Ritual of mimic death among the Indians of Nootka Sound.
A ceremony witnessed by the castaway John R. Jewitt during his captivity among the Indians of Nootka Sound doubtless belongs to this class of customs. The Indian king or chief “discharged a pistol close to his son's ear, who immediately fell down as if killed, upon which all the women of the house set up a most lamentable cry, tearing handfuls of hair from their heads, and exclaiming that the prince was dead; at the same time a great number of the inhabitants rushed into the house armed with their daggers, muskets, etc., enquiring the cause of their outcry. These were immediately followed by two others dressed in wolf skins, with masks over their faces representing the head of that animal. The latter came in on their hands and feet in the manner of a beast, and taking up the prince, carried him off upon their backs, retiring in the same manner they entered.”662 In another place Jewitt mentions that the young prince – a lad of about eleven years of age – wore a mask in imitation of a wolf's head.663 Now, as the Indians of this part of America are divided into totem clans, of which the Wolf clan is one of the principal, and as the members of each clan are in the habit of wearing some portion of the totem animal about their person,664 it is probable that the prince belonged to the Wolf clan, and that the ceremony described by Jewitt represented the killing of the lad in order that he might be born anew as a wolf, much in the same way that the Basque hunter supposed himself to have been killed and to have come to life again as a bear.
Rite of death and resurrection at initiation into the Nootka society of human wolves. Novice brought back by an artificial totemic animal among the Niska Indians.
This conjectural explanation of the ceremony has, since it was first put forward, been confirmed by the researches of Dr. Franz Boas among these Indians; though it would seem that the community to which the chief's son thus obtained admission was not so much a totem clan as a secret society called Tlokoala, whose members imitated wolves. The name Tlokoala is a foreign word among the Nootka Indians, having been borrowed by them from the Kwakiutl Indians, in whose language the word means the finding of a manitoo or personal totem. The Nootka tradition runs that this secret society was instituted by wolves who took away a chief's son and tried to kill him, but, failing to do so, became his friends, taught him the rites of the society, and ordered him to teach them to his friends on his return home. Then they carried the young man back to his village. They also begged that whenever he moved from one place to another he would kindly leave behind him some red cedar-bark to be used by them in their own ceremonies; and to this custom the Nootka tribes still adhere. Every new member of the society must be initiated by the wolves. At night a pack of wolves, personated by Indians dressed in wolf-skins and wearing wolf-masks, make their appearance, seize the novice, and carry him into the woods. When the wolves are heard outside the village, coming to fetch away the novice, all the members of the society blacken their faces and sing, “Among all the tribes is great excitement, because I am Tlokoala.” Next day the wolves bring back the novice dead, and the members of the society have to revive him. The wolves are supposed to have put a magic stone into his body, which must be removed before he can come to life. Till this is done the pretended corpse is left lying outside the house. Two wizards go and remove the stone, which appears to be quartz, and then the novice is resuscitated.665 Among the Niska Indians of British Columbia, who are divided into four principal clans with the raven, the wolf, the eagle, and the bear for their respective totems, the novice at initiation is always brought back by an artificial totem animal. Thus when a man was about to be initiated into a secret society called Olala, his friends drew their knives and pretended to kill him. In reality they let him slip away, while they cut off the head of a dummy which had been adroitly substituted for him. Then they laid the decapitated dummy down and covered it over, and the women began to mourn and wail. His relations gave a funeral banquet and solemnly burnt the effigy. In short, they held a regular funeral. For a whole year the novice remained absent and was seen by none but members of the secret society. But at the end of that time he came back alive, carried by an artificial animal which represented his totem.666
In these initiatory rites the novice seems to be killed as a man and restored to life as an animal.
