Читать книгу: «The Hungry Tide», страница 3
The Launch
Deep in the interior of Canning’s bazaar Piya had come to a halt at the gates of the Forest Department’s offices. Because of the circumstances of her work she had, over the years, developed a reluctant familiarity with the officialdom of forests and fisheries. She had been expecting a grimy bureaucratic honeycomb and was taken aback to find herself looking at a small, brightly painted bungalow. Still, before stepping up to the entrance she steeled herself for what promised to be a very long day.
As it turned out, her experience was not quite as grim as she had anticipated. It did indeed take a full hour of waiting before she could even make her way past the first doorkeeper, but once she was inside her progress was unexpectedly swift. Thanks to her uncle’s influence, she was led almost immediately into the presence of a harried but obliging senior ranger. After a polite exchange she was handed over to a subordinate, who led her down a number of corridors, through cubicles of diminishing size. In between were long intervals of drinking tea, waiting, and staring at walls blotched with red paan-stains. But, apace or not, the paperwork did proceed and within a mere four hours of her entry into the building she was in possession of all the necessary documents.
It was only then, just as she was about to march out of the office, giddy with joy at her triumph, that she learnt that the procedures weren’t quite over yet – the last remaining requirement for her survey was that she be accompanied by a forest guard. Her face fell in dismay for she knew from previous experience that official escorts were always a hindrance and sometimes needed more attention than the survey itself; she would have far preferred to travel on her own, with only a boatman or pilot for company. But it was quickly made clear that this was not an option. In fact, a guard had already been assigned to her, a man who knew the route and would help with the hiring of a boat and all the other arrangements. She dropped the matter without further demur. It was good enough that she had got her papers so quickly – better not try her luck too far.
The guard, dressed in a starched khaki uniform, proved to be a small ferret-faced man. He greeted her with a deferential smile and his appearance provided no cause for misgiving – not until he produced a leather bandolier and a rifle. The sight of the weapons induced her to make her way back down the corridors to ask if the gun was really necessary. The answer was yes, it was; regulations required it because her route would take her through the tiger reserve. There was always the possibility of an attack.
There was nothing more to be said. Shouldering her backpacks, she followed the guard out of the bungalow.
They had not gone far before the guard’s demeanour began to change. Where he had been almost obsequious before, he now became quite officious, herding her ahead without any explanation of where they were going or why. In a short while she found herself at a teashop on the embankment, meeting with a man of vaguely thuggish appearance. The man’s name, so far as she could tell, was Mej-da: he was squat of build and there were many shiny chains and amulets hanging beneath his large, fleshy face. Neither he nor the guard spoke English but it was explained to her through intermediaries that Mej-da owned a launch that was available for hire: he was a seasoned guide who knew the area better than anyone else.
She asked to see the launch and was told that that would not be possible – it was anchored some distance away and they would have to take a boat to get to it. On inquiring about the price she was quoted a clearly excessive figure. She knew now that this was a set-up and she was being cheated. She made a desultory effort to find other boat-owners, but the sight of Mej-da and the guard scared them off. No one would approach her.
At this point she knew she was faced with a choice. She could either go back to lodge a complaint at the Forest Department’s office or agree to the proposed arrangement and get started on her survey. After having spent most of the day in that office, she could not bear to think of returning. She gave in and agreed to hire Mej-da’s launch.
On the way to the launch, remorse set in. Perhaps she was judging these men too harshly? Perhaps they really did possess great funds of local knowledge? In any event, there was no harm in seeing if they could be of help. In one of her backpacks she had a display card she had chosen especially for this survey. It pictured the two species of river dolphin known to inhabit these waters – the Gangetic dolphin and the Irrawaddy dolphin. The drawings were copied from a monograph that dated back to 1878. They were not the best or most lifelike pictures she had ever come across (she knew of innumerable more accurate or more realistic photographs and diagrams), but for some reason she’d always had good luck with these drawings: they seemed to make the animals more recognizable than other, more realistic representations.
