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V

"Three o'clock, Thomas, say a quarter to."

"Yes, madam."

The footman performed a faultless salute and doubled round to hop into place beside the chauffeur, while the door-porter shut the door with a bang whose nicely calculated volume told all the world within ear-shot that the door-porter of the fashionable hotel of the day was banging the door to Mrs. Bellamy Druce's brougham.

The technique of every calling is similarly susceptible of refinement into an art.

Two Lucinda Druces crossed the sidewalk and passed through the turnstile of bright metal and plate-glass which served as a door at the Forty-sixth street entrance to the Ritz-Carlton Hotel – the one perceptible to mortal vision a slender and fair young person costumed in impeccable taste and going her way with that unstudied grace which is the last expression of man's will to make woman a creature whose love shall adorn him.

To the luncheon-hour mob that milled in the meagre foyer of this hotel, which holds its public by studiously subjecting it to every Continental inconvenience, she presented the poise of a pretty woman who has never known care more galling than uncertainty as to her most becoming adornment. Not even the shadow of that other Lucinda who walked with her, who was no more separate from her than her own shadow, who ceased not to beat her bosom and cry to Heaven for help, was to be detected in the composed, steady eyes that searched swiftly, but without seeming to see, the faces of that congested congregation of fashionables and half-fashionables and would-be fashionables, their apes and sycophants and audience.

Seeing nowhere those whom she was seeking, Lucinda made her way to the lounge; or it would be more true to say a way was made for her by the simple prestige of her presence, by the magic whisper of her name from mouth to mouth commanding a deference neither beauty nor breeding alone could have earned her.

The lounge was at that hour three-quarters invested by an overflow of tables from the dining-room proper, only at its eastern end a few easy chairs and settees had been left for the accommodation of those lucky enough to win past the functionary who guarded the portals, charged with winnowing the sheep from the goats, admitting the elect to this antechamber to the one true Olympus, shunting off the reject to the limbo of the downstairs grill.

Sighting Lucinda from afar, with a bow of ineffable esteem this one glided forward. "Mrs. Sedley and Mrs. Guest are waiting for you, Mrs. Druce." At the same time Lucinda herself discovered her friends occupying a settee, with Fanny Lontaine between them. "Your table is quite ready. Do you wish luncheon to be served at once?"

Lucinda assented pleasantly and passed on. Immediately the headwaiter caught the eye of a subaltern in the middle of the room, and in intimate silence conversed with him without moving a muscle more than the superciliary. The confederate acknowledged this confidence by significantly dropping his lashes, then in even more cryptic fashion flashed on the inspiring intelligence to that statuesque figure which, from the head of the stairs, between lounge and oval dining-room, brooded with basilisk eyes over the business of both. Thus a minor miracle was worked, bringing that one at once to life and down to earth; in another moment the maître-d'hôtel himself was attentive at Lucinda's elbow.

"But I never dreamed you three knew one another!" she was exclaiming in the surprise of finding Fanny Lontaine on terms with those whom she had bidden to meet her. "Fanny, why didn't you tell me – ?"

"But I didn't know – how should I? – your Nelly Guest was Ellen Field married."

"That's so; I'd completely forgotten you both come from Chicago."

"Hush!" Nelly Guest gave a stage hiss. "Someone might hear. You never forget anything, do you? And all these years I've tried so hard to live it down! It's no fair…"

Impressively convoyed, the quartet proceeded to "Mrs. Druce's table" in the oval room. Rumour of gossip and turning of heads attended their progress, flattery to which Lucinda, Nelly and Jean were inured, of which they were aware only as they were of sensuous strains of stringed music, the orderly stir of waiters, the satisfying sheen of silver and napery, the brilliance and brouhaha of that gathering of amiable worldlings, and the heady breath of it, a subtly blended, oddly inoffensive mélange of scents of flowers and scented flesh, smells of cooked food and cigarette smoke.

