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Six weeks passed. The limit of Mr. Dimmidge’s advertisement had been reached, and, as it was not renewed, it had passed out of the pages of the “Clarion,” and with it the merchant’s advertisement in the next column. The excitement had subsided, although its influence was still felt in the circulation of the paper and its advertising popularity. The temporary editor was also nearing the limit of his incumbency, but had so far participated in the good fortune of the “Clarion” as to receive an offer from one of the San Francisco dailies.

It was a warm night, and he was alone in his sanctum. The rest of the building was dark and deserted, and his solitary light, flashing out through the open window, fell upon the nearer pines and was lost in the dark, indefinable slope below. He had reached the sanctum by the rear, and a door which he also left open to enjoy the freshness of the aromatic air. Nor did it in the least mar his privacy. Rather the solitude of the great woods without seemed to enter through that door and encompassed him with its protecting loneliness. There was occasionally a faint “peep” in the scant eaves, or a “pat-pat,” ending in a frightened scurry across the roof, or the slow flap of a heavy wing in the darkness below. These gentle disturbances did not, however, interrupt his work on “The True Functions of the County Newspaper,” the editorial on which he was engaged.

Presently a more distinct rustling against the straggling blackberry bushes beside the door attracted his attention. It was followed by a light tapping against the side of the house. The editor started and turned quickly towards the open door. Two outside steps led to the ground. Standing upon the lower one was a woman. The upper part of her figure, illuminated by the light from the door, was thrown into greater relief by the dark background of the pines. Her face was unknown to him, but it was a pleasant one, marked by a certain good-humored determination.

“May I come in?” she said confidently.

“Certainly,” said the editor. “I am working here alone because it is so quiet.” He thought he would precipitate some explanation from her by excusing himself.

“That’s the reason why I came,” she said, with a quiet smile.

She came up the next step and entered the room. She was plainly but neatly dressed, and now that her figure was revealed he saw that she was wearing a linsey-woolsey riding-skirt, and carried a serviceable rawhide whip in her cotton-gauntleted hand. She took the chair he offered her and sat down sideways on it, her whip hand now also holding up her skirt, and permitting a hem of clean white petticoat and a smart, well-shaped boot to be seen.

“I don’t remember to have had the pleasure of seeing you in Calaveras before,” said the editor tentatively.

“No. I never was here before,” she said composedly, “but you’ve heard enough of me, I reckon. I’m Mrs. Dimmidge.” She threw one hand over the back of the chair, and with the other tapped her riding-whip on the floor.

The editor started. Mrs. Dimmidge! Then she was not a myth. An absurd similarity between her attitude with the whip and her husband’s entrance with his gun six weeks before forced itself upon him and made her an invincible presence.

“Then you have returned to your husband?” he said hesitatingly.

“Not much!” she returned, with a slight curl of her lip.

“But you read his advertisement?”

“I saw that column of fool nonsense he put in your paper—ef that’s what you mean,” she said with decision, “but I didn’t come here to see HIM—but YOU.”

The editor looked at her with a forced smile, but a vague misgiving. He was alone at night in a deserted part of the settlement, with a plump, self-possessed woman who had a contralto voice, a horsewhip, and—he could not help feeling—an evident grievance.

“To see me?” he repeated, with a faint attempt at gallantry. “You are paying me a great compliment, but really”—

“When I tell you I’ve come three thousand miles from Kansas straight here without stopping, ye kin reckon it’s so,” she replied firmly.

“Three thousand miles!” echoed the editor wonderingly.