In these ceremonies the essence of the rite appears to be the killing of the novice in his character of a man and his restoration to life in the form of the animal which is thenceforward to be, if not his guardian spirit, at least linked to him in a peculiarly intimate relation. It is to be remembered that the Indians of Guatemala, whose life was bound up with an animal, were supposed to have the power of appearing in the shape of the particular creature with which they were thus sympathetically united.667 Hence it seems not unreasonable to conjecture that in like manner the Indians of British Columbia may imagine that their life depends on the life of some one of that species of creature to which they assimilate themselves by their costume. At least if that is not an article of belief with the Columbian Indians of the present day, it may very well have been so with their ancestors in the past, and thus may have helped to mould the rites and ceremonies both of the totem clans and of the secret societies. For though these two sorts of communities differ in respect of the mode in which membership of them is obtained – a man being born into his totem clan but admitted into a secret society later in life – we can hardly doubt that they are near akin and have their root in the same mode of thought.668 That thought, if I am right, is the possibility of establishing a sympathetic relation with an animal, a spirit, or other mighty being, with whom a man deposits for safe-keeping his soul or some part of it, and from whom he receives in return a gift of magical powers.
Honorific totems among the Carrier Indians. Initiatory rites at the adoption of a honorific totem. Simulated transformation of a novice into a bear. Pretence of death and resurrection at initiation.
The Carrier Indians, who dwell further inland than the tribes we have just been considering, are divided into four clans with the grouse, the beaver, the toad, and the grizzly bear for their totems. But in addition to these clan totems the tribe recognized a considerable number of what Father Morice calls honorific totems, which could be acquired, through the performance of certain rites, by any person who wished to improve his social position. Each totem clan had a certain number of honorific totems or crests, and these might be assumed by any member of the clan who fulfilled the required conditions; but they could not be acquired by members of another clan. Thus the Grouse clan had for its honorific totems or crests the owl, the moose, the weasel, the crane, the wolf, the full moon, the wind, and so on; the Toad clan had the sturgeon, the porcupine, the wolverine, the red-headed woodpecker, the “darding knife,” and so forth; the Beaver clan had the mountain-goat for one of its honorific totems; and the goose was a honorific totem of the Grizzly Bear clan. But the common bear, as a honorific totem or crest, might be assumed by anybody, whatever his clan. The common possession of a honorific totem appears to have constituted the same sort of bond among the Carrier Indians as the membership of a secret society does among the coast tribes of British Columbia; certainly the rites of initiation were similar. This will be clear from Father Morice's account of the performances, which I will subjoin in his own words. “The connection of the individual with his crest appeared more especially during ceremonial dances, when the former, attired, if possible, with the spoils of the latter, was wont to personate it in the gaze of an admiring assemblage. On all such occasions, man and totem were also called by the same name. The adoption of any such 'rite' or crest was usually accompanied by initiatory ceremonies or observances corresponding to the nature of the crest, followed in all cases by a distribution of clothes to all present. Thus whenever anybody resolved upon getting received as Lulem or Bear, he would, regardless of the season, divest himself of all his wearing apparel and don a bear-skin, whereupon he would dash into the woods there to remain for the space of three or four days and nights in deference to the wonts of his intended totem animal. Every night a party of his fellow-villagers would sally out in search of the missing ‘bear.’ To their loud calls: Yi! Kelulem (Come on, Bear!) he would answer by angry growls in imitation of the bear. The searching party making for the spot where he had been heard, would find by a second call followed by a similar answer that he had dexterously shifted to some opposite quarter in the forest. As a rule, he could not be found, but had to come back of himself, when he was speedily apprehended and conducted to the ceremonial lodge, where he would commence his first bear-dance in conjunction with all the other totem people, each of whom would then personate his own particular totem. Finally would take place the potlatch [distribution of property] of the newly initiated ‘bear,’ who would not forget to present his captor with at least a whole dressed skin. The initiation to the ‘Darding Knife’ was quite a theatrical performance. A lance was prepared which had a very sharp point so arranged that the slightest pressure on its tip would cause the steel to gradually sink into the shaft. In the sight of the multitude crowding the lodge, this lance was pressed on the bare chest of the candidate and apparently sunk in his body to the shaft, when he would tumble down simulating death. At the same time a quantity of blood – previously kept in the mouth – would issue from the would-be corpse, making it quite clear to the uninitiated gazers-on that the terrible knife had had its effect, when lo! upon one of the actors striking up one of the chants specially made for the circumstance and richly paid for, the candidate would gradually rise up a new man, the particular protégé of the ‘Darding Knife.’ ”669
Significance of these initiatory rites. Supposed invulnerability of men who have weapons for their guardian spirits.
