Читать книгу: «The Element Encyclopedia of Secret Signs and Symbols», страница 5

CAULDRON

In understanding symbols, sometimes it is useful to simply look at the shape and see what it resembles. The traditional cauldron represents nothing so much as the belly of a pregnant woman and, unsurprisingly, the cauldron is an important female symbol all over the world. The circular shape of the cauldron gives another clue; the circle is a symbol of never-ending life and regeneration, and these themes recur repeatedly in stories containing cauldron symbolism.

The way the cauldron is used also gives a hint about its symbolic meaning. Things are put into the cauldron, heated, and something different is taken out; the basic ingredients are transformed. Therefore, the cauldron also symbolizes germination and transformation.

Traditionally, cauldrons have three legs. The number 3 in this instance represents the triple aspect of the Great Goddess, or the three fates. Shakespeare alludes to this when the three Weird Sisters—arguably the most famous witches in literature—cook up trouble at the beginning of Macbeth.

In pre-Christian literature, there are countless legends featuring magical cauldrons, and it may be because of this that the cauldron has its witchy associations. Celtic tales tell of cauldrons that contain an unending supply of food or of knowledge. The dead are frequently thrown into a magical Cauldron of Rebirth and climb out the next day, alive once more. Mythical warriors and heroes who died in battle are restored to life in this way. Ceridwen had a cauldron full of inspiration and magical powers. In India, a magic life-giving food, called Soma, was brewed in three huge bottomless cauldrons.

In Greece, there are tales in which an ordeal of initiation involves the person boiling in a cauldron, but after the rite, the initiate emerges with magical powers, including the gift of immortality.

CELTIC CROSS AND SUN CROSS SYMBOL

In the Celtic Cross or Ring Cross symbol, a cross is contained within a circle. Very early versions of this cross, found in Ireland, do not show the arms of the cross protruding beyond the circle; the whole symbol is encompassed inside the circle and in this case it becomes the ancient, universal symbol called the Sun Cross, the Wheel Cross, or Odin’s Cross. This sign first appears at the very start of the Bronze Age. Among other things, it symbolizes the wheel and in China represents thunder, power, and energy. It also appears in the seal of the Babylonian Sun God, Shamash.

The Sun Cross symbol also appears in ancient astrology. In modern astrology it still signifies the planet, and element of, Earth; the cross represents the four corners of the planet, the elements, and the directions, and the circle is the planet itself.

Because it was the symbol of the Sun, the King and the highest temporal and spiritual powers, it was easy for the early Christians to adopt this pagan sign and incorporate it into the Latin Cross. It is still used by Bishops to “bless” a new church, drawn onto the walls in sanctified water or oils, at twelve different places around the church.

The Celtic Cross is frequently used as a grave marker, or as a war memorial, particularly in Celtic countries.

Incidentally, the Hot Cross Bun, eaten specifically at Easter and popularly believed to represent the Christian Cross, is actually of pre-Christian origin. The Greeks, Romans, and Ancient Egyptians all ate wheat cakes to celebrate the coming of spring. These cakes were circular (representing the Moon or Sun) with a cross that divided the cake into the four lunar quarters or the four seasons.

CELTIC KNOTWORK

One of the most distinctive decorative features of Celtic artwork and architecture are the beautiful constructions of Celtic knotwork. It adorns stonework, illuminated manuscripts, and jewelry; the knotwork has left a distinctive trail that clearly shows all the places in the world that were visited at some point by the Celts.

The knotwork itself would appear to be a purely decorative device. If at one time there were specific symbolic meanings attached, then these have been lost over the centuries. Intertwining shapes and lines, however, generally point toward ideas of connectedness and the harmonious convergence of opposites, male and female, fire and water, Heaven and Earth, for example. In addition, any sign that can be made without the pen leaving the paper tends to have strong protective associations, and knotwork, with its continual looping and spiraling, could have been used in this way, perhaps used for amulets and talismans.

Existing symbols—such as a heart, or birds and animals—are often rendered in Celtic knotwork. In this case, the form of the underlying shape carries the symbolic meaning.

