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Читать книгу: «Dracula’s Brethren», страница 2

Richard Dalby, Brian J. Frost
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A short story from the turn of the century which has remained popular over the years is F. G. Loring’s ‘The Tomb of Sarah.’ First published in the December 1900 issue of Pall Mall Magazine, it centres on the nocturnal activities of an undead witch who has been accidentally released from the confinement of her tomb during renovations to a church. For a while her nightly forays in search of blood cause great concern among the local community, but she is eventually caught and permanently laid to rest by the time-honoured ritual of driving a stake through her heart. A much more sensational story from this period, Richard Marsh’s ‘The Mask’ (Marvels and Mysteries, 1900), is about a homicidal madwoman adept in the art of mask-making who transforms herself into a raving beauty and tries to suck the blood of the story’s hero. Female vampires are also featured in two stories in Hume Nisbet’s collection Stories Weird and Wonderful (1900). In ‘The Vampire Maid’ a weary traveller finds lodgings at an isolated cottage on the Westmorland moors, only to be preyed on during the night by the landlady’s vampire daughter; and in ‘The Old Portrait’ a woman depicted in a painting comes to life and tries to suck out the vitality of the picture’s owner with a long, lingering kiss. Offering more substantial fare, Phil Robinson’s ‘Medusa,’ a well-crafted story from Tales by Three Brothers (1902), is about a seductive femme fatale who feeds on the life force of her male admirers. A more subtle threat is posed in Mary E. Wilkins Freeman’s ‘Luella Miller’ (1902), the title character of which unconsciously absorbs the vitality of her nearest and dearest, causing them to languish while she blooms. On more traditional lines is F. Marion Crawford’s vampire classic ‘For the Blood is the Life’ (1905), in which a gypsy girl returns from the dead to vampirize the man who had spurned her love. In another first-rate story, R. Murray Gilchrist’s ‘The Lover’s Ordeal’ (1905), a young woman challenges her fiancé to pass through an ordeal before she will consent to marry him. This involves spending the night at a haunted house; but, unbeknown to the couple, a beautiful vampiress is lurking in one of the rooms, waiting patiently for her next victim to come along. An inconsequential piece, by comparison, is ‘The Vampire,’ by Hugh McCrae, which was originally published under the pseudonym ‘W. W. Lamble’ when it appeared in the November 1901 edition of The Bulletin.

One of the Edwardian era’s finest vampire stories is ‘Count Magnus,’ by M. R. James, which has been anthologised many times since its debut in Ghost Stories of an Antiquary (1904). Among this author’s spookiest tales, it chronicles the events leading up to the gruesome death of an English scholar, who becomes a doomed man after delving too deeply into suppressed legends about a notorious seventeenth-century Swedish nobleman. A minor story, ‘The Vampire’ (1902), by Basil Tozer, has seemingly sunk into oblivion, a fate that may well have befallen Frank Norris’s ‘Grettir at Thorhall-stead’ (1903) had it not been rescued from obscurity by fantasy historian Sam Moskowitz, who reprinted it in his 1971 anthology Horrors Unknown. Not entirely original, Norris’s story is a retelling of an episode in Grettir’s Saga, in which the legendary Icelandic hero has a fateful encounter with a vampire. Coincidentally, the same episode also provided the inspiration for Sabine Baring-Gould’s ‘Glámr,’ which was included in his A Book of Ghosts (1904). Another vampire story from this collection is ‘A Dead Finger,’ in which the hapless protagonist is preyed on by the disembodied spirit of a dead man, which is gradually stealing his vitality in an attempt to create a new body for itself. On similar lines to this story are Luigi Capuana’s ‘A Vampire’ (1907), which describes how the disembodied spirit of a woman’s deceased husband attempts to suck the blood of her infant child; and Lionel Sparrow’s ‘The Vengeance of the Dead’ (1910), in which a thoroughly evil man has, since his demise, existed in a state of life-in-death by stealing vitality from the living and transferring it to his corpse. More ambitiously, the unscrupulous scientist in C. Langton Clarke’s ‘The Elixir of Life’ (1903) has isolated the vitic force and found a way to transfer it from others to himself, thereby attaining a kind of immortality. More conventional in their treatment of the vampire theme are ‘The Vampire Nemesis’ (1905), by ‘Dolly,’ and ‘The Singular Death of Morton’ (1910), by Algernon Blackwood. In the former story a suicide is reincarnated as a giant vampire bat; and, in the latter, two men holidaying in France encounter a sinister woman, who lures one of them to a cemetery and sucks all the blood from his body.