But in the understanding of Fanny Lontaine, accustomed to admiration as she was, and no stranger to the public life of European capitals, the flutter caused by the passage of her companions through a phase of existence so polite and skeptical conferred upon them an unmistakable cachet. She had been long abroad and out of touch, she had never been on intimate terms with New York ways, but the busy mind at work behind her round eyes of a child was like a sponge for the absorption of delicate nuances and significant signs of all sorts. Life had made it like that.

Six years married, and two years older than Lucinda Druce, Fanny retained, and would till the end, whatever life might hold in store for her, a look of wondering and eager youthfulness. Romance trembled veritably upon her lashes. She had a way of holding her lips slightly apart and looking steadily at one when spoken to, as if nothing more interesting had ever been heard by the ears ambushed in her bobbed, ashen hair. Her eyes of a deep violet shade held an innocence of expression little less than disconcerting. Her body seemed never to have outgrown its adolescence, yet its slightness was quite without any angularity or awkwardness, it achieved roundness without plumpness, a stroke of physical genius. In the question of dress she showed a tendency to begin where the extreme of the mode left off, a fault held venial in view of her apparent immaturity. And then, of course, she had lived so long in England, where people are more broad-minded…

Apparently not talkative but a good listener, she had a knack of making what she did say stick in memory, not so much for its content as for its manner, a sort of shy audacity that pointed observations often racy and a candour sometimes devastating. But unless one happened to be looking at Fanny when she spoke, her remarks were apt to seem less memorable, her humour less pungent.

"It's heavenly," she now declared, coolly staring at their neighbours through the smoke of her cigarette – "simply divine to be home. I'm sure I'd never want to see Europe again if it weren't for Prohibition."

"You're not going to suffer on that account today," Jean Sedley promised, producing from her handbag a little flash of jewelled gold.

"But I shall!" Fanny protested with tragic expression. "It's the frightful hypocrisy that's curdling my soul and ruining my insides. It makes one homesick for England, where people drink too much because they like it, and not to punish themselves for electing a government which conscientiously interprets the will of the people – and leaves them to interpret their wont."

"No dear, thanks." Smilingly Nelly Guest refused to let Jean fill her glass.

"The figure?" Jean enquired in deep sympathy.

"I've positively got to," Nelly sighed. She cast a rueful glance down over her plump, pretty person. "Compassionate Columbia simply must not waddle when she pokes her horn of plenty at famine-stricken China."

"Oh, that wretched pageant!" Lucinda roused from a lapse into communion with the Lucinda who made an unseen fifth. "When is it? I'd forgotten all about it." Nelly Guest named a day two weeks in the future. "And I haven't even thought about my costume! Oh, why do we punish ourselves so for Charity's sweet sake?"

"Because deep down in our hearts we all like to parade our virtues."

"Much virtue in that plural," Nelly Guest commented.

"Well, I don't like parading mine in pageants, I assure you."

"Don't you, honestly, Cindy?" Fanny asked. "I should think you'd love that sort of thing. You used to be perfectly mad about acting."

"So is every woman – isn't she? – at one stage or another of her life convinced she's truly a great actress cheated out of her birthright."

"I know. All the same you know you've got talent. Don't you remember our open-air performance of Much Ado About Nothing? You were a simply ravishing Rosalind."

"Heavens! What do amateur theatricals prove?"

"For one thing," Jean Sedley commented, "how long-suffering one's friends can be."

"And one's enemies. Consider what they sit through just to see us make public guys of ourselves."

"Well!" Nelly Guest lamented: "my pet enemies are going to have a real treat at the pageant unless I can find some way to reduce, inside a fortnight."

"There was a man in London had a marvelous system," Fanny volunteered. "Everybody was going to him last Season. There ought to be somebody like him over here."

Duly encouraged, she launched into a startlingly detailed account of London's latest fad in "treatment"; and Lucinda's thoughts turned back to her other self, insensibly her identity receded into and merged with its identity again and became lost in its preoccupations.

How to go on, how to play out this farce of a life with Bel when faith in him was dead?

