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CHAPTER IX.
FRIENDLY ADVICE

When Lenz awoke the next morning, the journeyman and apprentice whom he had sent home at the time of his mother's death were already at work in their old places. Never before had they been on hand before their master. He was surprised to find the sun high in the heavens when he threw open his window, and to hear the various clocks in his room striking seven. Had his wish that he might sleep for weeks been really granted? Weeks seemed to lie between yesterday and to-day. Yesterday, how long ago it was! how much had happened!

Franzl brought his breakfast and sat down with him unbidden. "What shall I cook for your dinner to day?"

"For mine? Nothing; I shall not be at home to dinner. Cook for yourself as usual. Only think, Franzl, that good Pilgrim-"

"Yes," interrupted Franzl; "he was here last evening, and waited a long while for you."

"Was he? and I had gone to see him. Only think, he has been secretly painting a picture of my mother. You would be amazed to see how lifelike it is. She seems on the point of speaking."

"I knew what he was about. He came to me privately for your mother's Sunday jacket, her red bodice, and fine-plaited ruff, her neckerchief and hood. Her garnet ornaments you had locked up with those other things that I know nothing about. It is none of my business; I don't need to know everything. But I can keep a secret as well as another; I would not tell if you tapped every vein in my body. Did a breath of what Pilgrim was about escape me? Did I drop a hint of why he did not come? You may trust me with anything."

As Lenz did not seem inclined to take her into his confidence, she began questioning him.

"Where are you going to-day? Where did you spend last evening?"

Lenz looked at her in surprise, and made no answer.

"Were you at your uncle Petrovitsch's?"

He still made no answer beyond a shake of the head, and Franzl helped both him and herself out of the difficulty by saying: "I have no more time now. I must go into the garden to pick the beans for dinner. I have engaged a woman to-day to help me dig potatoes; are you willing?"

"Certainly; only see that everything is done as it should be."

Lenz, too, went to his work, but could not fix his mind upon it. None of his tools suited him. Even his father's file, which he was generally so careful of, he threw roughly aside.

The Magic Flute began to play. "Who wound up the clock?" asked Lenz, surprised.

"I did," said the apprentice.

Lenz was silent. He must expect everything to go on in its old way. The world does not stand still because one heart has ceased to beat and another longs to be at rest forever. He worked on more quietly. The journeyman told of a young man in Triberg who had lately come home from foreign parts and wanted to set up a manufactory of musical clocks in the neighborhood.

I might sell out to him, thought Lenz, and be free to travel and see the world. But the thought awoke no enthusiasm in him now; it was only like the echo of what he had once desired. The very fact of his uncle's having spread a report of his going, wishing thereby to compel him to it, made him averse to the plan. He took his father's file once more in his hand. The man who used this file, he thought, spent his life on this spot, except for one short season of absence, and was happy. To be sure he married young; that makes a difference.

Lenz's habit was, when he had business at the foundry on the other side of the mountain, to send his apprentice. To-day he went himself, and sat but a little while at his work after his return. Before the morning hours were half over, he went down into the village and thence up the meadow to Pilgrim's. His old friend was sitting at his easel, painting. He got up, passed both hands through his long, lank, sandy hair, and offered the right to Lenz, who began at once to thank him for the joyful surprise his mother's picture had given him, as well as for his friend's kindness in thinking of it.

"Pooh, pooh!" said Pilgrim, thrusting both his hands into his wide leather breeches, "I did it for my own pleasure. It is desperately stupid work painting that blessed village from one year's end to the other; the same old church with the bishop's mitre for a steeple and a hole to put the dial-plate in; the mower with his scythe, who never budges a step; the mother and child always running towards each other and never meeting; the baby, stretching out its little hands, and never reaching its father; and that plaguy fellow with his back turned, who never lets us see what sort of a face he has. Yet hundreds and hundreds of times I am made to paint that staring grass-green thing because the world must have what it has been used to. I could paint it with my eyes shut, I do believe, and still am kept at it. For once in my life I have done myself a pleasure, and painted your mother. It is my first and last portrait; for I don't like the faces about here, and don't mean to bore future generations with the sight of them. Your uncle was right never to consent to have his picture taken. When a travelling artist some time ago asked him to sit: 'No,' said he, 'I have no idea of seeing myself one of these days hanging in a rag-shop side by side with Napoleon and old Fritz.' He has queer fancies, that old fellow. There is no telling where he will strike out next."