In the past, on other rivers, display cards like these had sometimes been of great help in gathering information. When communication was possible, she would show them to fishermen and boatmen and ask questions about sightings, abundance, behaviour, seasonal distribution and so on. When there was no one to translate she would hold up the cards and wait for a response. This often worked; they would recognize the animal and point her to places where they were commonly seen. But as a rule only the most observant and experienced fishermen were able to make the connection between the pictures and the animals they represented. Relatively few had ever seen the whole, living creature, and their view of it was generally restricted to a momentary glimpse of a blowhole or a dorsal fin. This being so, it was not unusual for the cards to elicit unexpected reactions – but never before had this illustration provoked a response as strange as the one she got from Mej-da. First he turned the card around and looked at the picture upside down. Then, pointing to the illustration of the Gangetic dolphin he asked if it were a bird. She understood him because he used the English word: ‘Bird? Bird?’
Piya was so startled that she looked at the picture again, with fresh eyes, wondering what he might be thinking of. The mystery was resolved when he stabbed a finger at the animal’s long snout with its twin rows of needle-like teeth. Like an optical illusion, the picture seemed to change shape as she looked at it; she had the feeling that she was looking at it through his eyes. She understood how the mistake might be possible, given the animal’s plump, dove-like body and its spoon-shaped bill, not unlike a heron’s. And of course the Gangetic dolphin had no dorsal fin to speak of. But then the ludicrousness of the notion had hit her – the Gangetic dolphin a bird? She took the card back and put it away quickly, turning her face aside to hide her smile.
The smile lingered for the rest of the ride, vanishing only when her eyes alighted on Mej-da’s launch – it was a decrepit diesel steamer that had been adapted for the tourist trade, with rows of plastic chairs lined up behind the wheelhouse, under a soot-blackened awning. She would have liked a skiff or a light fibreglass shell, outfitted with an outboard motor. Experience had taught her that this was the kind of boat of greatest use in river surveys. She began to regret the impulse that had led her to agree to this arrangement, but now it was too late to turn back.
As she walked up the gangplank, the stench of diesel fuel struck her like a slap in the face. There were some half-dozen or so young helpers tinkering with the engine. When they started it up, the volume was deafening, even up on deck. Then, to her surprise, Mej-da ordered all the helpers to leave the launch. Evidently the crew was to consist of no one other than himself and the guard. Why just these two and no one else? There was something about this that was not quite right. She watched in concern as the boys filed off the launch and her misgivings only deepened when Mej-da proceeded to enact a curious little pantomime, as if to welcome her on to his vessel. It so happened that he was dressed exactly as she was, in blue pants and a white shirt. She hadn’t remarked on this herself, but the coincidence had evidently seized his interest. He made a series of gestures, pointing to himself and at her, providing a wordless inventory of the points of similarity in their appearance – their clothes, their skin colour, the dark tint of their eyes and the cut of their short, curly hair. But the performance ended with a gesture both puzzling and peculiarly obscene. Bursting into laughter, he gesticulated in the direction of his tongue and his crotch. She looked away quickly, frowning, puzzled as to the meaning of this bizarre coda. It was not till later that she realized that this pairing of the organs of language and sex was intended as a commentary on the twin mysteries of their difference.
The laughter that followed on this performance sharpened her doubts about this pair. It was not that she was unused to the company of watchers and minders. The year before, while surveying on the Irrawaddy, she had been forced – ‘advised’ was the government’s euphemism – to take on three extra men. They were identically dressed, the three men, in knit golf shirts and chequered sarongs, and they had all sported steel-rimmed aviator sunglasses. She had heard later that they were from military intelligence, government spies, but she had never felt any unease around them, nor any sense of personal threat. Besides, she had always felt herself to be protected by the sheer matter-of-factness of what she did: the long hours of standing in unsteady boats, under blazing skies, scanning the water’s surface with her binoculars, taking breaks only to fill in half-hourly data sheets. She had not realized then that on the Irrawaddy, as on the Mekong and the Mahakam, she had also been protected by her unmistakable foreignness. It was written all over her face, her black, close-cropped hair, the sun-darkened tint of her skin. It was ironic that here – in a place where she felt even more a stranger than elsewhere – her appearance had robbed her of that protection. Would these men have adopted the same attitude if she had been, say, a white European, or Japanese? She doubted it. Nor for that matter would they have dared to behave similarly with her Kolkata cousins, who wielded the insignia of their upper-middle-class upbringing like laser-guided weaponry. They would have known how to deploy those armaments against men like these and they would have called it ‘putting them in their place’. But as for herself, she had no more idea of what her own place was in the great scheme of things than she did of theirs – and it was exactly this, she knew, that had occasioned their behaviour.
