Читать книгу: «Airy Fairy Lilian», страница 25

CHAPTER XXXII

 
"How hard it is to hide the sparks of nature!"
 

– Cymbeline.

 
"No, truly, Ursula, she is too disdainful
I know, her spirits are as coy and wild
As haggards of the rock.
 

* * * * * * *

 
Disdain and scorn ride sparkling in her eyes,
Misprising what they look on."
 

– Much Ado About Nothing.

"Sir Guy," says Miss Chesney, two days later, bursting into his private sanctum as "the eve is declining," in a rather stormy fashion, "I must ask you to speak to your groom Buckley: he has been exceedingly rude to me."

"Rude? Buckley?" exclaims Sir Guy, with a frown, throwing down the paper he has been trying to read in the fast growing gloom. It is dusk, but the red light of the fire flickers full upon his face, betraying the anger that is gathering there. A looker-on would have readily understood by it that Buckley's hours for grooming at Chetwoode are few.

"Yes. I told him to have Saracen saddled for me to-morrow morning, as the meet is at Ryston, and I expect a good run; and he said he should not do it without your permission, or orders, or something equally impertinent."

"Saracen!" returns Chetwoode, aghast, losing sight of Buckley's miserable behavior, or rather condoning it on the spot; "you don't mean to tell me that for one moment you dreamed of riding Saracen?"

"Certainly I did. And why not?" preparing for battle.

"Because the idea is simply absurd. You could not possibly ride him. He is not half trained."

"Archibald rode him last week, and says he is perfect, and quite safe. I have decided on trying him to-morrow."

"I wish Chesney would not put such thoughts into your head. He is not safe, and he has never been ridden by a woman."

"That is just why I fancy him: I have often before now ridden horses that had never had a lady on their backs until I rode them. And to-morrow I feel sure will be a good day, besides being probably my last meet for the season."

"My dear child, I think it would indeed be your last meet were you to ride that brute: his temper is thoroughly uncertain."

"You told me a few days ago my hand could make any horse's mouth, and now – "

"I told you then what I tell you again now, that you are one of the best woman riders I ever saw. But for all that, you would find it impossible to manage Saracen."

"You refuse him to me, then?" with an ominous gleam in her eyes.

"I wish you would not look at it in that light: I merely cannot consent to let you break your neck. If your own mare does not please you, you can take my mount, or any other in the entire stables."

"No, thank you, I only want that one."

"But, my dear Lilian, pray be reasonable!" entreats Chetwoode, warmly, and just a trifle impatiently: "do you think I would be doing my duty by you if I sanctioned such a rash proceeding?"

"Your duty?" unpleasantly, and with a certain scornful uplifting of her small Grecian nose.

"Just so," coldly; "I am your guardian, remember."

"Oh, pray do not perpetually seek to remind me of that detestable fact," says Miss Chesney, vindictively; whereupon Sir Guy freezes, and subsides into dead and angry silence. Lilian, sweeping over to the darkening window, commences upon the pane a most disheartening tattoo, that makes the listener long for death. When Chetwoode can stand it no longer, he breaks the oppressive stillness.

"Perhaps you are not aware," he says, angrily, "that a noise of that description is intensely irritating."

"No. I like it," retorts Miss Chesney, tattooing louder than ever.

"If you go on much longer, you will drive me out of my mind," remarks Guy, distractedly.

"Oh, don't let it come to that," calmly; "let me drive you out of the room first."

"As to my guardianship," says Chetwoode, in a chilling tone, "console yourself with the reflection that it cannot last forever. Time is never at a standstill, and your twenty-first birthday will restore you to freedom. You can then ride as many wild animals and kill yourself as quickly as you please, without asking any one's consent."

"I can do that now too, and probably shall. I have quite made up my mind to ride Saracen to-morrow!"

"Then the sooner you unmake that mind the better."

"Well," – turning upon him as though fully prepared to crush him with her coming speech, – "if I don't ride him I shall stay at home altogether: there!"

"I think that will be by far the wiser plan of the two," returns he, coolly.

"What! and lose all my day!" cries Lilian, overwhelmed by the atrocity of this remark, "while you and all the others go and enjoy yourselves! How hatefully selfish you can be! But I won't be tyrannized over in this fashion. I shall go, and on Saracen too."

"You shall not," firmly.