“Yes. Three thousand miles from my own folks’ home in Kansas, where six years ago I married Mr. Dimmidge,—a British furriner as could scarcely make himself understood in any Christian language! Well, he got round me and dad, allowin’ he was a reg’lar out-and-out profeshnal miner,—had lived in mines ever since he was a boy; and so, not knowin’ what kind o’ mines, and dad just bilin’ over with the gold fever, we were married and kem across the plains to Californy. He was a good enough man to look at, but it warn’t three months before I discovered that he allowed a wife was no better nor a nigger slave, and he the master. That made me open my eyes; but then, as he didn’t drink, and didn’t gamble, and didn’t swear, and was a good provider and laid by money, why I shifted along with him as best I could. We drifted down the first year to Sonora, at Red Dog, where there wasn’t another woman. Well, I did the nigger slave business,—never stirring out o’ the settlement, never seein’ a town or a crowd o’ decent people,—and he did the lord and master! We played that game for two years, and I got tired. But when at last he allowed he’d go up to Elktown Hill, where there was a passel o’ his countrymen at work, with never a sign o’ any other folks, and leave me alone at Red Dog until he fixed up a place for me at Elktown Hill,—I kicked! I gave him fair warning! I did as other nigger slaves did,—I ran away!”

A recollection of the wretched woodcut which Mr. Dimmidge had selected to personify his wife flashed upon the editor with a new meaning. Yet perhaps she had not seen it, and had only read a copy of the advertisement. What could she want? The “Calaveras Clarion,” although a “Palladium” and a “Sentinel upon the Heights of Freedom” in reference to wagon roads, was not a redresser of domestic wrongs,—except through its advertising columns! Her next words intensified that suggestion.

“I’ve come here to put an advertisement in your paper.”

The editor heaved a sigh of relief, as once before. “Certainly,” he said briskly. “But that’s another department of the paper, and the printers have gone home. Come to-morrow morning early.”

“To-morrow morning I shall be miles away,” she said decisively, “and what I want done has got to be done NOW! I don’t want to see no printers; I don’t want ANYBODY to know I’ve been here but you. That’s why I kem here at night, and rode all the way from Sawyer’s Station, and wouldn’t take the stage-coach. And when we’ve settled about the advertisement, I’m going to mount my horse, out thar in the bushes, and scoot outer the settlement.”

“Very good,” said the editor resignedly. “Of course I can deliver your instructions to the foreman. And now—let me see—I suppose you wish to intimate in a personal notice to your husband that you’ve returned.”

“Nothin’ o’ the kind!” said Mrs. Dimmidge coolly. “I want to placard him as he did me. I’ve got it all written out here. Sabe?”

She took from her pocket a folded paper, and spreading it out on the editor’s desk, with a certain pride of authorship read as follows:—

“Whereas my husband, Micah J. Dimmidge, having given out that I have left his bed and board,—the same being a bunk in a log cabin and pork and molasses three times a day,—and having advertised that he’d pay no debts of MY contractin’,—which, as thar ain’t any, might be easier collected than debts of his own contractin’,—this is to certify that unless he returns from Elktown Hill to his only home in Sonora in one week from date, payin’ the cost of this advertisement, I’ll know the reason why.—Eliza Jane Dimmidge.”

“Thar,” she added, drawing a long breath, “put that in a column of the ‘Clarion,’ same size as the last, and let it work, and that’s all I want of you.”

“A column?” repeated the editor. “Do you know the cost is very expensive, and I COULD put it in a single paragraph?”

“I reckon I kin pay the same as Mr. Dimmidge did for HIS,” said the lady complacently. “I didn’t see your paper myself, but the paper as copied it—one of them big New York dailies—said that it took up a whole column.”

The editor breathed more freely; she had not seen the infamous woodcut which her husband had selected. At the same moment he was struck with a sense of retribution, justice, and compensation.

“Would you,” he asked hesitatingly,—“would you like it illustrated—by a cut?”

“With which?”

“Wait a moment; I’ll show you.”

He went into the dark composing-room, lit a candle, and rummaging in a drawer sacred to weather-beaten, old-fashioned electrotyped advertising symbols of various trades, finally selected one and brought it to Mrs. Dimmidge. It represented a bare and exceedingly stalwart arm wielding a large hammer.

“Your husband being a miner,—a quartz miner,—would that do?” he asked. (It had been previously used to advertise a blacksmith, a gold-beater, and a stone-mason.)

