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Lady Sarah’s heart sank. “You anticipate that she will be dangerously ill?”

“In these cases there is always danger, Lady Sarah. But worse cases than– as I believe—hers will be, have recovered from it.”

“If I lose her, I shall die myself!” she passionately uttered. “And, if she is to have it badly, she will die! Remember, Mr. Snow, how weak she has always been!”

“We sometimes find that weak constitutions battle best with an epidemic,” he replied. “Many a sound one has it struck down and taken off; many a sickly one has struggled through it, and been the stronger for it afterwards.”

“Everything shall be done as you wish,” said Lady Sarah, speaking meekly in her great fear.

“Very well. There is one caution I would earnestly impress upon you: that of keeping Ethel from the sick-room.”

“But there is no one to whom Sarah Anne is so accustomed, as a nurse,” objected Lady Sarah.

“Madam!” burst forth the doctor in his heat, “would you subject Ethel to the risk of taking the infection, in deference to Sarah Anne’s selfishness, or to yours? Better lose all your house contains than lose Ethel! She is its greatest treasure.”

“I know how remarkably prejudiced you have always been in Ethel’s favour!” resentfully spoke Lady Sarah.

“If I disliked her as much as I like her, I should be equally solicitous to guard her from the danger of infection,” said Mr. Snow. “If you choose to put Ethel out of consideration, you cannot put Thomas Godolphin. In justice to him, she must be taken care of.”

Lady Sarah opened her mouth to reply; but closed it again. Strange words had been hovering upon her lips: “If Thomas Godolphin were not blind, his choice would have fallen upon Sarah Anne; not upon Ethel.” In her heart that was a sore topic of resentment: for she was quite alive to the advantages of a union with a Godolphin. Those words were suppressed; to give place to others.

“Ethel is in the house; and therefore must be liable to infection, whether she visits the room or not. I cannot fence her round with a wall, so that not a breath of tainted atmosphere shall touch her. I would if I could; but I cannot.”

“I would send her from the house, Lady Sarah. At any rate, I forbid her to go near her sister. I don’t want two patients on my hands, instead of one,” he added in his quaint fashion, as he took his departure.

He was about to get into his gig, when he saw Mr. Godolphin advancing with a quick step. “Which of them is it who is seized?” inquired the latter, as he came up.

“Not Ethel, thank goodness!” responded the surgeon. “It is Sarah Anne. I have been recommending my lady to send Ethel from home. I should send her, were she a daughter of mine.”

“Is Sarah Anne likely to have it dangerously?”

“I think so. Is there any necessity for you going to the house just now, Mr. Godolphin?”

Thomas Godolphin smiled. “There is no necessity for my keeping away. I do not fear the fever any more than you do.”

He passed into the garden as he spoke, and Mr. Snow drove away. Ethel saw him, and came out to him.

“Oh, Thomas, do not come in! do not come!”

His only answer was to take her on his arm and enter. He threw open the drawing-room window, that as much air might circulate through the house as possible, and stood there with her, holding her before him.

“Ethel! what am I to do with you?”

“To do with me! What should you do with me, Thomas?”

“Do you know, my darling, that I cannot afford to let this danger touch you?”

“I am not afraid,” she gently whispered.

He knew that: she had a brave, unselfish heart. But he was afraid for her, for he loved her with a jealous love; jealous of any evil that might come too near her.

“I should like to take you out of the house with me now, Ethel. I should like to take you far from this fever-tainted town. Will you come?”

She looked up at him with a smile, the colour rising to her face. “How could I, Thomas!”

Anxious thoughts were passing through the mind of Thomas Godolphin. We cannot put aside the convenances of life; though there are times when they press upon us with an iron weight. He would have given almost his own life to take Ethel from that house: but how was he to do it? No friend would be likely to receive her: not even his own sisters: they would have too much dread of the infection she might bring with her. He would fain have carried her off to some sea-breezed town, and watch over her and guard her there, until the danger should be over. None would have protected her more honourably than Thomas Godolphin. But—those convenances that the world has to bow down to! how would the step have agreed with them? Another thought, little less available for common use, passed through his mind.

“Listen, Ethel!” he whispered. “It would be only to procure a license, and half an hour spent at All Souls with Mr. Hastings. It could be all done, and you away with me before nightfall.”

She scarcely understood his meaning. Then, as it dawned upon her, she bent her head and her blushing face, laughing at the wild improbability.

