Ein interessanter Einblick in die Rezeption Georg Trakls vor dem Hintergrund totalitärer Literaturwissenschaft und Kulturpolitik

Die vorliegende Studie Eberhard Sauermanns bietet die erste umfassende Darstellung der Rezeption Georg Trakls in der NS-Zeit. Der Autor führt in seiner systematischen Auseinandersetzung vor Augen, welch vielfältige und widersprüchliche Behandlung dem Werk und Leben Trakls in der Literaturwissenschaft und Kulturpolitik des Nationalsozialsmus zuteil wurde. Dabei entkräftet er das Vorurteil, Trakl sei in der NS-Zeit durchwegs abgelehnt worden. Denn neben der Kritik an ihm fand er sehr wohl öffentliche Anerkennung in seiner Rolle als opferbereiter Dichter und «Seher», der den Verfall seiner Zeit erkannte In Editionen, Literaturgeschichten und Zeitungsartikeln der NS-Zeit, aber auch in Bekenntnissen von Privatpersonen zeigt sich die reichhaltige Wirkung Trakls.

Neben seiner Auseinandersetzung mit dem Nationalsozialismus gibt Sauermann auch ein differenziertes Bild der Rezeption Georg Trakls als Autor der klassischen Moderne in der DDR wieder. Den Höhepunkt in der Beschäftigung mit Trakl in der DDR bildet sicherlich Franz Fühmanns Trakl-Essay, dessen potentiell bewusstseins- und gesellschaftsverändernde Abschnitte die Zensur tilgen wollte.

Eberhard Sauermann arbeitet anhand der Rezeption Georg Trakls Unterschiede und Gemeinsamkeiten zweier totalitärer Systeme des 20. Jahrhunderts heraus und bietet einen interessanten Einblick in die Stigmatisierung und Instrumentalisierung eines Dichters, dessen Leben und Werk in beiden Systemen sowohl Ablehnung als auch Anerkennung erfuhr.

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