In the former of these two initiatory rites of the Carrier Indians the prominent feature is the transformation of the man into his totem animal; in the latter it is his death and resurrection. But in substance, probably, both are identical. In both the novice dies as a man and revives as his totem, whether that be a bear, a “darding” knife, or what not; in other words, he has deposited his life or some portion of it in his totem, with which accordingly for the future he is more or less completely identified. Hard as it may be for us to conceive why a man should choose to identify himself with a knife, whether “darding” or otherwise, we have to remember that in Celebes it is to a chopping-knife or other iron tool that the soul of a woman in labour is transferred for safety;670 and the difference between a chopping-knife and a “darding” knife, considered as a receptacle for a human soul, is perhaps not very material. Among the Thompson Indians of British Columbia warriors who had a knife, an arrow, or any other weapon for their personal totem or guardian spirit, enjoyed this signal advantage over their fellows that they were for all practical purposes invulnerable. If an arrow did hit them, which seldom happened, they vomited the blood up, and the hurt soon healed. Hence these arrow-proof warriors rarely wore armour, which would indeed have been superfluous, and they generally took the most dangerous posts in battle. So convinced were the Thompson Indians of the power of their personal totem or guardian spirit to bring them back to life, that some of them killed themselves in the sure hope that the spirit would immediately raise them up from the dead. Others, more prudently, experimented on their friends, shooting them dead and then awaiting more or less cheerfully their joyful resurrection. We are not told that success crowned these experimental demonstrations of the immortality of the soul.671
Initiatory rite of the Toukaway Indians.
The Toukaway Indians of Texas, one of whose totems is the wolf, have a ceremony in which men, dressed in wolf-skins, run about on all fours, howling and mimicking wolves. At last they scratch up a living tribesman, who has been buried on purpose, and putting a bow and arrows in his hands, bid him do as the wolves do – rob, kill, and murder.672 The ceremony probably forms part of an initiatory rite like the resurrection from the grave of the old man in the Australian rites.
Traces of the rite of death and resurrection among more advanced peoples.
The simulation of death and resurrection or of a new birth at initiation appears to have lingered on, or at least to have left traces of itself, among peoples who have advanced far beyond the stage of savagery. Thus, after his investiture with the sacred thread – the symbol of his order – a Brahman is called “twice born.” Manu says, “According to the injunction of the revealed texts the first birth of an Aryan is from his natural mother, the second happens on the tying of the girdle of Muñga grass, and the third on the initiation to the performance to a Srauta sacrifice.”673 A pretence of killing the candidate perhaps formed part of the initiation to the Mithraic mysteries.674
The motive for attempting to deposit the soul in a safe place outside of the body at puberty may have been a fear of the dangers which, according to primitive notions, attend the union of the sexes.
Thus, on the theory here suggested, wherever totemism is found, and wherever a pretence is made of killing and bringing to life again the novice at initiation, there may exist or have existed not only a belief in the possibility of permanently depositing the soul in some external object – animal, plant, or what not – but an actual intention of so doing. If the question is put, why do men desire to deposit their life outside their bodies? the answer can only be that, like the giant in the fairy tale, they think it safer to do so than to carry it about with them, just as people deposit their money with a banker rather than carry it on their persons. We have seen that at critical periods the life or soul is sometimes temporarily stowed away in a safe place till the danger is past. But institutions like totemism are not resorted to merely on special occasions of danger; they are systems into which every one, or at least every male, is obliged to be initiated at a certain period of life. Now the period of life at which initiation takes place is regularly puberty; and this fact suggests that the special danger which totemism and systems like it are intended to obviate is supposed not to arise till sexual maturity has been attained, in fact, that the danger apprehended is believed to attend the relation of the sexes to each other. It would be easy to prove by a long array of facts that the sexual relation is associated in the primitive mind with many serious perils; but the exact nature of the danger apprehended is still obscure. We may hope that a more exact acquaintance with savage modes of thought will in time disclose this central mystery of primitive society, and will thereby furnish the clue, not only to totemism, but to the origin of the marriage system.
