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5. Killing Yourself To Live

The van windows are so dirty and pitted it’s hard to see inside, but when the cop car eases into the school parking lot Roland Penny nevertheless slinks down in his seat, to avoid being recognized. Can’t be too careful. The chief knows him, and may recall certain events in Roland’s teen years, and that might prove awkward, or even lethal. Later, once events have been set in motion, there will be time for recognition.

Hey, Q, remember me?

‘Q’ came from ‘cue ball’ because longtime Humble police chief Leo Gannett is bald, completely hairless with alopecia totalis, a condition considered comical by many teenage boys. As funny as being retarded or crippled or, for whatever reason, hideously uncool. Yo, Q! shouted on the street as the cruiser rolled by was guaranteed to get laughs from your buds. Or the derisive snorts of those you wished were your buds.

Whatever. That was over. That was the old Roland, before he emerged from his chrysalis.

Eyeballing the scene in his rearview, Roland watches the familiar figure of the tall, paunchy cop get out of his cruiser, straighten his uniform, and set his lid on his shiny head. Roland knows that big city police officers refer to their regulation hats as ‘lids’because he watches lots of cop shows on TV. Just as they call their uniforms ‘bags,’ supposedly. And how they like to sum up situations by saying things like ‘code four,’ which means ‘everything is okay,’ and ‘code five,’ which means there’s a warrant out on a suspect, and ‘code eight,’ officer calling for help.

Hey, Q! Code eight coming right up, sir! Roland chuckles, amazed by his own ability to think humorously, wittily, at such a critical juncture. Obviously he has developed nerves of steel, strengthened by training and practice. Amazing that when the big moment finally arrives he experiences no uneasiness, no fear, just a pleasant feeling of anticipation. Various tasks to be performed. The next level to be attained. Homage paid to the Profit.

Not the prophet. Never the prophet. The Profit. Crucial difference.

Once the big, bald cop is safely inside the school, Roland emerges from the van. He opens the creaky rear door. His tools are inside, neatly laid out. First to be removed is the small janitorial cart, rattling as it hits the pavement. Inside the cart he places a ragged string mop, intended for show—look, I’m a janitor cart!—and then, very gingerly, a zippered gym bag. The bag is heavy, more than fifty pounds heavy.

Careful, careful, don’t want that little sucker activated before the time comes.

Then, clipped to the inside of the cart rim, just out of sight, a canvas holster, quick release, containing a Glock 17, modified with a reduced-power spring kit for the lightest possible trigger pull. Perfectly legal and not, as the kit warned, for self-defense. Point and shoot without even having to squeeze, that’s how soft the pull—the gun will practically shoot itself.

Before setting off with the cart, Roland places the white earbuds in his ears and activates the iPod. The Voice has instructed him in the use of the iPod, a device that does not respond well to his clumsy, insensitive fingers. Roland prefers buttons, switches, triggers, not wimpy touch screens. Still, he learned, he practiced until he got it right, and it’s not as if he has to scroll through the selections. The only playlist is a comp of Black Sabbath, specifically selected by The Voice. Even in the heaviest throes of his metal phase, Roland was never a Black Sabbath fan. Way too old. Geezers in wigs. Pathetic. His taste tended more toward classic Megadeth tracks, or if he was really twisted, anything by Municipal Waste. Thrash? Don’t mind if I do. The fact is he hasn’t listened seriously to metal since he began to evolve—nearly a year now—but The Voice specified Black Sabbath, and once he has the Ozzified itch of “Killing Yourself to Live” buzzing in his ears it’s okay, strictly as a kind of soundtrack to the sequence of events that have been so painstakingly rehearsed and memorized.

Roland can see the task list in his mind’s eye, clear as day. Start from the top, follow the numbers, execute each task.

1. Gain Access

A wheel spins out of kilter as he pushes the cart across the parking lot, approaching a side door marked Exit Only. Although it is not marked as such, this is where the school takes deliveries. Roland knows this because he worked, ever so briefly, for custodial services. Ring the delivery buzzer and they will come. The buzzer sounds in the coffee room—little more than a closet—and the duty custodian will grudgingly put down his cup, amble out to the door, maybe cadge a smoke from the truck driver making the delivery.

Roland presses the button, waits. Counts to ten, pushes it again. Lazy bastards.

