Читать книгу: «The Colonel's Dream», страница 4

Six

The colonel spent a delightful evening in the company of his friends. The supper was typically Southern, and the cook evidently a good one. There was smothered chicken, light biscuit, fresh eggs, poundcake and tea. The tablecloth and napkins were of fine linen. That they were soft and smooth the colonel noticed, but he did not observe closely enough to see that they had been carefully darned in many places. The silver spoons were of fine, old-fashioned patterns, worn very thin—so thin that even the colonel was struck by their fragility. How charming, he thought, to prefer the simple dignity of the past to the vulgar ostentation of a more modern time. He had once dined off a golden dinner service, at the table of a multi-millionaire, and had not enjoyed the meal half so much. The dining-room looked out upon the garden and the perfume of lilac and violet stole in through the open windows. A soft-footed, shapely, well-trained negro maid, in white cap and apron, waited deftly upon the table; a woman of serious countenance—so serious that the colonel wondered if she were a present-day type of her race, and if the responsibilities of freedom had robbed her people of their traditional light-heartedness and gaiety.

After supper they sat out upon the piazza. The lights within were turned down low, so that the moths and other insects might not be attracted. Sweet odours from the garden filled the air. Through the elms the stars, brighter than in more northern latitudes, looked out from a sky of darker blue; so bright were they that the colonel, looking around for the moon, was surprised to find that luminary invisible. On the green background of the foliage the fireflies glowed and flickered. There was no strident steam whistle from factory or train to assault the ear, no rumble of passing cabs or street cars. Far away, in some distant part of the straggling town, a sweet-toned bell sounded the hour of an evening church service.

"To see you is a breath from the past, Henry," said Mrs. Treadwell. "You are a fine, strong man now, but I can see you as you were, the day you went away to the war, in your new gray uniform, on your fine gray horse, at the head of your company. You were going to take Peter with you, but he had got his feet poisoned with poison ivy, and couldn't walk, and your father gave you another boy, and Peter cried like a baby at being left behind. I can remember how proud you were, and how proud your father was, when he gave you his sword—your grandfather's sword, and told you never to draw it or sheath it, except in honour; and how, when you were gone, the old gentleman shut himself up for two whole days and would speak to no one. He was glad and sorry—glad to send you to fight for your country, and sorry to see you go—for you were his only boy."

The colonel thrilled with love and regret. His father had loved him, he knew very well, and he had not visited his tomb for twenty-five years. How far away it seemed too, the time when he had thought of the Confederacy as his country! And the sword, his grandfather's sword, had been for years stored away in a dark closet. His father had kept it displayed upon the drawing-room wall, over the table on which the family Bible had rested.

Mrs. Treadwell was silent for a moment.

"Times have changed since then, Henry. We have lost a great deal, although we still have enough—yes, we have plenty to live upon, and to hold up our heads among the best."

Miss Laura and Graciella, behind the colonel's back, exchanged meaning glances. How well they knew how little they had to live upon!

"That is quite evident," said the colonel, glancing through the window at the tasteful interior, "and I am glad to see that you have fared so well. My father lost everything."

"We were more fortunate," said Mrs. Treadwell. "We were obliged to let Belleview go when Major Treadwell died—there were debts to be paid, and we were robbed as well—but we have several rentable properties in town, and an estate in the country which brings us in an income. But things are not quite what they used to be!"

Mrs. Treadwell sighed, and nodded. Miss Laura sat in silence—a pensive silence. She, too, remembered the time gone by, but unlike her mother's life, her own had only begun as the good times were ending. Her mother, in her youth, had seen something of the world. The daughter of a wealthy planter, she had spent her summers at Saratoga, had visited New York and Philadelphia and New Orleans, and had taken a voyage to Europe. Graciella was young and beautiful. Her prince might come, might be here even now, if this grand gentleman should chance to throw the handkerchief. But she, Laura, had passed her youth in a transition period; the pleasures neither of memory nor of hope had been hers—except such memories as came of duty well performed, and such hopes as had no root in anything earthly or corruptible.

Graciella was not in a reflective mood, and took up the burden of the conversation where her grandmother had dropped it. Her thoughts were not of the past, but of the future. She asked many eager questions of New York. Was it true that ladies at the Waldorf-Astoria always went to dinner in low-cut bodices with short sleeves, and was evening dress always required at the theatre? Did the old Knickerbocker families recognise the Vanderbilts? Were the Rockefellers anything at all socially? Did he know Ward McAllister, at that period the Beau Brummel of the metropolitan smart set? Was Fifth Avenue losing its pre-eminence? On what days of the week was the Art Museum free to the public? What was the fare to New York, and the best quarter of the city in which to inquire for a quiet, select boarding house where a Southern lady of refinement and good family might stay at a reasonable price, and meet some nice people? And would he recommend stenography or magazine work, and which did he consider preferable, as a career which such a young lady might follow without injury to her social standing?