Miss Chesney has come close up to where he is standing on the hearth-rug. The fire-light dances and crackles merrily, casting its rays, now yellow, now deep crimson, over their angry faces, as though drawing keen enjoyment from the deadly duel going on so near to it. One pale gleam lingers lovingly upon Lilian's sunny head, throwing over it yet another shade, if possible richer and more golden than its fellows; another lights up her white hands, rather defiantly clinched, one small foot in its high-heeled shoe that has advanced beyond her gown, and two blue eyes large with indignant astonishment.

Guy is returning her gaze with almost equal indignation, being angrily remindful of certain looks and scenes that of late have passed between them.

"You defy me?" says Lilian, slowly.

"I do."

"You refuse me?" as though not quite believing the evidence of her senses.

"I do. I forbid you to ride that one horse."

"Forbid me!" exclaims she passionately, tears starting to her eyes. "You are fond of forbidding, as it seems to me. Recollect, sir, that, though unhappily your ward, I am neither your child nor your wife."

"I assure you I had never the presumption to imagine you in the latter character," he answers, haughtily, turning very pale, but speaking steadily and in a tone eminently uncomplimentary.

"Your voice says more than your words," exclaims Lilian, too angry to weigh consequences. "Am I to understand" – with an unlovely laugh – "you think me unworthy to fill so exalted a position?"

"As you press me for the truth," says Chetwoode, who has lost his temper completely, "I confess I should hardly care to live out my life with such a – "

"Yes, go on; 'with such a – ' shrew, is it? or perhaps virago?"

"As you wish it," with a contemptuous shrug; "either will suit, but I was going to say 'flirt.'"

"Were you?" cries she, tears of mortification and rage dimming her eyes, all the spoiled child within her rising in arms. "Flirt, am I? and shrew? Well, I will not have the name of it without the gain of it. I hate you, hate you, hate you!"

With the last word she raises her hand suddenly and administers to him a sound and wholesome box upon the ear.

The effect is electric. Sir Guy starts back as though stunned. Never in all his life has he been so utterly taken aback, routed with such deadly slaughter. The dark, hot color flames into his cheeks. Shame for her – a sort of horror that she should have been guilty of such an act – overpowers him. Involuntarily he puts one hand up to the cheek her slender fingers, now hanging so listlessly at her side, have wounded, while regarding her with silent amazement largely mixed with reproach.

As for Lilian, the deed once done, she would have given worlds to recall it, – that is, secretly, – but in this life, unfortunately, facts accomplished cannot be undone. Outwardly she is as defiant as ever, and, though extremely white, steadily and unflinchingly returns his gaze.

Yet after a little, a very little while, her eyes fall before his, her pretty, proud head droops somewhat, a small remnant of grace springs up in the very middle of all her passion and disdain. She is frightened, nervous, contrite.

When the silence has become absolutely unbearable, Guy says, in a low tone that betrays not the faintest feeling:

"I am afraid I must have said something to annoy you terribly. I confess I lost my temper, and otherwise behaved as a gentleman should not. I beg your pardon."

His voice is that of a stranger; it is so altered she scarcely knows it. Never in their worst disputes has he so spoken to her. With a little sickening feeling of despair and terror at her heart, she turns away and moves toward the door.

"Are you going? Pray take care. The room is very dark where the fire-light does not penetrate," says Guy, still in the same curiously changed voice, so full of quiet indifference, so replete with the cold courtesy we accord to those who are outside and beyond our affections.

He opens the door for her, and bows very slightly as she passes through, and then closes it again calmly, while she, with weary, listless footsteps, drags herself up-stairs and throws herself upon her bed.

Lying there with dry and open eyes, not daring to think, she hardly cares to analyze her own feelings. She knows she is miserable, and obstinately tries to persuade herself it is because she has been thwarted in her desire to ride Saracen, but in vain. After a struggle with her better thoughts, she gives in, and acknowledges her soreness of heart arises from the conviction that she has forever disgraced herself in her guardian's eyes. She will never be able to look at him again, though in truth that need scarcely signify, as surely in the future he will not care to see where she may be looking. It is all over. He is done with her. Instinctively she understands from his altered manner how he has made up his mind never again to exercise his right over her as guardian, never again to concern himself about either her weal or her woe. She is too wretched to cry, and lies prostrate, her pulses throbbing, her brain on fire.

"What is it, my bird?" asks nurse, entering, and bending solicitously over her. "Are you not well? Does your head ache?"

"It is not my head," plaintively.

"Your side, my lamb?"

