Читать книгу: «The Atlantic Monthly, Volume 08, No. 47, September, 1861», страница 15
ODE TO HAPPINESS
I
Spirit, that rarely comest now,
And only to contrast my gloom,
Like rainbow-feathered birds that bloom
A moment on some autumn bough
Which, with the spurn of their farewell,
Sheds its last leaves,—thou once didst dwell
With me year-long, and make intense
To boyhood's wisely-vacant days
That fleet, but all-sufficing grace
Of trustful inexperience,
While yet the soul transfigured sense,
And thrilled, as with love's first caress,
At life's mere unexpectedness.
II
Those were thy days, blithe spirit, those
When a June sunshine could fill up
The chalice of a buttercup
With such Falernian juice as flows
No longer,—for the vine is dead
Whence that inspiring drop was shed:
Days when my blood would leap and run,
As full of morning as a breeze,
Or spray tossed up by summer seas
That doubts if it be sea or sun;
Days that flew swiftly, like the band
That in the Grecian games had strife
And passed from eager hand to hand
The onward-dancing torch of life.
III
Wing-footed! thou abid'st with him
Who asks it not; but he who hath
Watched o'er the waves thy fading path
Shall nevermore on ocean's rim,
At morn or eve, behold returning
Thy high-heaped canvas shoreward yearning!
Thou first reveal'st to us thy face
Turned o'er the shoulder's parting grace,
A moment glimpsed, then seen no more,—
Thou whose swift footsteps we can trace
Away from every mortal door!
IV
Nymph of the unreturning feet,
How may I woo thee back? But no,
I do thee wrong to call thee so;
'Tis we are changed, not thou art fleet:
The man thy presence feels again
Not in the blood, but in the brain,
Spirit, that lov'st the upper air,
Serene and vaporless and rare,
Such as on mountain-heights we find
And wide-viewed uplands of the mind,
Or such as scorns to coil and sing
Round any but the eagle's wing
Of souls that with long upward beat
Have won an undisturbed retreat,
Where, poised like wingèd victories,
They mirror in unflinching eyes
The life broad-basking 'neath their feet,—
Man always with his Now at strife,
Pained with first gasps of earthly air,
Then begging Death the last to spare,
Still fearful of the ampler life.
V
Not unto them dost thou consent
Who, passionless, can lead at ease
A life of unalloyed content,
A life like that of landlocked seas,
That feel no elemental gush
Of tidal forces, no fierce rush
Of storm deep-grasping, scarcely spent
'Twixt continent and continent:
Such quiet souls have never known
Thy truer inspiration, thou
Who lov'st to feel upon thy brow
Spray from the plunging vessel thrown,
Grazing the tusked lee shore, the cliff
That o'er the abrupt gorge holds its breath,
Where the frail hair's-breadth of an If
Is all that sunders life and death:
These, too, are cared for, and round these
Bends her mild crook thy sister Peace;
These in unvexed dependence lie
Each 'neath his space of household sky;
O'er them clouds wander, or the blue
Hangs motionless the whole day through;
Stars rise for them, and moons grow large
And lessen in such tranquil wise
As joys and sorrows do that rise
Within their nature's sheltered marge;
Their hours into each other flit,
Like the leaf-shadows of the vine
And fig-tree under which they sit;
And their still lives to heaven incline
With an unconscious habitude,
Unhistoried as smokes that rise
From happy hearths and sight elude
In kindred blue of morning skies.
VI
Wayward! when once we feel thy lack,
'Tis worse than vain to tempt thee back!
Yet there is one who seems to be
Thine elder sister, in whose eyes
A faint, far northern light will rise
Sometimes and bring a dream of thee:
She is not that for which youth hoped;
But she hath blessings all her own,
Thoughts pure as lilies newly oped,
And faith to sorrow given alone:
Almost I deem that it is thou
Come back with graver matron brow,
With deepened eyes and bated breath,
Like one who somewhere had met Death.
"But no," she answers, "I am she
Whom the gods love, Tranquillity;
That other whom you seek forlorn.
Half-earthly was; but I am born
Of the immortals, and our race
Have still some sadness in our face:
He wins me late, but keeps me long,
Who, dowered with every gift of passion,
In that fierce flame can forge and fashion
Of sin and self the anchor strong;
Can thence compel the driving force
Of daily life's mechanic course,
Nor less the nobler energies
Of needful toil and culture wise:
Whose soul is worth the tempter's lure,
Who can renounce and yet endure,
To him I come, not lightly wooed,
And won by silent fortitude."