The colonel, with some amusement, answered these artless inquiries as best he could; they came as a refreshing foil to the sweet but melancholy memories of the past. They were interesting, too, from this very pretty but very ignorant little girl in this backward little Southern town. She was a flash of sunlight through a soft gray cloud; a vigorous shoot from an old moss-covered stump—she was life, young life, the vital principle, breaking through the cumbering envelope, and asserting its right to reach the sun.

After a while a couple of very young ladies, friends of Graciella, dropped in. They were introduced to the colonel, who found that he had known their fathers, or their mothers, or their grandfathers, or their grandmothers, and that many of them were more or less distantly related. A little later a couple of young men, friends of Graciella's friends—also very young, and very self-conscious—made their appearance, and were duly introduced, in person and by pedigree. The conversation languished for a moment, and then one of the young ladies said something about music, and one of the young men remarked that he had brought over a new song. Graciella begged the colonel to excuse them, and led the way to the parlour, followed by her young friends.

Mrs. Treadwell had fallen asleep, and was leaning comfortably back in her armchair. Miss Laura excused herself, brought a veil, and laid it softly across her mother's face.

"The night air is not damp," she said, "and it is pleasanter for her here than in the house. She won't mind the music; she is accustomed to it."

Graciella went to the piano and with great boldness of touch struck the bizarre opening chords and then launched into the grotesque words of the latest New York "coon song," one of the first and worst of its kind, and the other young people joined in the chorus.

It was the first discordant note. At home, the colonel subscribed to the opera, and enjoyed the music. A plantation song of the olden time, as he remembered it, borne upon the evening air, when sung by the tired slaves at the end of their day of toil, would have been pleasing, with its simple melody, its plaintive minor strains, its notes of vague longing; but to the colonel's senses there was to-night no music in this hackneyed popular favourite. In a metropolitan music hall, gaudily bedecked and brilliantly lighted, it would have been tolerable from the lips of a black-face comedian. But in this quiet place, upon this quiet night, and in the colonel's mood, it seemed like profanation. The song of the coloured girl, who had dreamt that she dwelt in marble halls, and the rest, had been less incongruous; it had at least breathed aspiration.

Mrs. Treadwell was still dozing in her armchair. The colonel, beckoning Miss Laura to follow him, moved to the farther end of the piazza, where they might not hear the singers and the song.

"It is delightful here, Laura. I seem to have renewed my youth. I yield myself a willing victim to the charm of the old place, the old ways, the old friends."

"You see our best side, Henry. Night has a kindly hand, that covers our defects, and the starlight throws a glamour over everything. You see us through a haze of tender memories. When you have been here a week, the town will seem dull, and narrow, and sluggish. You will find us ignorant and backward, worshipping our old idols, and setting up no new ones; our young men leaving us, and none coming in to take their place. Had you, and men like you, remained with us, we might have hoped for better things."

"And perhaps not, Laura. Environment controls the making of men. Some rise above it, the majority do not. We might have followed in the well-worn rut. But let us not spoil this delightful evening by speaking of anything sad or gloomy. This is your daily life; to me it is like a scene from a play, over which one sighs to see the curtain fall—all enchantment, all light, all happiness."

But even while he spoke of light, a shadow loomed up beside them. The coloured woman who had waited at the table came around the house from the back yard and stood by the piazza railing.

"Miss Laura!" she called, softly and appealingly. "Kin you come hyuh a minute?"

"What is it, Catherine?"

"Kin I speak just a word to you, ma'am? It's somethin' partic'lar—mighty partic'lar, ma'am."

"Excuse me a minute, Henry," said Miss Laura, rising with evident reluctance.

She stepped down from the piazza, and walked beside the woman down one of the garden paths. The colonel, as he sat there smoking—with Miss Laura's permission he had lighted a cigar—could see the light stuff of the lady's gown against the green background, though she was walking in the shadow of the elms. From the murmur which came to him, he gathered that the black woman was pleading earnestly, passionately, and he could hear Miss Laura's regretful voice, as she closed the interview:

"I am sorry, Catherine, but it is simply impossible. I would if I could, but I cannot."