Some of the best stories from the Edwardian era feature vampires in unusual guises. In Morley Roberts’ ‘The Blood Fetish’ (1909), for example, a severed hand lives on as an independent entity by absorbing the blood of both animal and human victims. In another morbid tale, Horacio Quiroga’s ‘The Feather Pillow’ (1907), a young woman has all the blood gradually sucked out of her by a monstrous insect secreted inside the pillow on her bed; and in F. H. Power’s ‘The Electric Vampire’ (1910) a mad scientist creates a giant, electrically-charged insect which feeds on blood. Even more bizarre is Louise J. Strong’s ‘An Unscientific Story’ (1903), in which a professor who has succeeded in breeding the ‘life-germ’ in his laboratory soon realises the folly of his experiments when his creation grows at a fantastic rate and within a short time forms itself into a humanoid creature which exhibits a craving for blood.

The first anthology to gather together a sizeable number of stories from this golden age of vampire fiction was Richard Dalby’s Dracula’s Brood (1987), which contained twenty-three rare stories written by friends and contemporaries of Bram Stoker. Then, after years of searching through dusty old books and defunct magazines, Richard and fellow vampire enthusiast Robert Eighteen-Bisang compiled an even rarer collection of stories for their 2011 anthology Vintage Vampire Stories. Now, after more diligent searching, Richard and I have put together this stunning new collection of stories, nearly all of which have been unavailable for many years, and include several forgotten gems whose resurrection from an undeserved obscurity should finally bring them the recognition they deserve.

BRIAN J. FROST

THE BRIDE OF THE ISLES
A Tale Founded on the Popular Legend of the Vampire

Anonymous

When this story, which is based on James Robinson Planché’s play The Vampire; or, The Bride of the Isles, received its first publication in 1820, the publisher, J. Charles of Dublin, took the liberty of falsely attributing it to Lord Byron, and the real author is unknown. Nevertheless, it is an excellent example of the bluebook or ‘Shilling Shocker,’ which were the terms usually used to describe short Gothic tales published in booklet form during the early 19th century. Retailing between sixpence and a shilling, they were about four by seven inches in size, and their closely printed pages were stitched into a cover made of flimsy blue paper. These luridly illustrated publications were especially popular with members of the lower classes, many of whom craved the thrill of reading stories revolving around shocking, mysterious and horrid incidents, but couldn’t afford to buy expensive Gothic novels, which were often published in three volumes. A copy of the rare 1820 first edition, complete with its coloured frontispiece, fetched £2000 at auction three years ago.


‘THOUGH the cheek be pale, and glared the eye, such is the wondrous art the hapless victim blind adores, and drops into their grasp like birds when gazed on by a basilisk.’

THERE IS A popular superstition still extant in the southern isles of Scotland, but not with the force as it was a century since, that the souls of persons, whose actions in the mortal state were so wickedly atrocious as to deny all possibility of happiness in that of the next; were doomed to everlasting perdition, but had the power given them by infernal spirits to be for a while the scourge of the living.

This was done by allowing the wicked spirit to enter the body of another person at the moment their own soul had winged its flight from earth; the corpse was thus reanimated – the same look, the same voice, the same expression of countenance, with physical powers to eat and drink, and partake of human enjoyments, but with the most wicked propensities, and in this state they were called vampires. This second existence as it may not improperly be termed, is held on a tenure of the most horrid and diabolical nature. Every All-Hallow E’en, he must wed a lovely virgin, and slay her, which done, he is to catch her warm blood and drink it, and from this draught he is renovated for another year, and free to take another shape, and pursue his Satanic course; but if he failed in procuring a wife at the appointed time, or had not opportunity to make the sacrifice before the moon set, the vampire was no more – he did not turn into a skeleton, but literally vanished into air and nothingness.

One of these demoniac sprites, Oscar Montcalm, of infamous notoriety in the Scotch annals of crime and murder (who was decapitated by the hands of the common executioner), was a most successful vampire, and many were the poor unfortunate maidens who had been sacrificed to support his supernatural career, roving from place to place, and every year changing his shape as opportunity presented itself, but always chosing to enter the corpse of some man of rank and power, as by that means his voracious appetite for luxury was gratified.