* * * * *
ELIZABETH BARRETT BROWNING
Florence, July 5th, 1861.
"When some belovèd voice that was to you
Both sound and sweetness faileth suddenly,
And silence, against which you dare not cry,
Aches round you like a strong disease and new,—
What hope? what help? what music will undo
That silence to your sense? Not friendship's sigh,—
Not reason's subtle count,—not melody
Of viols, nor of pipes that Faunus blew,—
Not songs of poets, nor of nightingales,
Whose hearts leap upward through the cypress-trees
To the clear moon,—nor yet the spheric laws
Self-chanted,—nor the angels' sweet All-hails,
Met in the smile of God. Nay, none of these!
Speak THOU, availing Christ, and fill this pause!"
Thus sang the Muse of a great woman years ago; and now, alas! she, who, with constant suffering of her own, was called upon to grieve often for the loss of near and dear ones, has suddenly gone from among us, "and silence, against which we dare not cry, aches round us like a strong disease and new." Her own beautiful words are our words, the world's words,—and though the tears fall faster and thicker, as we search for all that is left of her in the noble poems which she bequeaths to humanity, there follows the sad consolation in feeling assured that she above all others felt the full value of life, the full value of death, and was prepared to meet her God humbly, yet joyfully, whenever He should claim her for His own. Her life was one long, large-souled, large-hearted prayer for the triumph of Right, Justice, Liberty; and she who lived for others was
"poet true,
Who died for Beauty, as martyrs do
For Truth,—the ends being scarcely two."
Beauty was truth with her, the wife, mother, and poet, three in one, and such an earthly trinity as God had never before blessed the world with.
This day week, at half-past four o'clock in the morning, Mrs. Browning died. A great invalid from girlhood, owing to an unfortunate accident, Mrs. Browning's life was a prolonged combat with disease thereby engendered; and had not God given her extraordinary vitality of spirit, the frail body could never have borne up against the suffering to which it was doomed. Probably there never was a greater instance of the power of genius over the weakness of the flesh. Confined to her room in the country or city home of her father in England, Elizabeth Barrett developed into the great artist and scholar.
From her couch went forth those poems which have crowned her as "the world's greatest poetess"; and on that couch, where she lay almost speechless at times, and seeing none but those friends dearest and nearest, the soul-woman struck deep into the roots of Latin and Greek, and drank of their vital juices. We hold in kindly affection her learned and blind teacher, Hugh Stuart Boyd, who, she tells us, was "enthusiastic for the good and the beautiful, and one of the most simple and upright of human beings." The love of his grateful scholar, when called upon to mourn the good man's death, embalms his memory among her Sonnets, where she addresses him as her
"Beloved friend, who, living many years
With sightless eyes raised vainly to the sun,
Didst learn to keep thy patient soul in tune
To visible Nature's elemental cheers!"
Nor did this "steadfast friend" forget his poet-pupil ere he went to "join the dead":—
"Three gifts the Dying left me,—Aeschylus,
And Gregory Nazianzen, and a clock
Chiming the gradual hours out like a flock
Of stars, whose motion is melodious."
We catch a glimpse of those communings over "our Sophocles the royal," "our Aeschylus the thunderous," "our Euripides the human," and "my Plato the divine one," in her pretty poem of "Wine of Cyprus," addressed to Mr. Boyd. The woman translates the remembrance of those early lessons into her heart's verse:—
"And I think of those long mornings
Which my thought goes far to seek,
When, betwixt the folio's turnings,
Solemn flowed the rhythmic Greek.
Past the pane, the mountain spreading,
Swept the sheep-bell's tinkling noise,
While a girlish voice was reading,—
Somewhat low for [Greek: ais] and [Greek: ois]."
These "golden hours" were not without that earnest argument so welcome to candid minds:—
"For we sometimes gently wrangled,
Very gently, be it said,—
Since our thoughts were disentangled
By no breaking of the thread!
And I charged you with extortions
On the nobler fames of old,—
Ay, and sometimes thought your Persons
Stained the purple they would fold."
What high honor the scholar did her friend and teacher, and how nobly she could interpret the "rhythmic Greek," let those decide who have read Mrs. Browning's translations of "Prometheus Bound" and Bion's "Lament for Adonis."