“Oh, Thomas! Thomas! you are only joking. What would people say?”

“Would it make any difference to us what they said?”

“It could not be, Thomas,” she whispered seriously; “it is as an impossible vision. Were all other things meet, how could I run away from my sister, on her bed of sickness, to marry you?”

Ethel was right: and Thomas Godolphin felt that she was so. Punctilios must be observed, no matter at what cost. He held her fondly to his heart.

“If aught of ill should arise to you from your remaining here, I shall blame myself as long as life shall last. My love! my love!”

Mr. Godolphin could not linger. He must be at the bank, for Saturday was their most busy day of all the week: it was market-day at Prior’s Ash: though he had stolen a moment to leave it when the imperfect news reached him. George was in the private room alone when he entered. “Shall you be going to Lady Godolphin’s Folly this evening, George?” he inquired.

“The Fates permitting,” replied Mr. George, who was buried five fathoms deep in business; though he would have preferred to be five fathoms deep in pleasure. “Why?”

“You can tell my father that I am sorry not to be able to spend an hour with him, as I had promised. Lady Godolphin will not thank me to be running from Lady Sarah’s house to hers just now.”

“Thomas,” warmly spoke George, in an impulse of kindly feeling: “I do hope it will not extend itself to Ethel!”

“I hope not,” fervently breathed Thomas Godolphin.

CHAPTER VI.
CHARLOTTE PAIN

A fine old door of oak, a heavy door, standing deep within a portico, into which you might almost have driven a coach-and-six, introduced you to Ashlydyat. The hall was dark and small, the only light admitted to it being from mullioned windows of stained glass. Innumerable passages branched off from the hall. One peculiarity of Ashlydyat was, that you could scarcely enter a single room in it, but you must first go down a passage, short or long, to reach it. Had the house been designed by any architect with a head upon his shoulders and a little common sense with it, he might have made it a handsome mansion with large and noble rooms. As it was, the rooms were cramped and narrow, cornered and confined; and space was lost in these worthless passages.

In the least sombre room of the house, one with a large modern window (put into it by Sir George Godolphin to please my lady, just before that whim came into her head to build the Folly), opening upon a gravel walk, were two ladies, on the evening of this same Saturday. Were they sisters? They did not look like it. Charlotte Pain you have seen. She stood underneath the wax-lights of the chandelier, tall, commanding, dark, handsome; scarlet flowers in her hair, a scarlet bouquet in her corsage; her dress a rich cream-coloured silk interwoven with scarlet sprigs. She had in her hand a small black dog of the King Charles species, holding him up to the lights, and laughing at his anger. He was snarling fractiously, whether at the lights or the position might be best known to his mistress; whilst at her feet barked and yelped an ugly Scotch terrier, probably because he was not also held up: for dogs, like men, covet what they cannot obtain.

In a dress of pink gauze, with pretty pink cheeks, smooth features, and hazel eyes, her auburn hair interlaced with pearls, her height scarcely reaching to Miss Pain’s shoulder, was Mrs. Verrall. She was younger than her sister: for sisters they were: a lady who passed through life with easy indifference, or appeared to do so, and called her husband “Verrall.” She stood before the fire, a delicate white Indian screen in her hand, shading her face from the blaze. The room was hot, and the large window had been thrown open. So calm was the night, that not a breath of air came in to stir the wax-lights: the wind, which you heard moaning round the Rectory of All Souls in the morning, whirling the leaves and displeasing Mrs. Hastings, had dropped at sundown to a dead calm.

“Charlotte, I think I shall make Verrall take me to town with him! The thought has just come into my mind.”

Charlotte made no answer. Possibly she did not hear the words, for the dogs were barking and she was laughing louder than ever. Mrs. Verrall stamped her foot petulantly, and her voice rang through the room.

“Charlotte, then, do you hear me? Put that horrible little brute down, or I will ring for both to be taken away! One might as well keep a screaming cockatoo! I say I have a great mind to go up to town with Verrall.”

“Verrall would not take you,” responded Charlotte, putting her King Charles on to the back of the terrier.

“Why do you think that?”

“He goes up for business only.”

“It will be so dull for me, all alone!” complained Mrs. Verrall. “You in Scotland, he in London, and I moping myself to death in this gloomy Ashlydyat! I wish we had never taken it!”

Charlotte Pain bent her dark eyes in surprise upon her sister. “Since when have you found out that you do not like Ashlydyat?”