It seems to take forever. His heart pounds like a boxer’s padded glove hitting the canvas bag, but in less than a minute the fitted metal door yawns open.

“Hey, hey,” says Bub Yeaton, his usual salutation.

Roland figured old Bub would be on duty. Not that his presence is crucial to the plan. Any warm body will do, so long as the door opens. But seeing Bub start to squint, as recognition dawns—his watery eyes tracking from the cart to Roland, looking comically quizzical—having Bub in his sights is pretty sweet, all things considered.

“Roland? Hey. Um, what are you doing here?”

“They give me my job back,” says Roland, reaching into the cart.

“I don’t think so,” says Bub warily. “Nobody told me.”

“Check with him,” Roland says, pointing at the empty corridor.

Bub turns to look. Pure instinct—if someone points, you turn to look. And as the elderly custodian turns his head, Roland withdraws an eighteen-inch length of lead-filled iron pipe from the cart and smacks old Bub on the back of the skull, midway up. Exactly as he has rehearsed, practicing on ripe watermelons.

The only sound the custodian makes is a flabby wet thump as he hits the hard rubber tiles of a floor he recently cleaned, waxed, and polished.

2. Subdue Custodian.

Roland turns up the volume and grins to himself as Sabbath bruises his eardrums. So far so good.

6. Eva The Diva

The sun has barely cracked the horizon in Conklin County, Colorado. Dawn oozing up over the eastern edge of the mountains like a tremulous egg yolk charged with blood. Blood is on the mind of Ruler Weems, who has been wide-awake and manning his operations desk for many hours. His work hampered by the fact that he dare not use cell, e-mail, or text in the certain knowledge that his adversaries—mostly notably the Ruler security chief, Bagrat Kavashi—have broken his personal cipher and are monitoring all electronic communication coming from the Bunker.

All of which makes it difficult to marshal his forces, keep them informed. Difficult but not impossible. Back in the day, when Rulers were few, none of those media existed, and yet still he helped build an enterprise whose power and influence extended from Wall Street to the upper echelons of government. And now the entire organization is in grave danger. The county, the village, the institute itself—everything he’s helped forge, build, and create could be destroyed by the willful actions of one woman, in league with her ruthless security chief.

Weems rises from his command post, goes to the window slit, allows himself to be bathed by the slash of sunlight pouring through the two-foot thickness of the concrete bunker. He has many flaws, but physical vanity is not among them—he’s keenly aware of a homeliness that has not improved with age. At sixty-three his hatchet nose, wattled throat, and severe underbite make him look like an old tortoise without a shell. The curvature of his upper spine, naturally drooping shoulders, and dark, deep-set eyes add to the effect.

Long ago he accepted his ugliness, learned how to use it to his advantage. Blessed with a resonant voice, he honed his speaking abilities, perfected his courtly good manners, his natural deference. So that, despite an aspect that can make people cringe at first sight, he tends to make a favorable impression in the long run. Those who offer loyalty are always rewarded. Those who misjudge him do so at their peril.

The woman has misjudged him. But that doesn’t mean she’s not exceedingly dangerous, that the inevitable implosion of her ambition might not be powerful enough to destroy all those around her, the innocent and the guilty alike.

Behind him a vault door slides open.

“Evangeline,” he says without turning.

“You rang, sir?”

His tortoise head swivels, dewlaps quivering.

“That’s a joke, Wendall,” she informs him. “The Addams Family, I think. That makes you Lurch the butler. Take away his chin, there’s a distinct resemblance.”

Weems happens to know she just turned fifty-five, although you’d never know it. The miracles of nip and tuck, priceless ointments, personal trainers, and a low-calorie diet composed, from what he can see, of little more than twigs. Twigs and malice, for never has he known a woman who harbors so many self-sustaining resentments. Her blood must be acid by now, and her eyes, still large and beautiful and hopelessly compelling despite surgical tightening, have, at a closer examination, the sheen of cold anthracite. Animal eyes peering out through a lovely human mask.

She plops down in his chair, smiling as she takes possession. “Kind a Star Trek thing you’ve got going here,” she observes. “‘Ruler Weems on the bridge, sir!’”

“You seem to have vintage television shows on your mind,” he says. “TV will rot your brain, Eva. It may already have done so, if what I hear is true.”

The smile chills.

“You’ve put us all in danger,” he says. “Terrible, destructive, senseless danger. Are you crazy?”