The woman came back first, and as she passed by an open window, the light fell upon her face, which showed signs of deep distress, hardening already into resignation or despair. She was probably in trouble of some sort, and her mistress had not been able, doubtless for some good reason, to help her out. This suspicion was borne out by the fact that when Miss Laura came back to him, she too seemed troubled. But since she did not speak of the matter, the colonel gave no sign of his own thoughts.

"You have said nothing of yourself, Laura," he said, wishing to divert her mind from anything unpleasant. "Tell me something of your own life—it could only be a cheerful theme, for you have means and leisure, and a perfect environment. Tell me of your occupations, your hopes, your aspirations."

"There is little enough to tell, Henry," she returned, with a sudden courage, "but that little shall be the truth. You will find it out, if you stay long in town, and I would rather you learned it from our lips than from others less friendly. My mother is—my mother—a dear, sweet woman to whom I have devoted my life! But we are not well off, Henry. Our parlour carpet has been down for twenty-five years; surely you must have recognised the pattern! The house has not been painted for the same length of time; it is of heart pine, and we train the flowers and vines to cover it as much as may be, and there are many others like it, so it is not conspicuous. Our rentable property is three ramshackle cabins on the alley at the rear of the lot, for which we get four dollars a month each, when we can collect it. Our country estate is a few acres of poor land, which we rent on shares, and from which we get a few bushels of corn, an occasional load of firewood, and a few barrels of potatoes. As for my own life, I husband our small resources; I keep the house, and wait on mother, as I have done since she became helpless, ten years ago. I look after Graciella. I teach in the Sunday School, and I give to those less fortunate such help as the poor can give the poor."

"How did you come to lose Belleview?" asked the colonel, after a pause. "I had understood Major Treadwell to be one of the few people around here who weathered the storm of war and emerged financially sound."

"He did; and he remained so—until he met Mr. Fetters, who had made money out of the war while all the rest were losing. Father despised the slavetrader's son, but admired his ability to get along. Fetters made his acquaintance, flattered him, told him glowing stories of wealth to be made by speculating in cotton and turpentine. Father was not a business man, but he listened. Fetters lent him money, and father lent Fetters money, and they had transactions back and forth, and jointly. Father lost and gained and we had no inkling that he had suffered greatly, until, at his sudden death, Fetters foreclosed a mortgage he held upon Belleview. Mother has always believed there was something wrong about the transaction, and that father was not indebted to Fetters in any such sum as Fetters claimed. But we could find no papers and we had no proof, and Fetters took the plantation for his debt. He changed its name to Sycamore; he wanted a post-office there, and there were too many Belleviews."

"Does he own it still?"

"Yes, and runs it—with convict labour! The thought makes me shudder! We were rich when he was poor; we are poor and he is rich. But we trust in God, who has never deserted the widow and the fatherless. By His mercy we have lived and, as mother says, held up our heads, not in pride or haughtiness, but in self-respect, for we cannot forget what we were."

"Nor what you are, Laura, for you are wonderful," said the colonel, not unwilling to lighten a situation that bordered on intensity. "You should have married and had children. The South needs such mothers as you would have made. Unless the men of Clarendon have lost their discernment, unless chivalry has vanished and the fire died out of the Southern blood, it has not been for lack of opportunity that your name remains unchanged."

Miss Laura's cheek flushed unseen in the shadow of the porch.

"Ah, Henry, that would be telling! But to marry me, one must have married the family, for I could not have left them—they have had only me. I have not been unhappy. I do not know that I would have had my life different."

Graciella and her friends had finished their song, the piano had ceased to sound, and the visitors were taking their leave. Graciella went with them to the gate, where they stood laughing and talking. The colonel looked at his watch by the light of the open door.

"It is not late," he said. "If my memory is true, you too played the piano when you—when I was young."

"It is the same piano, Henry, and, like our life here, somewhat thin and weak of tone. But if you think it would give you pleasure, I will play—as well as I know how."

She readjusted the veil, which had slipped from her mother's face, and they went into the parlour. From a pile of time-stained music she selected a sheet and seated herself at the piano. The colonel stood at her elbow. She had a pretty back, he thought, and a still youthful turn of the head, and still plentiful, glossy brown hair. Her hands were white, slender and well kept, though he saw on the side of the forefinger of her left hand the telltale marks of the needle.

The piece was an arrangement of the well-known air from the opera of Maritana:

 
"Scenes that are brightest,
May charm awhile,
Hearts which are lightest
And eyes that smile.
Yet o'er them above us,
Though nature beam,
With none to love us,
How sad they seem!"
 