"Never mind my uncle now. You painted my mother's picture for me, – did you not?"

"Yes, if you want it. Come here a moment; stand just there. The eyes are the least satisfactory part of the picture to me, and the doctor said the same thing when he was here this morning. He meant to bring a friend with him who is something of an artist, but he did not get out of bed early enough. You have exactly your mother's eyes. Stand there a minute, just as you are. Now keep quiet, and think of something pleasant, – of some one you are going to do a kindness to. Remember Faller and his house, then you will have just your mother's hearty expression; not a smile, but such a kind, cordial look. So, – that is it exactly. Don't blink. Nay, I cannot paint you if you cry."

"The tears will come," apologized Lenz. "I could not help thinking how my mother's eyes-"

"Well, well; we will let it be. I know now what is needed. Let us take a recess; and high time we did too, for it is almost noon. You will eat your dinner with me, won't you?"

"Don't be offended; but I must dine with my Uncle Petrovitsch to-day."

"Nothing you could do would offend me. Tell me now about yourself."

Lenz laid before his friend the plan he had half formed of going abroad for a year or two, and urged him to carry out their boyish project of going together. Perhaps the luck they had hoped for in those days might be realized now.

"Don't do it; don't go," urged Pilgrim. "You and I, Lenz, were never meant to be rich men, and it is best so. My Don Bastian is the sort of man to make money. He has travelled over the whole world, and knows as little about it as the cow does of the creed. Wherever he went, whatever place he entered, his one thought was how to make money, how to save and to cheat. So he got on everywhere. The Spanish peasant is as cunning as the German, and likes nothing so well as to get the better of his neighbors. When my Don Bastian came home, he brought nothing with him but his money, and had nothing to do but to dispose of that to the best advantage. Such a man as that will get on in the world."

"And we?"

"He whose pleasure lies in things that cannot be had for gold needs no money. All the superfluous chink that I have is my guitar, and it is all I want. I heard Don Bastian's youngest boy saying the Ten Commandments one day, and a bright thought came into my head. What is the first commandment? 'I am the Lord thy God: thou shalt have no other gods beside me.' Every man, then, can have but one God. You and I take pleasure in our art. You are happy when you have accomplished a work that harmonizes in all its parts, and so am I, though I do complain sometimes of the everlasting village with the same old mower and the eternal mother and child. But I am glad when it is done; and even while I am doing it I am as gay as a bird, – as gay as the finch there on the church-roof. Now a man that delights in his work, and puts his whole heart and soul into it, cannot be always thinking how he can make money, how he can speculate and cheat. And if he has a joy that money cannot buy, what does he want of money? I am satisfied with the sight of a beautiful group of trees, – with watching the sunbeams flicker in and out among the branches, and play bo-peep with one another so happy and loving. What should I gain by having the forest my own? 'Thou shalt have no other gods beside me.' That is a good saying. A second god is pretty sure to be the devil, as you may see by your Uncle Petrovitsch. The apostle says the same thing: 'Ye cannot drink the cup of the Lord and the cup of devils.'"

"Come and live with me," was Lenz's only answer. "I will have our upper room fitted up for you, and give you a chamber besides."

"Thank you, but that would be a mistake for both of us. Lenz, you are one of a thousand. You were cut out for a husband and father; you must marry. I imagine already the pleasure I shall take in telling your children stories about my travels. When I am too old to work, you shall give me a home with you, and kill me with kindness, if you will. But now keep your eyes open. Don't seem too fond of me. I not only will not be offended, but I advise you to put me in the background, that you may have a chance of a place in your uncle's will. We should make capital heirs. I have a real talent for inheriting; but unhappily my relatives are all poor devils, rich in nothing but children. I am the only one in the family that will have anything to leave, and I shall play the rich uncle one of these days, like Petrovitsch."