Balder's life or death in the mistletoe.
Thus the view that Balder's life was in the mistletoe is entirely in harmony with primitive modes of thought. It may indeed sound like a contradiction that, if his life was in the mistletoe, he should nevertheless have been killed by a blow from the plant. But when a person's life is conceived as embodied in a particular object, with the existence of which his own existence is inseparably bound up, and the destruction of which involves his own, the object in question may be regarded and spoken of indifferently as his life or his death, as happens in the fairy tales. Hence if a man's death is in an object, it is perfectly natural that he should be killed by a blow from it. In the fairy tales Koshchei the Deathless is killed by a blow from the egg or the stone in which his life or death is secreted;675 the ogres burst when a certain grain of sand – doubtless containing their life or death – is carried over their heads;676 the magician dies when the stone in which his life or death is contained is put under his pillow;677 and the Tartar hero is warned that he may be killed by the golden arrow or golden sword in which his soul has been stowed away.678
The view that the mistletoe contained the life of the oak may have been suggested by the position of the parasite among the boughs. Indian parallel to Balder and the mistletoe.
The idea that the life of the oak was in the mistletoe was probably suggested, as I have said, by the observation that in winter the mistletoe growing on the oak remains green while the oak itself is leafless. But the position of the plant – growing not from the ground but from the trunk or branches of the tree – might confirm this idea. Primitive man might think that, like himself, the oak-spirit had sought to deposit his life in some safe place, and for this purpose had pitched on the mistletoe, which, being in a sense neither on earth nor in heaven, might be supposed to be fairly out of harm's way. In the first chapter we saw that primitive man seeks to preserve the life of his human divinities by keeping them poised between earth and heaven, as the place where they are least likely to be assailed by the dangers that encompass the life of man on earth. We can therefore understand why it has been a rule both of ancient and of modern folk-medicine that the mistletoe should not be allowed to touch the ground; were it to touch the ground, its healing virtue would be gone.679 This may be a survival of the old superstition that the plant in which the life of the sacred tree was concentrated should not be exposed to the risk incurred by contact with the earth. In an Indian legend, which offers a parallel to the Balder myth, Indra swore to the demon Namuci that he would slay him neither by day nor by night, neither with staff nor with bow, neither with the palm of the hand nor with the fist, neither with the wet nor with the dry. But he killed him in the morning twilight by sprinkling over him the foam of the sea.680 The foam of the sea is just such an object as a savage might choose to put his life in, because it occupies that sort of intermediate or nondescript position between earth and sky or sea and sky in which primitive man sees safety. It is therefore not surprising that the foam of the river should be the totem of a clan in India.681
Analogous superstitions attaching to a parasitic rowan.