“Oh, I don’t know. It is a gloomy place inside, especially if you contrast it with Lady Godolphin’s Folly. And they are beginning to whisper of ghostly things being abroad on the Dark Plain!”

“For shame, Kate!” exclaimed Charlotte Pain. “Ghostly things! Oh, I see—you were laughing.”

“Is it not enough to make us all laugh—these tales of the Godolphins? But I shall convert it into a pretext for not being left alone here when you and Verrall are away. Why do you go, Charlotte?” Mrs. Verrall added, in a tone which had changed to marked significance. “It is waste of time.”

Charlotte Pain would not notice the innuendo. “I never was in Scotland, and shall like the visit,” she said, picking up the King Charles again. “I enjoy fine scenery: you do not care for it.”

“Oh,” said Mrs. Verrall; “it is scenery that draws you, is it? Take you care, Charlotte.”

“Care of what?”

“Shall I tell you? You must not fly into one of your tempers and pull my hair. You are growing too fond of George Godolphin.”

Charlotte Pain gave no trace of “flying into a temper;” she remained perfectly cool and calm. “Well?” was all she said, her lip curling.

“If it would bring you any good; if it would end in your becoming Mrs. George Godolphin; I should say well; go into it with your whole heart and energy. But it will not so end; and your time and plans are being wasted.”

“Has he told you so much?” ironically asked Charlotte.

“Nonsense! There was one in possession of the field before you, Charlotte—if my observation goes for anything. She will win the race; you will not even be in at the distance chair. I speak of Maria Hastings.”

“You speak of what you know nothing,” carelessly answered Charlotte Pain, a self-satisfied smile upon her lips.

“Very well. When it is all over, and you find your time has been wasted, do not say I never warned you. George Godolphin may be a prize worth entering the lists for; I do not say he is not: but there is no chance of your winning him.”

Charlotte Pain tossed the dog upwards and caught him as he descended, a strange look of triumph on her brow.

“And—Charlotte,” went on Mrs. Verrall in a lower tone, “there is a proverb, you know, about two stools. We may fall to the ground if we try to sit upon both at once. How would Dolf like this expedition to Scotland, handsome George making one in it?”

Charlotte’s eyes flashed now. “I care no more for Dolf than I care for—not half so much as I care for this poor little brute. Don’t bring up Dolf to me, Kate!”

“As you please. I would not mix myself up with your private affairs for the world. Only a looker-on sometimes sees more than those engaged in the play.”

Crossing the apartment, Mrs. Verrall traversed the passage that led from it, and opened the door of another room. There sat her husband at the dessert-table, taking his wine alone, and smoking a cigar. He was a slight man, twice the age of his wife, his hair and whiskers yellow, and his eyes set deep in his head: rather a good-looking man on the whole, but a very silent one. “I want to go to London with you,” said Mrs. Verrall.

“You can’t,” he answered.

She advanced to the table, and sat down near him. “There’s Charlotte going one way, and you another–”

“Don’t stop Charlotte,” he interrupted, with a meaning nod.

“And I must be left alone in the house; to the ghosts and dreams and shadows they are inventing about that Dark Plain. I will go with you, Verrall.”

“I should not take you with me to save the ghosts running off with you,” was Mr. Verrall’s answer, as he pressed the ashes from his cigar on a pretty shell, set in gold. “I go up incog. this time.”

“Then I’ll fill the house with guests,” she petulantly said.

“Fill it, and welcome, if you like, Kate,” he replied. “But, to go to London, you must wait for another opportunity.”

“What a hateful thing business is! I wish it had never been invented!”

“A great many more wish the same. And have more cause to wish it than you,” he drily answered. “Is tea ready?”

Mrs. Verrall returned to the room she had left, to order it in. Charlotte Pain was then standing outside the large window, leaning against its frame, the King Charles lying quietly in her arms, and her own ears on the alert, for she thought she heard advancing footsteps; and they seemed to be stealthy ones. The thought—or, perhaps, the wish—that it might be George Godolphin, stealing up to surprise her, flashed into her mind. She bent her head, and stroked the dog, in the prettiest unconsciousness of the approaching footsteps.

A hand was laid upon her shoulder. “Charlotte!”

She cried out—a sharp, genuine cry of dismay—dropped the King Charles, and bounded into the room. The intruder followed her.

“Why, Dolf!” uttered Mrs. Verrall in much astonishment. “Is it you?”