"Yes, it is my side," says Lilian, laying her hand pathetically upon her heart; and then, overcome by the weight of her own sorrows, she buries her head in her pillows and bursts into tears.

"Eh, hinny, don't cry," says nurse, fondly. "We must all have pains there at times, an' we must just learn to bear them as best we may. Come, look up, my bairn; I will put on a good mustard blister to-night, and to-morrow I tell you it won't magnify at all," winds up nurse, fluently, who rather prides herself upon her management of the Queen's English, and would scorn to acknowledge the misplacement of a word here and there; and indeed, after all, when one comes to think of it, it does not "magnify" very much.

But Lilian sobs on disconsolately. And next morning she has fresh cause to bewail her evil conduct. For the day breaks and continues through all its short life so wet, so wild, so stormy, that neither Saracen nor any other horse can leave the stables. Hunting is out of the question, and with a fresh pang, that through its severity is punishment enough for her fault, she knows all her temper of the night before was displayed for naught.

CHAPTER XXXIII

 
"Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes,
Kindling a momentary paradise."
 

– Shelley: Ginevra.

It is the night of Mabel Steyne's ball. In the library at Chetwoode they are almost every one assembled, except Lilian, and Florence Beauchamp, and Mr. Musgrave, whose dressing occupies a considerable part of his life, and who is still sufficiently young to find pleasure in it.

Lady Chetwoode in gray satin is looking charming; Cecilia, lovely, in the palest shade of blue. She is standing at a table somewhat apart, conversing with Cyril, who is fastening a bracelet upon one of her arms. Guy and Archibald are carrying on a desultory conversation.

And now the door opens, and Lilian comes in. For the first time for a whole year she has quite discarded mourning to-night, and is dressed in pure white. Some snowdrops are thrown carelessly among the folds of the tulle that covers and softens her silk gown; a tiny spray of the same flower lies nestling in her hair.

She appears more fairy-like, more child-like and sweeter than ever, as she advances into the room, with a pretty consciousness of her own beauty, that sits charmingly upon her. She is a perfect little vision of loveliness, and is tenderly aware of the fact. Her neck is fair, her shoulders rounded and kissable as an infant's; her eyes are gleaming, her lips apart and smiling; her sunny hair, that is never quite as smooth as other people's, lies in rippling coils upon her head, while across her forehead a few short rebellious love-locks wander.

Seeing her, Sir Guy and Chesney are filled with a simultaneous longing to take her in their arms and embrace her then and there.

Sweeping past Sir Guy, as though he is invisible, she goes on, happy, radiant toward Lady Chetwoode. She is in her airiest mood, and has evidently cast behind her all petty désagréments, being bent on enjoying life to its fullest for this one night at least.

"Is not my dress charming, auntie? does it not become me?" she asks, with the utmost naïveté, casting a backward glance over her shoulder at her snowy train.

"It does, indeed. Let me congratulate you, darling," says Lady Chetwoode to her favorite: "it is really exquisite."

"Lovely as its wearer," says Archibald, with a suppressed sigh.

"Pouf!" says Lilian, gayly: "what a simile! It is a rudeness; who dares compare me with a paltry gown? A tenth part as lovely, you mean. How refractory this button is!" holding out to him a rounded arm to have the twelfth button of her glove fastened; "try can you do it for me?"

Here Taffy enters, and is apparently struck with exaggerated admiration as he beholds her.

"Ma conscience!" he says, in the words of the famous Dominie, "what a little swell we are! Titania, my dear, permit me to compliment you on the success you are sure to have. Monsieur Worth has excelled himself! Really, you are very nearly pretty. You'll have a good time of it to-night, I shouldn't wonder."

"I hope so," gladly; "I can hardly keep my feet quiet, I do so long to dance. And so you admire me?"

"Intensely. As a tribute to your beauty, I think I shall give you a kiss."

"Not for worlds," exclaims she, retreating hastily. "I know your embraces of old. Do let me take my flowers and tulle uncrushed to Mabel's, or I shall complain of you to her, and so spoil your evening."

"I am glad to see you have recovered your usual spirits," maliciously: "this morning you were nowhere. I could not get a word out of you. Ever since yesterday, when you were disappointed about your run, you have been in 'doleful dumps.' All day you looked as though you thought there was 'nothing so dainty sweet as lovely melancholy.' You seemed to revel in it."

"Perhaps I was afraid to encourage you. Once set going, you know you cannot stop," says Lilian, laughing, while two red spots, caused by his random remark, rise and burn in her cheeks.