As a passing shower, which began to fall while the friends were talking, put a fresh brightness on the face of nature, so did Lenz's heart grow lighter under Pilgrim's influence. They waited till the rain was over, and then set out together for the hotel; but did not enter at the same time, as Pilgrim was unwilling to be seen by Petrovitsch in Lenz's company. A wagon stood before the door, and a young man was taking leave of the landlord, who accompanied him a few steps, and offered him his two fingers, pushing his little cap on the back of his head as he did so. After a parting salutation to the landlady and her daughter, the stranger ordered the coachman to drive on, and wait for him at the doctor's.

He raised his cap in greeting to the two friends as he passed them.

"Do you know him?" asked Pilgrim.

"No."

"Nor I either," said Pilgrim. "That is odd! Who is the stranger?" he asked of the landlord.

"The brother of my son-in-law."

"Oho!" whispered Pilgrim in Lenz's ear; "now I remember; some one told me he was a suitor of Annele's."

He did not see the change these words wrought in his friend's countenance; for Lenz turned hastily away and ran up the steps before him.

CHAPTER X.
LENZ DINES WITH PETROVITSCH, AND IS KEPT WAITING FOR THE SWEETS

Petrovitsch had not yet come. As Lenz sat at his table waiting for him, Pilgrim and he fell into conversation with the hosts. Annele was strangely reserved to-day. She would not even shake hands with Lenz when he entered, but pretended to be busy with some household work. Her hand is promised, he thought; she can give it to no one now, even in greeting. At last his uncle arrived, or rather his forerunner in the shape of a mongrel cur, half terrier and half rat-catcher.

"Good day, Lenz!" said the surly voice of Petrovitsch, who followed behind the dog. "I expected you yesterday. Did you forget I had invited you?"

"I confess I did entirely."

"I will excuse you under the circumstances; but generally a business man ought not to forget. I never forgot even a pocket-handkerchief in my whole life, and never lost so much as a pin. A man should always keep his seven senses about him. Now let us have dinner."

Annele brought the soup. The uncle helped himself, put some into another plate, and told Lenz he might have what was left. Then he drew from his pocket the paper, which he took daily from the post, cut it open while his soup was cooling, laid his tobacco-pouch and meerschaum upon it, and finally began his dinner.

"This is the way I like to live," said he, when the soup was removed and he was crumbing bread into the plate for the unknown guest, – "take my meals in a public house where I can have fresh table linen every day, throw down my score when I am done, and remain my own master."

When the meat was brought on, Petrovitsch, with his own hand, put a slice on Lenz's plate, took another himself, and cut again for the third plate. It must be meant for some very intimate friend, for the old man put his finger into it, after sprinkling some water over, and stirred up the food. At last the mystery was explained by his calling to his dog: "Come, Bubby, come; gently, gently, not so rough, Bubby; quiet, quiet!" He set the plate on the floor, and the dog attacked the dinner with a relish, licking his chops when it was over, and looking up gratefully and contentedly in his master's face. For the rest of the meal Bubby, as the dog was called, to the disgust of the villagers, got nothing thrown him but an occasional crumb. Petrovitsch said little during dinner. When he had finished, he lighted his pipe and took the paper, which Bubby understood as a sign that he might jump up into his master's lap. There he remained, half sitting and half standing, while Petrovitsch read the paper over the dog's head. Lenz found his position rather embarrassing. The old man's habits were too settled to be easily interrupted.

"Uncle," he said at last, "what made you spread the report that I was going abroad?"

Petrovitsch took three comfortable pulls at his cigar, blew out the smoke, stroked his dog, pushed him gently off his lap, folded the paper, restored it to his pocket, and finally answered: "Why, Lenz, what a queer fellow you are! You told me yourself you wanted to renew your youth by going out to see the world."

"I don't remember saying so."

"Very likely not; you hardly knew what you were talking about. But it would be a good plan if you did go away awhile; you would get out of many a rut. I have no desire and no right to force you."

Lenz was actually persuaded by his uncle's positive assertion that he had expressed such an intention, and apologized for having forgotten the circumstance.

"Draw your chair up closer, Lenz," whispered Petrovitsch, confidentially. "There's no need for the world to hear our conversation. Look here, if you take my advice, you won't marry."

"But, uncle, what makes you suppose I am thinking of marrying?"