Again, the view that the mistletoe owes its mystic character partly to its not growing on the ground is confirmed by a parallel superstition about the mountain-ash or rowan-tree. In Jutland a rowan that is found growing out of the top of another tree is esteemed “exceedingly effective against witchcraft: since it does not grow on the ground witches have no power over it; if it is to have its full effect it must be cut on Ascension Day.”682 Hence it is placed over doors to prevent the ingress of witches.683 In Sweden and Norway, also, magical properties are ascribed to a “flying-rowan” (flögrönn), that is to a rowan which is found growing not in the ordinary fashion on the ground but on another tree, or on a roof, or in a cleft of the rock, where it has sprouted from seed scattered by birds. They say that a man who is out in the dark should have a bit of “flying-rowan” with him to chew; else he runs a risk of being bewitched and of being unable to stir from the spot.684 A Norwegian story relates how once on a time a Troll so bewitched some men who were ploughing in a field that they could not drive a straight furrow; only one of the ploughmen was able to resist the enchantment because by good luck his plough was made out of a “flying-rowan.”685 In Sweden, too, the “flying-rowan” is used to make the divining rod, which discovers hidden treasures. This useful art has nowadays unfortunately been almost forgotten, but three hundred years ago it was in full bloom, as we gather from the following contemporary account. “If in the woods or elsewhere, on old walls or on high mountains or rocks you perceive a rowan-tree (runn) which has sprung from a seed that a bird has dropped from its bill, you must either knock or break off that rod or tree in the twilight between the third day and the night after Ladyday. But you must take care that neither iron nor steel touches it and that in carrying it home you do not let it fall on the ground. Then place it under the roof on a spot under which you have laid various metals, and you will soon be surprised to see how that rod under the roof gradually bends in the direction of the metals. When your rod has sat there in the same spot for fourteen days or more, you take a knife or an awl, which has been stroked with a magnet, and with it you slit the bark on all sides, and pour or drop the blood of a cock (best of all the blood from the comb of a cock which is all of one colour) on the said slits in the bark; and when the blood has dried, the rod is ready and will give public proof of the efficacy of its marvellous properties.”686 Just as in Scandinavia the parasitic rowan is deemed a countercharm to sorcery, so in Germany the parasitic mistletoe is still commonly considered a protection against witchcraft, and in Sweden, as we saw, the mistletoe which is gathered on Midsummer Eve is attached to the ceiling of the house, the horse's stall or the cow's crib, in the belief that this renders the Troll powerless to injure man or beast.687
The fate of the Hays believed to be bound up with the mistletoe on Errol's oak.
The view that the mistletoe was not merely the instrument of Balder's death, but that it contained his life, is countenanced by the analogy of a Scottish superstition. Tradition ran that the fate of the Hays of Errol, an estate in Perthshire, near the Firth of Tay, was bound up with the mistletoe that grew on a certain great oak. A member of the Hay family has recorded the old belief as follows: “Among the low country families the badges are now almost generally forgotten; but it appears by an ancient MS. and the tradition of a few old people in Perthshire, that the badge of the Hays was the mistletoe. There was formerly in the neighbourhood of Errol, and not far from the Falcon stone, a vast oak of an unknown age, and upon which grew a profusion of the plant: many charms and legends were considered to be connected with the tree, and the duration of the family of Hay was said to be united with its existence. It was believed that a sprig of the mistletoe cut by a Hay on Allhallowmas eve, with a new dirk, and after surrounding the tree three times sunwise, and pronouncing a certain spell, was a sure charm against all glamour or witchery, and an infallible guard in the day of battle. A spray gathered in the same manner was placed in the cradle of infants, and thought to defend them from being changed for elf-bairns by the fairies. Finally, it was affirmed, that when the root of the oak had perished, ‘the grass should grow in the hearth of Errol, and a raven should sit in the falcon's nest.’ The two most unlucky deeds which could be done by one of the name of Hay were, to kill a white falcon, and to cut down a limb from the oak of Errol. When the old tree was destroyed I could never learn. The estate has been some time sold out of the family of Hay, and of course it is said that the fatal oak was cut down a short time before.”688 The old superstition is recorded in verses which are traditionally ascribed to Thomas the Rhymer: —
“While the mistletoe bats on Errol's aik,
And that aik stands fast,
The Hays shall flourish, and their good grey hawk
Shall nocht flinch before the blast.
But when the root of the aik decays,
And the mistletoe dwines on its withered breast,
The grass shall grow on Errol's hearthstane,
And the corbie roup in the falcon's nest.”689
The life of the Lachlins and the deer of Finchra.
The idea that the fate of a family, as distinct from the lives of its members, is bound up with a particular plant or tree, is no doubt comparatively modern. The older view may have been that the lives of all the Hays were in this particular mistletoe, just as in the Indian story the lives of all the ogres are in a lemon; to break a twig of the mistletoe would then have been to kill one of the Hays. Similarly in the island of Rum, whose bold mountains the voyager from Oban to Skye observes to seaward, it was thought that if one of the family of Lachlin shot a deer on the mountain of Finchra, he would die suddenly or contract a distemper which would soon prove fatal.690 Probably the life of the Lachlins was bound up with the deer on Finchra, as the life of the Hays was bound up with the mistletoe on Errol's oak, and the life of the Dalhousie family with the Edgewell Tree.