Oscar Montcalm had seen, and distantly adored in his mortal state, the superior beauty of the Lady Margaret, daughter of the Baron of the Isles, the good Lord Ronald; but, such was his situation, he had not dared to address her; however, he did not forget her in his vampire state, but marked her out for one of his victims, in revenge for the scorn with which he had been treated by her father.

Lady Margaret, though lovely and well proportioned, entered her twentieth year unmarried, nor had she ever been addressed by a suitor whom she could regard with the least partiality, and with much anxiety she sought to know whether she should ever enter into wedlock, and what sort of person her future lord would be. With credulity pardonable to the times in which she lived, and the narrow education then given to females, even of rank, she consulted Sage, Seer and Witch, as to this important event; but it is not to be wondered at that she met with many contradictions, everyone telling a different tale. At length urged on by the irresistible desire to pry into futurity, she repaired with her two maidens, Effie and Constance, to the Cave of Fingal, where, cutting off a lock of her hair, and joining it to a ring from her finger, she cast it into the well, according to the directions she had received from Merna, the Hag of the mountains, who had instructed the fair one as to this expedition.

No sooner was the ring flung into the well than a dreadful storm arose; the torches, which the attendant maidens had borne, were extinguished, and the immense cave was in utter darkness: loud and dreadful was the thunder, accompanied by a horrid confusion of sounds, which beggars description.

Margaret and her companions sunk on their knees; but they were too stupefied with horror to pray, or to endeavour to retrace their way out of this den of horrors. Of a sudden, the cave was brilliantly illuminated, but with no visible means of light, for there were neither torch, lamp, or candle. Solemn music was heard, slow and awfully grand, and in a few minutes two figures appeared, one heavy, morose in countenance, and clad in dark robes, who announced herself as Una, the spirit of the storm, and touching a sable curtain, discovered to the view of Margaret the figure of a noble young warrior, Ruthven, Earl of Marsden, who had accompanied her father to the wars. Again the storm resounded, the curtain closed, and the cave resumed its darkness; but this was only transient – the brilliant light returned – Una was gone, and the light figure, dressed in transparent robes, sprinkled over with spangles remained. With her wand she pulled aside the curtain, and a young man of interesting appearance was visible, but his person was a stranger to the fair one. Ariel, the spirit of the Air, then waved her hand to the entrance of the cave, as a signal for them to depart, and bowing low, they withdrew, amid strains of heart-thrilling harmony, rejoiced to find themselves once more in an open space, and they happily returned in safety to the baron’s castle. The Lady Margaret was well pleased with what she had seen, as promising her two husbands, though she was somewhat puzzled by calling to mind a couplet that Ariel had repeated three or four times, while the curtain remained undrawn.

‘But once fair maid, will you be wed,

You’ll know no second bridal bed.’

What could this mean? Surely she would never stoop to illicit desires or intrigue? She thought she knew her own heart too well.

The vampire had seen into the designs of Margaret to visit the Cave of Fingal, and he sought out Ariel and Una, to whom, by virtue of his supernatural rights, he had easy access. The spirit of the air would not befriend him, but the spirit of the storm assisted him to pry into futurity; and to suit his views, she presented the figure of Ruthven, Earl of Marsden. In the meantime, Marsden had the good fortune to save Lord Ronald’s life in the battle, and the wars being ended, or at least suspended for a time, he invited the gallant youth home with him to his castle, to pass a few months amid the social rites of hospitality and the pleasure of the chase.

The Lady Margaret received her father with dutiful affection, and gratitude to providence for his safe return, and she beheld young Marsden with secret delight; but when informed that he had preserved the baron from overpowering enemies, her gratitude knew no bounds, and she looked so beautiful and engaging, while returning her thankful effusions for the service he had rendered her father, that the earl could not resist the impulse, and from that hour became deeply enamoured of the lovely fair one.

Marsden’s rank and birth were unexceptionable but his fortune was very inadequate to support a title, which made him (added to the love of military glory) enter into the profession of arms, of which he was an ornament.

Margaret was the only child, and her father abounding in wealth and honours; it might therefore be presumed that an ambition might lead him to form very exalted views for the aggrandisement of his heiress; and so he had, but perceiving how high his preserver stood in the good graces of his darling child, and that the passion was becoming mutual, he resolved not to give any interruption to their happiness, but if Marsden could win Margaret to let him have her, as a rich reward for the service he had performed amid the clang of arms.