Strange that faith should have been shattered finally by such a minor accident as her overhearing that morning's treachery. As if it had been the first time she had known Bel to be guilty of disloyalty to her! But today she could not forget that neither love nor any kindly feeling for his wife, nor even scruples of self-respect, but only dread of a contretemps had decided Bel against lunching Amelie in that very room, making open show o£ his infatuation before all those people who knew them both and who, being human, must have gloated, nudged, and tittered; who, for all Lucinda knew to the contrary, were even now jeering behind their hands, because they knew things about Bel and his gallivantings which all the world knew but his wife. Even the servants – !

Her cheeks kindled with indignation – and blazed still more ardently when she discovered that she had, in her abstraction, been staring squarely at Richard Daubeney, who was lunching with friends at a nearby table.

But Dobbin bowed and smiled in such a way that Lucinda's confusion and her sense of grievance were drowned under by a wave of gratitude. She nodded brightly and gave him a half-laughing glance.

Good old Dobbin! She had never appreciated how much she was missing him till he had turned up again last night and offered to take his old place in her life, on the old terms as nearly as might be, the old terms as necessarily modified by her own change of status.

What a pity!

Those three words were so clearly sighed in her mental hearing that Lucinda, fearing lest she had uttered them aloud, hastily consulted the faces of her companions. But they had exhausted the subject of reducing régimes and passed on naturally – seeing that Nelly and Jean were approaching that stage when such matters become momentous – to that of "facials."

"… Parr's fuller's earth and witch hazel. Make a thick paste of it and add a few drops of tincture of benzoin, then simply plaster it all over your face, but be careful not to get it near your eyes, and let it dry. It only takes a few minutes to harden, and then you crack and peel it off, and it leaves your skin like a baby's."

"Elizabeth Baird charges twenty-five dollars a treatment."

"But my dear, you can see for yourself how stupid it is to pay such prices to a beauty specialist when the materials cost only a few cents at any drug-store, and anybody can apply it, your maid if you don't want to take the trouble yourself…"

What a pity!

But was it? Would she have been happier married to Dobbin? Was it reasonable to assume that Dobbin would not have developed in the forcing atmosphere of matrimony traits quite as difficult as Bel's to deal with? In this wrong-headed world nobody was beyond criticism, and anybody's faults, condonable though they might seem at a distance, could hardly fail of exaggeration into vices through daily observation at close range. Impossible to imagine any two human creatures living together, after the first raptures had begun to wane, without getting on each other's nerves now and then.

Wasn't the fault, then, more with the institution than with the individuals?

Lucinda remembered having once heard a physician of psycho-analytic bent commit himself to the statement that in ten years of active professional life he had never entered one ménage where two people lived in wedded happiness. And sifting a list of married acquaintances, Lucinda found it not safe to say of one that he or she was happy; of most it was true that they had the best of reasons for being unhappy. It was true of Nelly Guest and Jean Sedley, it was true of herself, doubtless it was true of Fanny. Lucinda had yet to meet Lontaine, and if Fanny's looks were fair criterion, she was the most carefree of women; and yet…

Fanny caught Lucinda eyeing her and smiled.

"What under the sun are you thinking about so solemnly, Cindy?"

"You, dear. You haven't told me anything about yourself yet."

"No chance. Give me half a show" – Fanny glanced askance at Jean and Nelly, now amiably engaged in bickering about the merits of various modistes – "and you shall know All."

"I'd dearly love to. You must lunch with me at home some day soon; and then I want you and your husband to dine with us – say next Thursday?"

"I don't know. That's one of the exciting things about being married to Harry Lontaine, one never knows what tomorrow will bring forth. We've got to go to Chicago soon, because – daresay you know – father relented enough to leave me a little legacy, nothing to brag about, but nothing people in our position can afford to despise, either."

Lucinda made a sympathetic face and said something vague about everybody in England still feeling the pinch of the War. But Fanny elected to scorn generalizations.