Imprisoned within the four walls of her room, with books for her world and large humanity for her thought, the lamp of life burning so low at times that a feather would be placed on her lips to prove that there was still breath, Elizabeth Barrett read and wrote, and "heard the nations praising" her "far off." She loved
"Art for art,
And good for God himself, the essential Good,"
until destiny (a destiny with God in it) brought two poets face to face and heart to heart. Mind had met mind and recognized its peer previously to that personal interview which made them one in soul; but it was not until after an acquaintance of two years that Elizabeth Barrett and Robert Browning were united in marriage for time and for eternity, a marriage the like of which can seldom be recorded. What wealth of love she could give is evidenced in those exquisite sonnets purporting to be from the Portuguese, the author being too modest to christen them by their right name, Sonnets from the Heart. None have failed to read the truth through this slight veil, and to see the woman more than the poet in such lines as these:—
"I yield the grave for thy sake, and exchange
My near sweet view of heaven for earth with thee!"
We have only to turn to the concluding poem in "Men and Women," inscribed to E.B.B., to see how reciprocal was this great love.
From their wedding-day Mrs. Browning seemed to be endowed with new life. Her health visibly improved, and she was enabled to make excursions in England prior to her departure for the land of her adoption, Italy, where she found a second and a dearer home. For nearly fifteen years Florence and the Brownings have been one in the thoughts of many English and Americans; and Casa Guidi, which has been immortalized by Mrs. Browning's genius, will be as dear to the Anglo-Saxon traveller as Milton's Florentine residence has been heretofore. Those who now pass by Casa Guidi fancy an additional gloom has settled upon the dark face of the old palace, and grieve to think that those windows from which a spirit-face witnessed two Italian revolutions, and those large mysterious rooms where a spirit-hand translated the great Italian Cause into burning verse, and pleaded the rights of humanity in "Aurora Leigh," are hereafter to be the passing homes of the thoughtless or the unsympathizing.
Those who have known Casa Guidi as it was could hardly enter the loved rooms now and speak above a whisper. They who have been so favored can never forget the square anteroom, with its great picture and piano-forte, at which the boy Browning passed many an hour,—the little dining-room covered with tapestry, and where hung medallions of Tennyson, Carlyle, and Robert Browning,—the long room filled with plaster casts and studies, which was Mr. Browning's retreat,—and, dearest of all, the large drawing-room, where she always sat. It opens upon a balcony filled with plants, and looks out upon the old iron-gray church of Santa Felice. There was something about this room that seemed to make it a proper and especial haunt for poets. The dark shadows and subdued light gave it a dreamy look, which was enhanced by the tapestry-covered walls and the old pictures of saints that looked out sadly from their carved frames of black wood. Large book-cases, constructed of specimens of Florentine carving selected by Mr. Browning, were brimming over with wise-looking books. Tables were covered with more gayly bound volumes, the gifts of brother authors. Dante's grave profile, a cast of Keats's face and brow taken after death, a pen-and-ink sketch of Tennyson, the genial face of John Kenyon, Mrs. Browning's good friend and relative, little paintings of the boy Browning, all attracted the eye in turn, and gave rise to a thousand musings. A quaint mirror, easy-chairs and sofas, and a hundred nothings that always add an indescribable charm, were all massed in this room. But the glory of all, and that which sanctified all, was seated in a low arm-chair near the door. A small table, strewn with writing-materials, books, and newspapers, was always by her side.
To those who loved Mrs. Browning (and to know her was to love her) she was singularly attractive. Hers was not the beauty of feature; it was the loftier beauty of expression. Her slight figure seemed hardly large enough to contain the great heart that beat so fervently within, and the soul that expanded more and more as one year gave place to another. It was difficult to believe that such a fairy hand could pen thoughts of such ponderous weight, or that such a "still small voice" could utter them with equal force. But it was Mrs. Browning's face upon which one loved to gaze,—that face and head which almost lost themselves in the thick curls of her dark brown hair. That jealous hair could not hide the broad, fair forehead, "royal with the truth," as smooth as any girl's, and
"Too large for wreath of modern wont."
Her large brown eyes were beautiful, and were in truth the windows of her soul. They combined the confidingness of a child with the poet-passion of heart and of intellect; and in gazing into them it was easy to read why Mrs. Browning wrote. God's inspiration was her motive power, and in her eyes was the reflection of this higher light.
"And her smile it seemed half holy,
As if drawn from thoughts more far
Than our common jestings are."