“It is not my ghost,” replied the gentleman, holding out his hand. He was a little man, with fair hair, this Mr. Rodolf Pain, cousin to the two ladies. “Did I alarm you, Charlotte?”

“Alarm me!” she angrily rejoined. “You must have sprung from the earth.”

“I have sprung from the railway station. Where is Verrall?”

“Why have you come down so unexpectedly?” exclaimed Mrs. Verrall.

“To see Verrall. I return to-morrow.”

“Verrall goes up to-morrow night.”

“I know he does. And that is why I have come down.”

“You might have waited to see him in London,” said Charlotte, her equanimity not yet restored.

“It was necessary for me to see him before he reached London. Where shall I find him, Mrs. Verrall?”

“In the dining-room,” Mrs. Verrall replied. “What can you want with him so hurriedly?”

“Business,” laconically replied Rodolf Pain, as he left the room in search of Mr. Verrall.

It was not the only interruption. Ere two minutes had elapsed, Lady Godolphin was shown in, causing Mrs. Verrall and her sister almost as much surprise as did the last intruder. She had walked over from the Folly, attended by a footman, and some agitation peeped out through her usual courtly suavity of manner, as she asked whether Charlotte Pain could be ready to start for Scotland on the morrow, instead of on Monday.

“To-morrow will be Sunday!” returned Charlotte.

“I do not countenance Sunday travelling, if other days can be made use of,” continued Lady Godolphin. “But there are cases where it is not only necessary, but justifiable; when we are glad to feel the value of those Divine words, ‘The Sabbath was made for man, and not man for the Sabbath.’ Fever has broken out again, and I shall make use of to-morrow to escape from it. We start in the morning.”

“I shall be ready and willing to go,” replied Charlotte.

“It has appeared at Lady Sarah Grame’s,” added Lady Godolphin, “one of the most unlikely homes it might have been expected to visit. After this, none of us can feel safe. Were that fever to attack Sir George, his life, in his present reduced state, would not be worth an hour’s purchase.”

The dread of fever had been strong upon Lady Godolphin from the first; but never had it been so keen as now. Some are given to this dread in an unwonted degree: whilst an epidemic lasts (of whatever nature it may be) they live in a constant state of fear and pain. It is death they fear: being sent violently to the unknown life to come. I know of only one remedy for this: to be at peace with God: death or life are alike then. Lady Godolphin had not found it.

“Will Mr. Hastings permit his daughter to travel on a Sunday?” exclaimed Mrs. Verrall, the idea suddenly occurring to her, as Lady Godolphin was leaving.

“That is my business,” was my lady’s frigid answer. It has been said that she brooked not interference in the slightest degree.

It certainly could not be called the business of Mr. Hastings. For the travellers were far away from Prior’s Ash the next morning before he had received an inkling of the departure.

CHAPTER VII.
BROOMHEAD

The contrast between them was great. You could see it most remarkably as they sat together. Both were beautiful, but of a different type of beauty. There are some people—and they bear a very large proportion to the whole– to whom the human countenance is as a sealed book. There are others for whom that book stands open to its every page. The capacity for reading character—what is it? where does it lie? Phrenologists call it, not inaptly, comparison.

There stands a man before you, a stranger; seen now for the first time. As you glance at him you involuntarily shrink within yourself, and trench imaginary walls around you, and say: That man is a bad man. Your eyes fall upon another—equally a stranger until that moment—and your honest heart flows out to him. You could extend to him the hand of confidence there and then, for that man’s countenance is an index to his nature, and you know that you may trust him to the death. In what part of the face does this index seat itself? In the eyes? the mouth? the features separately? or in the whole?

Certainly in the whole. To judge of temper alone, the eye and mouth—provided you take them in repose—are sure indications; but, to judge of what a man is, you must look to the whole. You don’t know precisely where to look for it—any more than do those know who cannot see it at all. You cannot say that it lies in the forehead, the eyebrows, the eyes, or the chin. You see it, and that is the most you can tell. Beauty and ugliness, in themselves, have nothing to do with it. An ugly countenance may, and often does, bear its own innate goodness, as certainly as that one of beauty sometimes bears its own repulsion. Were there certain unerring signs to judge by, the whole human race might become readers of character: but that will never be, so long as the world shall last.