The Golden Bough seems to have been a glorified mistletoe.
It is not a new opinion that the Golden Bough was the mistletoe.691 True, Virgil does not identify but only compares it with mistletoe. But this may be only a poetical device to cast a mystic glamour over the humble plant. Or, more probably, his description was based on a popular superstition that at certain times the mistletoe blazed out into a supernatural golden glory. The poet tells how two doves, guiding Aeneas to the gloomy vale in whose depth grew the Golden Bough, alighted upon a tree, “whence shone a flickering gleam of gold. As in the woods in winter cold the mistletoe – a plant not native to its tree – is green with fresh leaves and twines its yellow berries about the boles; such seemed upon the shady holm-oak the leafy gold, so rustled in the gentle breeze the golden leaf.”692 Here Virgil definitely describes the Golden Bough as growing on a holm-oak, and compares it with the mistletoe. The inference is almost inevitable that the Golden Bough was nothing but the mistletoe seen through the haze of poetry or of popular superstition.
If the Golden Bough was the mistletoe, the King of the Wood at Nemi may have personated an oak spirit and perished in an oak fire.
Now grounds have been shewn for believing that the priest of the Arician grove – the King of the Wood – personified the tree on which grew the Golden Bough.693 Hence if that tree was the oak, the King of the Wood must have been a personification of the oak-spirit. It is, therefore, easy to understand why, before he could be slain, it was necessary to break the Golden Bough. As an oak-spirit, his life or death was in the mistletoe on the oak, and so long as the mistletoe remained intact, he, like Balder, could not die. To slay him, therefore, it was necessary to break the mistletoe, and probably, as in the case of Balder, to throw it at him. And to complete the parallel, it is only necessary to suppose that the King of the Wood was formerly burned, dead or alive, at the midsummer fire festival which, as we have seen, was annually celebrated in the Arician grove.694 The perpetual fire which burned in the grove, like the perpetual fire which burned in the temple of Vesta at Rome and under the oak at Romove,695 was probably fed with the sacred oak-wood; and thus it would be in a great fire of oak that the King of the Wood formerly met his end. At a later time, as I have suggested, his annual tenure of office was lengthened or shortened, as the case might be, by the rule which allowed him to live so long as he could prove his divine right by the strong hand. But he only escaped the fire to fall by the sword.
A similar tragedy may have been enacted over the human representative of Balder in Norway.
Thus it seems that at a remote age in the heart of Italy, beside the sweet Lake of Nemi, the same fiery tragedy was annually enacted which Italian merchants and soldiers were afterwards to witness among their rude kindred, the Celts of Gaul, and which, if the Roman eagles had ever swooped on Norway, might have been found repeated with little difference among the barbarous Aryans of the North. The rite was probably an essential feature in the ancient Aryan worship of the oak.696
The name of the Golden Bough may have been applied to the mistletoe on account of the golden tinge which the plant assumes in withering.
It only remains to ask, Why was the mistletoe called the Golden Bough?697 The whitish-yellow of the mistletoe berries is hardly enough to account for the name, for Virgil says that the bough was altogether golden, stem as well as leaves.698 Perhaps the name may be derived from the rich golden yellow which a bough of mistletoe assumes when it has been cut and kept for some months; the bright tint is not confined to the leaves, but spreads to the stalks as well, so that the whole branch appears to be indeed a Golden Bough. Breton peasants hang up great bunches of mistletoe in front of their cottages, and in the month of June these bunches are conspicuous for the bright golden tinge of their foliage.699 In some parts of Brittany, especially about Morbihan, branches of mistletoe are hung over the doors of stables and byres to protect the horses and cattle,700 probably against witchcraft.
The yellow hue of withered mistletoe may partly explain why the plant is thought to disclose yellow gold in the earth. Similarly fern-seed is thought to bloom like gold or fire and to reveal buried treasures on Midsummer Eve. Sometimes fern-seed is thought to bloom on Christmas night. The wicked weaver of Rotenburg.