The Celtic Knot that is square in form is a protective symbol, called a shield knot.

CHA CHA

In Haiti, there are certain seed pods called cha cha that are used to make rattles for ceremonial musicmaking in Voudon rituals. The rattle is called a cha cha, too, and the dance of the same name also comes from the name of the seedpod.

See also Asson.

CHALICE

This is a cup or grail that is generally used in rituals. No matter what the religious or spiritual persuasion of the celebrant, a chalice of some

form is used, whether it be the highly ornamented vessel of the Catholic Church or the simpler wooden cup favored by some pagan groups. The chalice itself is symbolic of water or of the Spirit, and is used as such in the suit of Cups in the Tarot, for example. The chalice is also a universal symbol of the feminine aspect because of its shape, its use as a vessel, and its link with water.

Eastern religions use a kind of bell, called a Drilbu, in the place of a chalice.

CHAOS WHEEL

The Chaos Wheel, or Chaos Star, is a wheel constructed from eight arrow-headed spokes. Representing the notion of infinite possibilities, the symbol is a recent addition to a veritable galaxy of meaningful shapes. Designed by science fiction writer Michael Moorcock, it has been adopted as an emblem by exponents of Chaos Magic, the contemporary branch of magic inspired by the works of Austin Osman Spare.

CHESS

Chess originated in India. The checkerboard that chess is played on is, in itself, a secret symbol. It is symbolic of the world that we understand, that is composed of opposing forces. Also, the black and white colors of the symmetrically arranged squares stand for male/female, light/dark, positive/negative, good/evil in much the same way as the yin-yang sign does. It is no accident that the floor of the Freemason temple has the same construction as the chessboard, a constant reminder of both the harmony and tension between opposites. The pieces, too, are black and white, reinforcing this idea.

The chessboard has a further mystery that can be revealed in the number of the squares. Each side has eight squares. Eight is the number of infinity and of completion, and eight times eight makes 64, the number of cosmic unity. This is the magical number that, in sacred geometry, is the basis of temple construction.

The square shape of the board symbolizes the stability of the Earth and its four corners, the directions and the elements.

Superficially, chess might seem to be a relatively straightforward game, a simple series of different moves ascribed to each of the pieces. However, its complexities are only really revealed when the player is so familiar with the rules that he or she can carry them out automatically. Chess is plainly connected to war strategy and the ability to surprise the opponent. A good player will understand the need to sacrifice pieces in order to gain a greater advantage. Although the pawn may appear to be valueless, it is arguably one of the most important pieces on the board, and certainly the most prolific. We even use the word “pawn” to describe a person that we think is insignificant.

In Ingmar Bergman’s film The Seventh Seal, the knight, Antonius Block, invites the hooded figure of Death to join him in a game, despite the fact that Death warns him that he cannot win. Effectively, chess owes as much to chance as choice, and further underlines the dilemma between the concepts of fate versus free will. The knight knows that he will die, yet he persists in playing the game. Stanley Kubrick, too, believed that his skill as a chess player gave him the discipline to think rationally and to see the bigger picture, an invaluable skill for a film director. The detachment and lack of emotion required by the talented player is synonymous, for many, with an idealized, Zen approach to life.

For the Celts, the game of chess was called “intelligence of the wood.” It was the game of kings and the stakes were high. The game therefore symbolizes the intellect of the king, despite the fact that the most versatile piece on the board is the queen.

CHI ROH

See Labarum.

CHNOUBIS

The Chnoubis is a hybrid creature, with the head of a lion and the tail of a serpent. It was carved onto

stones for use as an amulet, providing protection against poisons in particular. Amulets featuring the Chnoubis date back to the first century and it is supposed that this odd-looking creature may be related to Abraxas, whose image was used in a similar way.

CHOKU REI

A symbol of Reiki healers, the Choku Rei is comprised of a spiral that culminates in a hooked stick. It looks a little like the treble clef used in musical notation. The symbol is used by Reiki healers to increase the power available to them, and to help focus this energy. The meaning of Choku Rei is “place the power of the Universe here.” Healers draw the sign mentally in the air as a form of meditation, generally before and after giving a treatment.