In like manner, as we cannot tell precisely where nature’s marks lie, so are we unable to tell where lies the capacity to read them. Is it a faculty? or an instinct? This I do know: that it is one of the great gifts of God. Where the power exists in an eminent degree, rely upon it its possessor is never deceived in his estimation of character. It is born with him into the world. As a little child he has his likes and dislikes to persons: and sometimes may be whipped for expressing them too strongly. As he grows up, the faculty—instinct—call it what you will—is ever in exercise; at rest when he sleeps; never at any other time.

Those who do not possess the gift (no disparagement to them: they may possess others, equally or more valuable) cavil at it—laugh at it– do not believe in it. Read what people are by their face? Nonsense! they know better. Others, who admit the fact, have talked of “reducing it to a science,” whatever that may mean; of teaching it to the world, as we teach the classics to our boys. It may be done, say they. Pos sibly. We all acknowledge the wonders of this most wonderful age. Fishes are made to talk; fleas to comport themselves as gentlemen; monkeys are discovered to be men—or men monkeys—which is it? a shirt is advertised to be made in four minutes by a new sewing machine. We send ourselves in photograph to make morning calls. The opposite ends of the world are brought together by electric telegraph. Chloroform has rendered the surgeon’s knife something rather agreeable than otherwise. We are made quite at home with “spirits,” and ghosts are reduced to a theory. Not to mention other discoveries connected with the air, earth, and water, which would require an F.R.S. to descant upon. Wonderful discoveries of a wonderful age! Compare the last fifty years with the previous fifty years; when people made their wills before going to London, and flocked to the fair to see the learned pig point out the identical young woman who had had the quarrel with her sweetheart the previous Sunday afternoon! It is not my province to dispute these wonders: they may, or may not, be facts; but when you attempt to reduce this great gift to a “science,” the result will be failure. Try and do so. Set up a school for it; give lectures; write books; beat it into heads; and then say to your pupils, “Now that you are accomplished, go out into the world and use your eyes and read your fellow-men.” And the pupil will, perhaps, think he does read them; but, the first deduction he draws, will be the last—a wrong one. Neither art nor science can teach it; neither man nor woman can make it theirs by any amount of labour: where the faculty is not theirs by divine gift, it cannot be made to exist by human skill.

A reader of character would have noted the contrast between those two young ladies as they stood there: he would have trusted the one; he would not have trusted the other. And yet, Charlotte Pain had her good qualities also. She was kind-hearted in the main, liberal by nature, pleasant tempered, of a spirit firm and resolute, fitted to battle with the world and to make good her own way in it. But she was not truthful; she was not high principled; she was not one, whom I—had I been George Godolphin—would have chosen for my wife, or for my bosom friend.

Maria Hastings was eminent in what Charlotte Pain had not. Of rare integrity; highly principled; gentle, and refined; incapable of deceit; and with a loving nature that could be true unto death! But she was a very child in the ways of the world; timid, irresolute, unfitted to battle with its cares; swayed easily by those she loved; and all too passionately fond of George Godolphin.

Look at them both now—Charlotte, with her marked, brilliant features; her pointed chin, telling of self-will; her somewhat full, red lips; the pose of the head upon her tall, firm form: her large eyes, made to dazzle more than to attract; her perfectly self-possessed, not to say free manners!—All told of power; but not of innate refinement. Maria had too much of this refinement—if such a thing may be said of a young and gentle lady. She was finely and sensitively organized; considerate and gentle. It would be impossible for Maria Hastings to hurt wilfully the feelings of a fellow-creature. To the poorest beggar in the street she would have been courteous, considerate, almost humble. Not so much as a word of scorn could she cast to another, even in her inmost heart. The very formation of her hands would betray how sensitive and refined was her nature. And that is another thing which bears its own character—the hand; if you know how to read it. Her hands were of exceeding beauty; long, slender, taper fingers, of delicate aspect from a physical point of view. Every motion of those hands—and they were ever restless—was a word; every unconscious, nervous movement of the frail, weak-looking fingers had its peculiar characteristic. Maria Hastings had been accused of being vain of her hands; of displaying them more than was necessary: but the accusation, utterly untrue, was made by those who understood her but little, and her hands less. Such hands are rare: and it is as well that they are so: for they indicate a nature far removed from the common; a timid, intellectual, and painfully sensitive nature, which the rude world can neither understand, nor, perhaps, love. The gold, too much refined, is not fitted for ordinary uses. Charlotte Pain’s hands were widely different: firm, plump, white; not small, and never moving unconsciously of themselves.