The lady examined it critically.

“It does look a little like Micah’s arm,” she said meditatively. “Well—you kin put it in.”

The editor was so well pleased with his success that he must needs make another suggestion. “I suppose,” he said ingenuously, “that you don’t want to answer the ‘Personal’?”

“‘Personal’?” she repeated quickly, “what’s that? I ain’t seen no ‘Personal.’” The editor saw his blunder. She, of course, had never seen Mr. Dimmidge’s artful “Personal;” THAT the big dailies naturally had not noticed nor copied. But it was too late to withdraw now. He brought out a file of the “Clarion,” and snipping out the paragraph with his scissors, laid it before the lady.

She stared at it with wrinkled brows and a darkening face.

“And THIS was in the same paper?—put in by Mr. Dimmidge?” she asked breathlessly.

The editor, somewhat alarmed, stammered “Yes.” But the next moment he was reassured. The wrinkles disappeared, a dozen dimples broke out where they had been, and the determined, matter-of-fact Mrs. Dimmidge burst into a fit of rosy merriment. Again and again she laughed, shaking the building, startling the sedate, melancholy woods beyond, until the editor himself laughed in sheer vacant sympathy.

“Lordy!” she said at last, gasping, and wiping the laughter from her wet eyes. “I never thought of THAT.”

“No,” explained the editor smilingly; “of course you didn’t. Don’t you see, the papers that copied the big advertisement never saw that little paragraph, or if they did, they never connected the two together.”

“Oh, it ain’t that,” said Mrs. Dimmidge, trying to regain her composure and holding her sides. “It’s that blessed DEAR old dunderhead of a Dimmidge I’m thinking of. That gets me. I see it all now. Only, sakes alive! I never thought THAT of him. Oh, it’s just too much!” and she again relapsed behind her handkerchief.

“Then I suppose you don’t want to reply to it,” said the editor.

Her laughter instantly ceased. “Don’t I?” she said, wiping her face into its previous complacent determination. “Well, young man, I reckon that’s just what I WANT to do! Now, wait a moment; let’s see what he said,” she went on, taking up and reperusing the “Personal” paragraph. “Well, then,” she went on, after a moment’s silent composition with moving lips, “you just put these lines in.”

The editor took up his pencil.

“To Mr. J. D. Dimmidge.—Hope you’re still on R. B.‘s tracks. Keep there!—E. J. D.”

The editor wrote down the line, and then, remembering Mr. Dimmidge’s voluntary explanation of HIS “Personal,” waited with some confidence for a like frankness from Mrs. Dimmidge. But he was mistaken.

“You think that he—R. B.—or Mr. Dimmidge—will understand this?” he at last asked tentatively. “Is it enough?”

“Quite enough,” said Mrs. Dimmidge emphatically. She took a roll of greenbacks from her pocket, selected a hundred-dollar bill and then a five, and laid them before the editor. “Young man,” she said, with a certain demure gravity, “you’ve done me a heap o’ good. I never spent money with more satisfaction than this. I never thought much o’ the ‘power o’ the Press,’ as you call it, afore. But this has been a right comfortable visit, and I’m glad I ketched you alone. But you understand one thing: this yer visit, and WHO I am, is betwixt you and me only.”

“Of course I must say that the advertisement was AUTHORIZED,” returned the editor. “I’m only the temporary editor. The proprietor is away.”

“So much the better,” said the lady complacently. “You just say you found it on your desk with the money; but don’t you give me away.”

“I can promise you that the secret of your personal visit is safe with me,” said the young man, with a bow, as Mrs. Dimmidge rose. “Let me see you to your horse,” he added. “It’s quite dark in the woods.”

“I can see well enough alone, and it’s just as well you shouldn’t know HOW I kem or HOW I went away. Enough for you to know that I’ll be miles away before that paper comes out. So stay where you are.”