"We are late, are we not?" says Florence, entering at this moment; and as Florence never errs, Archibald instantly gives his arm to Lady Chetwoode and takes her down to the carriage. Taffy, who has already opened an animated conversation with Miss Beauchamp on the horrors of square dances, accompanies her; Cyril disappears with Cecilia, and Lilian is left alone in the library with Sir Guy.

Curving her body gracefully, Lilian gathers up with slow nonchalance her long train, and, without bestowing a glance upon Guy, who is silently waiting to escort her to the smaller brougham, goes up to a mirror to take a last lingering survey of her own bewitching image. Then she calmly smooths down her glove, then refastens a bracelet that has come undone, while he, with a bored expression on his face, waits impatiently.

By this, Archibald, who has had ample time to put Lady Chetwoode in her carriage and come all the way back to find a fan forgotten by Miss Beauchamp, re-enters the room.

Lilian beams upon him directly.

"Good Archie," she says, sweetly, "you have returned just in time. There was positively nobody to take poor little me to the brougham." She slips her hand beneath his arm, and walks past Sir Guy composedly, with laughing friendly eyes uplifted to her cousin's.

* * * * * * *

The ball is at its height. The first small hour of morning has sounded. The band is playing dreamily, sweetly; flowers are nodding everywhere, some emitting a dying fragrance, others still fresh and sweet as when first plucked. Afar off the faint splashing of the fountains in the conservatories echoes tremulously, full of cool imaginings, through the warm air. Music and laughter and mirth – real and unreal – are mixed together in one harmonious whole.

Mrs. Steyne has now an unaffected smile upon her face, being assured her ball is an undeniable success, and is allowing herself to be amused by Taffy, who is standing close beside her.

Tom Steyne, who, like Sir Charles Coldstream, is "thirty-three and used up," is in a corner, silently miserable, suffering himself to be flirted at by a gay young thing of forty. He has been making despairing signs to Taffy to come to his assistance, for the past five minutes, which signals of distress that young gentleman basely declines to see.

Every one is busy asking who Mrs. Arlington can be, and, as nobody knows, everybody undertakes to tell his or her neighbor "all about her." And by this time every one is aware she is enormously rich, the widow of an Indian nabob, from whom she was divorced on account of some "fi-fi story, my dear, that is never mentioned now," and that she is ever so many years older than she really looks; "painting is brought to such perfection nowadays!"

All night long Sir Guy has not asked Lilian to dance; he has held himself aloof from her, never even allowing his glance to stray in her direction, although no smallest grace, no faintest coquetry, of hers has escaped his notice. To him the whole evening has been a miserable failure. He has danced, laughed, flirted a good deal, "as is his nature to," – more particularly with Florence, – but he has been systematically wretched all through.

Lilian and Archibald have been inseparable. She has danced with him, in defiance of all decent rules, dance after dance, even throwing over some engagements to continue her mad encouragement of him. She has noted Sir Guy's attention to his cousin, and, noting (although in her heart she scarcely believes in it), has grown a little reckless as to what judgment people may form of her evident appreciation of Chesney's society.

There is indeed a memorable five minutes when she absolutely deliberates as to whether she will or will not accept her cousin's hand, and so give herself a way to escape from Sir Guy's dreaded displeasure. But, while deliberating, she quite forgets the terrible disappointment she is laying up in store for him, who has neither thought, nor eyes, nor words, for any one but her. Being the undisputed belle of the evening, she naturally comes in for a heavy share of attention, and, be sure, does not altogether escape unkind comment.

"Oh, poor Tom! Do look at Tom and that fearful Miss Dumaresque," says Mrs. Steyne, who just at this moment discovers the corner where Tom is doing his utmost to "suffer and be strong." It is, however, a miserable attempt, as he is visibly depressed and plainly on the point of giving way altogether. "Somebody must go to his succor," says Mabel, with decision: "the question is, who? You, my dear Taffy, I think."

"Not I," says Taffy; "please, dear Mrs. Steyne, do not afflict me so far. I couldn't, indeed. I am very dreadfully afraid of Miss Dumaresque; besides, I never pity Tom even when in his worst scrapes. We all know" – sentimentally – "he is the happiest man alive; when he does fall in for his bad quarter of an hour, why not let him endure it like another? And he is rather in a hat, now, isn't he?" taking an evident keen delight in Mr. Steyne's misfortunes. "I wouldn't be in his shoes for a good deal. He looks as if he was going to cry. The fact is, the gods have pampered him so much, that it is a shame not to let him know for a few minutes what real distress means."