"There is no telling what you young people won't do. Profit by my example, Lenz. I am one of the happiest men in the world. I have been enjoying myself for six weeks in Baden-Baden, and now everything seems pleasant to me here again. Wherever I go, I am my own master and command the best service. Besides, there are no girls nowadays who are good for anything. You would die of ennui with the simple and good-natured, while the bright and clever expect you three times a day, at every meal, to send off fireworks for their entertainment, besides boring you with continual complaints of 'this tiresome housekeeping that you men know nothing about.' Then there are the crying children, and the poor relations, and the school-bills, and the dowries."

"If every one thought as you do, the world would die out in a hundred years."

"Pooh! there is no danger of its dying out," laughed Petrovitsch, as he pressed his tobacco down into his pipe with a little porcelain instrument he always kept by him for the purpose. "Look at Annele now." A chill he could not account for struck to Lenz's heart. "She is a natty little woman, always in harness. I call her my court jester. Those old kings were wise in keeping a fool to make them laugh over their dinner: it helped digestion. Annele is my court fool; she entertains me here every day."

When Lenz looked round, Pilgrim had vanished. He seemed determined his friend should disown him before the rich uncle. But Lenz considered it his duty to tell Petrovitsch that he was a faithful friend to Pilgrim, and always should be.

The old man commended his nephew for his constancy, and further surprised him by praising Pilgrim, who, he said, was just like himself, and cared nothing for marrying and womenfolks.

The dog became uneasy, and began to whine.

"Quiet!" said Petrovitsch, threateningly. "Be patient; we are going home now to sleep. Come, Bubby! Are you coming too, Lenz?"

Lenz accompanied his uncle as far as his house, – a large, imposing building, where he lived entirely alone. The door opened at their approach as if by magic; for the servant was obliged to be on the lookout, and open for her master without his knocking. No stranger was admitted who could not explain his business satisfactorily. The villagers used to say that even a fly must have a pass to enter that house.

There the nephew bade his uncle good by, and was thanked with a yawn for his politeness.

Lenz was happy to be at his work again that afternoon. The house, which had seemed too desolate to live in, began to feel once more like home. There is no true comfort to be found in outside excitements, but only between one's own four walls. He chose a place for his mother's portrait directly above his father's file. She would look down on him from there as he sat at work, and he could often look up at her.

"Keep the room nice and neat," he said to Franzl. "It is always neat," she answered, with pardonable indignation. Lenz could not explain that he wanted it particularly nice because he was every moment expecting Annele and her mother to see and hear the musical clock before it was sent to Russia. When she came, he would ask her plainly what foundation there was for the stories about herself and the engineer. He must ask, though he felt he had no right. Then he should know on what terms he might stand with her.

Day after day went by, and still no Annele came. Lenz often passed the Lion without going up, finally without even looking up.

CHAPTER XI.
THE GREAT MUSICAL CLOCK PLAYS ITS OLD PIECES, AND HAS NEW ONES ADDED

The report that the famous Magic Flute, the great musical clock of Lenz of the Morgenhalde, would start in a few days for its place of destination in Russia, set the whole valley in a ferment. A perfect pilgrimage began to Lenz's house. Every one was anxious to admire this noble work once more, before it disappeared forever. Franzl had as much as she could do to welcome the guests, shake hands with them, – wiping her hands first on her apron every time, – and usher them into the sitting-room. There were not chairs enough in the house to seat them all. Even Uncle Petrovitsch came, and with him not only Bubby, which was a matter of course, but Ibrahim, the old man's companion at cards, who was said to have turned Turk during his fifty years' absence from home. The two old men said little. Ibrahim sat smoking a long Turkish pipe, motionless except for an occasional contraction of his eyebrows; while Petrovitsch was as constant in his attendance upon him as Bubby in attendance upon his master. Ibrahim was the only human being who possessed any influence over Petrovitsch, and he preserved it only by never exercising it. He shook off all applicants who hoped through him to gain access to the rich man. They played cards together every evening, cash down. Petrovitsch was stirred to special activity and officiousness by Ibrahim's imperturbable tranquillity, and now seemed desirous of doing the honors of his old homestead. He stood by the work-bench during the playing of a long piece, and amused himself with observing the tools which lay upon it, as well as those hanging upon the wall. At last he took down the familiar file with the well-worn handle. "Was not this his file?" he said to Lenz, when the piece was ended.