She pressed his hand frankly and firmly, gathered up her riding-skirt, slipped backwards to the door, and the next moment rustled away into the darkness.

Early the next morning the editor handed Mrs. Dimmidge’s advertisement, and the woodcut he had selected, to his foreman. He was purposely brief in his directions, so as to avoid inquiry, and retired to his sanctum. In the space of a few moments the foreman entered with a slight embarrassment of manner.

“You’ll excuse my speaking to you, sir,” he said, with a singular mixture of humility and cunning. “It’s no business of mine, I know; but I thought I ought to tell you that this yer kind o’ thing won’t pay any more,—it’s about played out!”

“I don’t think I understand you,” said the editor loftily, but with an inward misgiving. “You don’t mean to say that a regular, actual advertisement”—

“Of course, I know all that,” said the foreman, with a peculiar smile; “and I’m ready to back you up in it, and so’s the boy; but it won’t pay.”

“It HAS paid a hundred and five dollars,” said the editor, taking the notes from his pocket; “so I’d advise you to simply attend to your duty and set it up.”

A look of surprise, followed, however, by a kind of pitying smile, passed over the foreman’s face. “Of course, sir, THAT’S all right, and you know your own business; but if you think that the new advertisement will pay this time as the other one did, and whoop up another column from an advertiser, I’m afraid you’ll slip up. It’s a little ‘off color’ now,—not ‘up to date,’—if it ain’t a regular ‘back number,’ as you’ll see.”

“Meantime I’ll dispense with your advice,” said the editor curtly, “and I think you had better let our subscribers and advertisers do the same, or the ‘Clarion’ might also be obliged to dispense with your SERVICES.”

“I ain’t no blab,” said the foreman, in an aggrieved manner, “and I don’t intend to give the show away even if it don’t PAY. But I thought I’d tell you, because I know the folks round here better than you do.”

He was right. No sooner had the advertisement appeared than the editor found that everybody believed it to be a sheer invention of his own to “once more boom” the “Clarion.” If they had doubted MR. Dimmidge, they utterly rejected MRS. Dimmidge as an advertiser! It was a stale joke that nobody would follow up; and on the heels of this came a letter from the editor-in-chief.

MY DEAR BOY,—You meant well, I know, but the second Dimmidge “ad” was a mistake. Still, it was a big bluff of yours to show the money, and I send you back your hundred dollars, hoping you won’t “do it again.” Of course you’ll have to keep the advertisement in the paper for two issues, just as if it were a real thing, and it’s lucky that there’s just now no pressure in our columns. You might have told a better story than that hogwash about your finding the “ad” and a hundred dollars lying loose on your desk one morning. It was rather thin, and I don’t wonder the foreman kicked.

The young editor was in despair. At first he thought of writing to Mrs. Dimmidge at the Elktown Post-Office, asking her to relieve him of his vow of secrecy; but his pride forbade. There was a humorous concern, not without a touch of pity, in the faces of his contributors as he passed; a few affected to believe in the new advertisement, and asked him vague, perfunctory questions about it. His position was trying, and he was not sorry when the term of his engagement expired the next week, and he left Calaveras to take his new position on the San Francisco paper.

He was standing in the saloon of the Sacramento boat when he felt a sudden heavy pressure on his shoulder, and looking round sharply, beheld not only the black-bearded face of Mr. Dimmidge, lit up by a smile, but beside it the beaming, buxom face of Mrs. Dimmidge, overflowing with good-humor. Still a little sore from his past experience, he was about to address them abruptly, when he was utterly vanquished by the hearty pressure of their hands and the unmistakable look of gratitude in their eyes.

“I was just saying to ‘Lizy Jane,” began Mr. Dimmidge breathlessly, “if I could only meet that young man o’ the ‘Clarion’ what brought us together again”—

“You’d be willin’ to pay four times the amount we both paid him,” interpolated the laughing Mrs. Dimmidge.

“But I didn’t bring you together,” burst out the dazed young man, “and I’d like to know, in the name of Heaven, what brought you together now?”