"But what if he should die!" reproachfully: "one so unaccustomed to adversity as Tom would be very likely to sink under it. He looks half dead already! Mark the hunted expression in his poor dear eyes."

"I wish you would mark the forlorn and dejected expression in other people's eyes," in an injured tone; "but all that, of course, goes for nothing."

"In yours, do you mean?" with exaggerated sympathy. "My dear boy, have you a secret sorrow? Does concealment, like that nasty worm, prey upon you? I should be unhappy forever if I could bring myself to think so."

"Then don't think so; come, let us finish this waltz, and forget that lucky fellow in the corner."

"What! you would have me trip it on the light fantastic toe while Tom is enduring torment? Never! Whatever I may do in prosperity, in adversity I 'never will desert Mr. Micawber.'"

"I vow I think you are jealous of that antiquated though still frisky damsel," says Taffy, ready to explode with laughter at the bare idea, as he watches the frisky one's attempt at subjugating the hapless Tom.

"You have discovered my hidden fear," replies Mabel, laughing, too: "forgive my weakness. There are moments when even the strongest break down! Wait here patiently for me, and I have no doubt with a little skill I shall be able to deliver him."

At one side of the ball-room, close to an upper window, is a recess, dimly lit, and partially curtained, in which it is possible for two or three to stand without letting outsiders be aware of their vicinity: into this nook Lilian and Archibald have just withdrawn, she having confessed to a faint sense of fatigue. The sweet lingering notes of the waltz "Geliebt und Verloren" are saddening the air; now they swell, now faint, now almost die out altogether, only to rise again full of pathetic meaning.

"How charming it is to be here!" says Lilian, sinking into a cushioned seat with a sigh of relief, "apart from every one, and yet so near; to watch their different expressions, and speculate upon their secret feelings, without appearing rude: do you not think so? Do you like being here?"

"Yes, I like being here with you," – or anywhere else, he might have added, without deviating from the truth.

At this moment Guy, who is not dancing, happens to saunter up, and lean against the curtains of the window close to their hiding-place, totally unconscious of their presence. From where she is sitting Lilian can distinctly see him, herself unseen. He looks moody, and is evidently enchanted with the flavor of his blonde moustache. He is scarcely noticeable from where he stands, so that when two men come leisurely up to the very mouth of the retreat, and dispose of themselves luxuriously by leaning all their weight upon the frail pillars against which the curtains hang, they do not perceive him.

One is Harry Bellair, who has apparently been having a good many suppers; the other is his friend.

Mr. Bellair's friend is not as handsome as he might be. There is a want of jaw, and a general lightness about him (not of demeanor: far be it from me to hint at that!) that at a first glance is positively startling. One hardly knows where his flesh ends or his hair begins, while his eyes are a marvel in themselves, making the beholder wonder how much paler they can get without becoming pure white. His moustache is of the vaguest tints, so vague that until acquaintance ripens one is unaware of its existence. Altogether, he is excellently bleached.

To-night, to add to his manifold attractions, he appears all shirt-front and white tie, with very little waistcoat to speak of. In his left and palest optic is the inevitable eyeglass, in which he is supposed by his intimates to sleep, as never yet has human being (except perhaps his mamma in the earlier scenes of his existence) seen him without it. In spite of all this, however, he looks mild, and very harmless.

"She is awfully lovely," says Mr. Bellair, evidently continuing a conversation, and saying it with an audible sigh; "quite too lovely for me."

"You seem fetched," says his friend, directing a pale but feeling ray upon him through the beloved glass.

"I am, I confess it," says Mr. Bellair, effusively; "I adore her, and that's a fact: but she would not look at me. She's in love with her cousin, – Chesney, you know, – and they're to be married straight off the reel, next month, I think – or that."

"Hah!" says the friend. "She's good to look at, do you know, and rather uncommon style, in spite of her yellow hair. She's a ward of Chetwoode's, isn't she? Always heard he was awfully épris there."

By this time Lilian is crimson, and Archibald hardly less so, though he is distinctly conscious of a desire to laugh; Lilian's eyes are riveted on Sir Guy, who has grown very pale and has turned a frowning brow upon these luckless young men.