Lusibari
The tide was running low when the Trust’s launch brought Kanai and Nilima to Lusibari and this seemed to augment the height of the tall embankment that ringed the island: from the water nothing could be seen of what lay on the far side. But on climbing the earthworks Kanai found himself looking down on Lusibari village and suddenly it was as if his memory had rolled out a map so that the whole island lay spread out before his eyes.
Lusibari was about two kilometres long from end to end, and was shaped somewhat like a conch shell. It was the most southerly of the inhabited islands of the tide country – in the fifty kilometres of mangrove that separated it from the open sea, there was no other settlement to be found. Although there were many other islands nearby, Lusibari was cut off from these by four encircling rivers. Of these rivers two were of medium size, while the third was so modest as almost to melt into the mud at low tide. But the pointed end of the island – the narrowest spiral of the conch – jutted into a river that was one of the mightiest in the tide country, the Raimangal.
Seen from Lusibari at high tide, the Raimangal did not look like a river at all: it looked more like a limb of the sea, a bay perhaps, or a very wide estuary. Five other channels flowed into the river here, forming an immense mohona. At low tide, the mouths of the other rivers were clearly visible in the distance – gigantic portals piercing the ring of green galleries that encircled the mohona. But Kanai knew that once the tide turned everything would disappear: the rising waters of the mohona would swallow up the jungle as well as the rivers and their openings. If it were not for the tips of a few kewra trees you would think you were gazing at a body of water that reached beyond the horizon. Depending on the level of the tide, he remembered, the view was either exhilarating or terrifying. At low tide, when the embankment, or bãdh, was riding high on the water, Lusibari looked like some gigantic earthen ark, floating serenely above its surroundings. Only at high tide was it evident that the interior of the island lay well below the level of the water. At such times the unsinkable ship of a few hours before took on the appearance of a flimsy saucer that could tip over at any moment and go circling down into the depths.
From the narrow end of the island a mudbank extended a long way into the water. This spit was like a terrestrial windsock, changing direction with the prevailing currents. But just as a windsock can generally be counted on to remain attached to its mast, the mudbank too was doggedly tenacious in keeping a hold upon the island. It formed a natural pier and that was where ferries and boats usually unloaded their passengers. There were no docks or jetties on Lusibari, for the currents and tides that flowed around it were too powerful to permit the construction of permanent structures.
The island’s main village – also known as Lusibari – was situated close to the base of the mudspit, in the lee of the embankment. A newcomer, looking down at Lusibari from the crest of the bãdh, would see a village that seemed at first glance no different from thousands of others in Bengal: a tightly packed settlement of palm-thatched huts and bamboo-walled stalls and shacks. But a closer examination would reveal a different and far from commonplace design.
At the centre of the village was a maidan, an open space not quite geometrical enough to be termed a square. At one end of this ragged-edged maidan was a marketplace, a jumble of stalls that lay unused through most of the week, coming alive only on Saturday, which was the market day. At the other end of the maidan, dominating the village, stood a school. This was the building that was chiefly responsible for endowing the village with an element of visual surprise. Although not large, it loomed like a cathedral over the shacks, huts and shanties that surrounded it. Outlined in brick, over the keystone of the main entrance were the school’s name and the date of its completion: ‘Sir Daniel Hamilton High School 1938’. The façade consisted of a long shaded veranda, equipped with fluted columns, neoclassical pediments, vaguely Saracenic arches and other such elements of the schoolhouse architecture of its time. The rooms were large and airy, with tall shuttered windows.
Not far from the school lay a compound cut off from public view by a screen of trees. The house that occupied the centre of this compound was much smaller and less visible than the school. Yet its appearance was, if anything, even more arresting. Built entirely of wood, it stood on a two-metre-tall trestle of stilts, as if to suggest it belonged more in the Himalayas than in the tide country. The roof was a steeply pitched wooden pyramid, sitting upon a grid of symmetrical lines: stilts and columns, windows and balustrades. Rows of French windows were set into the walls and their floor-to-ceiling shutters opened into a shaded veranda that ran all the way around the house. In front there was a lily-covered pond, skirted by a pathway of mossy bricks.