"Yes, my poor father's."

"I will buy it of you."

"You are not in earnest, uncle. You know I could not sell it."

"Not to me?"

"Not even to you, – begging your pardon."

"Give it to me, then, and let me give you something in return."

"I hardly know how to answer you, uncle. Really, I cannot let it go out of the house."

"Stay there then," he said to the unconscious tool, as he returned it to its place; and shortly after he and Ibrahim went down the hill.

People came from a great distance, some from the next valley, to hear and admire the clock. Franzl was especially delighted with the praise bestowed upon it by the weight-maker, one of the chief men of her village. "Such a piece of workmanship has not left our part of the country for a hundred years," he declared. "What a pity it has got to be silent through the journey, and cannot play from here to Odessa, to tell every one it comes from the Black Forest, where science has been brought to such perfection!" Franzl's face glowed with pleasure. It takes the Knuslingers to talk like that. She told of the patience and zeal with which Lenz had labored on this work; how he had often got up in the night to carry out some idea that had come into his mind. There were secrets in that clock that no one could fathom. She, of course, was initiated into its mysteries. No maiden's heart ever beat more tumultuously at a first declaration of love than Franzl's when the first man of her village said, "And the house, Franzl, whence proceeds a work so delicate and exact, the house must have been well ordered too; you have contributed your share, Franzl."

"With all deference to others, I must say there is no one quite equal to us Knuslingers. This is the only man who has said just the right thing. The others stood there like cows before a new barn door. Moo! moo! Thank Heaven, I come from Knuslingen!" – so spoke Franzl's whole manner. You could read it in her hand, which she laid upon her beating heart, and in the frequent raising of her eyes to heaven.

Lenz could not help laughing at her seasoning every meal with congratulations that he was now so famous in Knuslingen.

Knuslingen was not such a small place either. It had two chapels of ease, at Fuchsberg and at Knebringen.

"To-morrow evening I shall close the case and send off The Magic Flute," said Lenz.

"So soon?" lamented Franzl, and cast imploring glances at the great case, as if entreating it to stay yet a little longer in the house to which it brought so much honor.

"I wonder," continued Lenz, "why the doctor's family has not been; and-and-the ladies from the Lion promised to come too."

Franzl rubbed her forehead and shrugged her shoulders, lamenting her ignorance. It was not for the like of her to know the secrets of great houses.

Annele of the Lion had long been urging her mother to make the visit, but the landlady would not without her husband. Majesty is wanting where he is not present. Majesty, however, does not seek; it requires to be sought.

But now Annele learned through certain trusty informers that on this last day the doctor's family was going to Lenz's house. Majesty, therefore, must consent. This was the day of all others, – the day when the aristocracy would be present. The mother and daughter determined not to start till they had seen the doctor's family go by. Nothing of this diplomacy was revealed to his Majesty, whose punctiliousness and dignity would have taken umbrage thereat.

"Here comes the thou-teacher," cried Franzl, early the next morning, as she was looking out of her kitchen window.

The elders of the village called the young schoolmaster the thou-teacher, because, to the great scandal of some good people, he addressed all who were unmarried with the familiar "thou." His companions called him the singing-master, – a title more to his taste. He was the founder and moving spirit of the Liederkranz, and with Lenz, Pilgrim, and Faller made the best quartette. Lenz gave him a hearty welcome, and Franzl begged him to stay a couple of hours to help her receive the numerous visitors who would be sure to come in the course of the morning.

"Yes, do stay," urged Lenz. "You cannot think how badly I feel at losing my clock; it is like bidding good by to a brother or a child."

"You carry your sentiment too far," objected the schoolmaster, "in thus putting a piece of your heart into everything you make. You will soon start some fresh work. For my part, I do not fancy these wound-up organs, as you know." Franzl made a wry face, but the teacher went on. "They are for children and for a people in its childhood. Even a piano I don't think much of, because the tones are ready-made. A piece of music played on the piano is not much better than the whistling of a song that should be sung. The works of your clocks have tongues and lungs, but no heart."