"Oh, the only effect the War could have had on our fortunes would have been to kill off the half a dozen relatives that stand between Harry and the title. But he was out of luck – served three years in France and Flanders and got all shot up and decorated with the dearest little tin medals on the prettiest ribbons, while his precious kinsmen held down cushy berths in the Munitions and kept in training for the longevity record."

"But how proud you must have been – !"

"Of Harry? On account of his decorations? My dear: heroes are three-a-penny in England today. You see, everybody, more or less, barring Harry's family, had a shot at active service, just as almost everybody has a shot at marriage sooner or later; only, of course, the percentage of unscarred survivors of the War was higher."

(Fanny, too! What a world!)

"For all that, I do want to meet your husband."

"You will, soon enough. He's lunching some men down in the grill, a business luncheon, American cinema people; and I told him when he got rid of them to wait for me in the lounge. Very likely we'll find him there on our way out."

"How nice. He's interested in the motion-picture business then?"

"In a way. That is, he was, in England, for a while, after the War. And when we decided to come over about my legacy, he secured options on the American rights to some Swedish productions. Somebody told him you were having a run on foreign films over here, so Harry said he might as well try to turn an honest penny. I told him it wouldn't do him any harm, he'd enjoy the adventure."

"I see," said Lucinda a bit blankly. "I don't know much about it, of course, almost never go to see a motion picture; that is, unless it's Elsie Ferguson, I've always been mad about her."

She looked round to the waiter who was substituting a finger-bowl for her neglected sweet. "We'll all want coffee, Ernest, and you may bring it to us in the Palm Room."

"Four demi-tasses: yes, Mrs. Druce."

"Nelly! Jean!" These Lucinda haled forth from the noisome morass of the newest divorce scandal. "Fanny's first husband is waiting for her in the lounge, and she's getting nervous."

"Good-looking, I suppose?" Jean Sedley enquired, and got a merry nod from Fanny. "She ought to be nervous. A New York Winter is the open season for other women's good-looking husbands, it doesn't do to leave them standing round loose – here of all places!"

VI

Fanny's husband came in shortly after Lucinda and her guests had settled down to coffee and cigarettes in a Palm Room now rapidly regaining its legitimate atmosphere of a lounge, as the extemporized tables were vacated, dismantled, and spirited away.

He fitted so neatly into the mental sketch of Lucinda's unconscious preconception, that she was naturally prejudiced in his favour. She liked Englishmen of that stamp, even if the stamp was open to criticism as something stereotyped, liked their manner and their manners and the way they dressed, with an effect of finish carelessly attained, as contrasted with the tight ornateness to which American men of the same caste are so largely prone.

Tall and well made, Lontaine had the good colour of men who care enough for their bodies to keep them keen and clean of the rust that comes of indoor stodging. The plump and closely razored face seemed perhaps a shade oversize for features delicately formed, and the blue eyes had that introspective cast which sometimes means imagination and frequently means nothing at all more than self-complacence. He affected a niggardly moustache, and when he spoke full lips framed his words noticeably. His habit was that of a man at ease in any company, even his own, who sets a good value on himself and confidently looks for its general acceptance.

He talked well, with assurance, some humour, and a fair amount of information. He had lived several years in the States, off and on, and on the whole approved of them. In fact, he might say there were only two sections of the country with which he was unacquainted, the South and the Pacific Coast; defects in a cosmopolitan education which he hoped to remedy this trip, as to the Coast at least. He had pottered a bit with the cinema at home, and it was just possible he might think it worth his while to jog out to Los Angeles and see what was to be seen in that capital of the world's motion-picture industry. England, he didn't mind admitting, had a goodish bit to learn from America in the cinema line. They were far too conservative, the cinema lot at home, behind the times and on the cheap to a degree that fairly did them in the eye when it came to foreign competition. On the Continent, too, the cinema was making tremendous strides, while in England it was merely marking time. If you asked Lontaine, it was his considered belief that the really top-hole productions of the future would come of combining American brilliance of photography and investure with European thoroughness in acting and direction.