The smile stays frozen, but the beautiful eyes are amused. “You know what, Wendall?” she says, somehow swiveling her hips and the chair in the same subtle motion. “You need to grow you some gonads. Doing nothing is not a policy. It’s not a strategy. It’s simply doing nothing.”

“He wouldn’t want this.”

“And how would you know what Arthur wants?” she says, taunting. “He hasn’t spoken to you in months.”

“I visit his bedside many times a day,” Weems responds, defensive despite himself. “He speaks to no one. That part of his mind has been damaged.”

“He speaks to me,” she insists.

“Prove it,” he suggests. “Make a digital recording.”

“It’s more a mind-meld kind of thing,” she says with a seductive smile, shaping her recently plumped lips. “I look into his eyes and I know what he wants. I know it as deeply and as surely as if he’s spoken. Arthur is beyond words now. He wants me to act as his voice to the world.”

Weems sighs, puts a hand to his forehead, intending to shield the flash of cold rage in his eyes. “If it was only speaking, that would be one thing,” he says, in his most reasonable voice. “But to hatch this lunatic plot? Endangering God knows how many children? To put us all at risk of arrest? Not to mention what it will do to recruitment and revenues if the truth comes out. It’s insane, Eva. And whatever our differences, I never doubted your sanity.”

“There is no God.”

“What?”

“You just said ‘God knows how many children.’”

“It’s an expression, Eva. Don’t try to change the subject. You reached out, willful and shameless in your ambition, you set loose a man you know is capable of murder, and now terrible things are going to happen in some little town that’s never done us any harm. If your hand is found in this, and surely it will be, we’ll all be destroyed.”

She laughs. “Wendall, don’t be so dramatic. You sound like some old fruit from a daytime drama. ‘Dear me, we shall all of us be destroyed!’ You’re being ridiculous. No one will ever know—Vash will see to that, and when it’s all over, Arthur’s wish will have been carried out.”

“And you’ll take control of the entire organization. You, speaking for Arthur, with the help of that thug Kavashi.”

“Pretty much, yeah.”

“And where do I figure in your great plan? Me and those I represent?”

She shrugs. “You don’t. Retire. Write your own book. Start another enterprise. It makes no difference to me. You and all your friends ride off into the sunset, that’s the bottom line.”

“Which you think will happen because why? Because you want it to?”

“No, Wendall. Because he wants it to.”

Weems shakes his head. They’ve had variations on this conversation before, never settled anything. “You lie so well,” he says, almost with admiration. “If I didn’t know better.”

“When it comes to lying, I stand on the shoulders of giants.”

“Naked ambition,” he says.

She stands up from his custom-built command chair, strokes her hands on her hips playfully. Poisonously. “What are you saying, Wendall? You want to see me naked? Does little Wendy have a woody for pretty wittle Eva the Diva?”

“Get out,” he says.

She gives him an air kiss as she passes him by. “You’ll try and stop me,” she whispers huskily. “You’ll fail.”

7. The Bad Clown

Most of the kids, as they stream into the bleacher seats, contrive to sit with friends. The teachers remain at the aisles, directing traffic, making sure the individual homerooms don’t get blended. Order must be maintained or, as Mrs. Delancey is fond of saying, all heck will break out.

All heck. Noah loves the way she says it—the twinkle in her eye—and also her other favorite phrases like “think smart and you’ll be smart” and “one fish doesn’t make a school,” which she had to explain to some of the slower kids wasn’t about school construction but the way fish—and people—react to other fish and people.

Although most of his classmates find Noah interesting or at least entertaining, he doesn’t have any particular best friends—friends who might ask about personal stuff—and so his goal upon entering the gymnasium is to end up sitting as close as possible to Mrs. Delancey. Preferably a spot, an angle, where she won’t be aware that he’s keeping an eye on her. Because Mrs. Delancey is very careful about not playing favorites, and she’s already giving him special time, what she calls ‘one-on-one’ sessions, when he’s supposed to be out on the playground.

One-on-one. He likes that phrase because he sees it as one raised to the first power, or one times one, or one divided by one, all of which result, amazingly enough, in one. You can’t escape one—no matter where you go, it leads you back. It stands alone but takes care of itself. According to the book, one is not a prime, although Noah hasn’t quite figured out why not, if it is only divisible by itself and by one, which it is. That’s the first definition, right? So why make an exception? Mrs. Delancey explained that once upon a time the number one was considered a prime, but in modern math the primes begin with two, the only even prime number.