Under her sympathetic touch a gentle stream of melody flowed from the old-time piano, scarcely stronger toned in its decrepitude, than the spinet of a former century. A few moments before, under Graciella's vigorous hands, it had seemed to protest at the dissonances it had been compelled to emit; now it seemed to breathe the notes of the old opera with an almost human love and tenderness. It, too, mused the colonel, had lived and loved and was recalling the memories of a brighter past.

The music died into silence. Mrs. Treadwell was awake.

"Laura!" she called.

Miss Treadwell went to the door.

"I must have been nodding for a minute. I hope Colonel French did not observe it—it would scarcely seem polite. He hasn't gone yet?"

"No, mother, he is in the parlour."

"I must be going," said the colonel, who came to the door. "I had almost forgotten Phil, and it is long past his bedtime."

Miss Laura went to wake up Phil, who had fallen asleep after supper. He was still rubbing his eyes when the lady led him out.

"Wake up, Phil," said the colonel. "It's time to be going. Tell the ladies good night."

Graciella came running up the walk.

"Why, Colonel French," she cried, "you are not going already? I made the others leave early so that I might talk to you."

"My dear young lady," smiled the colonel, "I have already risen to go, and if I stayed longer I might wear out my welcome, and Phil would surely go to sleep again. But I will come another time—I shall stay in town several days."

"Yes, do come, if you must go," rejoined Graciella with emphasis. "I want to hear more about the North, and about New York society and—oh, everything! Good night, Philip. Good night, Colonel French."

"Beware of the steps, Henry," said Miss Laura, "the bottom stone is loose."

They heard his footsteps in the quiet street, and Phil's light patter beside him.

"He's a lovely man, isn't he, Aunt Laura?" said Graciella.

"He is a gentleman," replied her aunt, with a pensive look at her young niece.

"Of the old school," piped Mrs. Treadwell.

"And Philip is a sweet child," said Miss Laura.

"A chip of the old block," added Mrs. Treadwell. "I remember–"

"Yes, mother, you can tell me when I've shut up the house," interrupted Miss Laura. "Put out the lamps, Graciella—there's not much oil—and when you go to bed hang up your gown carefully, for it takes me nearly half an hour to iron it."

"And you are right good to do it! Good night, dear Aunt Laura! Good night, grandma!"

Mr. French had left the hotel at noon that day as free as air, and he slept well that night, with no sense of the forces that were to constrain his life. And yet the events of the day had started the growth of a dozen tendrils, which were destined to grow, and reach out, and seize and hold him with ties that do not break.

Seven

The constable who had arrested old Peter led his prisoner away through alleys and quiet streets—though for that matter all the streets of Clarendon were quiet in midafternoon—to a guardhouse or calaboose, constructed of crumbling red brick, with a rusty, barred iron door secured by a heavy padlock. As they approached this structure, which was sufficiently forbidding in appearance to depress the most lighthearted, the strumming of a banjo became audible, accompanying a mellow Negro voice which was singing, to a very ragged ragtime air, words of which the burden was something like this:

 
"W'at's de use er my wo'kin' so hahd?
I got a' 'oman in de white man's yahd.
W'en she cook chicken, she save me a wing;
W'en dey 'low I'm wo'kin', I ain' doin' a thing!"
 

The grating of the key in the rusty lock interrupted the song. The constable thrust his prisoner into the dimly lighted interior, and locked the door.

"Keep over to the right," he said curtly, "that's the niggers' side."

"But, Mistah Haines," asked Peter, excitedly, "is I got to stay here all night? I ain' done nuthin'."

"No, that's the trouble; you ain't done nuthin' fer a month, but loaf aroun'. You ain't got no visible means of suppo't, so you're took up for vagrancy."

"But I does wo'k we'n I kin git any wo'k ter do," the old man expostulated. "An' ef I kin jus' git wo'd ter de right w'ite folks, I'll be outer here in half a' hour; dey'll go my bail."

"They can't go yo' bail to-night, fer the squire's gone home. I'll bring you some bread and meat, an' some whiskey if you want it, and you'll be tried to-morrow mornin'."

Old Peter still protested.

"You niggers are always kickin'," said the constable, who was not without a certain grim sense of humour, and not above talking to a Negro when there were no white folks around to talk to, or to listen. "I never see people so hard to satisfy. You ain' got no home, an' here I've give' you a place to sleep, an' you're kickin'. You doan know from one day to another where you'll git yo' meals, an' I offer you bread and meat and whiskey—an' you're kickin'! You say you can't git nothin' to do, an' yit with the prospect of a reg'lar job befo' you to-morrer—you're kickin'! I never see the beat of it in all my bo'n days."