Mrs. Browning's character was wellnigh perfect. Patient in long suffering, she never spoke of herself, except when the subject was forced upon her by others, and then with no complaint. She judged not, saving when great principles were imperilled, and then was ready to sacrifice herself upon the altar of Right. Forgiving as she wished to be forgiven, none approached her with misgivings, knowing her magnanimity. She was ever ready to accord sympathy to all, taking an earnest interest in the most insignificant, and so humble in her greatness that her friends looked upon her as a divinity among women. Thoughtful in the smallest things for others, she seemed to give little thought to herself; and believing in universal goodness, her nature was free from worldly suspicions. The first to see merit, she was the last to censure faults, and gave the praise that she felt with a generous hand. No one so heartily rejoiced at the success of others, no one was so modest in her own triumphs, which she looked upon more as a favor of which she was unworthy than as a right due to her. She loved all who offered her affection, and would solace and advise with any. She watched the progress of the world with tireless eye and beating heart, and, anxious for the good of the whole world, scorned to take an insular view of any political question. With her a political question was a moral question as well. Mrs. Browning belonged to no particular country; the world was inscribed upon the banner under which she fought. Wrong was her enemy; against this she wrestled, in whatever part of the globe it was to be found.
A noble devotion to and faith in the regeneration of Italy was a prominent feature in Mrs. Browning's life. To her, Italy was from the first a living fire, not the bed of dead ashes at which the world was wont to sneer. Her trust in God and the People was supreme; and when the Revolution of 1848 kindled the passion of liberty from the Alps to Sicily, she, in common with many another earnest spirit, believed that the hour for the fulfilment of her hopes had arrived. Her joyful enthusiasm at the Tuscan uprising found vent in the "Eureka" which she sang with so much fervor in Part First of "Casa Guidi Windows."
"But never say 'No more'
To Italy's life! Her memories undismayed
Still argue 'Evermore'; her graves implore
Her future to be strong and not afraid;
Her very statues send their looks before."
And even she was ready to believe that a Pope might be a reformer.
"Feet, knees, and sinews, energies divine,
Were never yet too much for men who ran
In such hard ways as must be this of thine,
Deliverer whom we seek, whoe'er thou art,
Pope, prince, or peasant! If, indeed, the first,
The noblest therefore! since the heroic heart
Within thee must be great enough to burst
Those trammels buckling to the baser part
Thy saintly peers in Rome, who crossed and cursed
With the same finger."
The Second Part of "Casa Guidi Windows" is a sad sequel to the First, but Mrs. Browning does not deride. She bows before the inevitable, but is firm in her belief of a future living Italy.
"In the name of Italy
Meantime her patriot dead have benison;
They only have done well;—and what they did
Being perfect, it shall triumph. Let them slumber!"
Her short-lived credence in the good faith of Popes was buried with much bitterness of heart:—
"And peradventure other eyes may see,
From Casa Guidi windows, what is done
Or undone. Whatsoever deeds they be,
Pope Pius will be glorified in none."
It is a matter of great thankfulness that God permitted Mrs. Browning to witness the second Italian revolution before claiming her for heaven. No patriot Italian, of whatever high degree, gave greater sympathy to the aspirations of 1859 than Mrs. Browning, an echo of which the world has read in her "Poems before Congress" and still later contributions to the New York "Independent." Great was the moral courage of this frail woman to publish the "Poems before Congress" at a time when England was most suspicious of Napoleon. Greater were her convictions, when she abased England and exalted France for the cold neutrality of the one and the generous aid of the other in this war of Italian independence. Bravely did she bear up against the angry criticism excited by such anti-English sentiment. Strong in her right, Mrs. Browning was willing to brave the storm, confident that truth would prevail in the end. Apart from certain tours de force in rhythm, there is much that is grand and as much that is beautiful in these Poems, while there is the stamp of power upon every page. It is felt that a great soul is in earnest about vital principles, and earnestness of itself is a giant as rare as forcible. Though there are few now who look upon Napoleon as
"Larger so much by the heart"
than others "who have governed and led," there are many who acknowledge him to be
"Larger so much by the head,"
and regard him as she did,—Italy's best friend in the hour of need. Her disciples are increasing, and soon "Napoleon III. in Italy" will be read with the admiration which it deserves.
Beautiful in its pathos is the poem of "A Court Lady," and there are few satires more biting than "An August Voice," which, as an interpretation of the Napoleonic words, is perfect. Nor did she fail to vindicate the Peace of Villafranca:—
"But He stood sad before the sun
(The peoples felt their fate):
'The world is many,—I am one;
My great Deed was too great.
God's fruit of justice ripens slow:
Men's souls are narrow; let them grow.
My brothers, we must wait.'"
And truly, what Napoleon then failed, from opposition, to accomplish by the sword, has since been, to a great extent, accomplished by diplomacy.