This by no means unintelligent forecast was uttered with an authority that impressed even Lucinda, elaborately uninterested as she was. Conscious of a rather pleasing deference in Lontaine, who was addressing himself to her more directly than to any of the others, she maintained a half-smile of amiable attention which would have deceived a sharper man, and let her thoughts drift on dreary tides of discontent.

Hour by hour the conviction was striking its roots more deeply into her comprehension that life with Bel on the present terms was unthinkable. And yet – what to do about it? She hadn't the remotest notion. Obviously she would have to arrive somehow at some sort of an understanding with Bel. But how? The one way she knew had failed her. And she knew no one to confide in or consult.

Her father had died several years before her marriage, her mother soon after. Of her immediate family there remained only an elder sister, married and living in Italy.

She saw herself a puny figure, with only her bare wits and naked need for allies, struggling to save her soul alive from a social system like a Molock of the moderns, a beast-god man has builded out of all that he holds hateful, all his fears and lusts and malice, envy, cruelty and injustice, and to which, having made it, he bows down in awe and worship, sacrificing to it all that he loves best, all that makes life sweet and fair…

A losing fight. One were mad to hope to win. Already Bel was lost, caught in the mad dance of the system's bacchants, already drunkard and debauchee… Nor might all her love redeem him… And O the pity!

Aware of pain welling in her bosom, a sense of suffocation, tears starting to her eyes, she jumped up hastily lest her friends should see, mumbled an excuse, and made her way out to the foyer, turning toward the women's cloak-room.

A few moments alone would restore equanimity, a little rouge and powder mend the wear of her emotions.

The foyer was still fairly thronged; she was almost in Bel's arms before she saw him, so near to him, when she stopped in shocked recognition of his grimace of affection, that she caught, as she started back, a heavy whiff of breath whiskey-flavoured.

She heard him say, "Why, hello, Linda! what's the hurry?" and cut in instantly with a gasp of indignation: "What are you doing here?"

"Thought I'd look in on your party. You know, you asked me – "

She could not trust her tongue. If she said more in her anger, she would say too much, considering that time and place, lose what poor vestiges of self-control remained to her, make a scene. She cried all in a breath: "Well, go away, then! I don't want you, I won't have you!" – and pushing past Bel, fled into the cloak-room.

He lingered half a minute, with perplexed eyes meeting the amused stares of those who had been near enough to catch an inkling of the altercation; then drew himself up sharply and ironed out all indications of his embarrassment, assuming what he believed to be a look of haughty indifference.

But he was hurt, stricken to the heart by Lucinda's treatment. He couldn't think what he'd done to deserve it, he felt sure she couldn't have noticed the few drinks that had constituted luncheon for him. But whatever had been the matter, obviously it was up to him to find some way to placate Linda. He was through with Amelie and all such foolishness, from now on he was going to be good to Linda; and it wouldn't do at all to begin his new life by getting on the outs with her.

His gaze focused intelligently upon the glass case that displays the wares of the hotel florist. Women liked flowers. But there were four in Linda's party, her guests would think it funny if he joined them bringing flowers for his wife only… A tough problem. He decided to step round to the club and mull it over…

He had disappeared by the time Lucinda felt fit to show herself again. Inwardly still forlorn and disconsolate, but outwardly mistress of herself, she resumed her chair; and had hardly done so when she saw Richard Daubeney pass by with his luncheon party, pause at the door and take leave, then turn back and make directly for her corner. And instantaneously Lucinda experienced a slight psychic shock and found herself again the individual self-contained, the young woman of the world whom nothing could dismay.

Dobbin knew everybody except the Lontaines; and when the flutter created by his introduction had subsided, he found a chair by Lucinda's side and quietly occupied himself with a cigarette until the conversation swung back to the pageant; whereupon he took deft advantage of the general interest in that topic to detach Lucinda's attention.

"I couldn't resist the temptation to butt in, Cinda. Hope you don't mind."

"I do, though, fearfully. It's always nice to see you."