“Don’t you see, lad,” said the imperturbable Mr. Dimmidge, “‘Lizy Jane and myself had qua’lled, and we just unpacked our fool nonsense in your paper and let the hull world know it! And we both felt kinder skeert and shamed like, and it looked such small hogwash, and of so little account, for all the talk it made, that we kinder felt lonely as two separated fools that really ought to share their foolishness together.”

“And that ain’t all,” said Mrs. Dimmidge, with a sly glance at her spouse, “for I found out from that ‘Personal’ you showed me that this particular old fool was actooally jealous!—JEALOUS!”

“And then?” said the editor impatiently.

“And then I KNEW he loved me all the time.”

THE SECRET OF SOBRIENTE’S WELL

Even to the eye of the most inexperienced traveler there was no doubt that Buena Vista was a “played-out” mining camp. There, seamed and scarred by hydraulic engines, was the old hillside, over whose denuded surface the grass had begun to spring again in fitful patches; there were the abandoned heaps of tailings already blackened by sun and rain, and worn into mounds like ruins of masonry; there were the waterless ditches, like giant graves, and the pools of slumgullion, now dried into shining, glazed cement. There were two or three wooden “stores,” from which the windows and doors had been taken and conveyed to the newer settlement of Wynyard’s Gulch. Four or five buildings that still were inhabited—the blacksmith’s shop, the post-office, a pioneer’s cabin, and the old hotel and stage-office—only accented the general desolation. The latter building had a remoteness of prosperity far beyond the others, having been a wayside Spanish-American posada, with adobe walls of two feet in thickness, that shamed the later shells of half-inch plank, which were slowly warping and cracking like dried pods in the oven-like heat.

The proprietor of this building, Colonel Swinger, had been looked upon by the community as a person quite as remote, old-fashioned, and inconsistent with present progress as the house itself. He was an old Virginian, who had emigrated from his decaying plantation on the James River only to find the slaves, which he had brought with him, freed men when they touched Californian soil; to be driven by Northern progress and “smartness” out of the larger cities into the mountains, to fix himself at last, with the hopeless fatuity of his race, upon an already impoverished settlement; to sink his scant capital in hopeless shafts and ledges, and finally to take over the decaying hostelry of Buena Vista, with its desultory custom and few, lingering, impecunious guests. Here, too, his old Virginian ideas of hospitality were against his financial success; he could not dun nor turn from his door those unfortunate prospectors whom the ebbing fortunes of Buena Vista had left stranded by his side.

Colonel Swinger was sitting in a wicker-work rocking-chair on the veranda of his hotel—sipping a mint julep which he held in his hand, while he gazed into the dusty distance. Nothing could have convinced him that he was not performing a serious part of his duty as hotel-keeper in this attitude, even though there were no travelers expected, and the road at this hour of the day was deserted. On a bench at his side Larry Hawkins stretched his lazy length,—one foot dropped on the veranda, and one arm occasionally groping under the bench for his own tumbler of refreshment. Apart from this community of occupation, there was apparently no interchange of sentiment between the pair. The silence had continued for some moments, when the colonel put down his glass and gazed earnestly into the distance.

“Seein’ anything?” remarked the man on the bench, who had sleepily regarded him.

“No,” said the colonel, “that is—it’s only Dick Ruggles crossin’ the road.”

“Thought you looked a little startled, ez if you’d seen that ar wanderin’ stranger.”

“When I see that wandering stranger, sah,” said the colonel decisively, “I won’t be sittin’ long in this yer chyar. I’ll let him know in about ten seconds that I don’t harbor any vagrants prowlin’ about like poor whites or free niggers on my propahty, sah!”

“All the same, I kinder wish ye did see him, for you’d be settled in YOUR mind and I’d be easier in MINE, ef you found out what he was doin’ round yer, or ye had to admit that it wasn’t no LIVIN’ man.”