But though Mrs. Browning wrote her "Tale of Villafranca" in full faith, after many a mile-stone in time lay between her and the fact, her friends remember how the woman bent and was wellnigh crushed, as by a thunderbolt, when the intelligence of this Imperial Treaty was first received. Coming so quickly upon the heels of the victories of Solferino and San Martino, it is no marvel that what stunned Italy should have almost killed Mrs. Browning. That it hastened her into the grave is beyond a doubt, as she never fully shook off the severe attack of illness occasioned by this check upon her life-hopes. The summer of 1859 was a weary, suffering season for her in consequence; and although the following winter, passed in Rome, helped to repair the evil that had been wrought, a heavy cold, caught at the end of the season, (and for the sake of seeing Rome's gift of swords to Napoleon and Victor Emmanuel,) told upon her lungs. The autumn of 1860 brought with it another sorrow in the death of a beloved sister, and this loss seemed more than Mrs. Browning could bear; but by breathing the soft air of Rome again she seemed to revive, and indeed wrote that she was "better in body and soul."
Those who have known Mrs. Browning in later years thought she never looked better than upon her return to Florence in the first days of last June, although the overland journey had been unusually fatiguing to her. But the meeting was a sad one; for Cavour had died, and the national loss was as severe to her as a personal bereavement. Her deep nature regarded Italy's benefactor in the light of a friend; for had he not labored unceasingly for that which was the burden of her song? and could she allow so great a man to pass away without many a heart-ache? It is as sublime as it is rare to see such intense appreciation of great deeds as Mrs. Browning could give. Her fears, too, for Italy, when the patriot pilot was hurried from the helm, gave rise to much anxiety, until quieted by the assuring words of the new minister, Ricasoli.
Nor was Mrs. Browning so much engrossed in the Italian regeneration that she had no thought for other nations and for other wrongs. Her interest in America was very great,—
"For poets, (bear the word!)
Half-poets even, are still whole democrats:
Oh, not that we're disloyal to the high,
But loyal to the low, and cognizant
Of the less scrutable majesties."
In Mrs. Browning's poem of "A Curse for a Nation," where she foretold the agony in store for America, and which has fallen upon us with the swiftness of lightning, she was loath to raise her poet's voice against us, pleading,—
"For I am hound by gratitude,
By love and blood,
To brothers of mine across the sea,
Who stretch out kindly hands to me."
And in one of her last letters, addressed to an American friend who had reminded her of her prophecy and of its present fulfilment, she replied,—"Never say that I have 'cursed' your country. I only declared the consequence of the evil in her, and which has since developed itself in thunder and flame. I feel with more pain than many Americans do the sorrow of this transition-time; but I do know that it is transition, that it is crisis, and that you will come out of the fire purified, stainless, having had the angel of a great cause walking with you in the furnace." Are not such burning, hopeful words from such a source—worthy of the grateful memory of the Americans? Our cause has lost an ardent supporter in Mrs. Browning; and did we dare rebel against God's will, we should grieve deeply that she was not permitted to glorify the Right in America as she has glorified it in Italy. Among the last things that she read were Motley's letters on the "American Crisis," and the writer will ever hold in dear memory the all but final conversation had with Mrs. Browning, in which these letters were discussed and warmly approved. In referring to the attitude taken by foreign nations with regard to America, she said,—"Why do you heed what others say? You are strong, and can do without sympathy; and when you have triumphed, your glory will be the greater." Mrs. Browning's most enthusiastic admirers are Americans; and I am sure, that, now she is no longer of earth, they will love her the more for her sympathy in the cause which is nearest to all hearts.
Mrs. Browning's conversation was most interesting. It was not characterized by sallies of wit or brilliant repartee, nor was it of that nature which is most welcome in society. It was frequently intermingled with trenchant, quaint remarks, leavened with a quiet, graceful humor of her own; but it was eminently calculated for a tête-à-tête. Mrs. Browning never made an insignificant remark. All that she said was always worth hearing;—a greater compliment could not be paid her. She was a most conscientious listener, giving you her mind and heart, as well as her magnetic eyes. Though the latter spoke an eager language of their own, she conversed slowly, with a conciseness and point that, added to a matchless earnestness, which was the predominant trait of her conversation as it was of her character, made her a most delightful companion. Persons were never her theme, unless public characters were under discussion, or friends were to be praised,—which kind office she frequently took upon herself. One never dreamed of frivolities in Mrs. Browning's presence, and gossip felt itself out of place. _Your_self (not _her_self) was always a pleasant subject to her, calling out all her best sympathies in joy, and yet more in sorrow. Books and humanity, great deeds, and, above all, politics, which include all the grand questions of the day, were foremost in her thoughts, and therefore oftenest on her lips. I speak not of religion, for with her everything was religion. Her Christianity was not confined to church and rubric: it meant civilization.