When the constable, chuckling at his own humour, left the guardhouse, he found his way to a nearby barroom, kept by one Clay Jackson, a place with an evil reputation as the resort of white men of a low class. Most crimes of violence in the town could be traced to its influence, and more than one had been committed within its walls.

"Has Mr. Turner been in here?" demanded Haines of the man in charge.

The bartender, with a backward movement of his thumb, indicated a door opening into a room at the rear. Here the constable found his man—a burly, bearded giant, with a red face, a cunning eye and an overbearing manner. He had a bottle and a glass before him, and was unsociably drinking alone.

"Howdy, Haines," said Turner, "How's things? How many have you got this time?"

"I've got three rounded up, Mr. Turner, an' I'll take up another befo' night. That'll make fo'—fifty dollars fer me, an' the res' fer the squire."

"That's good," rejoined Turner. "Have a glass of liquor. How much do you s'pose the Squire'll fine Bud?"

"Well," replied Haines, drinking down the glass of whiskey at a gulp, "I reckon about twenty-five dollars."

"You can make it fifty just as easy," said Turner. "Niggers are all just a passell o' black fools. Bud would 'a' b'en out now, if it hadn't be'n for me. I bought him fer six months. I kept close watch of him for the first five, and then along to'ds the middle er the las' month I let on I'd got keerliss, an' he run away. Course I put the dawgs on 'im, an' followed 'im here, where his woman is, an' got you after 'im, and now he's good for six months more."

"The woman is a likely gal an' a good cook," said Haines. "She'd be wuth a good 'eal to you out at the stockade."

"That's a shore fact," replied the other, "an' I need another good woman to help aroun'. If we'd 'a' thought about it, an' give' her a chance to hide Bud and feed him befo' you took 'im up, we could 'a' filed a charge ag'inst her for harborin' 'im."

"Well, I kin do it nex' time, fer he'll run away ag'in—they always do. Bud's got a vile temper."

"Yes, but he's a good field-hand, and I'll keep his temper down. Have somethin' mo'?"

"I've got to go back now and feed the pris'ners," said Haines, rising after he had taken another drink; "an' I'll stir Bud up so he'll raise h—ll, an' to-morrow morning I'll make another charge against him that'll fetch his fine up to fifty and costs."

"Which will give 'im to me till the cotton crop is picked, and several months more to work on the Jackson Swamp ditch if Fetters gits the contract. You stand by us here, Haines, an' help me git all the han's I can out o' this county, and I'll give you a job at Sycamo' when yo'r time's up here as constable. Go on and feed the niggers, an' stir up Bud, and I'll be on hand in the mornin' when court opens."

When the lesser of these precious worthies left his superior to his cups, he stopped in the barroom and bought a pint of rotgut whiskey—a cheap brand of rectified spirits coloured and flavoured to resemble the real article, to which it bore about the relation of vitriol to lye. He then went into a cheap eating house, conducted by a Negro for people of his own kind, where he procured some slices of fried bacon, and some soggy corn bread, and with these various purchases, wrapped in a piece of brown paper, he betook himself to the guardhouse. He unlocked the door, closed it behind him, and called Peter. The old man came forward.

"Here, Peter," said Haines, "take what you want of this, and give some to them other fellows, and if there's anything left after you've got what you want, throw it to that sulky black hound over yonder in the corner."

He nodded toward a young Negro in the rear of the room, the Bud Johnson who had been the subject of the conversation with Turner. Johnson replied with a curse. The constable advanced menacingly, his hand moving toward his pocket. Quick as a flash the Negro threw himself upon him. The other prisoners, from instinct, or prudence, or hope of reward, caught him, pulled him away and held him off until Haines, pale with rage, rose to his feet and began kicking his assailant vigorously. With the aid of well-directed blows of his fists he forced the Negro down, who, unable to regain his feet, finally, whether from fear or exhaustion, lay inert, until the constable, having worked off his worst anger, and not deeming it to his advantage seriously to disable the prisoner, in whom he had a pecuniary interest, desisted from further punishment.

"I might send you to the penitentiary for this," he said, panting for breath, "but I'll send you to h—ll instead. You'll be sold back to Mr. Fetters for a year or two tomorrow, and in three months I'll be down at Sycamore as an overseer, and then I'll learn you to strike a white man, you–"

The remainder of the objurgation need not be told, but there was no doubt, from the expression on Haines's face, that he meant what he said, and that he would take pleasure in repaying, in overflowing measure, any arrears of revenge against the offending prisoner which he might consider his due. He had stirred Bud up very successfully—much more so, indeed, than he had really intended. He had meant to procure evidence against Bud, but had hardly thought to carry it away in the shape of a black eye and a swollen nose.