“What do you mean?” said the colonel, testily facing around in his chair.

His companion also altered his attitude by dropping his other foot to the floor, sitting up, and leaning lazily forward with his hands clasped.

“Look yer, colonel. When you took this place, I felt I didn’t have no call to tell ye all I know about it, nor to pizen yer mind by any darned fool yarns I mout hev heard. Ye know it was one o’ them old Spanish haciendas?”

“I know,” said the colonel loftily, “that it was held by a grant from Charles the Fifth of Spain, just as my propahty on the James River was given to my people by King James of England, sah!”

“That ez as may be,” returned his companion, in lazy indifference; “though I reckon that Charles the Fifth of Spain and King James of England ain’t got much to do with what I’m goin’ to tell ye. Ye see, I was here long afore YOUR time, or any of the boys that hev now cleared out; and at that time the hacienda belonged to a man named Juan Sobriente. He was that kind o’ fool that he took no stock in mining. When the boys were whoopin’ up the place and finding the color everywhere, and there was a hundred men working down there in the gulch, he was either ridin’ round lookin’ up the wild horses he owned, or sittin’ with two or three lazy peons and Injins that was fed and looked arter by the priests. Gosh! now I think of it, it was mighty like YOU when you first kem here with your niggers. That’s curious, too, ain’t it?”

He had stopped, gazing with an odd, superstitious wonderment at the colonel, as if overcome by this not very remarkable coincidence. The colonel, overlooking or totally oblivious to its somewhat uncomplimentary significance, simply said, “Go on. What about him?”

“Well, ez I was sayin’, he warn’t in it nohow, but kept on his reg’lar way when the boom was the biggest. Some of the boys allowed it was mighty oncivil for him to stand off like that, and others—when he refused a big pile for his hacienda and the garden, that ran right into the gold-bearing ledge—war for lynching him and driving him outer the settlement. But as he had a pretty darter or niece livin’ with him, and, except for his partickler cussedness towards mining, was kinder peaceable and perlite, they thought better of it. Things went along like this, until one day the boys noticed—particklerly the boys that had slipped up on their luck—that old man Sobriente was gettin’ rich,—had stocked a ranch over on the Divide, and had given some gold candlesticks to the mission church. That would have been only human nature and business, ef he’d had any during them flush times; but he hadn’t. This kinder puzzled them. They tackled the peons,—his niggers,—but it was all ‘No sabe.’ They tackled another man,—a kind of half-breed Kanaka, who, except the priest, was the only man who came to see him, and was supposed to be mighty sweet on the darter or niece,—but they didn’t even get the color outer HIM. Then the first thing we knowed was that old Sobriente was found dead in the well!”

“In the well, sah!” said the colonel, starting up. “The well on my propahty?”

“No,” said his companion. “The old well that was afterwards shut up. Yours was dug by the last tenant, Jack Raintree, who allowed that he didn’t want to ‘take any Sobriente in his reg’lar whiskey and water.’ Well, the half-breed Kanaka cleared out after the old man’s death, and so did that darter or niece; and the church, to whom old Sobriente had left this house, let it to Raintree for next to nothin’.”

“I don’t see what all that has got to do with that wandering tramp,” said the colonel, who was by no means pleased with this history of his property.

“I’ll tell ye. A few days after Raintree took it over, he was lookin’ round the garden, which old Sobriente had always kept shut up agin strangers, and he finds a lot of dried-up ‘slumgullion’ 2 scattered all about the borders and beds, just as if the old man had been using it for fertilizing. Well, Raintree ain’t no fool; he allowed the old man wasn’t one, either; and he knew that slumgullion wasn’t worth no more than mud for any good it would do the garden. So he put this yer together with Sobriente’s good luck, and allowed to himself that the old coyote had been secretly gold-washin’ all the while he seemed to be standin’ off agin it! But where was the mine? Whar did he get the gold? That’s what got Raintree. He hunted all over the garden, prospected every part of it,—ye kin see the holes yet,—but he never even got the color!”

