don’t work much, though, because it don’t take a lot to keep him.

“But you have a wife somewhere ashore, I suppose,” suggests Chunk, “a dear old soul who waits anxiously for you to come back?”

“Bah!” grunts Cap’n Spiller, knockin’ the heel out of his corncob vicious. “I ain’t got any use for women.”

“I see,” says Chunk, gazin’ up sentimental at the moon. “A blighted romance of youth; some fair, fickle maid who fled with another and left you alone?”

“No such luck,” says Spiller. “My trouble was havin’ too many to once. Drat ’em!”

And you’d most thought Chunk would have let it go at that; but not him! He only tackles Spiller along another line. “What I want to know, Captain,” says he, “is where you learned to play the accordion so well.”

“Never learned ’tall,” growls Spiller. “Just picked it up from a Portugee that tried to knife me afterwards.”

“You don’t say!” says Chunk. “But there’s the musician’s soul in you. You love it, don’t you? You use it to express your deep, unsatisfied longings?”

“Guess so,” says the Captain. “I allus plays most when my dyspepshy is worst. It’s kind of a relief.”

“Um-m-m – ah!” says Chunk. “Many geniuses are that way. You must come into town, though, and let me take you to hear some real, bang up, classical music.”

“Not me!” grunts Spiller. “I can make all the music I want myself.”

“How about plays, then?” says Chunk. “Now, wouldn’t you like to see the best show on Broadway?”

“No, sir,” says he, prompt and vigorous. “I ain’t never seen any shows, and don’t want to seen one, either.”

And, say, along about that time, what with the stale cookin’ and bilge water scents that was comin’ from the stuffy cabin, and this charmin’ mood that old Spiller was in, I was gettin’ restless. “Say, Chunk,” I breaks in, “you may be enjoyin’ this, all right; but I’ve got enough. It’s me for shore! Goin’ along?”

“Not yet,” says he. “Have the boat come back for me in about an hour.”

It was nearer two, though, before he shows up again, and his face is fairly beamin’.

“Well,” says I, “did you adopt the old pirate, or did he adopt you?”

“Wait and see,” says he, noddin’ his head cocky. “Anyway, he’s promised to show up at my office to-morrow afternoon.”

“You must be stuck on entertaining a grouchy old lemon like that,” says I.

“But he’s a genius,” says Chunk. “Just what I’ve been looking for as a head liner in a new vaudeville house I’m opening next month.”

“What!” says I. “You ain’t thinkin’ of puttin’ that old sour face on the stage, are you? Say, you’re batty!”

“Batty, am I?” says Chunk, kind of swellin’ up. “All right, I’ll show you. I’ve made half a million, my boy, by just such batty moves as that. It’s because I know people, know ’em through and through, from what they’ll pay to hear, to the ones who can give ’em what they want. I’m a discoverer of talent, Shorty. Where do I get my stars from? Pick ’em up anywhere. I don’t go to London and Paris and pay fancy salaries. I find my attractions first hand, sign’ em up on long contracts, and take the velvet that comes in myself. That’s my way, and I guess I’ve made good.”

“Maybe you have,” says I; “but I’m guessin’ this is where you stub your toe. Hot line that’ll be for the head of a bill, won’t it – an accordion player? Think you can get that across?”

“Think!” says Chunk, gettin’ indignant as usual, because someone suggests he can fall down on anything. “Why, I’m going to put that over twice a day, to twelve hundred-dollar houses! No, I don’t think; I know!”

And just for that it wouldn’t have taken much urgin’ for me to have put up a few yellow ones that he was makin’ a wrong forecast.

But, say, you didn’t happen to be up to the openin’ of Peter K.’s new Alcazar the other night, did you? Well, Sadie and I was, on account of being included in one of Chunk’s complimentary box parties. And, honest, when they sprung that clouded moonlight water view, with the Long Island lights in the distance, and the Sound steamers passin’ back and forth at the back, and the rocks in front, hanged if I didn’t feel like I was on the veranda of our yacht club, watchin’ it all over again, the same as it was that night!