"Many thanks. Appreciation makes up for a lot of neglect."

"Poor old soul: somebody been neglecting you again?"

"Somebody's always neglecting me and my affectionate disposition. That's why I've wiggled to your side, wagging a friendly tail, ready to lick your hand at the first sign of an inclination to adopt me."

Lucinda eyed him in grave distrust. "Dobbin: are you trying to start something? I thought we'd settled all that last night, agreed I wasn't in a position to adopt stray men, no matter how nice."

"That was last night. You've had time to sleep on it. Lots of things can come up overnight to change a woman's mind. Don't tell me: I can see something unusual has happened."

"Oh! you can?"

"Don't be alarmed: you're not wearing your heart on your sleeve. I can see you're troubled about something, simply because I know you so much better than anybody else. Oh, yes, I do. You never knew how thoroughly I studied you in the dear, dead days of yore. I'll lay long odds no one else has noticed anything, but to my seeing eye you've been flying signals of distress all during luncheon. That being so, it wouldn't be decent of me not to give you a hail and stand by in case I'm needed – now would it?"

Momentarily Lucinda contended against temptation. Then, "You are a dear, Dobbin," she said almost regretfully. "But it isn't fair of you to see too much. If it's true I have secrets I don't want to share, it would be kinder to let me keep them – don't you think?"

"Lord bless you, yes! But it's my observation the human being in trouble has got to talk to somebody, and will to the wrong body if the right isn't handy. Not only that, but you'll find most people will listen to your troubles only to get a chance to tell you their own; whereas I have none except the one you know all about. So you needn't fear reprisals."

She pondered this, sweetly serious, then in little better than a whisper said: "At least, not now…"

Jean Sedley was claiming her attention. "What do you think of that, Cindy? Isn't it a ripping idea?"

"Afraid I didn't hear – I was flirting with Dobbin."

"Yes, I know. But Mr. Lontaine has just made a priceless suggestion about the pageant. He says we can have moving-pictures taken as we enter the ball-room and shown before the evening is over."

"But is that possible?"

"Oh, quite," Lontaine insisted – "assure you. It's really extraordinary how they do these things, three or four hours is all they require to develop and prepare a film for projection. Say your pageant starts at ten: by one you can see yourself on the screen."

"Everybody would adore it!" Nelly Guest declared with deep conviction.

"And you could arrange it, Mr. Lontaine?"

"Easily, Mrs. Druce – that is to say, if I'm still in New York."

"What do you think, Cindy?" Jean urged. "Almost everybody is moving-picture mad. We could sell twice as many tickets on the strength of such a novelty. And it is a charity affair, you know."

"Meaning to say," Dobbin put in, "you're rather keen about it yourself."

"Of course – crazy to see myself as others see me. So is every woman – Fanny, Jean, Cindy – "

"I don't know," Lucinda demurred. "It must be a weird sensation."

"Not one you need be afraid of," Lontaine promised. "If you don't mind my saying so, you would screen wonderfully, Mrs. Druce."

"You think so, really?"

"Oh, no doubt about it, whatever. You're just the type the camera treats most kindly. If you wanted to, you could make a fortune in the cinema. No, seriously: I'm not joking."

"I'm glad of that," Lucinda returned soberly. "It wouldn't be at all nice of you to trifle with my young affections. Still, I will admit I'm skeptical."

"Tell you what," Lontaine offered eagerly: "Suppose you take test, what? No trouble at all to fix it up for you – chaps I know – only too glad – anything I say. I'd like to prove I know what I'm talking about. Take us all, for that matter, just as we are. What do you say?"

"I say it's perfectly damn' splendid!" Jean Sedley declared. "We'd all love it. When can you arrange it?"

"Any time you like – this afternoon, if that suits everybody. Only have to telephone, and in half an hour they'll be all ready for us. Shall I?" Lontaine got out of his chair. "Do say yes, all of you. Mrs. Druce? I know the others will if you do?"

"I don't mind…"

"Right-O! Give me five minutes…"