He paused, and then, as the colonel made an impatient gesture, he went on.

“Well, one night just afore you took the place, and when Raintree was gettin’ just sick of it, he happened to be walkin’ in the garden. He was puzzlin’ his brain agin to know how old Sobriente made his pile, when all of a suddenst he saw suthin’ a-movin’ in the brush beside the house. He calls out, thinkin’ it was one of the boys, but got no answer. Then he goes to the bushes, and a tall figger, all in black, starts out afore him. He couldn’t see any face, for its head was covered with a hood, but he saw that it held suthin’ like a big cross clasped agin its breast. This made him think it was one them priests, until he looks agin and sees that it wasn’t no cross it was carryin,’ but a PICKAXE! He makes a jump towards it, but it vanished! He traipsed over the hull garden,—went though ev’ry bush,—but it was clean gone. Then the hull thing flashed upon him with a cold shiver. The old man bein’ found dead in the well! the goin’ away of the half-breed and the girl! the findin’ o’ that slumgullion! The old man HAD made a strike in that garden, the half-breed had discovered his secret and murdered him, throwin’ him down the well! It war no LIVIN’ man that he had seen, but the ghost of old Sobriente!”

The colonel emptied the remaining contents of his glass at a single gulp, and sat up. “It’s my opinion, sah, that Raintree had that night more than his usual allowance of corn-juice on board; and it’s only a wonder, sah, that he didn’t see a few pink alligators and sky-blue snakes at the same time. But what’s this got to do with that wanderin’ tramp?”

“They’re all the same thing, colonel, and in my opinion that there tramp ain’t no more alive than that figger was.”

“But YOU were the one that saw this tramp with your own eyes,” retorted the colonel quickly, “and you never before allowed it was a spirit!”

“Exactly! I saw it whar a minit afore nothin’ had been standin’, and a minit after nothin’ stood,” said Larry Hawkins, with a certain serious emphasis; “but I warn’t goin’ to say it to ANYBODY, and I warn’t goin’ to give you and the hacienda away. And ez nobody knew Raintree’s story, I jest shut up my head. But you kin bet your life that the man I saw warn’t no livin’ man!”

“We’ll see, sah!” said the colonel, rising from his chair with his fingers in the armholes of his nankeen waistcoat, “ef he ever intrudes on my property again. But look yar! don’t ye go sayin’ anything of this to Polly,—you know what women are!”

A faint color came into Larry’s face; an animation quite different to the lazy deliberation of his previous monologue shone in his eyes, as he said, with a certain rough respect he had not shown before to his companion, “That’s why I’m tellin’ ye, so that ef SHE happened to see anything and got skeert, ye’d know how to reason her out of it.”

“‘Sh!” said the colonel, with a warning gesture.

A young girl had just appeared in the doorway, and now stood leaning against the central pillar that supported it, with one hand above her head, in a lazy attitude strongly suggestive of the colonel’s Southern indolence, yet with a grace entirely her own. Indeed, it overcame the negligence of her creased and faded yellow cotton frock and unbuttoned collar, and suggested—at least to the eyes of ONE man—the curving and clinging of the jasmine vine against the outer column of the veranda. Larry Hawkins rose awkwardly to his feet.

“Now what are you two men mumblin’ and confidin’ to each other? You look for all the world like two old women gossips,” she said, with languid impertinence.

It was easy to see that a privileged and recognized autocrat spoke. No one had ever questioned Polly Swinger’s right to interrupting, interfering, and saucy criticisms. Secure in the hopeless or chivalrous admiration of the men around her, she had repaid it with a frankness that scorned any coquetry; with an indifference to the ordinary feminine effect or provocation in dress or bearing that was as natural as it was invincible. No one had ever known Polly to “fix up” for anybody, yet no one ever doubted the effect, if she had. No one had ever rebuked her charming petulance, or wished to.

2.That is, a viscid cement-like refuse of gold-washing.
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