Franzl left the room in indignation. Thank Heaven, there are still Knuslingers in the world, to rate things at their proper value. She heard the two friends within singing the touching song, "Morgen muss ich fort von hier." Lenz's voice was a pure, though not very strong tenor, which the schoolmaster's powerful bass would have drowned had he let out the full force of his voice. They were interrupted by Franzl calling through the open door, "The doctor's family is coming."

The school-teacher, as master of ceremonies, advanced in front of the house to receive them.

The doctor entered with his wife and three daughters, and said at once, in his kindly way, which, without being in the least dictatorial, yet admitted of no refusal, that Lenz must not waste his valuable time in talking, but must set the clock going without delay.

It was done, and all were evidently delighted. When the first piece was finished, Lenz was fairly overwhelmed by the praises bestowed upon him, – such hearty praises, too, evidently not spoken merely from politeness.

"Grandmother sends you her congratulations," said the eldest daughter; while Bertha cried, "How many voices in one case!"

"Don't you wish you had as many?" replied her father, jokingly.

"You have a true talent for music," continued the eldest, her brown eyes shining with honest pleasure.

"If my father had only let me have a violin to play on when I was a boy, I really think I might have done something in the way of music," said Lenz.

"You have done something now," said the stout doctor, as he laid his hand kindly on the young man's shoulder.

The schoolmaster, whose chief delight was in the construction of the works, relieved Lenz of the trouble of explaining them to the ladies by describing, better than the manufacturer himself could have done, how the delicacies of crescendo and diminuendo were introduced, and what a nice ear was required to make the tones powerful without harshness, and to preserve the distinction between the long and the short notes. He dwelt repeatedly upon the accuracy of ear and mechanical skill necessary to produce such a work, called attention to the admirable expression of the pathetic passages, and reminded his listeners of the difficulty of bringing out the expression, and, at the same time, following the strokes of the metronome. This mechanism had not the advantage enjoyed by the performer of dispensing with the metronome and varying the time to suit the music. He was going on to explain how the various qualities of tone were rendered; the solidity of the barrel-work; the necessity of fitting the cylinders so firmly together that they could not give way; the reasons for having the soft alder outside and various woods of different fibres inside; when his explanations were interrupted by the voice of Franzl without, giving a peculiarly hearty welcome to some new-comers. Lenz went to the door, and found the landlord of the Lion, with his wife and daughter. The landlord shook hands with him, and gave a nod at the same time, as much as to say that no higher compliment could be paid than for a gentleman of well-known pride and honor to spend a quarter of an hour in examining a work to which a young man had devoted years of industry.

"So you have come at last!" was Lenz's greeting to Annele.

"Why at last?" she asked.

"Have you forgotten that you promised to come six weeks ago?"

"When? I cannot remember."

"On the day after my mother's death you said you would come soon."

"Yes, yes; so I did. I have had a feeling there was something on my mind, I could not tell what. Yes, yes; that is it. But, dear me, you have no idea how fast one thing crowds out another in our house." Lenz felt a pang through his heart at Annele's light words.

But he had no time to analyze his feelings of pleasure and pain, for the ladies now began to exchange greetings. Annele seemed inclined to follow the city fashion and kiss the doctor's daughters, – those friends whom, however, she hated most cordially for the reserve that always appeared in their manner towards her. Amanda, the botanist, had taken off her broad hat, quite as if she were at home, and Annele followed her example. Annele's hair was more abundant than that of all the other ladies put together, and long enough to sit on. She held up her head, with its triple crowns of braids, and looked about her with an air of satisfaction.

Lenz put in a new barrel, and made The Magic Flute, which was generally rather grave, play the merry song of the Moors, "Das klinget so herrlich, das klinget so schön."

"H'm, h'm!" growled the landlord, and a long speech he made out of his growl, nodding his head the while, and drawing in his under lip, as if tasting a delicate wine.

"Very well," he added, after a pause, and spreading out both hands as he said it, as if he would literally be openhanded in bestowing his commendations, – "very well indeed." Those were weighty words, coming from mine host.

The landlady folded her hands, and looked admiringly at Lenz. "To think that such a work should be made by human hands, and by so young a man too! and yet he acts as if he were nothing more than the rest of the world. Keep so always; nothing becomes a great artist so well as modesty. Go on as you have begun; make more such works. You have a great gift, my word for it."