Noah intends to pursue this further, the next time he has a chance. The next time he has Mrs. Delancey one-on-one. Right now she’s concentrating on getting her students seated and behaving.

“Bethany! Christopher!”

That’s all it takes, just their names announced with a certain tone, and both kids stop what Mrs. Delancey sometimes calls ‘skylarking.’ Skylarking being okay at recess, even at certain times in class, but never at assembly.

Noah has often been guilty of skylarking, or worse—right here in the gymnasium, in fact—but this morning he vows to behave himself, not wanting to embarrass his homeroom teacher in front of the principal, Mrs. Konrake. Often called Mrs. K. Who stands by the gymnasium doors in her dark mannish suit, her prim, pursed mouth a little pink O, as she oversees the assembly. What she lacks in stature—in heels she’s not that much taller than the biggest fifth grader—Mrs. K makes up in voice power.

If most people have voices like car horns, Mrs. K is a big truck. An 18-wheeler. When she honks, you pull over just to get out of the way. First graders have been known to wet their pants upon being sent to her office. There are even rumors of a spanking machine, something with paddles and a big crank handle. Noah, who has spent some considerable time in Mrs. K’s office, has never seen such a machine and knows from his own experience that when it gets down to one-on-one—those magic numbers again—Mrs. K is actually pretty nice, and her office voice is much less threatening than her hallway voice. As if she has different horns for different places.

When all of the students have been seated, Mrs. K raises her right hand for silence and waits until all one hundred and fifty-seven students have raised their hands to indicate compliance. Aside from the squeaking of the wooden plank seating, the resulting quiet is remarkable. As Noah’s dad used to say, you could hear a germ fart.

“Thank you,” says Mrs. K. “As was explained to you in your homerooms, this morning we have a very special event. Chief Gannett has taken time out of his busy schedule to give us his presentation for the D.A.R.E. program. He’ll be telling you about drug abuse resistance education, and the new Web site for kids, and a lot of very interesting stories from his own experience as a police officer. Let me stress that this is very important and that we are very fortunate to have Chief Gannett with us today. I’m confident that you will give him your full attention, and that when the time comes for questions you’ll be polite and respectful. So without further ado let’s put our hands together and give our guest a great big Humble Elementary welcome!”

The chief has been waiting patiently, looking very somber and formal in his dress uniform. He’s the only man Noah has ever seen who wears white dress gloves. It reminds him of a cartoon character, because in cartoons the hands look like gloves. Thinking of the chief as a variation on SpongeBob or Goofy makes Noah smile. His secret, you’ll-never-guess-why-I’m-laughing smile. He stares into his folded hands, grinning to himself and fighting back a giggle.

The giggle wins when the clown suddenly enters the gymnasium. Noah knows he’s not a real clown—there’s no rubber nose or makeup—but like all of the other children he can’t help but laugh when the man with the little janitorial cart bumps through the gym door. Because at that precise moment the police chief has stepped behind the podium and is testing the microphone by tapping it with one of his white-gloved fingers. Tap, tap, tap. There’s something comical about the contrast between the somber, formally dressed policeman and the disheveled-looking man hurriedly pushing the little cart right out onto the gymnasium floor. The man pushing the cart has a pinched look on his face, as though he’s smelling something bad. A fart maybe. That’s funny. He’s wearing earbuds and bobbing his head to the beat, and that’s funny, too, because no one else can hear the music. Even the mop sticking up from the cart looks comical, as does the fact that one of the cart wheels is spinning wildly around.

The children laugh uproariously.

Noah notes that Mrs. Delancey is smiling, too. So maybe the sudden entrance of the funny man with the cart is part of the D.A.R.E. presentation. That’s how it looks. The puzzled expression on the policeman’s round face appears to be exaggerated, as does Mrs. Konrake’s look of stern consternation. It’s all part of the entertainment, like at a circus or a TV show, with everybody playing his or her part.

The funny man reaching into the funny cart for some sort of funny prop. The nice policeman reacting hastily, awkwardly, fumbling at his belt.

A loud popping noise like a balloon exploding, or a really loud party favor.

Noah is studying Mrs. Delancey when it happens, so at first he has no idea why the shrieks of laughter have turned into shrieks of screaming.