Parties were daily formed by the baron for the chase, hawking, or fishing, while the evening was given to the festive dance, or the minstrels tuned their harps in the great hall, and sang the deeds of Scottish chiefs, long since departed, amongst whom the heroic Wallace was not forgot.

The love of Ruthven and Lady Margaret were now generally known throughout the islands and congratulations poured in from every quarter.

A day was fixed for the nuptials, and magnificent preparations were made at the castle for the celebration of the ceremony, when the sudden and severe illness of the baron caused a delay. He wished them not to defer their marriage on his account; but the young people, in this instance would not obey him, declaring their joys would be incomplete without his revered presence.

The baron blessed them for this instance of love and filial duty, but he still felt a strong desire to have the marriage concluded.

The baron was scarce recovered, when he and Ruthven were summoned to the field of battle, a war having broken out in Flanders, and the marriage was deferred till their return; and taking a most affectionate leave of the Lady Margaret, the father and lover left the castle, and the fair one in the charge of old Alexander, the faithful steward, with many commands and cautions respecting the edifice and the lady, whom they both regarded as a gem of inestimable value, with whom they were loath to part, but imperious duty and the calls of honour allowed no alternative.

Robert, the old steward’s son, attended the baron abroad; and Marsden took his own servant the faithful Gilbert. They were successful in several skirmishes with the enemy, but in the final engagement Ruthven lost his life, dying in the arms of the Lord of the Isles, who mourned over him as for a beloved son, and he ordered Robert and Gilbert, who were on the spot, to convey the body to a place beyond the carnage, that when the battle was over he might see it (if he himself survived) and have the valued remains interred in a manner that became an earl and a soldier, dying in defending his country’s cause.

The battle ended, for the glory and success of Great Britain, and the good Baron of the Isles was unhurt, so was Robert, but Gilbert was amongst the slain.

Lord Ronald, fatigued with the sharp action of the day, in which he had borne his part with a vigour surprising to his time of life, for his head was now silvered over with the honourable badge of age, repaired to his tent to take some refreshment and an hour’s rest on his couch, to invigorate his frame. The couch eased his weary limbs, but his eyes closed not, and all his thoughts were on Ruthven, and the distress the sad news would give to his dear child. He arose, and with trembling fingers penned a letter to her, describing the melancholy event, and exhorting her, for the sake of her father, to support this trial with resignation and patience, and bow to the dispensations of Providence, who orders all things eventually for the best, however severe and distressing they seem at the time. He ended his letter by observing that he should return to the castle of the Isles without delay, being anxious to fold her in his arms, and that he should bring the corpse of the brave Marsden to his native land.

The letter being sent off expressly by one of his retainers, the baron ordered some soldiers to attend with a bier, and taking Robert for their guide they went to fetch the body of Ruthven, and in the meantime he had a small tent erected for its reception, surmounted by a sable flag.

But this posthumous attention of the good baron was all in vain, for after a long absence, Robert and the soldiers returned, with the unwelcome news that the body of the gallant Scot was not to be found, but the spot where it had been deposited by the servants was still marked with the blood that had flowed from his gaping wounds and it was presumed that the enemy had found the corpse, and had conveyed it away to some obscure hole out of revenge for the slaughter he had dealt among their leaders before his fall. This event added materially to Ronald’s regret and sorrow, for the natives of the Isles of Escotia held a traditional superstition, that while the body lay unburied the spirit wandered denied of rest. He offered rewards for the body without success, and was at length obliged, though with much reluctance, to drop the affair.

The baron was obliged to pay his duty in England to his sovereign before he repaired to the Isles. Unexpected events detained him two months at the British court, but he at last effected his departure to his long wished-for home.

A courier made known his approach, and Lady Margaret, attended by the whole household, dressed in their best array, came forth to meet him, headed by the aged minstrel, and they received their lord with joyous shouts and lively strains, about half a mile from the gates of the castle.