Then in from one side comes this boat; no ordinary property piece faked up from something in stock; but a life sized model that’s a dead ringer for the old Queen of the Seas, even to the stovepipe and the shirts hung from the forestay. It comes floatin’ in lazy and natural, and when Cap Spiller goes forward to heave over the anchor he drops it with a splash into real water. He’s wearin’ the same old costume, – shirt sleeves, cob pipe, and all, – and when he begins to putter around in the cabin, blamed if you couldn’t smell the onions fryin’ and the coffee boilin’. Yes, sir, Chunk had put it all on!

Did the act get ’em interested? Say, there was fifteen straight minutes of this scenic business, with not a word said; but the house was so still I could hear my watch tickin’. But when he drags out that old accordion, plants himself on the cabin roof with one leg swingin’ careless over the side, and opens up with them old tunes of his – well, he had ’em all with him, from the messenger boys in the twenty-five-cent gallery to the brokers in the fifteen-dollar boxes. He takes five curtain calls, and the orchestra circle was still demandin’ more when they rung down the front drop.

“Chunk,” says I, as he shows up at our box, “I take it back. You sure have picked another winner.”

“Looks like it, don’t it?” says he. “And whisper! A fifty-minute act for a hundred a week! That’s the best of it. Up at the Columbus their top liner is costing them a thousand a day.”

“It’s a cinch if you can hold onto him, eh?” says I.

“Oh, I can hold him all right,” says Chunk, waggin’ his head confident. “I know enough about human nature to be sure of that. Of course, he’s an odd freak; but this sort of thing will grow on him. The oftener he gets a hand like that, the more he’ll want it, and inside of a fortnight that’ll be what he lives for. Oh, I know people, from the ground up, inside and outside!”

Well, I was beginnin’ to think he did. And, havin’ been on the inside of his deal, I got to takin’ a sort of pride in this hit, almost as much as if I’d discovered the Captain myself. I used to go up about every afternoon to see old Spiller do his stunt and get ’em goin’. Gen’rally I’d lug along two or three friends, so I could tell ’em how it happened.

Last Friday I was a little late for the act, and was just rushin’ by the boxoffice, when I hears language floatin’ out that I recognizes as a brand that only Chunk Tracey could deliver when he was good and warm under the collar. Peekin’ in through the window, I sees him standin’ there, fairly tearin’ his hair.

“What’s up, Chunk?” says I. “You seem peeved.”

“Peeved!” he yells. “Why, blankety blank the scousy universe, I’m stark, raving mad! What do you think? Spiller has quit!”

“Somebody overbid that hundred a week?” says I.

“I wish they had; then I could get out an injunction and hold him on his contract,” says Peter K. “But he’s skipped, skipped for good. Read that.”

It’s only a scrawly note he’d left pinned up in his dressin’ room, and, while it ain’t much as a specimen of flowery writin’, it states his case more or less clear. Here’s what it said:

Mister P. K. Tracey;

Sir: – I’m through being a fool actor. The money’s all right if I needed it, which I doant, but I doant like makin’ a fool of myself twict a day to please a lot of citty foalks I doant give a dam about annie way, I doant like livin’ in a blamed hotel either, for there aint annie wheres to set and smoak and see the sun come up. I’d ruther be on my old bote, and that’s whare I’m goin’. You needn’t try to find me and git me to come back for I wont. You couldn’t git me to act on that staige agin, ever. It’s foolish.

Yours, Todd Spiller.

“Now what in the name of all that’s woolly,” says Chunk, “would you say to a thing like that?”

“Me?” says I. “I don’t know. Maybe I’d start in by admittin’ that to card index the minds of the whole human race was a good deal of a job for one party to tackle, even with a mighty intellect like yours. Also, if it was put up to me flat, I might agree with Spiller.”