CICATRIX

A cicatrix is a scar, but not just any scar. It refers to a very specific incision that is scored onto the body and carries secret symbols pertaining to the person’s religious or magical beliefs. A very painful process called scarification leaves these raised marks on the skin. Until the end of the nineteenth century, Maori men had ritual scarring all over their faces in order that they might look more frightening to the enemy. A cicatrix acts as a permanent amulet that is an inherent part of the person. Its purpose is similar to that of the tattoo; the pain involved in the process is an important rite of passage. Ritual scarring is popular among dark-skinned people because a tattoo is not particularly visible against the skin.

CIMARUTA

In Italian, this means the “sprig of rue.” It is an amulet, made of silver in honor of female energy in the form of the Goddess, comprising a

model of a sprig of rue with various charms in its three branches. The Cimaruta is a very old charm, which evolved from an Etruscan magical amulet. It dates back as far as 4500 BC, although there are more contemporary versions such as the stylized one illustrated here. The charms featured generally include a crescent Moon, a key, stars, daggers, and flowers; different regions of Italy produced their own specific symbols. Also known as the Witch Charm, the Cimaruta is favored by witches, and to see one in someone’s home might indicate the spiritual persuasion of the owner. It is worn either as a pendant or might be hung over a doorway, a possible reason for the Cimaruta being double-sided. When used in this way as an ornament the Cimaruta is usually quite large in size.

The three silver branches of the Cimaruta relate to the notion of the Triple Goddess. The charm itself takes on all the significance of the rue plant as being both protective and a tool of witches, used to cast spells and throw hexes.

CIRCLE

See First signs: Circle.

CLADDAGH

The Claddagh is a popular symbol, often incorporated into the design of rings, and worn by people as an attractive piece of ornamentation although they may not know what it symbolizes.

Traditionally used as a wedding ring, the Claddagh is so-called because it was originally made in a Galway fishing village of the same name in seventeenth-century Ireland. However, the elements of the design are much older, stretching back into pre-Christian Celtic history. The Romans had a popular ring design, the Fede, which featured clasped hands. “Fede” means “fidelity.”

CLOTHING

Of all the animal kingdom, man is unique in that he wears clothes. In the Bible, Adam and Eve don fig leaves to cover the newly discovered sexual parts that are a reminder of the lower animal nature. Once we had managed to protect our modesty and keep ourselves warm, our attention turned to the use of clothes as an outward sign of status or of certain religious observances. As secret symbols, clothes have an elaborate history, especially when they are connected to religious beliefs; sacred texts from all religions are full of instructions as to the nature of certain clothes and how they should be worn. This section doesn’t claim to be an extensive analysis of these ideas, but serves merely to point out the meanings of some of the most common items of apparel.

CAPE

The cape has a simple design. At its most basic, it is a piece of cloth with a hole in the middle. Often worn by members of the clergy, when it is called a “chasuble,” the cape shares the same symbolism as the arc or dome that it represents; the vault of the Heavens. This suggests the idea of ascendance. The wearer of the cape becomes a living representation of the Axis Mundi.

CLOAK

As well as being a symbol of religious asceticism, the cloak is the garment of kings. In addition, the word “cloak” has become synonymous with the notion of hiding something; the invisibility cloak is a very ancient idea. The God, Lugh, had such a cloak that enabled him to pass unnoticed through the entire Irish army in order to rescue his son. Effectively, though, the cloak makes the wearer invisible without any need for magical intervention. A cloak, especially a hooded one, is a mask for the body, covering the wearer from head to foot. A cloak can help someone change his or her identity while at the same time confirming it. In the Bible, St. Martin gives half his cloak to the beggar. This is not only a material gesture but also a symbol of his charitable nature.

The Khirka, a specific type of cloak, originally meant a scrap of torn material. However, its unworldly nature made it an appropriate garment for the Sufi mystic.

It was originally blue, signifying a vow of poverty, in the same way that brown and gray have the same meaning to Christian believers. The Sufi receives the Khirka after three years of training, a sign that he is worthy of initiation. To wear the Khirka, the Sufi must understand the three levels of the mystic life. These are the Truth, the Law, and the Path.