"Not a bit of it," says Mr. Bellair, "at least now. He was, I believe, but she bowled him over in a couple of months and laughed at him afterward. No, Chesney is the white-headed boy with her. Not that I see much in him myself," discontentedly.

"Sour-looking beggar," rejoins the friend, with kind sympathy.

It is growing tremendously jolly for the listeners. Lilian turns a pained, beseeching glance upon Archibald, who returns the glance, but declares by gesture his inability to do anything. He is still secretly amused, and not being able from his point of vantage to see Chetwoode, is scarcely as confused as Lilian. Should he now stir, and walk out of his place of concealment with Miss Chesney, he would only cover with shame the unsuspecting gossips and make two enemies for life, without doing any good.

Chetwoode is in the same condition, but though angry and bitterly stung by their words, hardly cares to resent them, being utterly unaware of Lilian's eyes, which are bent upon him. He waits impatiently for the moment when Mr. Bellair and his "fat friend" may choose to move on. Did he know who was so close to him, watching every expression of his face, impatience might have passed all bounds. As it is, a few chance remarks matter little to him.

But Mr. Bellair's friend has yet something else to say.

"Fine girl, Miss Beauchamp," says this youth, languidly; "immensely good form, and that. Looks like a goddess."

"There's a lot of her, if you mean that. But she's too nosy," says Mr. Bellair, grumpily, a sense of injury full upon him. His own nose is of the charming curt and simple order: his "friends in council" (who might be more select) are wont to call it playfully a "spud." "Far too nosy! I hate a woman all nose! makes her look so like a mope."

"You've been getting a snubbing there," says his friend, this time unfeelingly and with an inhuman chuckle.

"I have," valiantly: "she has too much of the goddess about her for my fancy: choke-full of dignity and airs, you know, and all that sort of rubbish. It don't go down, I take it, in the long run. It's as much as she can do to say 'how d'ye do' to you, and she looks a fellow up and down half a dozen times before she gives him a waltz. You don't catch me inviting her to the 'mazy dance' again in a hurry. I hate affectation. I wouldn't marry that girl for untold gold."

"She wouldn't have you," says his friend, with a repetition of the unpleasant chuckle.

"Maybe she wouldn't," replies Mr. Bellair, rather hurt. "Anyhow, she is not to be named in the same day with Miss Chesney. I suppose you know she is engaged to Chetwoode, so you needn't get spoony on her," viciously; "it is quite an old affair, begun in the cradle, I believe, and kept up ever since: never can understand that sort of thing myself; would quite as soon marry my sister. But all men aren't alike."

"No, they aren't," says the friend, with conviction. "Why don't he marry her, though? He must be tired of looking at her."

"He funks it, that's what it is," says Mr. Bellair, "and no wonder; after seeing Miss Chesney he must feel rather discontented with his choice. Ah!" – with a sigh warranted to blow out the largest wax candle, – "there's a girl for you if you like!"

"Don't weep over it, old boy, at least here; you'll be seen," says his friend, jovially, with odious want of sympathy; after which they are pleased to remove themselves and their opinions to another part of the room.

When they have gone, Lilian, who has been turning white and red at intervals all through the discussion, remains motionless, her eyes still fixed on Chetwoode. She does not heed Archibald's remark, so earnestly is she regarding her guardian. Can it be true what they have just said, that he, Sir Guy, has been for years engaged to Florence? At certain moments such a thought has crossed her own mind, but never until to-night has she heard it spoken of.

Chetwoode, who has moved, comes a little nearer to where she is standing, and pauses there, compelled to it by a pressure in the crowd.

"With what taste do they accredit me!" he says, half aloud, with a rather pale smile and a slight curl of his short upper lip, discernible even beneath his drooping moustache. His eyes are directed toward Florence, who is standing, carrying on a lifeless flirtation at a little distance from him; there is distaste in every line of his face, and Lilian, marking it, draws a long breath, and lets the smile return to her mobile lips.

"Was Chetwoode there all the time?" asks Archibald, aghast.

"Yes: was it not horrible?" replies she, half laughing. "Poor Mr. Bellair! I had no idea I had done so much mischief."

The hours are growing older, Lady Chetwoode is growing tired. Already with the utmost craftiness has she concealed five distinct yawns, and begins to think with lingering fondness of eider-down and bedroom fires.

Florence, too, who is sitting near her, and who is ever careful not to overdo the thing, is longing for home, being always anxious to husband as far as possible her waning youth and beauty.