Association with the Brownings, even though of the slightest nature, made one better in mind and soul. It was impossible to escape the influence of the magnetic fluid of love and poetry that was constantly passing between husband and wife. The unaffected devotion of one to the other wove an additional charm around the two, and the very contrasts in their natures made the union a more beautiful one. All remember Mrs. Browning's pretty poem on her "Pet Name":—
"I have a name, a little name,
Uncadenced for the ear,
Unhonored by ancestral claim,
Unsanctified by prayer and psalm
The solemn font anear.
* * * * *
"My brother gave that name to me,
When we were children twain,—
When names acquired baptismally
Were hard to utter, as to see
That life had any pain."
It was this pet name of two small letters lovingly combined that dotted Mr. Browning's spoken thoughts, as moonbeams fleck the ocean, and seemed the pearl-bead that linked conversation together in one harmonious whole. But what was written has now come to pass. The pet name is engraved only in the hearts of a few.
"Though I write books, it will be read
Upon the leaves of none;
And afterward, when I am dead,
Will ne'er be graved, for sight or tread,
Across my funeral stone."
Mrs. Browning's letters are masterpieces of their kind. Easy and conversational, they touch upon no subject without leaving an indelible impression of the writer's originality; and the myriad matters of universal interest with which many of them are teeming will render them a precious legacy to the world, when the time shall have arrived for their publication. Of late, Italy has claimed the lion's share in these unrhymed sketches of Mrs. Browning in the négligée of home. Prose has recorded all that poetry threw aside; and thus much political thought, many an anecdote, many a reflection, and much womanly enthusiasm have been stored up for the benefit of more than the persons to whom these letters were addressed. And while we wait patiently for this great pleasure, which must sooner or later be enjoyed and appreciated, we may gather a foretaste of Mrs. Browning's power in prose-writing from her early essays, and from the admirable preface to the "Poems before Congress." The latter is simple in its style, and grand in teachings that find few followers among nations in these enlightened days.
Some are prone to moralize over precious stones, and see in them the petrified souls of men and women. There is no stone so sympathetic as the opal, which one might fancy to be a concentration of Mrs. Browning's genius. It is essentially the woman-stone, giving out a sympathetic warmth, varying its colors from day to day, as though an index of the heart's barometer. There is the topmost purity of white, blended with the delicate, perpetual verdure of hope, and down in the opal's centre lies the deep crimson of love. The red, the white, and the green, forming as they do the colors of Italy, render the opal doubly like Mrs. Browning. It is right that the woman-stone should inclose the symbols of the "Woman Country."
Feeling all these things of Mrs. Browning, it becomes the more painful to place on record an account of those last days that have brought with them so universal a sorrow. Mrs. Browning's illness was only of a week's duration. Having caught a severe cold of a more threatening nature than usual, medical skill was summoned; but, although anxiety in her behalf was necessarily felt, there was no whisper of great danger until the third or fourth night, when those who most loved her said they had never seen her so ill; on the following morning, however, she was better, and from that moment was thought to be improving in health. She herself believed this; and all had such confidence in her wondrous vitality, and the hope was so strong that God would spare her for still greater good, that a dark veil was drawn over what might be. It is often the case, where we are accustomed to associate constant suffering with dear friends, that we calmly look danger in the face without misgivings. So little did Mrs. Browning realize her critical condition, that, until the last day, she did not consider herself sufficiently indisposed to remain in bed, and then the precaution was accidental. So much encouraged did she feel with regard to herself, that, on this final evening, an intimate female friend was admitted to her bedside and found her in good spirits, ready at pleasantry and willing to converse on all the old loved subjects. Her ruling passion had prompted her to glance at the "Athenaeum" and "Nazione"; and when this friend repeated the opinions she had heard expressed by an acquaintance of the new Italian Premier, Ricasoli, to the effect that his policy and Cavour's were identical, Mrs. Browning "smiled like Italy," and thankfully replied,—"I am glad of it; I thought so." Even then her thoughts were not of self. This near friend went away with no suspicion of what was soon to be a terrible reality. Mrs. Browning's own bright boy bade his mother goodnight, cheered by her oft-repeated, "I am better, dear, much better." Inquiring friends were made happy by these assurances.