FOOTWEAR

When you put your foot upon the ground, this gesture is synonymous with taking possession of the Earth beneath it.

Because the holy ground at churches and temples is not, effectively, a territory that belongs to man, the jumble of shoes, sandals, and boots outside the doors of holy places all over the world may certainly be a sign of respect. However, the owners may not be aware that they are, literally, following in the footsteps of a more ancient idea, that they have no claim to this sacred territory. The footwear is significant because it is removed.

The Children of Israel sealed agreements between two parties by swapping one sandal each. In addition, in Northern China the word for “slipper” and “mutual agreement” is the same. This is why slippers are given as wedding presents.

Shoes also symbolize travel, a meaning that precedes the time of motorized transport. In certain Northern European territories, children leave their shoes out for Father Christmas to fill with gifts; not only is Santa himself making an arduous journey, but his gifts help in the “journey” of the coming year.

Shoes are also a status symbol. Slaves generally went barefoot; hence, the wearing of shoes was the sign of the free man.

The slipper that Cinderella lost, that later proved her identity to the Prince, is an example of the shoe as a sexual symbol. In common interpretations of this tale these “slippers” sound uncomfortable, since they are apparently made of glass. However, it was an old European tradition that a potential suitor would show his sincerity by making his intended bride a pair of fur boots. It is likely that the word for fur, vair, was confused with the word for glass, verre. The sexual symbolism continues with these kinky boots; the old word for fur shares its roots with a word meaning “sheath.”

BELT/GIRDLE

Often the very first piece of clothing to be worn, especially in Asian countries, the girdle or belt is circular, and so it represents the union of spirit and matter, and of eternity. It also symbolizes the binding aspect; the girdle is a synonym for the soul that is bound to the body. Although the girdle is tied around the waist of a baby at birth in some countries, it appears in various other forms. The belts of the martial arts exponent range through the color spectrum from white to black to signify levels of expertise.

The girdle also protects; it acts as a symbolic “wall” through which evil entities cannot penetrate. It’s a sort of spiritual utility belt. The girdle, too, represents the idea of chastity. The belt worn around robes of monks and others who are called to a spiritual life carries the greater significance of the girdle. Notably, in the Middle Ages prostitutes were allowed to wear neither belt nor veil.

To talk of “girding the loins” means to prepare oneself, whether for a journey or something else. The ankh is called the Girdle of Isis or the Buckle of Isis, and carries the same notions of the circle and the knot as binding forces.

A sash is also a kind of girdle, used in Freemasonry, for example, as a symbol of office. The knot itself is often used as a reminder, and the knot in the girdle or belt is a reminder of the promise made when the girdle was donned.

Another form of a girdle is the Sacred Thread, or Poonal (in Tamil) that is worn by male Hindus, particularly those from the Brahmin caste. The Sacred Thread ceremony can happen any time after the boy’s seventh birthday. The thread is handwoven from three sets of three strands, although extra strands are added to represent marriage and children. It measures about 96 times the breadth of a man’s four fingers; this is roughly the same as his height. Resting on the left shoulder, the thread is wrapped around the body, ending under the right arm. It is knotted only once. Once the Sacred Thread ceremony has been carried out, the thread is never taken off although it is replaced once a year. The single knot represents the concept of Brahman, the unity of all things. The numbers of strands in the thread signify various tenets of the Hindu faith.

GLOVE

Freemasons sometimes wear white gloves, not only as a symbol of work to be done, but also to show purity of thought. White gloves are worn for the same reasons in the Catholic Church. They are given to bishops and kings after their investiture, and here they are a reminder of newborn purity. Gloves—especially the highly ornamented kind—are a relatively luxurious item of clothing, emblems of the nobility who used gauntlets as part of the equipment associated with falconry. Gloves on heraldic shields usually indicate some connection with hunting birds.

To “throw down the gauntlet” is still used as a synonym for a challenge, dating back to the days of chivalry, where it was a politer version of a slap but hardly any less shocking.