Lord Ronald, as the carriage descended a steep hill that led into the valley, had a full view of the party approaching to meet him, and his heart felt elated at the compliment. He could discern his daughter; but how came it she was not in sables? Surely Ruthven, her betrothed lover, deserved that mark of respect to his memory! But he could observe that she was gaily dressed, and her high plume of feathers waving in the light breeze that adulated the air. The baron cast a look on his own deep mourning, and sighed; he was not pleased – but worse and worse. As he gained a nearer view, he perceived that his daughter was handed along, most familiarly by a knight. I had hoped, said he to himself, that Margaret would have rose superior to the inconstancy and caprice attributed to her sex. Can it be possible, that she has so soon forgot the valiant, accomplished Ruthven! Oh, woman! woman! are ye all alike? As the vehicle entered the valley, Ronald quitted it, to receive the welcome of his child and retainers.

Powers of astonishment! Was it, or was it not, illusion? By what miracle did he behold Ruthven, Earl of Marsden, standing before him, and Lady Margaret hanging with chaste expressions of delight on his arm; there was a scar on his forehead, and he was much paler than before the battle, but no other alteration was visible. As for Robert, he stood aghast, his hair bristled up and his joints trembled, and altogether would have served as a good model of horror to a painter or statuary.

Ruthven stretched forth his hand – ‘You seem astonished, my good lord,’ said he, ‘to find me here before you, or, indeed to find me here at all. I was discovered by some peasants returning from their daily labour, nearly covered with fern and leaves [‘Yes,’ said Robert, ‘that was Gilbert’s work and mine.’] by means of a little dog, who had scented out my body from its purposed concealment. They were very poor, and my clothes and decorations were a strong temptation, to which they yielded, they agreed to strip me, sell the clothes, and divide the spoil. While they were thus occupied, they perceived signs of life, and their humanity prevailed over every other consideration, I was conveyed to one of their cottages, and well attended. The man had a wonderful skill in herbs and simples, therefore my cure was rapid, but previous to my leaving them, I well rewarded everyone who had been instrumental in my preservation and freely forgave the intended plunder they had confessed to me, as it was the means directed by fate to prolong my existence, and restore me to my angelic Margaret.

‘When I recovered, I found the British forces had quitted Flanders, but I could not learn which direction my friend the baron (you my dear lord) had taken; so I hastened to Scotland with all the speed my situation would admit of, and we were retarded at sea by adverse winds. I found my dear betrothed, and her fair damsels, in deep mourning for my supposed loss; but I soon changed her tears for smiles, and her sables for gayer vestments: but at first her surprise, like yours, Lord Ronald, was too great to admit of utterance, but in time we became composed and grateful, and we agreed not to inform you of my existence, but astonish you on your arrival.’

The baron greeted his young friend most warmly and testified his hope that no more ill-omened events would disappoint the nuptials of the brave earl and Margaret, whom he tenderly clasped to his bosom, and kissing each cheek, remarked that she was the living image of his dear departed wife. He then turned to the old harper, and bidding him strike up a lively strain, proceeded to the castle, where all was joy and festivity; again resounded the song, and again the damsels, with their swains showed off their best reels à la Caledonia.

In the old steward’s room a plenteous board was spread, for the upper servants and retainers of the hospitable Lord of the Isles, who ordered flowing bowls and well replenished horns to the health of Ruthven and Margaret.

Some of the party were remarking on the wonderful preservation of Marsden’s earl by the Flemish peasants, instead of plundering and leaving him to perish, as many would have done to an almost expiring enemy.

Almost expiring!’ said Robert, whose cheeks had not yet recovered their usual hue since the meeting in the valley with Ruthven.

Almost expiring!’ he repeated; ‘I am certain the body of the earl was dead – aye, as dead as my great grandsire – when I and Gilbert carried him from the field of battle; and when we left him under the fern he was as cold as ice, and the blood from his wounds coagulated – No, no, he never came to life again; this Ruthven you have here must be a vampire.’

A vampire! a vampire!’ resounded from all the company, with loud shouts of laughter at poor Robert’s simplicity. ‘Perhaps you are a vampire,’ said his sweetheart, Effie, joining in the mirth, ‘so I shall take care how I trust myself in your power.’

Robert did not reply, and all the rest of the night he had to stand the bantering jests of his companions.

But Robert was right; Marsden’s earl died on the field of battle, and the moment the servants quitted the corpse, the vampire, wicked Montcalm, whose relics lay mouldering beneath a stone in Fingal’s cave, watching the moment, took possession, and reanimated the body; the wounds instantly healed, but the face wore a pallid hue, the invariable case with the vampires, their blood not flowing in that free circulation which belongs to real mortals.