These pretty hands resting upon her knee, sat Maria Hastings, doing nothing. Maria—I grieve to have it to say of her in this very utilitarian age—was rather addicted to doing nothing. In her home, the Rectory, Maria was reproved on that score more than on any other. It is ever so with those who live much in the inward life. Maria would fall into a train of thought—and be idle.

Master Reginald Hastings would have lost his bet—that George Godolphin would be in Scotland a week after they arrived there—had he found any one to take it. Ten or eleven days had elapsed, and no George had come, and no news of his intention of coming. It was not for this, to be moped to death in an old Scotch country-house, that Charlotte Pain had accepted the invitation of Lady Godolphin. Careless George—careless as to the import any of his words might bear—had said to her when they were talking of Scotland: “I wish you were to be of the party; to help us while away the dull days.” Mr. George had spoken in gallantry—he was too much inclined so to speak, not only to Charlotte—without ever dreaming that his wish would be fulfilled literally. But, when Lady Godolphin afterwards gave the invitation—Sir George had remarked aloud at the family dinner-table that Miss Pain had fished for it—Charlotte accepted it with undisguised pleasure. In point of fact, Mr. George, had the choice been given him, would have preferred having Maria Hastings to himself there.

But he did not come. Eleven days, and no George Godolphin. Charlotte began to lay mental plans for the arrival of some sudden telegraphic message, demanding her immediate return to Prior’s Ash; and Maria could only hope, and look, and long in secret.

It was a gloomy day; not rainy, but enveloped in mist, almost as bad as rain. They had gone out together, after luncheon, these two young ladies, but the weather drove them in again. Charlotte was restless and peevish. She stirred the fire as if she had a spite against it; she dashed off a few bars at the piano, on which instrument she was a skilful player; she cut half the leaves of a new periodical and then flung it from her; she admired herself in the pier-glass; she sat down opposite Maria Hastings and her stillness; and now she jumped up again and violently rang the bell, to order her desk to be brought to her. Maria roused herself from her reverie.

“Charlotte, what is the matter? One would think you had St. Vitus’s dance.”

“So I have—if to twitch all over with the fidgets is to have it. How you can sit so calm, so unmoved, is a marvel to me. Maria, if I were to be another ten days in this house, I should go mad.”

“Why did you come to it?”

“I thought it might be a pleasant change. Ashlydyat grows gloomy sometimes. How was I to know my lady led so quiet a life here? She was always talking of ‘Broomhead,’ ‘Broomhead!’ I could not possibly suppose it to be so dull a place as this!”

“It is not dull in itself. The house and grounds are charming.”

“Oh dear!” uttered Charlotte. “I wonder what fogs were sent for?”

“So do I,” laughed Maria. “I should have finished that sketch, but for this mist.”

“No saddle-horses!” went on Charlotte. “I shall forget how to ride. I never heard of such a thing as a country-house without saddle-horses. Where was the use of bringing my new cap and habit? Only to have them crushed!”

Maria seemed to have relapsed into thought. She made no reply. Presently Charlotte began again.

“I wish I had my dogs here! Lady Godolphin would not extend the invitation even to King Charlie. She said she did not like dogs. What a heathen she must be! If I could only see my darling pet, King Charlie! Kate never mentioned him once in her letter this morning!”

The words aroused Maria to animation. “Did you receive a letter this morning from Prior’s Ash? You did not tell me.”

“Margery brought it to my bedroom. It came last night, I fancy, and lay in the letter-box. I do not think Sir George ought to keep that letter-box entirely under his own control,” continued Charlotte. “He grows forgetful. Some evenings I know it is never looked at.”

“I have not observed that Sir George is forgetful,” dissented Maria.

“You observe nothing. I say that Sir George declines daily: both bodily and mentally. I see a great difference in him, even in the short time that we have been here. He is not the man he was.”

“He has his business letters regularly; and answers them.”

“Quite a farce to send them,” mocked handsome Charlotte. “Thomas Godolphin is ultra-filial.”

“What news does Mrs. Verrall give you?” inquired Maria.

“Not much. Sarah Anne Grame is out of immediate danger, and the fever has attacked two or three others.”

“In Lady Sarah’s house?”

“Nonsense! No. That sickly girl, Sarah Anne, took it because I suppose she could not help it: but there’s not much fear of its spreading to the rest of the house. If they had been going to have it, it would have shown itself ere this. It has crept on to those pests of cottages by the Pollards. The Bonds are down with it.”

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