In 1970, Kanai recalled, this compound had seemed lonely and secluded. Although it was situated in the centre of the settlement there were few other dwellings nearby. It was as though some lingering attitude of deference or respect had prompted the islanders to keep their distance from that wooden house. But that had changed now. It was clear at a glance that the area was among the most heavily trafficked in the whole island. Clusters of huts, houses, stalls, sweetshops and the like had grown up around the compound. The lanes that snaked around its perimeter echoed to the sound of filmi music and the air was heavy with the smell of freshly fried jilipis.
Kanai glanced over his shoulder and saw that Nilima was busy discussing Trust business with a couple of office-holders of the Women’s Union. Slipping away, he pushed open the compound’s gate and went hurrying up the mossy pathway that led up to the house. To his surprise, none of the noise and bustle of the village seemed to filter into the compound and for a moment he felt as though he were stepping through a warp in time. The house seemed at once very old and very new. The wood, discoloured by the sun and rain, had acquired a silvery patina, like certain kinds of bark; it reflected the light in such a way as to appear almost translucent, like a skin of mirrored metal. It seemed now to be almost blue in colour, reflecting the tint of the sky.
On reaching the stilts, Kanai stopped to peer at the dappled underside of the house – the geometric pattern of shadows was exactly as he remembered. He went up the steps and was starting towards the front door when he heard his uncle’s voice, echoing back from the past.
‘You can’t go in that way,’ Nirmal was saying. ‘Don’t you remember? The key to the front door was lost years ago. We’ll have to go all the way around.’
Retracing the steps of that earlier visit, Kanai went down the veranda, around the corner of the balcony and along the next wing until he came to a small door at the rear of the house. The door opened at a touch and, on stepping in, the first object to meet his eyes was an old-fashioned porcelain toilet with a wooden seat. Next to it was an enormous cast-iron bathtub with clawed feet and a curling rim. A showerhead curled over it, like a flower drooping on a wilted stem.
The fittings seemed somewhat more rusty since he had first seen them, but they were otherwise unchanged. Kanai remembered how eagerly, as a boy, he’d taken them in. Since coming to Lusibari he’d had to bathe in a pond, just as Nirmal and Nilima did – he’d longed to step under that shower.
‘This is a shahebi choubachcha, a white man’s tank,’ Nirmal had said, pointing to the bathtub. ‘Shahebs use them to bathe in.’
Kanai remembered that he had been struck by the aptness of the description while also being offended at being spoken to as if he were a yokel who’d never seen such things. ‘I know what that is,’ he had said. ‘It’s a bathtub.’
A door led out from the bathroom, into the interior of the house. Pushing it open, Kanai found himself in a cavernous, wood-panelled room. Clouds of dust hung, as if frozen, in the angled shafts of light admitted by the louvred shutters. A huge iron bedstead stood marooned in the middle of the floor, like the remains of a drowned atoll. On the walls there were fading portraits in heavy frames; the pictures were of memsahibs in long dresses and men in knee-length breeches.
Kanai came to a stop in front of a portrait of a young woman in a lacy dress, sitting on a grassy moor dotted with yellow wildflowers. In the background were steep slopes covered with purple gorse and mountains flecked with snow. A grimy copper plate beneath the picture said, ‘Lucy McKay Hamilton, Isle of Arran.’
‘Who was she?’ Kanai could hear his voice echoing back from the past. ‘Who was this Lucy Hamilton?’
‘She’s the woman from whom this island takes its name.’
‘Did she live here? In this house?’
‘No. She was on her way here, from the far end of Europe, when her ship capsized. She never got to see the house but because it had been built for her, people used to call it Lusi’rbari. Then this was shortened to Lusibari and that was how the island took this name. But even though this house was the original Lusibari, people stopped calling it that. Now everyone speaks of it as the “Hamilton House”.’
‘Why?’
‘Because it was built by Sir Daniel MacKinnon Hamilton, Lucy’s uncle. Haven’t you seen his name on the school?’
‘And who was he?’
‘You really want to know?’
‘Yes.’
‘All right, then. Listen.’ The knob-knuckled finger rose to point to the heavens. ‘Now that you’ve asked you’ll have to listen. And pay attention, for all of this is true.’
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