The story told by the vampire was a fabrication, respecting the peasants, to impose on Lord Ronald and the Lady Margaret as to the appearance of the supposed Ruthven, and he well succeeded.

On previously consulting the Spirit of the Storm, the vampire had discovered that Margaret would be courted by Ruthven, Earl of Marsden; he also discovered, in his peep into futurity, that the young hero would be slain in battle, and this seemed to him a glorious opportunity to obtain possession of the lovely Margaret, and make her his victim, renovate his vampireship, and go on in the most diabolical career, hurling destruction on the human race, and drawing them into crime after crime, till they sank into the gulf of eternal infamy.

It now wanted a month to All-Hallow E’en and it so chanced, that in that year the next coming moon would set on that very eve from its full orbit. The vampire repaired to the cave of Fingal, and by magic means, which he well knew how to put in execution, he raised up some infernal spirits, whom he asked for orders. They told him they would consult their ruler Beelzebub, and he was to come on the third eve from thence for an answer.

This, then, was the decree – he must wed a virgin, destroy her, and drink her blood, before the setting of the moon on All-Hallow E’en, or terminate into mere nonentity; and if the maid was unchaste, the charm was dissolved. If he succeeded he was to quit the form of Earl Marsden and get egress into some other corpse to give it animation.

The supposed death of Ruthven had caused Margaret to imbibe the idea that the two figures she had seen in Fingal’s cave, and Ariel’s couplet prophetic but of one marriage, now made out by his fall, he being only a betrothed lover, and the stranger knight she regarded as her future spouse; but the return of the Earl again puzzled her, and she knew not what to think, but at length resolved on another visit to the mystic cavern. Possibly ashamed of confessing this weakness to her maidens, or, what is more probable, conscious that from the terrors they had experienced in attending her there, she could not persuade them to go a second time, she went alone, and soon after midnight, when all the castle was hushed in sound repose, save the vampire, who beheld from the lofty casement, the temporary flight of the enterprising Margaret. How did he thirst for her blood – how willingly would he have immolated the lovely maid that moment, and paid the infernal tribute, but for one clause that interposed and saved her from his fangs. This was the necessity of his being first legally married, in all due form, to the intended victim. He regarded her with a diabolical and malicious scowl, while, by as bright a starlight night as ever illumined the heavens, he saw her tripping through the park’s wide avenues of stately firs. He wondered where she was going, and felt apprehensive that some event was in agitation that might deprive him of his bride. The vampire had just concluded to follow her, when a heaviness he could neither resist or shake off, overpowered him and sealed his eyes in a deep sleep.

Margaret, in much perturbation and a beating heart, gained the way to the cave; but the interior was so dark that she was obliged to grope on her hands and knees to the magic well, and cast in the accustomed charm. The thunder rolled, and the storm commenced, but with not one quarter of the violence as on her preceding visit. The music followed in an harmonious strain, and the spirits of the storm and air soon stood before her. The beauty, the innocence, of the noble maid, her virtues and her benevolence, had interested these mystical beings in her behalf – yes, even the stern and oft obdurate Una felt for Margaret, and wished to save her. They could not alter the decree of fate, nor had they power over the vampires; the only thing that remained was to warn the enquirer, if possible, of her danger. For this purpose, they unfolded the curtain, and presented to her view, the real Ruthven on the field of battle, bleeding and a corpse. She heard his last sigh, saw his last convulsive motion – a grisly fleshless skeleton stood by his side, and at that moment entered his corpse, which sprung up reanimated! Margaret knew well the traditional tales of the vampires, and shuddered as she beheld one before her; for what could be more plain? No further vision was shown her – she was warned from the cave, and the fair one returned to the castle, dejected and spiritless. What did this mean? Ruthven, her adored Ruthven, could be no vampire – impossible – so accomplished, so clever, superior in most things to others of his rank. She passed the intervening hours in a very restless state, till they met at their morning repast in the small saloon. The vampire handed her to a chair; she remembered the scene in the cave, and shrank back with a feeling of disgust; but this was not lasting; the labours of the spirit of the storm and the air had not their intended effect; like advice given to young maidens that accords not with the inclination, it sank before the fascination of the object beloved, and she regarded what had been shown her as wayward spite in Una and Ariel; so ready are we to twist circumstances to act in conformity with our own inclination.

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28 июня 2019
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473 стр. 6 иллюстраций
ISBN:
9780008216498
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HarperCollins

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